Bharat Devotion
Embroidered artwork for Shrimad Anjaneya Bhujangaprayata Stotram: Embroidered Om symbol above a brass diya, marigolds and a temple spire at sunrise

Shrimad Anjaneya Bhujangaprayata Stotram

Shrimad Anjaneya Bhujangaprayata Stotram

Questo è un inno devozionale (stotra) in lode di Hanuman, chiamato anche Anjaneya, venerato come il fedele servitore di Rama e protettore dei devoti. Viene recitato o cantato per ottenere forza, protezione e devozione.

Versi

Oṃ Shrīrāmagiaiam Oṃ Sadgurushrītiāgarāgiasvāmine Namo Namaḥ Oṃ Āñgianeiāia Vidmahe Rāmadūtāia Dhīmahi Tanno Iagiaḥ Praciodaiāt
om shreeraamajayam om sadgurushreetyaagaraajasvaamine namo namah om aanjaneyaaya vidmahe raamadootaaya dheemahi tanno yajah pracodayaat | 1 |

Verso 1

Sadārāmabhaktiprasārapraḍīnaṃ Sadātārakānandanāmopagaṅgam Sadādhiānalīnaṃ Sadānāmagānaṃ Sadātrāṇabhaktaṃ Namāmiāñgianeiam
sadaaraamabhaktiprasaarapradeenam sadaataarakaanandanaamopagangam sadaadhyaanaleenam sadaanaamagaanam sadaatraanabhaktam namaamyaanjaneyam | 2 |

Verso 2

Sadārāmanāmaplavāhlādarūpaṃ Sadārāmanāmādharasmeravaktram Sadārāmagānātimādhuriakaṇṭhaṃ Sadātrāṇabhaktaṃ Namāmiāñgianeiam
sadaaraamanaamaplavaahlaadaroopam sadaaraamanaamaadharasmeravaktram sadaaraamagaanaatimaadhuryakantham sadaatraanabhaktam namaamyaanjaneyam | 3 |

Verso 3

Sadānāmaiogaṃ Sadārāmarāgaṃ Sadācittasampūrṇanāmaprabhāvam Sadābrahmanishṭhaṃ Varagñānapūrṇaṃ Sadātrāṇabhaktaṃ Namāmiāñgianeiam
sadaanaamayogam sadaaraamaraagam sadaacittasampoornanaamaprabhaavam sadaabrahmanishtham varajnaanapoornam sadaatraanabhaktam namaamyaanjaneyam | 4 |

Verso 4

Sadārāmadāsaṃ Mahāvīravariaṃ Sadānāmapeiūshapānapramattam Sunāmaprahṛshṭaṃ Sabhaktāgragaṇiaṃ Sadātrāṇabhaktaṃ Namāmiāñgianeiam
sadaaraamadaasam mahaaveeravaryam sadaanaamapeyooshapaanapramattam sunaamaprahrishtam sabhaktaagraganyam sadaatraanabhaktam namaamyaanjaneyam | 5 |

Verso 5

Sunāmasvarālāpabāshpākulākshaṃ Susaṅgītanāmaprabhāvasvabhāvam Svarasvādunāmopabhogiaṃ Subhāgiaṃ Sadātrāṇabhaktaṃ Namāmiāñgianeiam
sunaamasvaraalaapabaashpaakulaaksham susangeetanaamaprabhaavasvabhaavam svarasvaadunaamopabhogyam subhaagyam sadaatraanabhaktam namaamyaanjaneyam | 6 |

Verso 6

Sasūriaprakāshaṃ Sasattvapravāciaṃ Asādhiaprabhāvaṃ Susādhiapramāṇam Sadādhiātarāmasvarūpaprakāshaṃ Sadātrāṇabhaktaṃ Namāmiāñgianeiam
sasooryaprakaasham sasattvapravaacam asaadhyaprabhaavam susaadhyapramaanam sadaadhyaataraamasvaroopaprakaasham sadaatraanabhaktam namaamyaanjaneyam | 7 |

Verso 7

Sasattvaṃ Palāshaṃ Sumedhāvilāsaṃ Susītāmanashshokanāshaṃ Prashāntam Suvegaṃ Iagiaṃ Taṃ Bhage Rāmadūtaṃ Sadātrāṇabhaktaṃ Namāmiāñgianeiam
sasattvam phalaasham sumedhaavilaasam suseetaamanashshokanaasham prashaantam suvegam yajam tam bhaje raamadootam sadaatraanabhaktam namaamyaanjaneyam | 8 |

