Bharat Devotion
Embroidered artwork for Aarti of Shri Ramayana: Embroidered Om symbol above a brass diya, marigolds and a temple spire at sunrise

Aarti of Shri Ramayana

Aarti of Shri Ramayana

An aarti to the Ramayana scripture itself, praising it as the essence of all texts, sung by gods and sages, and a cure for the ills of Kali Yuga.

Verses

Shri Ramayanji Ki Aarti

Verse 1

Aarti Shri Ramayan Ji Ki Keerati Kalit Lalit Siya-Pee Ki

Verse 2

Gaavat Brahmadik Muni Narad Baalmeek Vigyan-Bisaarad Suk Sanakaadi Sesh Aru Saarad Barani Pawansut Keerati Neeki

Verse 3

Aarti Shri Ramayan Ji Ki Keerati Kalit Lalit Siya-Pee Ki

Verse 4

Gaavat Bed Puraan Ashtadas Chhao Shastra Sab Granthan Ko Ras Muni Jan Dhan Santan Ko Sarbas Saar Ans Sammat Sabhee Ki

Verse 5

Aarti Shri Ramayan Ji Ki Keerati Kalit Lalit Siya-Pee Ki

Verse 6

Gaavat Santat Sambhu Bhawaani Aru Ghatsambhav Muni Vigyaani Byaas Aadi Kabibarj Bakhaani Kaagbhusundi Garud Ke Hee Ki

Verse 7

Aarti Shri Ramayan Ji Ki Keerati Kalit Lalit Siya-Pee Ki

Verse 8

Kalimal-Harani Bishay Ras Feeki Subhag Singaar Bhagati Jubati Ki Dalani Rog Bhav Moori Ami Ki Taat Maat Sab Bidhi Tulsi Ki

Verse 9

Aarti Shri Ramayan Ji Ki Keerati Kalit Lalit Siya-Pee Ki

Verse 10

Worship Guidelines & Chanting Benefits (Phalashruti)

Auspicious Day

Daily or auspicious lunar days (Ekadashi, Purnima, Pradosham)

Best Time (Muhurta)

Brahma Muhurta (4:00 AM – 6:00 AM) or Evening Dusk (Sandhya)

Sacred Offerings

Ghee lamp (Deepa), Incense (Dhoopa), Fresh flowers & Water offering

Spiritual Benefits (Phalashruti)
  • Peace of mind, spiritual upliftment, and harmonious energy in the home
Chanting Practice:Sing together with family at the conclusion of evening worship while offering a circular light flame.

Background

This is the aarti of the Ramayana as a sacred book, sung to honor the scripture at the close of a reading or recitation and on occasions such as Ram Navami. It is traditionally attributed to Goswami Tulsidas, the sixteenth-century poet of the Ramcharitmanas, whose name appears in its closing line, and the Kavita Kosh anthology lists it under his name. Its language is the Hindi of the Awadhi and Braj devotional tradition, and it is a beloved part of household worship across North India.

About this Text

Composed by: Goswami Tulsidas · Medieval Bhakti Poet-Saint · 16th century, Awadh & Varanasi (North India)

A Sanskrit and Awadhi poet-saint best known for the Ramcharitmanas, his Awadhi retelling of the Ramayana. Tradition holds he faced years of hardship and wandering before settling in Varanasi, where he composed most of his other major works, including the Hanuman Chalisa and Vinaya Patrika, as devotional offerings to Rama and Hanuman.

Did You Know?

Authorship

Tradition ascribes this aarti to Tulsidas, the sixteenth-century author of the Ramcharitmanas. The closing line of Verse 9, 'tat mat sab bidhi Tulsi ki' (father and mother in every way to Tulsi), carries his name as a signature.

What is worshipped

The aarti is offered not to a deity's image but to the Ramayana itself, treated as a living embodiment of divine glory. The refrain praises the 'fame of Sita's Beloved' (Rama), so the book's power is inseparable from the divine couple it narrates.

The celestial choir

Verse 3 names those who sing the glory of the Ramayana: Brahma, the sage Narada, Valmiki, Shuka, Sanaka and the other eternal sages, Shesha and Sharada (Saraswati), with Hanuman (Pavansut, son of the wind) describing its beauty. Verse 7 adds Shambhu and Bhavani (Shiva and Parvati), Agastya, Vyasa and other great poets, and Kakabhushundi and Garuda.

The essence of all wisdom

Verse 5 sets the Ramayana beside the Vedas, the eighteen Puranas and the six shastras, calling it the essence of all texts, the wealth of the sages' minds and the whole treasure of saints.

A text that heals

Verse 9 says the Ramayana destroys the impurities of the Kali age, makes worldly pleasures taste bland, adorns liberation like a bride's ornament and works as the herb of nectar that cures the disease of worldly existence. It reflects the devotional belief that hearing or reciting the text purifies the listener.

Connected Teachings

The same teaching, echoed across traditions