Bharat Devotion
Embroidered artwork for 萬千諸色融為一色 — 聖女索亞拉拜阿邦加: Embroidered Om symbol above a brass diya, marigolds and a temple spire at sunrise

萬千諸色融為一色 — 聖女索亞拉拜阿邦加

萬千諸色融為一色 — 聖女索亞拉拜阿邦加

14世紀女性聖者索亞拉拜(聖喬卡梅拉之妻)闡揚「不二虔信」(Advaita Bhakti)與眾生平等的千古絕唱。在睹見潘德哈爾布爾維特哈爾佛聖相之剎那,人我之別、種姓樊籬盡數化為烏有,大千世界萬千諸色盡皆消融於至尊主無上純一的神聖光色之中。

經詩內容

avaghā raṃga ekaci jhālā raṃgāta śrīraṃga guṃtalā
Avagha ranga ekachi jhala, rangata shriranga guntala

第節 1

mī tūṃpaṇa gele vāyā pāhatāṃ paṃḍharīcyā rāyā
Mee toompana gele vaaya, pahatam pandharichya raaya

第節 2

nāhī bheda nāhī bhāva avaghā jhālā eka deva
Naahi bheda naahi bhaava, avagha jhaala eka deva

第節 3

soyarā mhaṇe cokhobāsī deva avaghā jhālā āmhāsī
Soyara mhane chokhobaasi, deva avagha jhaala aamhaasi

第節 4

Worship Guidelines & Chanting Benefits (Phalashruti)

Auspicious Day

Daily or auspicious lunar days (Ekadashi, Purnima, Pradosham)

Best Time (Muhurta)

Brahma Muhurta (4:00 AM – 6:00 AM) or Evening Dusk (Sandhya)

Sacred Offerings

Ghee lamp (Deepa), Incense (Dhoopa), Fresh flowers & Water offering

Spiritual Benefits (Phalashruti)
  • Peace of mind, spiritual upliftment, and harmonious energy in the home

背景介紹

聖女索亞拉拜超越了中世紀嚴酷的種姓隔離,以赤誠之愛證得神聖不二境。印度國寶級歌唱家基紹里·阿蒙卡(Kishori Amonkar)的演唱使此曲響徹全球。

關於此經文

作者: Sant Soyarabai

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Supreme Anthem of Advaita Bhakti

Unlike dry intellectual non-duality, Soyarabai articulates non-duality as a living, ecstatic emotional immersion where all worldly colors dissolve into Lord Shriranga.

Historic Woman Saint

Sant Soyarabai is one of the foundational women mystics of Maharashtra, demonstrating that spiritual realization in the Warkari path was fully open to women of the most marginalized castes.

Musical Legacy

The abhanga is widely known in concert through Kishori Amonkar's rendition, which carried it far beyond Maharashtra.

Attribution Note

This cherished abhanga is popularly sung in Soyarabai's name, but it could not be located in Sakhare's printed Shree Sant Gatha, the dedicated 2014 Sant Chokhamela Abhangagatha, or the available Sant Tukaram Gatha; at least one major Marathi publication (Loksatta, 2015) instead credits the opening line to Chokhamela. It is preserved here as living devotional tradition, while its written provenance remains unconfirmed.

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