Bharat Devotion
Embroidered artwork for Hymn to Mahishasuramardini (The Slayer of the Buffalo Demon): Embroidered Om symbol above a brass diya, marigolds and a temple spire at sunrise

Hymn to Mahishasuramardini (The Slayer of the Buffalo Demon)

Hymn to Mahishasuramardini (The Slayer of the Buffalo Demon)

A celebrated Sanskrit hymn to Goddess Durga as Mahishasuramardini, slayer of the buffalo demon; 21 verses from a 30-verse poem.

Verses

bhagavateepadyapushpaanjaleestotraantargatam mahishaasuramardinistotram | 1 |

Verse 1

ayi girinandini nanditamedini vishvavinodini nandanute (nandinute) girivaravindhyashirodhinivaasini vishnuvilaasini jishnunute | 2 |

Verse 2

bhagavati he shitikanthakutumbini bhoorikutumbini bhoorikrite jaya jaya he mahishaasuramardini ramyakapardini shailasute | 3 |

Verse 3

suravaravarshini durdharadharshini durmukhamarshini harsharate tribhuvanaposhini shankaratoshini kilbishamoshini ghosharate | 4 |

Verse 4

danujaniroshini ditisutaroshini durmadashoshini sindhusute jaya jaya he mahishaasuramardini ramyakapardini shailasute | 5 |

Verse 5

(bidaalasyaasinaa kaayaat paatayaamaasa vai shirah durdharam durmukham cobhau sharairninye yamakshayam ) | 6 |

Verse 6

ayi jagadamba madamba kadambavanapriyavaasini haasarate shikharishiromanitungahimaalayasha‍ringanijaalayamadhyagate | 7 |

Verse 7

madhumadhure madhukaitabhaganjini kaitabhabhanjini raasarate jaya jaya he mahishaasuramardini ramyakapardini shailasute | 8 |

Verse 8

(aasteerya sheshamabhajat kalpaante bhagavaan prabhuh tadaa dvaavasurau ghorau vikhyaatau madhukaitabhau madhukaitabhanaasham ca mahishaasuraghaatanam keertayishyanti ye tadvadvadham shumbhanishumbhayoh 12.3) | 9 |

Verse 9

ayi shatakhandavikhanditarundavitunditashundagajaadhipate ripugajagandavidaaranacandaparaakramashunda mrigaadhipate (kramashaunda) | 10 |

Verse 10

nijabhujadandanipaatitakhandavipaatitamundabhataadhipate (nipaatitacanda) jaya jaya he mahishaasuramardini ramyakapardini shailasute | 11 |

Verse 11

(utthaaya ca mahaasimham devee candamadhaavata griheetvaa caasya kesheshu shirastenaasinaacchinat atha mundo'bhyadhaavattaam drishtvaa candam nipaatitam tamapyapaatayadbhoomau saa khadgaabhihatam rushaa 7.21) | 12 |

Verse 12

ayi ranadurmadashatruvadhoditadurdharanirjarashaktibhrite caturavicaaradhureenamahaashivadootakritapramathaadhipate (mahaashaya) | 13 |

Verse 13

duritadureehaduraashayadurmatidaanavadootakritaantamate jaya jaya he mahishaasuramardini ramyakapardini shailasute | 14 |

Verse 14

(nishamyeti vacah shumbhah sa tadaa candamundayoh preshayaamaasa sugreevam dootam devyaa mahaasuram ) | 15 |

Verse 15

ayi sharanaagatavairivadhoovaraveeravaraabhayadaayakare (daayikare) tribhuvanamastakashoolavirodhishirodhikritaamalashoolakare | 16 |

Verse 16

dumidumitaamaradundubhinaadamahomukhareekritatigmakare (dhimidhimitaamara, muhurmukhareekritadinnikare) jaya jaya he mahishaasuramardini ramyakapardini shailasute | 17 |

Verse 17

ayi nijahu~kritimaatraniraakritadhoomravilocanadhoomrashate samaravishoshitashonitabeejasamudbhavashonitabeejalate (beejata te) | 18 |

Verse 18

shivashiva shumbhanishumbhamahaahavatarpitabhootapishaacarate jaya jaya he mahishaasuramardini ramyakapardini shailasute | 19 |

Verse 19

(ityuktah so'bhyadhaavattaamasuro dhoomralocanah hunkaarenaiva tam bhasma saa cakaaraambikaa tadaa ) | 20 |

