Bharat Devotion
Embroidered artwork for Jai Devi: Hymn to Goddess Durga, the Remover of Obstacles: Embroidered Om symbol above a brass diya, marigolds and a temple spire at sunrise

Jai Devi

Hymn to Goddess Durga, the Remover of Obstacles

Jai Devi

Hymn to Goddess Durga, the Remover of Obstacles

A heartfelt Marathi hymn to Goddess Durga, slayer of Mahishasura, pleading with her to end the cycle of birth and death and lift the burdens of daily life.

Verses

Durge Durghat Bhari Tujvin Sansari | Anathnathe Ambe Karuna Vistari || Wari Wari Janma Marna Te Wari | Hari Padlo Aata Sankat Nivari || 1 ||

Verse 1

Jai Devi Jai Devi Jai Mahishasuramathani | Suravar Ishwar Varade Tarak Sanjeevani || Dhru ||

Verse 2

Tribhuvani Bhuvani Pahtan Tuj Aise Nahi | Chari Shramale Parantu Na Bolave Kahin || Sahi Vivad Karitan Padile Pravahi | Te Toon Bhaktalagi Pavasi Lavlahi || 2 ||

Verse 3

Prasanna Vadane Prasanna Hosi Nijadasan | Kleshapasuni Sodi Todi Bhavpasha || Ambe Tujvanchun Kon Puravil Asha | Narhari Tallin Jhala Padpankaj Lesha || 3 ||

Verse 4

Worship Guidelines & Chanting Benefits (Phalashruti)

Auspicious Day

Daily or auspicious lunar days (Ekadashi, Purnima, Pradosham)

Best Time (Muhurta)

Brahma Muhurta (4:00 AM – 6:00 AM) or Evening Dusk (Sandhya)

Sacred Offerings

Ghee lamp (Deepa), Incense (Dhoopa), Fresh flowers & Water offering

Spiritual Benefits (Phalashruti)
  • Peace of mind, spiritual upliftment, and harmonious energy in the home
Chanting Practice:Sing together with family at the conclusion of evening worship while offering a circular light flame.

Background

This hymn is written in Marathi, the language of the western Indian state of Maharashtra, and belongs to the bhakti (devotional) tradition of Hinduism, which emphasizes personal, loving surrender to God or the Goddess. It is the kind of prayer sung during Navaratri, the nine-night festival dedicated to Durga, as well as in daily home worship. The final verse names a devotee, Narahari, a common signature practice in devotional poetry; the hymn is traditionally attributed to him, though historical details are not firmly established. The Goddess's victory over the buffalo-demon Mahishasura that the refrain celebrates is narrated in the Devi Mahatmyam (Durga Saptashati) of the Markandeya Purana, chapters 2-3, the scriptural source of the Mahishasura Mardini episode.

Did You Know?

Author

The closing verse names its own author, Narahari — "Narahari tallina jhala padapankaja-lesha" (Narahari became absorbed in the dust of your lotus feet). Tradition identifies him with Narahari Sonar, a Marathi saint-poet, though as with much oral bhakti poetry the historical details are not fully certain.

Language and form

This is a Marathi aarti, a simple and repetitive devotional form meant for congregational singing. The refrain (dhruvapada) praises the Goddess as the slayer of the buffalo-demon Mahishasura, a central episode of the Devi Mahatmya.

Meaning of the refrain

The Goddess is called 'Mahishasura Mardini' (slayer of Mahishasura) and 'Tarak Sanjivani' — the one who grants liberation (taraka) and revives or gives life (sanjivani). The refrain sets the tone of urgent, loving surrender to the Divine Mother.

Core theme

The hymn expresses total dependence on the Goddess as the only refuge for the helpless. The first verse calls her the 'Nath' (lord/protector) of the orphaned, and the singer pleads to be saved from the endless cycle of birth and death (samsara).

A search through the three worlds

The second verse says that, looking through all the three worlds (tribhuvana), nothing is found equal to the Goddess. Even the four Vedas grow weary without finding words for her, and the six systems of philosophy are swept away in endless debate, yet she quickly comes to the aid of her devotee.

The final verse's promise

The hymn ends with a vision of the Goddess's compassionate face. It states that she alone fulfills the hopes of her devotees, and the poet declares himself absorbed in the 'dust of her lotus feet' — a classic image of total surrender and devotion (bhakti).

Connected Teachings

The same teaching, echoed across traditions