Bharat Devotion
Embroidered artwork for Shri Rudrashtakam — Eight Verses of Praise to Lord Shiva: Embroidered Om symbol above a brass diya, marigolds and a temple spire at sunrise

Shri Rudrashtakam — Eight Verses of Praise to Lord Shiva

Shri Rudrashtakam — Eight Verses of Praise to Lord Shiva

The Rudrashtakam: eight Sanskrit stanzas to Shiva and a ninth on its fruit, in Tulsidas's Ramcharitmanas (Uttara Kanda, after Doha 107).

Verses

Shri Rudrashtakam Tulsidas Kritam Namamishamishana Nirvanaroopam Vibhum Vyapakam Brahma Veda Svaroopam Nijam Nirgunam Nirvikalpam Nireeham Chidakasham Akashavasam Bhajeham

Verse 1

Nirakaram Omkara Moolam Tureeyam Gira Gyana Goteetam Isham Gireesham Karalam Mahakala Kalam Kripalam Gunagara Samsara Param Natoham

Verse 2

Tusharadri Samkasha Gauram Gabheeram Manobhoota Koti Prabha Shree Shareeram Sphuran Mauli Kallolini Charu Ganga Lasad Bhala Balendu Kanthe Bhujanga

Verse 3

Chalat Kundalam Bhroo Sunetram Vishalam Prasannaananam Neelakantham Dayalam Mrigadhisha Charmambaram Mundamalam Priyam Shankaram Sarvanatham Bhajami

Verse 4

Prachandam Prakrishtam Pragalbham Paresham Akhandam Ajam Bhanu Koti Prakasham Trayah Shoola Nirmoolanam Shoolapanim Bhajeham Bhavani Patim Bhava Gamyam

Verse 5

Kalateeta Kalyana Kalpanta Kari Sada Sajjana Ananda Data Purari Chidananda Sandoha Mohapahari Praseeda Praseeda Prabho Manmathari

Verse 6

Na Yavad Umanatha Padaravindam Bhajanteha Loke Pare Va Naranam Na Tavat Sukham Shanti Santapa Nasham Praseeda Prabho Sarva Bhootadhivasam

Verse 7

Na Janami Yogam Japam Naiva Poojam Natoham Sada Sarvada Shambhu Tubhyam Jara Janma Dukhaugha Tatapyamanam Prabho Pahi Aapanna Mamisha Shambho

Verse 8

Rudrashtakam Idam Proktam Viprena Hara Toshaye Ye Pathanti Nara Bhaktya Tesham Shambhuh Praseedati

Verse 9

Worship Guidelines & Chanting Benefits (Phalashruti)

Auspicious Day

Monday (Somwar) & Pradosham

Best Time (Muhurta)

Early Morning (Brahma Muhurta) or Evening Twilight (Sandhya)

Sacred Offerings

Bilva leaves, Ganga water, Bhasma (sacred ash), Dhatura & White flowers

Spiritual Benefits (Phalashruti)
  • Inner stillness, destruction of negative karma, and freedom from fear of death (Mrityunjaya)

Background

The Rudrashtakam is a Sanskrit hymn to Shiva set inside Tulsidas's Avadhi Ramcharitmanas, in the Uttara Kanda after Doha 107 (kha). There Kakbhushundi tells how his teacher, a Brahmin, praised Shiva with these eight stanzas to seek mercy for his pupil, and closed with a ninth verse promising Shiva's favour to all who recite it. It is traditionally attributed to Tulsidas (about 1532 to 1623), is composed in the Bhujangaprayata meter, and is recited in Shiva worship on Mondays and on Maha Shivaratri.

About this Text

Composed by: Goswami Tulsidas · Medieval Bhakti Poet-Saint · 16th century, Awadh & Varanasi (North India)

A Sanskrit and Awadhi poet-saint best known for the Ramcharitmanas, his Awadhi retelling of the Ramayana. Tradition holds he faced years of hardship and wandering before settling in Varanasi, where he composed most of his other major works, including the Hanuman Chalisa and Vinaya Patrika, as devotional offerings to Rama and Hanuman.

Did You Know?

Author

The hymn is traditionally attributed to Tulsidas (about 1532 to 1623), the saint-poet of the Ramcharitmanas. Within the epic's story it is spoken by Kakbhushundi's teacher, while the composition is credited to Tulsidas, and the text's own heading reads 'Tulsidas-krita'.

Structure

The Shri Rudrashtakam has eight stanzas (an ashtakam) in the Bhujangaprayata meter, twelve syllables to a quarter, followed by a ninth verse in Anushtubh that states the fruit of reciting it. Stanza 7 ('na yavad Umanatha-padaravindam') is especially well known.

Significance

The ninth verse says that Shambhu is pleased with those who recite the hymn with devotion. For devotees it is a prayer for mercy and for relief from the sorrows of birth, old age and death named in stanza 8.

Key themes

Stanzas 1 and 2 address Shiva as the formless, all-pervading reality beyond speech and knowledge. Stanzas 3 and 4 describe him as snow-white, with the crescent moon, the Ganga, a serpent at his neck, a tiger-skin robe and a garland of skulls, so the hymn holds the formless (nirguna) and embodied (saguna) views together.

Sanskrit within an Avadhi epic

Tulsidas wrote the Ramcharitmanas in the Avadhi dialect of Hindi, but this hymn is in Sanskrit, set at the point in the story where the teacher prays to Shiva. Its Sanskrit verses carry a classical dignity that stands apart from the surrounding folk-language narrative.