Bharat Devotion
Embroidered artwork for Shrimad Anjaneya Bhujangaprayata Stotram: Embroidered Om symbol above a brass diya, marigolds and a temple spire at sunrise

Shrimad Anjaneya Bhujangaprayata Stotram

Shrimad Anjaneya Bhujangaprayata Stotram

A Hanuman stotra in the bhujangaprayata meter, praising Anjaneya as the eternal protector who delights in singing Rama's name.

Verses

om shreeraamajayam om sadgurushreetyaagaraajasvaamine namo namah om aanjaneyaaya vidmahe raamadootaaya dheemahi tanno yajah pracodayaat | 1 |

Verse 1

sadaaraamabhaktiprasaarapradeenam sadaataarakaanandanaamopagangam sadaadhyaanaleenam sadaanaamagaanam sadaatraanabhaktam namaamyaanjaneyam | 2 |

Verse 2

sadaaraamanaamaplavaahlaadaroopam sadaaraamanaamaadharasmeravaktram sadaaraamagaanaatimaadhuryakantham sadaatraanabhaktam namaamyaanjaneyam | 3 |

Verse 3

sadaanaamayogam sadaaraamaraagam sadaacittasampoornanaamaprabhaavam sadaabrahmanishtham varajnaanapoornam sadaatraanabhaktam namaamyaanjaneyam | 4 |

Verse 4

sadaaraamadaasam mahaaveeravaryam sadaanaamapeyooshapaanapramattam sunaamaprahrishtam sabhaktaagraganyam sadaatraanabhaktam namaamyaanjaneyam | 5 |

Verse 5

sunaamasvaraalaapabaashpaakulaaksham susangeetanaamaprabhaavasvabhaavam svarasvaadunaamopabhogyam subhaagyam sadaatraanabhaktam namaamyaanjaneyam | 6 |

Verse 6

sasooryaprakaasham sasattvapravaacam asaadhyaprabhaavam susaadhyapramaanam sadaadhyaataraamasvaroopaprakaasham sadaatraanabhaktam namaamyaanjaneyam | 7 |

Verse 7

sasattvam phalaasham sumedhaavilaasam suseetaamanashshokanaasham prashaantam suvegam yajam tam bhaje raamadootam sadaatraanabhaktam namaamyaanjaneyam | 8 |

Verse 8

mahadbrahmacaryam manovaakstharaamam manaskaayasanjeevanaushadhyadheyam maheedhaarakandhaaradhaaraprataapam sadaatraanabhaktam namaamyaanjaneyam | 9 |

Verse 9

saseetasvaraaraamanaamaprageyam sasangeetasaahityavidyaapraveenam susaptasvaraanandanrityaabhilaasyam sadaatraanabhaktam namaamyaanjaneyam | 10 |

Verse 10

harishreshtharatnam haripreshthabhaktam harismerahritpadmavaasaanuraagam harapreetanaamapriyam bhaktavaryam haraamsham hanoomantashooram namaami | 11 |

Verse 11

himaagaprashaantisvamaadhuryagaayam himaanandagangaaplavaahlaadageyam himaapootaramyaashtradhyaanasthadevam sadaatraanabhaktam namaamyaanjaneyam | 12 |

Verse 12

manogaalanaageetaraamaabhiraamam suraagaanuraagam sunaamaabhijapyam manojasvaraageetaseetaavaraaptam sadaatraanabhaktam namaamyaanjaneyam | 13 |

Verse 13

varaanandaraamasvavaacaabhinandam saraagaprabhaasham svaraaraamaraamam kurogapranaasham varaarogyadaayam sadaatraanabhaktam namaamyaanjaneyam | 14 |

Verse 14

susatkaaryasiddhim susadbhaktibuddhim viraagatvavriddhim suraagapravriddhim sunaadapravrittim subodham sushaktim sadaatraanabhaktam namaamyaanjaneyam | 15 |

Verse 15

susangeetavaanim susatpushpapaanim kavisphoortiraktim kapim raagahrishtim sadaasattvadrishtim sadaasaktipushtim sadaatraanabhaktam namaamyaanjaneyam | 16 |