Verse 20

dhanuranushangaranakshanasangaparisphuradanganatatkatake kanakapishangaprishatkanishangarasadbhatasha‍ringahataavatuke | 21 |

Verse 21

kritacaturangabalakshitirangaghatadbahurangaratadbatuke jaya jaya he mahishaasuramardini ramyakapardini shailasute | 22 |

Verse 22

suralalanaatatatheyitatheyitathaabhinayottaranrityarate (kritaabhina) haasavilaasahulaasamayi pranataartajane'mitapremabhare | 23 |

Verse 23

(kritakukuthah kukutho gadadaadikataalakutoohalagaanarate) dhimikitadhikkatadhikatadhimidhvanidheeramridanganinaadarate jaya jaya he mahishaasuramardini ramyakapardini shailasute | 24 |

Verse 24

jaya jaya japyajaye jayashabdaparastutitatparavishvanute jhanajhanajhinjhimijhankritanoopurasinjitamohitabhootapate (jhinkrita) | 25 |

Verse 25

natitanataardhanateenatanaayakanaatitanaatyasugaanarate jaya jaya he mahishaasuramardini ramyakapardini shailasute | 26 |

Verse 26

ayi sumanahsumanah sumanah sumanah sumanoharakaantiyute shritarajaneerajaneerajaneerajaneerajaneekaravaktravrite | 27 |

Verse 27

sunayanavibhramarabhramarabhramarabhramarabhramaraadhipate jaya jaya he mahishaasuramardini ramyakapardini shailasute | 28 |

Verse 28

sahitamahaahavamallamatallikamallitarallakamallarate (mahitamahaa, tallikavallita) viracitavallikapallikamallikajhillikabhillikavargavrite | 29 |

Verse 29

sitakritaphullasamullasitaarunatallajapallavasallalite (pallavavallalite) jaya jaya he mahishaasuramardini ramyakapardini shailasute | 30 |

Verse 30

aviralagandagalanmadameduramattamatangajaraajapate tribhuvanabhooshanabhootakalaanidhiroopapayonidhiraajasute | 31 |

Verse 31

ayi sudateejanalaalasamaanasamohanamanmatharaajasute jaya jaya he mahishaasuramardini ramyakapardini shailasute | 32 |

Verse 32

kamaladalaamalakomalakaantikalaakalitaamalabhaalalate (bhaalatale) sakalavilaasakalaanilayakramakelicalatkalahamsakule | 33 |

Verse 33

alikulasankulakuvalayamandalamaulimiladbakulaalikule (kuntalamandala) jaya jaya he mahishaasuramardini ramyakapardini shailasute | 34 |

Verse 34

karamuraleeravaveejitakoojitalajjitakokilamanjumate militamilindamanoharagunjitaranjitashailanikunjagate (militapulinda) | 35 |

Verse 35

nijagunabhootamahaashabareeganasadgunasambhritakelitale (nijagana, kelitate) jaya jaya he mahishaasuramardini ramyakapardini shailasute | 36 |

Verse 36

katitatapeetadukoolavicitramayookhatiraskritacandraruce (candaruce) pranatasuraasuramaulimanisphuradamshulasannakhacandraruce | 37 |

Verse 37

jitakanakaacalamaulipadorjitanirjarakunjarakumbhakuce (madorjita) jaya jaya he mahishaasuramardini ramyakapardini shailasute | 38 |

Verse 38

vijitasahasrakaraikasahasrakaraikasahasrakaraikanute kritasurataarakasangarataarakasangarataarakasoonusute | 39 |

Verse 39

surathasamaadhisamaanasamaadhisamaadhisamaadhisujaatarate jaya jaya he mahishaasuramardini ramyakapardini shailasute | 40 |

Verse 40

(vaishyavarya tvayaa yashca varo'smatto'bhivaanchitah tam prayacchaami samsiddhyai tava jnaanam bhavishyati 13.25 evam devyaa varam labdhvaa surathah kshatriyarshabhah sooryaajjanma samaasaadya saavarnirbhavitaa manuh ) | 41 |

Verse 41

padakamalam karunaanilaye varivasyati yo'nudinam sushive ayi kamale kamalaanilaye kamalaanilayah sa katham na bhavet | 42 |

Verse 42

tava padameva parampadamevanusheelayato mama kim na shive (parampadamityanusheelayato) jaya jaya he mahishaasuramardini ramyakapardini shailasute | 43 |

