Bharat Devotion
Embroidered artwork for Ram Sia Ram Bhajan: Embroidered Om symbol above a brass diya, marigolds and a temple spire at sunrise

Ram Sia Ram Bhajan

Ram Sia Ram Bhajan

A bhajan stringing together Ramcharitmanas verses of faith and patience, with the refrain 'Ram Sia Ram Sia Ram Jai Jai Ram'.

Verses

Ram Siya Ram Siya Ram Jai Jai Ram Mangal Bhavan Amangal Hari Dravahu Su Dashrath Achar Bihari Ram Siya Ram Siya Ram Jai Jai Ram

Verse 1

Ho, Hoi Hai Wahi Jo Ram Rachi Rakha Ko Kare Tarak Badaye Sakha

Verse 2

Ram Siya Ram Siya Ram Jai Jai Ram

Verse 3

Ho, Dheeraj Dharam Mitr Aru Nari Aapad Kaal Parakhiye Chari

Verse 4

Ram Siya Ram Siya Ram Jai Jai Ram

Verse 5

Ho, Jehike Jehi Par Satya Sanehu So Tehi Milaye Na Kachhu Sandehu

Verse 6

Ho, Jaaki Rahi Bhavna Jaisi Raghu Murti Dekhi Tin Taisi

Verse 7

Ho, Raghukul Reet Sada Chali Aayi Pran Jaye Par Vachan Na Jayi

Verse 8

Ram Siya Ram Siya Ram Jai Jai Ram Ram Siya Ram Siya Ram Jai Jai Ram

Verse 9

Ho, Hari Anant Hari Katha Ananta Kahahi Sunahi Bahuvidhi Sab Santa

Verse 10

Ram Siya Ram Siya Ram Jai Jai Ram Ram Siya Ram Siya Ram Jai Jai Ram Ram Siya Ram Siya Ram Jai Jai Ram

Verse 11

Worship Guidelines & Chanting Benefits (Phalashruti)

Auspicious Day

Daily or auspicious lunar days (Ekadashi, Purnima, Pradosham)

Best Time (Muhurta)

Brahma Muhurta (4:00 AM – 6:00 AM) or Evening Dusk (Sandhya)

Sacred Offerings

Ghee lamp (Deepa), Incense (Dhoopa), Fresh flowers & Water offering

Spiritual Benefits (Phalashruti)
  • Peace of mind, spiritual upliftment, and harmonious energy in the home

Background

This devotional song (bhajan) draws its verses from the Ramcharitmanas, the classic Hindi epic poem by the 16th-century poet-saint Tulsidas that tells the story of Lord Rama. The lines come from several kandas: 'Mangal bhavan amangal hari' is spoken by Shiva in the Bala Kanda between Dohas 111 and 112; 'Hoihi soi jo Ram rachi rakha' falls just before Bala Kanda Doha 52; 'Dheeraj dharam' is Anasuya's counsel to Sita in the Aranya Kanda (just before Sortha 5); and 'Raghukul reet' is spoken by Dasharatha in the Ayodhya Kanda (just before Doha 28). The refrain 'Ram Sia Ram' is a simple chant of the names of Rama and Sita, used in North Indian bhakti as a form of meditation and praise. It is sung in congregations, in daily worship, and especially at Ram Navami.

About this Text

Composed by: Goswami Tulsidas · Medieval Bhakti Poet-Saint · 16th century, Awadh & Varanasi (North India)

A Sanskrit and Awadhi poet-saint best known for the Ramcharitmanas, his Awadhi retelling of the Ramayana. Tradition holds he faced years of hardship and wandering before settling in Varanasi, where he composed most of his other major works, including the Hanuman Chalisa and Vinaya Patrika, as devotional offerings to Rama and Hanuman.

Did You Know?

Source

These verses are from the Ramcharitmanas, the epic retelling of the Ramayana by the 16th-century poet-saint Tulsidas. The opening couplet, “Mangal Bhavan Amangal Haari,” is one of the most beloved prayers in North India, often recited at the start of religious ceremonies. The lines are drawn from several kandas: for example, 'Hoihi soi jo Ram rachi rakha' sits just before Bala Kanda Doha 52, and 'Hari anant hari katha ananta' just before Bala Kanda Sortha 140.

Refrain

The repeated line “Ram Sia Ram Sia Ram Jai Jai Ram” is a simple, rhythmic chant that combines the names of Rama and Sita. It serves as a meditative anchor, allowing devotees to focus on the divine couple while absorbing the deeper teachings of the surrounding verses.

Life Lessons

The verse “Dheeraj Dharam Mitr Aru Naarii, Aapad Kaal Parakhiye Chaarii” offers a practical proverb: patience, righteousness, friends, and a spouse are truly tested only in times of crisis. In the Ramcharitmanas it is part of Anasuya's counsel to Sita in the Aranya Kanda.

Perception of the Divine

“Jaaki Rahi Bhavna Jaisi, Raghu Moorti Dekhi Tin Taisi” teaches that devotees see the Lord according to their own inner feelings and devotion. It emphasizes that the divine responds to the sincerity and intensity of one’s faith, not to external rituals.

Clan’s Honor

“Raghukul Reet Sada Chali Ayi, Praan Jaye Par Vachan Na Jayi” declares the tradition of the Raghu dynasty (Rama’s lineage): one may give up life, but never break a promise. In the Ayodhya Kanda (before Doha 28) King Dasharatha says it to Kaikeyi, the promise that sends Rama to the forest.