Bharat Devotion
Embroidered artwork for 時而化作羅摩,時而化作黑天(主啊,請以每一種形相降臨): Embroidered Om symbol above a brass diya, marigolds and a temple spire at sunrise

時而化作羅摩,時而化作黑天(主啊,請以每一種形相降臨)

時而化作羅摩,時而化作黑天(主啊,請以每一種形相降臨)

這首歡喜的讚歌祈請上主以不同的神聖化身降臨——例如羅摩、克里希納、濕婆、毗濕奴和伽內什——每一位都伴隨着祂的配偶並手持特定的法器,祈求祂時刻顯現並賜福給虔信者。

經詩內容

kabhī rāma banake kabhī śyāma banake, cale ānā prabhujī cale ānā
Kabhi Ram Banke Kabhi Shyam Banke, Chale Aana Prabhuji Chale Aana.

第節 1

tuma rāma rūpa meṃ ānā, tuma rāma rūpa meṃ ānā sītā sātha leke, dhanuṣa hātha leke, cale ānā prabhujī cale ānā
Tum Ram Roop Mein Aana, Tum Ram Roop Mein Aana Seeta Saath Leke, Dhanush Haath Leke, Chale Aana Prabhuji Chale Aana.

第節 2

kabhī rāma banake kabhī śyāma banake, cale ānā prabhujī cale ānā
Kabhi Ram Banke Kabhi Shyam Banke, Chale Aana Prabhuji Chale Aana.

第節 3

tuma śyāma rūpa meṃ ānā, tuma śyāma rūpa meṃ ānā, rādhā sātha leke, muralī hātha leke, cale ānā prabhujī cale ānā
Tum Shyam Roop Mein Aana, Tum Shyam Roop Mein Aana, Radha Saath Leke, Murali Haath Leke, Chale Aana Prabhuji Chale Aana.

第節 4

kabhī rāma banake kabhī śyāma banake, cale ānā prabhujī cale ānā
Kabhi Ram Banke Kabhi Shyam Banke, Chale Aana Prabhuji Chale Aana.

第節 5

tuma śiva ke rūpa meṃ ānā, tuma śiva ke rūpa meṃ ānā, gaurā sātha leke, ḍamarū hātha leke, cale ānā prabhujī cale ānā
Tum Shiv Ke Roop Mein Aana, Tum Shiv Ke Roop Mein Aana, Gaura Saath Leke, Damroo Haath Leke, Chale Aana Prabhuji Chale Aana.

第節 6

kabhī rāma banake kabhī śyāma banake, cale ānā prabhujī cale ānā
Kabhi Ram Banke Kabhi Shyam Banke, Chale Aana Prabhuji Chale Aana.

第節 7

tuma viṣṇu rūpa meṃ ānā, tuma viṣṇu rūpa meṃ ānā, lakṣmī sātha leke, cakra hātha leke, cale ānā prabhujī cale ānā
Tum Vishnu Roop Mein Aana, Tum Vishnu Roop Mein Aana, Lakshmi Saath Leke, Chakra Haath Leke, Chale Aana Prabhuji Chale Aana.

第節 8

kabhī rāma banake kabhī śyāma banake, cale ānā prabhujī cale ānā
Kabhi Ram Banke Kabhi Shyam Banke, Chale Aana Prabhuji Chale Aana.

第節 9

tuma gaṇapati rūpa meṃ ānā, tuma gaṇapati rūpa meṃ ānā riddhi sātha leke, siddhi sātha leke, cale ānā prabhujī cale ānā
Tum Ganpati Roop Mein Aana, Tum Ganpati Roop Mein Aana Riddhi Saath Leke, Siddhi Saath Leke, Chale Aana Prabhuji Chale Aana.

第節 10

kabhī rāma banake kabhī śyāma banake, cale ānā prabhujī cale ānā
Kabhi Ram Banke Kabhi Shyam Banke, Chale Aana Prabhuji Chale Aana.

第節 11

Worship Guidelines & Chanting Benefits (Phalashruti)

Auspicious Day

Monday (Somwar) & Pradosham

Best Time (Muhurta)

Early Morning (Brahma Muhurta) or Evening Twilight (Sandhya)

Sacred Offerings

Bilva leaves, Ganga water, Bhasma (sacred ash), Dhatura & White flowers

Spiritual Benefits (Phalashruti)
  • Inner stillness, destruction of negative karma, and freedom from fear of death (Mrityunjaya)

背景介紹

這是一首流行的印度教奉愛歌(婆詹),常在名為「吉爾坦」或「婆詹之夜」的集體崇拜聚會中演唱。它讚頌唯一的至高神可以化現為眾多受人敬愛的形相——羅摩、克里希納、濕婆、毗濕奴與伽內什,每一位都有其神聖配偶與專屬的標誌之物。此一觀念呼應《梨俱吠陀》(1.164.46:「智者以多名稱呼那唯一的真實」)與《薄伽梵歌》(4.7–8)。此歌通常以一問一答的方式演唱:領唱者唱出每一節,合唱者重複副歌。《詩庫》收錄此歌為無作者署名的傳統婆詹,且無法查證任何作曲者,故不列作者。

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虔誠的祈請

此歌是發自內心的祈禱,邀請神明以多種受人敬愛的形相顯現。副歌「時而化作羅摩,時而化作黑天」強調印度教的信仰:唯一的至高神會化現為不同的化身,以契合求道者的奉愛。

各自的神聖形相

每一節都呼請一位特定的神明形相:羅摩(與悉妲及弓)、夏姆(即與拉達及笛同在的克里希納)、濕婆(與高麗及達馬魯鼓)、毗濕奴(與吉祥天女及法輪)、伽內什(與瑞迪與悉迪)。這些是印度教中最廣受崇拜的神明。

音樂與詩體的結構

此歌採用簡單反覆的結構,有副歌與交替的詩節,便於集體歌唱。「主啊」(普拉布吉)一詞的使用,增添了敬畏而親近的語氣。

哲學的根基

此歌反映「伊什瓦拉」(主宰神)為眾信徒而化現多形的理念,如《薄伽梵歌》(4.7–8)所教導:克里希納說,每當正法衰微,他便降世化身。

在奉愛傳統中的流行

此歌是許多印度教奉愛聚會與薩特桑的常備曲目。其通俗的語言(印地語與梵語混合)與歡快的旋律,使它成為邀請神的臨在進入家中或寺廟的最愛。

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