Verse 16

gurutyaagaraajendrasadgaanalolam tadaahlaadasannaamagaanaprasannam kritaanjalyatipreshthanaamapraleenam sadaatraanabhaktam namaamyaanjaneyam | 17 |

Verse 17

gurutyaagaraajendrashishyopageetam supushpopahaaram subhaktipraneetam manojastutisphoortipushpaarcitam tam sadaatraanabhaktam namaamyaanjaneyam | 18 |

Verse 18

bhujangaprayaatasphuradbhaktigeetam bhujangaprayaataprageetipramodam bhujangaavataaraanujapreshthabhaktam bhaje maarutim tam sabhaktam subhadram | 19 |

Verse 19

subhadram varaanandaraamaanuraagam subhadram svaraanandanaamaabhigeyam subhadram varaaraamaraamopasevam subhadram hanoomantadheeram bhajeham | 20 |

Verse 20

shreeseetaaraamabhaktaaya raamanaamarataaya ca naamagaanaabhilolaaya aanjaneyaaya mangalam | 21 |

Verse 21

iti sadgurushreetyaagaraajasvaaminah shishyayaa bhaktayaa pushpayaa kritam | 22 |

Verse 22

Worship Guidelines & Chanting Benefits (Phalashruti)

Auspicious Day

Tuesday (Mangalwar) & Saturday (Shaniwar)

Best Time (Muhurta)

Morning Puja or Evening Twilight (Sandhya)

Sacred Offerings

Sindoor, Jasmine oil, Tulsi garland, Boondi/Laddoo & Betel leaf (Paan)

Spiritual Benefits (Phalashruti)
  • Unshakeable courage, physical vitality (Bala), and protection from evil energies

Background

This hymn belongs to the Rama and Hanuman devotional tradition. Its closing verse (verse 22) identifies the author as Pushpa, a devoted woman disciple (the Sanskrit colophon uses feminine grammatical forms) of the guru Sri Tyagaraja Swami, offered to her guru. The text does not say which Tyagaraja is meant. It is sung as a stotra for protection and spiritual upliftment. The verses follow the bhujangaprayata meter, with its flowing, serpent-like rhythm, and are recited in praise of Hanuman, especially in Rama-centered bhakti practice.

Did You Know?

Author

The closing verse (22) identifies the composer as Pushpa, a devoted woman disciple of Sadguru Tyagaraja Swami, who offers the hymn to her guru — the Sanskrit colophon's feminine grammatical forms confirm the author's gender. The text places it in the tradition of intense Rama bhakti, known for emotional depth and music.

Meter

The poem primarily uses the Bhujangaprayata meter, named for its 'serpent-like' movement, with four lines of 12 syllables each. Verse 18 explicitly refers to this meter, giving the recitation a flowing, hypnotic rhythm ideal for devotional singing.

Central Theme of the Divine Name

The stotra revolves around the power and bliss of chanting Rama's name. It repeatedly describes Hanuman as always immersed in singing, meditating, and spreading the glory of 'Rama' (e.g., 'sada-rama-nama-plava-hlada-rupam' — ever-joyous in the raft of Rama's name). This reflects the bhakti path of nama-japa (chanting the divine name) as a means of liberation.

Portrait of Hanuman

The text paints Hanuman as the ultimate devotee (sada-rama-bhakta), a great warrior (maha-vira-varya), and Rama's messenger (rama-duta). It highlights his celibacy, his role in removing Sita's sorrow (sita-manah-shoka-nasham), and his power to grant protection and blessings. The refrain 'sada-trana-bhaktam namamy-anjaneyam' (I bow to Anjaneya, the eternal protector and devotee) anchors each verse.

Structure

The stotra has 19 verses after an invocation, followed by a concluding mangalam verse and a colophon. Most of the praise verses end with the same refrain, while verse 18 turns to the meter itself and verse 19 closes the praise. The closing identifies the composer as the disciple Pushpa.

Musical emphasis

The stotra celebrates the joy of devotional music. Words like sangeeta (music), svara (notes), gana (song) and nritta (dance) appear often, which suggests it was meant to be sung. This fits the Rama-nama tradition of musical bhakti.

Connected Teachings

The same teaching, echoed across traditions