Verso 8

Mahadbrahmaciariaṃ Manovākstharāmaṃ Manaskāiasañgīvanaushadhiadheiam Mahīdhārakandhāradhārapratāpaṃ Sadātrāṇabhaktaṃ Namāmiāñgianeiam
mahadbrahmacaryam manovaakstharaamam manaskaayasanjeevanaushadhyadheyam maheedhaarakandhaaradhaaraprataapam sadaatraanabhaktam namaamyaanjaneyam | 9 |

Verso 9

Sasītasvarārāmanāmaprageiaṃ Sasaṅgītasāhitiavidiāpravīṇam Susaptasvarānandanṛtiābhilāsiaṃ Sadātrāṇabhaktaṃ Namāmiāñgianeiam
saseetasvaraaraamanaamaprageyam sasangeetasaahityavidyaapraveenam susaptasvaraanandanrityaabhilaasyam sadaatraanabhaktam namaamyaanjaneyam | 10 |

Verso 10

Harishreshṭharatnaṃ Haripreshṭhabhaktaṃ Harismerahṛtpadmavāsānurāgam Haraprītanāmapriiaṃ Bhaktavariaṃ Harāṃshaṃ Hanūmantashūraṃ Namāmi
harishreshtharatnam haripreshthabhaktam harismerahritpadmavaasaanuraagam harapreetanaamapriyam bhaktavaryam haraamsham hanoomantashooram namaami | 11 |

Verso 11

Himāgaprashāntisvamādhuriagāiaṃ Himānandagaṅgāplavāhlādageiam Himāpūtaramiāshṭradhiānasthadevaṃ Sadātrāṇabhaktaṃ Namāmiāñgianeiam
himaagaprashaantisvamaadhuryagaayam himaanandagangaaplavaahlaadageyam himaapootaramyaashtradhyaanasthadevam sadaatraanabhaktam namaamyaanjaneyam | 12 |

Verso 12

Manogālanāgītarāmābhirāmaṃ Surāgānurāgaṃ Sunāmābhigiapiam Manogiasvarāgītasītāvarāptaṃ Sadātrāṇabhaktaṃ Namāmiāñgianeiam
manogaalanaageetaraamaabhiraamam suraagaanuraagam sunaamaabhijapyam manojasvaraageetaseetaavaraaptam sadaatraanabhaktam namaamyaanjaneyam | 13 |

Verso 13

Varānandarāmasvavāciābhinandaṃ Sarāgaprabhāshaṃ Svarārāmarāmam Kurogapraṇāshaṃ Varārogiadāiaṃ Sadātrāṇabhaktaṃ Namāmiāñgianeiam
varaanandaraamasvavaacaabhinandam saraagaprabhaasham svaraaraamaraamam kurogapranaasham varaarogyadaayam sadaatraanabhaktam namaamyaanjaneyam | 14 |

Verso 14

Susatkāriasiddhiṃ Susadbhaktibuddhiṃ Virāgatvavṛddhiṃ Surāgapravṛddhim Sunādapravṛttiṃ Subodhaṃ Sushaktiṃ Sadātrāṇabhaktaṃ Namāmiāñgianeiam
susatkaaryasiddhim susadbhaktibuddhim viraagatvavriddhim suraagapravriddhim sunaadapravrittim subodham sushaktim sadaatraanabhaktam namaamyaanjaneyam | 15 |

Verso 15

Susaṅgītavāṇiṃ Susatpushpapāṇiṃ Kavispūrtiraktiṃ Kapiṃ Rāgahṛshṭim Sadāsattvadṛshṭiṃ Sadāsaktipushṭiṃ Sadātrāṇabhaktaṃ Namāmiāñgianeiam
susangeetavaanim susatpushpapaanim kavisphoortiraktim kapim raagahrishtim sadaasattvadrishtim sadaasaktipushtim sadaatraanabhaktam namaamyaanjaneyam | 16 |

Verso 16

Gurutiāgarāgendrasadgānalolaṃ Tadāhlādasannāmagānaprasannam Kṛtāñgialiatipreshṭhanāmapralīnaṃ Sadātrāṇabhaktaṃ Namāmiāñgianeiam
gurutyaagaraajendrasadgaanalolam tadaahlaadasannaamagaanaprasannam kritaanjalyatipreshthanaamapraleenam sadaatraanabhaktam namaamyaanjaneyam | 17 |

Verso 17

Gurutiāgarāgendrashishiopagītaṃ Supushpopahāraṃ Subhaktipraṇītam Manogiastutispūrtipushpārcitaṃ Taṃ Sadātrāṇabhaktaṃ Namāmiāñgianeiam
gurutyaagaraajendrashishyopageetam supushpopahaaram subhaktipraneetam manojastutisphoortipushpaarcitam tam sadaatraanabhaktam namaamyaanjaneyam | 18 |

