Bharat Devotion
Embroidered artwork for Prayer with 108 Names of Shri Uchchishtagananatha: Embroidered Om symbol above a brass diya, marigolds and a temple spire at sunrise

Prayer with 108 Names of Shri Uchchishtagananatha

Prayer with 108 Names of Shri Uchchishtagananatha

A hymn of 108 names praising Ucchishta Ganapati, the Tantric form of Ganesha, by the ascetic Ramanandendra Sarasvati Svamigal.

Verses

om vandaarujanamandaarapaadapaaya namo namah om 1 om candraardhashekharapraanatanayaaya namo namah om om shailaraajasutotsangamandanaaya namo namah om vandanaaya om valleeshavalayakreedaakutukaaya namo namah om om shreeneelavaaneelalitaarasikaaya namo namah om om svaanandabhavanaanandanilayaaya namo namah om om candramandalasandrishyasvaroopaaya namo namah om om ksheeraabdhimadhyakalpadrumoolasthaaya namo namah om om suraapagaasitaambhojasamsthitaaya namo namah om om sadaneekritamaartaandamandalaaya namo namah om 10 om ikshusaagaramadhyasthamandiraaya namo namah om om cintaamanipuraadheeshasattamaaya namo namah om om jagatsrishtitirodhaanakaaranaaya namo namah om om kreedaarthasrishtabhuvanatritayaaya namo namah om om shundoddhootajalodbhootabhuvanaaya namo namah om om cetanaacetaneebhootashareeraaya namo namah om om anumaatrashareeraantarlasitaaya namo namah om om sarvavashyakaraanantamantraarnaaya namo namah om om kushthaadyaamayasandohashamanaaya namo namah om om prativaadimukhastambhakaarakaaya namo namah om 20 om paraabhicaaradushkarmanaashakaaya namo namah om om sakrinmantrajapadhyaanamuktidaaya namo namah om om nijabhaktavipadrakshaadeekshitaaya namo namah om om dhyaanaamritarasaasvaadadaayakaaya namo namah om om guhyapoojaarataabheeshtaphaladaaya namo namah om kuleeyapoojaa om roopaudaaryagunaakrishtatrilokaaya namo namah om om ashtadravyahavihpreetamaanasaaya namo namah om om avataaraashtakadvandvapradaanaaya namo namah om bhavataaraashtaka om bhaarataalekhanodbhinnaradanaaya namo namah om om naaradodgeetaruciracaritaaya namo namah om /30 om nikhilaamnaayasangushthavaibhavaaya namo namah om om baanaraavanacandeeshapoojitaaya namo namah om om indraadidevataavrindarakshakaaya namo namah om om saptarshimaanasaalaananishceshtaaya namo namah om om aadityaadigrahastomadeepakaaya namo namah om om madanaagamasattantrapaaragaaya namo namah om om ujjeeviteshasandagdhamadanaaya namo namah om kunjeevite om shameemaheeruhapreetamaanasaaya namo namah om om jalatarpanasampreetahridayaaya namo namah om om kandukeekritakailaasashikharaaya namo namah om 40 om atharvasheershakaaranyamayooraaya namo namah om om kalyaanaacalashringaagravihaaraaya namo namah om om aatunaindraadisaamasamstutaaya namo namah om om braahmyaadimaatrinivahpareetaaya namo namah om om caturthaavaranaarakshidigeeshaaya namo namah om rakshidheeshaaya om dvaaraavishtanidhidvandvashobhitaaya namo namah om om anantaprithiveekoormapeethaangaaya namo namah om om teevraadiyogineevrindapeethasthaaya namo namah om om jayaadinavapeethashreemanditaaya namo namah om om pancaavaranamadhyasthasadanaaya namo namah om 50 om kshetrapaalaganeshaadidvaarapaaya namo namah om om maheerateeramaagaureepaarshvakaaya namo namah om om madyapriyaadivinayividheyaaya namo namah om om vaaneedurgaamshabhootaarhakalatraaya namo namah om bhootaardha om varahastipishaaceehrinnandanaaya namo namah om om yogineeshacatushshashtisamyutaaya namo namah om om navadurgaashtavasubhissevitaaya namo namah om om dvaatrimshadbhairavavyoohanaayakaaya namo namah om om airaavataadidigdantisamvritaaya namo namah om om kantheeravamayooraakhuvaahanaaya namo namah om 60 om mooshakaankamahaaraktaketanaaya namo namah om om kumbhodarakaranyastapaadaabjaaya namo namah om om kaantaakaantataraangasthakaraagraaya namo namah om om antasthabhuvanaspheetajatharaaya namo namah om om karpooraveetikaasaararaktoshthaaya namo namah om om shvetaarkamaalaasandeeptakandharaaya namo namah om om somasooryabrihadbhaanulocanaaya namo namah om om sarvasampatpradaamandakataakshaaya namo namah om om ativelamadaaraktanayanaaya namo namah om om shashaankaardhasamaadeeptamastakaaya namo namah om 70 om sarpopaveetahaaraadibhooshitaaya namo namah om om sindooritamahaakumbhasuveshaaya namo namah om om aashaavasanataadrishyasaundaryaaya namo namah om om kaantaalinganasanjaatapulakaaya namo namah om om paashaankushadhanurbaanamanditaaya namo namah om om digantavyaaptadaanaambusaurabhaaya namo namah om om saayantanasahasraamshuraktaangaaya namo namah om om sampoornapranavaakaarasundaraaya namo namah om om brahmaadikritayajnaagnisambhootaaya namo namah om om sarvaamarapraarthanaattavigrahaaya namo namah om 80 om janimaatrasuratraasanaashakaaya namo namah om om kalatreekritamaatangakanyakaaya namo namah om om vidyaavadasurapraananaashakaaya namo namah om om sarvamantrasamaaraadhyasvaroopaaya namo namah om om shatkonayantrapeethaantarlasitaaya namo namah om om caturnavatimantraatmavigrahaaya namo namah om om hunganklaanglaammukhaanekabeejaarnaaya namo namah om om beejaaksharatrayaantasthashareeraaya namo namah om om hrillekhaaguhyamantraantarbhaavitaaya namo namah om beejamantraantarbhaavitaaya om svaahaantamaatrikaamaalaaroopaadhyaaya namo namah om 90 om dvaatrimshadaksharamayaprateekaaya namo namah om om shodhanaanarthasanmantravisheshaaya namo namah om om ashtaangayoginirvaanadaayakaaya namo namah om om praanendriyamanobuddhiprerakaaya namo namah om om moolaadhaaravarakshetranaayakaaya namo namah om om caturdalamahaapadmasamvishtaaya namo namah om om moolatrikonasamshobhipaavakaaya namo namah om om sushumnaarandhrasancaaradeshikaaya namo namah om om shatgranthinimnatatineetaarakaaya namo namah om om daharaakaashasamshobhishashaankaaya namo namah om 100 om hiranmayapuraambhojanilayaaya namo namah om om bhroomadhyakomalaaraamakokilaaya namo namah om om shannavadvaadashaantasthamaartaandaaya namo namah om om manonmaneesukhaavaasanirvritaaya namo namah om om shodashaantamahaapadmamadhupaaya namo namah om om sahasraarasudhaasaarasecitaaya namo namah om om naadabindudvayaateetasvaroopaaya namo namah om om ucchishtagananaathaaya maheshaaya namo namah om 108 yati shreeraamaanandendrasarasvateesvaamigal | 1 |

