Bharat Devotion
Embroidered artwork for 魯德拉八頌 — 讚美濕婆神的八首頌歌: Embroidered Om symbol above a brass diya, marigolds and a temple spire at sunrise

魯德拉八頌 — 讚美濕婆神的八首頌歌

魯德拉八頌 — 讚美濕婆神的八首頌歌

〈魯陀羅八頌〉是圖爾西達斯《羅摩功行記》〈後篇〉中(第107句之後)所置的一首獻給濕婆神的梵文八頌讚歌,另有第九頌說明誦念此讚的功德。

經詩內容

śrīrudrāṣṭakaṃ tulasīdāsakṛtam namāmīśamīśānanirvāṇarūpaṃ vibhuṃ vyāpakaṃ brahmavedasvarūpam nijaṃ nirguṇaṃ nirvikalpaṃ nirīhaṃ cidākāśamākāśavāsaṃ bhaje'ham
Shri Rudrashtakam Tulsidas Kritam Namamishamishana Nirvanaroopam Vibhum Vyapakam Brahma Veda Svaroopam Nijam Nirgunam Nirvikalpam Nireeham Chidakasham Akashavasam Bhajeham

第節 1

nirākāramoṃkāramūlaṃ turīyaṃ girājñānagotītamīśaṃ girīśam karālaṃ mahākālakālaṃ kṛpālaṃ guṇāgārasaṃsārapāraṃ nato'ham
Nirakaram Omkara Moolam Tureeyam Gira Gyana Goteetam Isham Gireesham Karalam Mahakala Kalam Kripalam Gunagara Samsara Param Natoham

第節 2

tuṣārādrisaṃkāśagauraṃ gabhīraṃ manobhūtakoṭiprabhāśrīśarīram sphuranmaulikallolinīcārugaṅgā lasadbhālabālendu kaṇṭhe bhujaṅgā
Tusharadri Samkasha Gauram Gabheeram Manobhoota Koti Prabha Shree Shareeram Sphuran Mauli Kallolini Charu Ganga Lasad Bhala Balendu Kanthe Bhujanga

第節 3

calatkuṇḍalaṃ bhrūsunetraṃ viśālaṃ prasannānanaṃ nīlakaṇṭhaṃ dayālam mṛgādhīśacarmāmbaraṃ muṇḍamālaṃ priyaṃ śaṅkaraṃ sarvanāthaṃ bhajāmi
Chalat Kundalam Bhroo Sunetram Vishalam Prasannaananam Neelakantham Dayalam Mrigadhisha Charmambaram Mundamalam Priyam Shankaram Sarvanatham Bhajami

第節 4

pracaṇḍaṃ prakṛṣṭaṃ pragalbhaṃ pareśamakhaṇḍamajaṃ bhānukoṭiprakāśam trayaḥśūlanirmūlanaṃ śūlapāṇiṃ bhaje'haṃ bhavānīpatiṃ bhāvagamyam
Prachandam Prakrishtam Pragalbham Paresham Akhandam Ajam Bhanu Koti Prakasham Trayah Shoola Nirmoolanam Shoolapanim Bhajeham Bhavani Patim Bhava Gamyam

第節 5

kalātītakalyāṇakalpāntakārī sadā sajjanānandadātā purārī cidānandasandohamohāpahārī prasīda prasīda prabho manmathārī
Kalateeta Kalyana Kalpanta Kari Sada Sajjana Ananda Data Purari Chidananda Sandoha Mohapahari Praseeda Praseeda Prabho Manmathari

第節 6

na yāvadumānāthapādāravindaṃ bhajantīha loke pare vā narāṇām na tāvatsukhaṃ śānti santāpanāśaṃ prasīda prabho sarvabhūtādhivāsam
Na Yavad Umanatha Padaravindam Bhajanteha Loke Pare Va Naranam Na Tavat Sukham Shanti Santapa Nasham Praseeda Prabho Sarva Bhootadhivasam

第節 7

na jānāmi yogaṃ japaṃ naiva pūjāṃ nato'haṃ sadā sarvadā śambhu tubhyam jarājanmaduḥkhaughatātapyamānaṃ prabho pāhi āpannamāmīśaśambho
Na Janami Yogam Japam Naiva Poojam Natoham Sada Sarvada Shambhu Tubhyam Jara Janma Dukhaugha Tatapyamanam Prabho Pahi Aapanna Mamisha Shambho

第節 8

rudrāṣṭakamidaṃ proktaṃ vipreṇa haratoṣaye ye paṭhanti narā bhaktyā teṣāṃ śambhuḥ prasīdati
Rudrashtakam Idam Proktam Viprena Hara Toshaye Ye Pathanti Nara Bhaktya Tesham Shambhuh Praseedati

第節 9

Worship Guidelines & Chanting Benefits (Phalashruti)

Auspicious Day

Monday (Somwar) & Pradosham

Best Time (Muhurta)

Early Morning (Brahma Muhurta) or Evening Twilight (Sandhya)

Sacred Offerings

Bilva leaves, Ganga water, Bhasma (sacred ash), Dhatura & White flowers

Spiritual Benefits (Phalashruti)
  • Inner stillness, destruction of negative karma, and freedom from fear of death (Mrityunjaya)

背景介紹

〈魯陀羅八頌〉是圖爾西達斯以阿瓦迪語寫成的《羅摩功行記》中,於〈後篇〉第107句(乙)之後所置的一首梵文濕婆讚頌。書中由迦克布珊迪講述:其師,一位婆羅門,為替弟子求取寬恕,以這八頌讚美濕婆,最後第九頌許諾凡誦此者皆得濕婆之恩。傳統上歸於圖爾西達斯(約1532至1623年),以布占伽普拉雅塔格律寫成,於每週一的濕婆禮拜以及大濕婆夜中誦念。

關於此經文

作者: Goswami Tulsidas · Medieval Bhakti Poet-Saint · 16th century, Awadh & Varanasi (North India)

A Sanskrit and Awadhi poet-saint best known for the Ramcharitmanas, his Awadhi retelling of the Ramayana. Tradition holds he faced years of hardship and wandering before settling in Varanasi, where he composed most of his other major works, including the Hanuman Chalisa and Vinaya Patrika, as devotional offerings to Rama and Hanuman.

您知道嗎?

作者

此讚歌傳統上歸於圖爾西達斯(約1532至1623年),即《羅摩功行記》的聖詩作者。在史詩的敘事中,它由迦克布珊迪的師父誦出,而作品仍歸於圖爾西達斯名下,本文的標題亦書為「圖爾西達斯所作」。

結構

此《什里魯陀羅八頌》共八節,為布占伽普拉雅塔格律,每一小句十二音節,其後是以阿奴什圖布詩體寫成的第九頌,陳述誦念此讚的功德。第七節(「那雅瓦德烏瑪那陀帕達拉文達姆」)尤為著名。

意義

第九頌說,商婆會喜悅於虔誠誦念此讚的人。對信徒而言,它是求取慈悲的祈禱,並求從第八節所說的生、老、死之苦中得到解脫。

主要主題

第一、二節將濕婆描述為超越言語與知識、無形而遍在的實相。第三、四節描繪其形相:雪白,頭戴新月,髮間有恆河,頸上纏蛇,披虎皮,佩骷髏花環。因此此讚同時容納了無相與有相兩種觀點。

阿瓦迪史詩中的梵文

圖爾西達斯以印地語阿瓦迪方言寫《羅摩功行記》,但此讚歌是梵文,並被置於故事中老師向濕婆祈禱之處。其梵文詩句與周圍以俗語敘述的故事相較,自有一種古典的莊嚴。