Verso 18

Bhugiaṅgapraiātaspuradbhaktigītaṃ Bhugiaṅgapraiātapragītipramodam Bhugiaṅgāvatārānugiapreshṭhabhaktaṃ Bhage Mārutiṃ Taṃ Sabhaktaṃ Subhadram
bhujangaprayaatasphuradbhaktigeetam bhujangaprayaataprageetipramodam bhujangaavataaraanujapreshthabhaktam bhaje maarutim tam sabhaktam subhadram | 19 |

Verso 19

Subhadraṃ Varānandarāmānurāgaṃ Subhadraṃ Svarānandanāmābhigeiam Subhadraṃ Varārāmarāmopasevaṃ Subhadraṃ Hanūmantadhīraṃ Bhageham
subhadram varaanandaraamaanuraagam subhadram svaraanandanaamaabhigeyam subhadram varaaraamaraamopasevam subhadram hanoomantadheeram bhajeham | 20 |

Verso 20

Shrīsītārāmabhaktāia Rāmanāmaratāia Cia Nāmagānābhilolāia Āñgianeiāia Maṅgalam
shreeseetaaraamabhaktaaya raamanaamarataaya ca naamagaanaabhilolaaya aanjaneyaaya mangalam | 21 |

Verso 21

Iti Sadgurushrītiāgarāgiasvāminaḥ Shishiaiā Bhaktaiā Pushpaiā Kṛtaṃ
iti sadgurushreetyaagaraajasvaaminah shishyayaa bhaktayaa pushpayaa kritam | 22 |

Verso 22

Worship Guidelines & Chanting Benefits (Phalashruti)

Auspicious Day

Tuesday (Mangalwar) & Saturday (Shaniwar)

Best Time (Muhurta)

Morning Puja or Evening Twilight (Sandhya)

Sacred Offerings

Sindoor, Jasmine oil, Tulsi garland, Boondi/Laddoo & Betel leaf (Paan)

Spiritual Benefits (Phalashruti)
  • Unshakeable courage, physical vitality (Bala), and protection from evil energies

Contesto

Questo testo fa parte della tradizione devozionale legata al santo compositore Tyagaraja (1767-1847), uno dei più grandi maestri della musica carnatica dell'India meridionale. Secondo la tradizione, fu composto da una sua discepola di nome Pushpa. Viene spesso cantato durante la preghiera quotidiana o in occasioni speciali dedicate a Hanuman, specialmente il martedì o il sabato, giorni a lui sacri. Il metro poetico utilizzato si chiama 'bhujangaprayata', che imita il movimento sinuoso di un serpente ed è comune in molti inni sanscriti.

Lo sapevi?

Autore

Questo stotra è stato composto da Pushpa, una devota discepola del santo Sadguru Shri Tyagaraja Swami. Il testo stesso lo conferma nei versetti finali (20-21), rivelando una tradizione devozionale in cui l'insegnante e l'allieva collaborano nell'offerta poetica.

Metro poetico

La maggior parte dei versi segue un metro regolare di 21 sillabe per emistichio, mentre il verso 18 specifica l'uso del bhujanga prayata (letteralmente “movimento del serpente”), un metro sanscrito dalla cadenza fluida e ondulata, adatto a canti devozionali solenni.

Tema centrale

L'intero inno esalta Hanuman (Anjaneya) come il perfetto devoto di Rama (Ramabhakta), che trova gioia solo nel cantare e meditare sul nome di Rama. Ogni verso si conclude con il ritornello “sada trana bhaktam namamy anjaneyam” (mi inchino sempre ad Anjaneya, protettore dei devoti), sottolineando il suo ruolo di salvatore.

Musica e canto

Il testo è ricco di riferimenti alla musica e al canto devozionale: parole come sangita, nama gana, svara, raga appaiono ripetutamente. Ciò riflette la tradizione dei bhajan e la convinzione che il nome di Rama, cantato con devozione, abbia potere salvifico e purificatore.

Simbolismo di Hanuman

Nel verso 10, Hanuman è chiamato haramsam, cioè “parte di Shiva”. Questo collega Hanuman alla tradizione Shaiva, pur essendo il devoto per eccellenza di Rama (incarnazione di Vishnu), mostrando l'armonia tra le correnti religiose nell'induismo.

Altro da Induismo

Vedi tutto

Insegnamenti Collegati

Lo stesso insegnamento, riecheggiato in diverse tradizioni