Worship Guidelines & Chanting Benefits (Phalashruti)

Auspicious Day

Daily or auspicious lunar days (Ekadashi, Purnima, Pradosham)

Best Time (Muhurta)

Brahma Muhurta (4:00 AM – 6:00 AM) or Evening Dusk (Sandhya)

Sacred Offerings

Ghee lamp (Deepa), Incense (Dhoopa), Fresh flowers & Water offering

Spiritual Benefits (Phalashruti)
  • Peace of mind, spiritual upliftment, and harmonious energy in the home
Chanting Practice:Chant each sacred name distinctly with 'Om' prefix and 'Namah' reverence.

Background

This hymn is a namavali, a litany of 108 names, each addressed to Ucchishta Ganapati. The word ucchishta means what is left over, and in Tantric worship it names a particular form of Ganesha. The Tantras and the yogic traditions are the world of this hymn. Its names speak of mantras, yantras and the subtle centres of the body, but they also praise Ganesha as the lord who protects devotees in danger and grants what they sincerely seek. The Sanskrit Documents edition closes with a colophon naming the author as the ascetic Sri Ramanandendra Sarasvati Svamigal, with the place and year Shantashrama, Thanjavur, 1959. That is the only attribution the text gives, and it is the one repeated here. Each of the 108 names ends in the same refrain, namo namah, so the hymn is chanted as a steady rhythm of salutations. Because it belongs to a specialised Tantric path, it is traditionally taken up under the guidance of a teacher.

Did You Know?

One refrain, 108 names

Every name opens with Om and closes with namo namah Om, and the Sanskrit Documents text numbers them from 1 to 108. The final name, number 108, is Ucchishta-gananatha, Mahesha, the Lord of the Ganas and the Great Lord.

Stories in the names

Name 29 recalls the tusk broken to write the Bharata, the Mahabharata, and name 32 says Bana, Ravana and Chandisha worshipped him. Name 40 says he played with the peak of Mount Kailasa as a ball, and name 82 mentions Matanga's daughter as his consort.

Healer and protector

Name 19 calls him the one who calms diseases such as leprosy, name 20 the one who stills the speech of hostile debaters, and name 21 the destroyer of harmful rites aimed at devotees. Name 22 promises liberation from a single recitation of his mantra with meditation.

Mantras and yantra

Names 84 to 92 speak of the six-cornered yantra seat, a mantra of ninety-four letters, and seed syllables such as hum, gam, klam and glam, and name 91 mentions a mantra of thirty-two letters. This is the Tantric heart of the hymn.

A journey up the body

Names 95 to 107 rise through the subtle body, from the root centre (muladhara) and the four-petalled lotus, through the sushumna channel and the space between the brows, up to the thousand-petalled sahasrara. The final names go beyond sound and point (nada and bindu), where the mind is stilled.