Bharat Devotion
Embroidered artwork for Where Do You Seek Me?: Embroidered Om symbol above a brass diya, marigolds and a temple spire at sunrise

Where Do You Seek Me?

Where Do You Seek Me?

This poem by the 15th-century mystic Kabir reminds us that the divine is not found in holy buildings or rituals, but right here, within every breath we take.

Verses

Mokon Kahan Dhoondhe Bande, Main To Tere Paas Mein. Na Main Deval Na Main Masjid, Na Kaabe Kailas Mein.

Verse 1

Na To Kaun Kriya-Karm Mein, Nahin Yog Bairag Mein. Khoji Hoy To Turtay Milihon, Pal Bhar Ki Talaas Mein.

Verse 2

Kahein Kabir Suno Bhai Sadho, Sab Swaanson Ki Swaans Mein.

Verse 3

Worship Guidelines & Chanting Benefits (Phalashruti)

Auspicious Day

Daily or auspicious lunar days (Ekadashi, Purnima, Pradosham)

Best Time (Muhurta)

Brahma Muhurta (4:00 AM – 6:00 AM) or Evening Dusk (Sandhya)

Sacred Offerings

Ghee lamp (Deepa), Incense (Dhoopa), Fresh flowers & Water offering

Spiritual Benefits (Phalashruti)
  • Peace of mind, spiritual upliftment, and harmonious energy in the home

Background

Kabir was a poet-saint of the Bhakti movement, a devotional tradition in India that emphasised direct, personal love of God over formal religion. This poem is often sung as a bhajan (devotional song) in gatherings or recited in personal meditation. It reflects Kabir's characteristic style: plainspoken, direct, and startling in its simplicity, urging the listener to look inward rather than outward. The pad is listed under Kabir's name in popular and printed collections (Hindwi and Kavitakosh both carry it); we could not trace it to a specific manuscript or to the Bijak, and sung versions differ in the wording of the second line. The thought that God is nearer than any temple, in the seeker's own heart and breath, is also voiced in the Bhagavad Gita (18.61): the Lord is seated in the heart of every being.

About this Text

Composed by: Sant Kabir · Medieval Nirguna Bhakti Poet-Saint · 15th century, Varanasi

A mystic poet and weaver by trade from Varanasi, whose blunt, image-rich couplets (dohas) rejected ritualism and caste distinctions in favor of direct, formless (nirguna) devotion. His verses are revered across Hindu, Sikh (many appear in the Guru Granth Sahib), and Sufi-influenced traditions alike.

Did You Know?

Author

These verses are by Kabir (1440–1518), a 15th-century Indian mystic poet and saint. His works were composed in a mix of Hindi, Awadhi, and Braj, and rejected organized religion in favor of a direct, personal experience of the divine.

Core message

Kabir declares that the divine is not to be found in external places like temples, mosques, Mount Kailash (a holy mountain in Hinduism) or the Kaaba (the holiest site in Islam). Instead, God exists right beside you—inside your own awareness.

Rejection of ritual

The second verse dismisses formal religious practices (kriya-karm), asceticism (yog), and detachment (bairag) as the path to God. Kabir insists that the seeker can find the divine immediately—in just a moment of earnest looking.

Symbolism of breath

The concluding line says the divine dwells in 'every breath' (sab swaason ki swaas mein). This points to a simple, ever-present meditation: by paying attention to the natural rhythm of breathing, one can realize God here and now.

Poetic form

This is a pad, a short devotional song, and not a doha couplet. It closes with Kabir's signature line ('kahain Kabir', says Kabir), a form typical of his oral tradition that makes the teaching easy to remember and sing.