Bharat Devotion
Embroidered artwork for Jain Snatra Puja: The Ritual Bathing of the Tirthankara: Embroidered Jain ahimsa palm with a gold wheel, white marble temples and lotuses at dawn

Jain Snatra Puja

The Ritual Bathing of the Tirthankara

Jain Snatra Puja

The Ritual Bathing of the Tirthankara

Verses and ritual directions for the Jain Snatra Puja, the ceremonial bathing of a Tirthankara image, attributed to Pandit Veervijayji.

Ritual Procedure (Puja Vidhi)

  1. 1Preparation and Purification

    Clean the altar and the Tirthankara idol. Gather ritual items: a kalasha (sacred pot) with water, milk, sandalwood paste, rice grains, flowers, incense, a lamp, and fresh cloth. The devotee should bathe and wear clean clothes as a sign of physical and mental purity.

  2. 2Invocation and Sankalpa

    Stand before the idol, fold hands, and chant a sacred mantra (e.g., 'Om Namo Arihantanam') to invite the presence of the Tirthankara. Then declare your intention (sankalpa) for performing the Snatra Puja, asking for spiritual purification and blessings.

  3. 3Abhisheka with Pure Water

    Pour pure water from the kalasha gently over the idol from head to toe, reciting mantras. This symbolizes washing away karmic impurities and awakening divine qualities. Repeat this step using a mixture of milk and water if desired.

  4. 4Application of Sandalwood Paste

    After drying the idol with a soft cloth, apply a paste of sandalwood (chandan) on the forehead and body of the Tirthankara. Sandalwood represents virtue, serenity, and cooling of passions.

  5. 5Offering of Rice and Flowers

    Place unbroken rice grains (akshat) on the idol, then offer fresh flowers such as marigolds or jasmine. Rice symbolizes abundance and prosperity; flowers represent devotion and the blossoming of the soul.

  6. 6Lighting Incense and Lamp

    Light incense sticks (agarbatti) and a ghee lamp (deepak). Wave the incense in front of the idol to purify the atmosphere, then perform aarti by rotating the lamp in a clockwise direction while singing hymns or bhajans.

  7. 7Aarti

    Offer a lit lamp before the idol in a circular motion while devotional songs are sung, marking the bathing ritual's completion with light.

  8. 8Final Prayer and Conclusion

    Fold hands, close eyes, and recite a concluding prayer like the Bhaktamara Stotra or a simple dedication. Ask the Tirthankara to bless you with wisdom and liberation. Bow down three times, then distribute the offerings (prasad) to devotees.

Verses

Praathamik Taiyaari * Pratham teen gadh ke badle teen sundar paat rakhkar us par singhasan rakhein. * Neeche ke paat par beech mein kesar ka swastik nikaalein aur us par chaawal rakhkar shreefal rakhein. * Singhasan ke beech mein kesar ka swastik nikaalein aur us par rupaye ka sikka rakhkar, teen Navkar ginkar us par dhaatu ki pratimaji bithaayein. * Pratimaji ke daahini aur, pratimaji ki naak ki oonchaai tak ghee ka deep rakhein. * Baad mein Snatra pooja karne waale naadachhadi baandhkar haath mein panchaamrit bhara hua kalash lekar teen Navkar gin, Prabhuji aur Siddhachakraji ko pakshaal karein. (Panchaamrit doodh, dahi, shakar, ghee aur paani ka mishran) * Phir baalaakunchi karke paani ka pakshaal kar teen kapdon se ang ponchhkar kesar se pooja karein. * Baad mein haath dhokar khud ke daahine haath ki hatheli mein kesar ka swastik karein. * Baad mein Snatra karne waale kusumaanjali ka thaal lekar khade rahein. (Kusumaanjali - kesar, chaawal aur pushpa ka mishran)

Verse 1

(Pandit Shree Veer Vijayji Krit) (Pehle kalash lekar khade rehna) Kaavya (Drutavilambit Vrittam) Saras-shaanti-sudhaarasa saagaram, shuchitaram gunaratnamahaagaram. Bhavika-pankaja-bodha-divaakaram, pratidinam pranamaami jineshvaram. ॥1॥