Verse 43

kanakalasatkalasindhujalairanusincinute guna rangabhuvam (shincati te guna) bhajati sa kim na shaceekucakumbhatateeparirambhasukhaanubhavam | 44 |

Verse 44

tava caranam sharanam karavaani nataamaravaaninivaasi shivam (mridaani sadaa mayi dehi shivam) jaya jaya he mahishaasuramardini ramyakapardini shailasute | 45 |

Verse 45

tava vimalendukulam vadanendumalam sakalam nanu koolayate (kalayannanu) kimu puruhootapureendumukheesumukheebhirasau vimukheekriyate | 46 |

Verse 46

mama tu matam shivanaamadhane bhavateekripayaa kimuta kriyate (kimu na kriyate) jaya jaya he mahishaasuramardini ramyakapardini shailasute | 47 |

Verse 47

ayi mayi deenadayaalutayaa kripayaiva tvayaa bhavitavyamume ayi jagato jananee kripayaasi yathaasi yathaa'numitaasi rate (rame ) | 48 |

Verse 48

yaducitamatra bhavatyurareekurutaadurutaapamapaakurute (taapamapaakuru me) jaya jaya he mahishaasuramardini ramyakapardini shailasute | 49 |

Verse 49

Iti Shree Mahishasuramardini Stotram Sampoornam

Verse 50

Worship Guidelines & Chanting Benefits (Phalashruti)

Auspicious Day

Daily or auspicious lunar days (Ekadashi, Purnima, Pradosham)

Best Time (Muhurta)

Brahma Muhurta (4:00 AM – 6:00 AM) or Evening Dusk (Sandhya)

Sacred Offerings

Ghee lamp (Deepa), Incense (Dhoopa), Fresh flowers & Water offering

Spiritual Benefits (Phalashruti)
  • Peace of mind, spiritual upliftment, and harmonious energy in the home

Background

The hymn is the best-known part of the Bhagavati-Padya-Pushpanjali Stotra, a 30-verse floral offering to the Goddess; the popular 'Aigiri Nandini' verses with the shared refrain are its verses 7 to 27, numbered 1 to 21. It is widely sung as the work of Adi Shankaracharya, but the Sanskrit Documents edition notes that this attribution is incorrect, since the hymn is absent from his complete works, and lists the poet Ramakrishna Kavi as author; the closing verses of the full poem (29-30) name a Ramakrishna, son of Shripati. A portion also appears in the Shivarahasya, part 1, chapter 53, verses 9-21. The poem draws on episodes of the Devi Mahatmya (Markandeya Purana) and is widely recited during Navaratri and in daily prayers, especially in South India.

About this Text

Composed by: Ramakrishna Kavi

Did You Know?

Author & Composition

This hymn is popularly credited to Adi Shankaracharya, but the Sanskrit Documents edition names the poet Ramakrishna Kavi as author and calls the Shankara attribution incorrect, since it is absent from his complete works. It is part of a larger work, the Bhagavati Padya Pushpanjali Stotram, a collection of verses offered like a floral tribute to the Divine Mother.

Structure & Refrain

The poem is structured in 21 verses, each ending with the powerful refrain 'Jaya Jaya he Mahishasura Mardini Ramya Kapardini Shailasute'. This repetition creates a rhythmic chant that honors the Goddess by her titles: the slayer of the buffalo demon Mahisha, the one with beautiful matted hair, and the daughter of the mountain Himalaya.

The Central Battle

The hymn is a dramatic retelling of the Devi's battle against a host of demons. It doesn't just describe the fight with Mahishasura, but vividly recounts her victories over other powerful asuras (demons) like Madhu and Kaitabha, Chanda and Munda, Dhumralochana, Raktabija, and the brothers Shumbha and Nishumbha, showing her as the ultimate protector.

Musical & Dance Imagery

The stotram is famous for its onomatopoeic sound play. It describes the rhythm of the battle with words mimicking the beat of drums (dhimi kita dhikkata), the jingling of her ankle bells (jhana jhana), and even the sounds of her laughter, portraying the Goddess not just as a warrior but as a cosmic dancer performing the Tandava of destruction.

Final Promise of Grace

The hymn concludes with a personal turn. In its last three verses (19-21 of the 21), after recounting her heroic deeds, the poet prays directly to the Goddess, addressed as mother of the universe, for her grace (kripaya), saying that if one takes refuge at her lotus feet, no other boon is needed.