Bharat Devotion
Embroidered artwork for Vrukshavalli Amha Soyare: Tukaram's Abhanga on Solitude: Embroidered Om symbol above a brass diya, marigolds and a temple spire at sunrise

Vrukshavalli Amha Soyare

Tukaram's Abhanga on Solitude

Vrukshavalli Amha Soyare

Tukaram's Abhanga on Solitude

Sant Tukaram's Marathi abhanga on the joy of solitude among trees and birds, with Hari-katha as the only feast.

Verses

Vruksh valli aamha soyareen vancharen Pakshi hee suswaren aalaviti

Verse 1

Yenen sukhen ruche ekaantacha vaas Naahin gun dosh anga yet

Verse 2

Aakash mandap pruthvee aasan Rame tethen man kreeda karee

Verse 3

Kanthakumandalu deh-upachaara Jaanvito vaara avasaru

Verse 4

Harikatha bhojan paravadee vistaar Karoni prakaar sevoon ruchee

Verse 5

Tuka hmane hoy manasee samvaad Aapula chi vaad aapanaansee

Verse 6

Worship Guidelines & Chanting Benefits (Phalashruti)

Auspicious Day

Daily or auspicious lunar days (Ekadashi, Purnima, Pradosham)

Best Time (Muhurta)

Brahma Muhurta (4:00 AM – 6:00 AM) or Evening Dusk (Sandhya)

Sacred Offerings

Ghee lamp (Deepa), Incense (Dhoopa), Fresh flowers & Water offering

Spiritual Benefits (Phalashruti)
  • Peace of mind, spiritual upliftment, and harmonious energy in the home

Background

These verses are from the abhanga tradition of devotional poetry in the Marathi language, composed by the 17th-century saint Tukaram, a central figure in Maharashtra’s wider bhakti (devotional) movement. Abhangas are short, rhythmic poems meant to be sung, often as part of daily worship or during community gatherings. This particular set celebrates the joy of solitude in nature, the simplicity of a renunciant’s life, and the deep satisfaction of hearing stories of the divine (Hari-katha). Tukaram’s poetry is cherished for its direct, heartfelt language and its ability to convey spiritual truths through everyday images. The abhanga is preserved in the Tukaram Gatha, the traditional compiled anthology of his abhangas, and is sung by Warkari devotees of Vitthal of Pandharpur.

About this Text

Composed by: Sant Tukaram · Medieval Warkari Poet-Saint · 17th century, Maharashtra

A householder-saint of the Warkari tradition from Dehu, Maharashtra, who composed thousands of Abhangas (devotional verses) to Vitthal in plain, direct Marathi, often reflecting on his own hardships, doubts, and everyday struggles as a grain merchant.

Did You Know?

Author

Sant Tukaram (c. 1608–1650) was a 17th-century Marathi saint-poet from Maharashtra, India. He is one of the most revered figures in the Varkari tradition, which emphasizes devotion to the god Vithoba (a form of Krishna) and the practice of kirtan (devotional singing).

Context

This abhanga (a type of Marathi devotional poem) reflects a key theme in Tukaram's writings — the joy of a simple, detached life focused on devotion. The poet describes being at home in nature, with the sky as a canopy and the earth as a seat.

Symbolic elements

The "kantha" (patched cloak) and "kumandalu" (water pot) are traditional ascetic possessions, symbolizing renunciation. The wind telling time suggests a life free from clocks and schedules, attuned to natural rhythms.

Central metaphor

Tukaram compares listening to stories of Lord Hari (Vishnu/Krishna) to a lavish feast. This conveys that devotional stories are not just informative but spiritually nourishing, more satisfying than any physical food.

Philosophical insight

The final verse says the mind holds a conversation with itself — meaning that through devotion and solitude, one achieves inner harmony and self-understanding. The "argument" (vada) within oneself resolves into peaceful communion.