Verse 2

(Yahaan prakshaal karna) ॥ Doha ॥ Kusumaabharan utaareene, padima dhariye vivek. Majjan peethe sthaapeene, kariye jal abhishek. ॥2॥

Verse 3

(Kusumaanjali ki thaali lekar khade rehna) ॥ Gaatha-Aarya Geeti ॥ Jin jamma samaye, Meru sihare rayana kanaya kalasehin. Devasurehin nhaavium, te dhanna jehin ditthosi. ॥3॥

Verse 4

(Prabhuji ke daahine angoothe par kusumaanjali rakhna) (Namo Arhat Siddhaachaarya bolna) ॥ Kusumaanjali Dhaal ॥ Nirmal jal kalashe nhavaraave, vastra amoolak ang dharaave. Kusumaanjali melo Aadi Jinanda, siddhasvaroopi ang pakhaali. ॥4॥

Verse 5

Aatam nirmal hui sukumaali, kusumaanjali melo Aadi Jinanda.

Verse 6

(Daahine angoothe par kusumaanjali rakhna)

Verse 7

Worship Guidelines & Chanting Benefits (Phalashruti)

Auspicious Day

Daily or auspicious lunar days (Ekadashi, Purnima, Pradosham)

Best Time (Muhurta)

Brahma Muhurta (4:00 AM – 6:00 AM) or Evening Dusk (Sandhya)

Sacred Offerings

Ghee lamp (Deepa), Incense (Dhoopa), Fresh flowers & Water offering

Spiritual Benefits (Phalashruti)
  • Peace of mind, spiritual upliftment, and harmonious energy in the home

Background

This text belongs to the Svetambara Jain tradition and is attributed to Pandit Veervijayji, whose Snatra Puja is traditionally dated to around Vikram Samvat 1885 (early 19th century CE). The ritual is performed on special occasions such as Mahavir Jayanti, when an image of a Tirthankara is bathed with panchamrita and other sacred items. The verses accompany the actions of the devotee, from preparation to the offering of kusumanjali (a mix of saffron, rice, and flowers).

Story & Significance

Snatra Puja re-enacts Indra's birth-bathing of a Tirthankara on Mount Meru, a ceremonial washing of the idol performed on Jain festivals and auspicious days.

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About this Text

Composed by: Pandit Veervijayji

Did You Know?

Ritual sequence

This text is a step-by-step guide for the Snatra Puja, a ceremonial bathing of a Jain Tirthankara idol. It begins with preparing a throne and drawing a saffron swastika, then proceeds through the actual bathing with the five nectars (milk, curd, sugar, ghee, water), and ends with offering a handful of flowers (kusumanjali) to the idol's right toe.

Author

The Snatra Puja is attributed to Pandit Shri Veervijayji Maharaj, a Jain scholar-poet whose composition is traditionally dated to about Vikram Samvat 1885 (19th century CE), and it remains a classic of Jain liturgical devotion.

Poetic form

The first verse is composed in the Drutavilambita meter, a Sanskrit poetic meter known for its flowing, rapid rhythm. The name literally means 'swift and slow,' reflecting its alternating pattern of short and long syllables, which gives it a graceful, lilting quality.

Mythological reference

The third verse recalls the legend of the Tirthankara's birth, when the gods and demons (devas and asuras) descended to Mount Meru to bathe the newborn with golden pitchers filled with precious substances. This ritual re-enacts that celestial event, making the devotee's act a participation in divine history.

Symbolic meaning

The text emphasizes that the true purpose of the ritual is not just physical cleansing but inner purification. The verse 'Atam nirmal hui sukumali' (the soul becomes pure and gentle) highlights that the external bathing of the idol symbolizes the washing away of karmic impurities from the devotee's own soul.

Practical instruction

The verses are interspersed with stage directions in parentheses, such as 'take the kalash and stand' or 'place the kusumanjali on the right toe.' This makes the text a complete, self-contained manual that a priest or devotee can follow in real time during the ceremony.