Bharat Devotion
Embroidered artwork for 万千诸色融为一色 — 圣女索亚拉拜阿邦加: Embroidered Om symbol above a brass diya, marigolds and a temple spire at sunrise

万千诸色融为一色 — 圣女索亚拉拜阿邦加

万千诸色融为一色 — 圣女索亚拉拜阿邦加

14世纪女性圣者索亚拉拜(圣乔卡梅拉之妻)阐扬“不二虔信”(Advaita Bhakti)与众生平等的千古绝唱。在睹见潘德哈尔布尔维特哈尔佛圣相之刹那,人我之别、种姓樊篱尽数化为乌有,大千世界万千诸色尽皆消融于至尊主无上纯一的神圣光色之中。

经文段落

avaghā raṃga ekaci jhālā raṃgāta śrīraṃga guṃtalā
Avagha ranga ekachi jhala, rangata shriranga guntala

第节 1

mī tūṃpaṇa gele vāyā pāhatāṃ paṃḍharīcyā rāyā
Mee toompana gele vaaya, pahatam pandharichya raaya

第节 2

nāhī bheda nāhī bhāva avaghā jhālā eka deva
Naahi bheda naahi bhaava, avagha jhaala eka deva

第节 3

soyarā mhaṇe cokhobāsī deva avaghā jhālā āmhāsī
Soyara mhane chokhobaasi, deva avagha jhaala aamhaasi

第节 4

Worship Guidelines & Chanting Benefits (Phalashruti)

Auspicious Day

Daily or auspicious lunar days (Ekadashi, Purnima, Pradosham)

Best Time (Muhurta)

Brahma Muhurta (4:00 AM – 6:00 AM) or Evening Dusk (Sandhya)

Sacred Offerings

Ghee lamp (Deepa), Incense (Dhoopa), Fresh flowers & Water offering

Spiritual Benefits (Phalashruti)
  • Peace of mind, spiritual upliftment, and harmonious energy in the home

经典背景

圣女索亚拉拜超越了中世纪严酷的种姓隔离,以赤诚之爱证得神圣不二境。印度国宝级歌唱家基绍里·阿蒙卡(Kishori Amonkar)的演唱使此曲响彻全球。

关于此经文

作者: Sant Soyarabai

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Supreme Anthem of Advaita Bhakti

Unlike dry intellectual non-duality, Soyarabai articulates non-duality as a living, ecstatic emotional immersion where all worldly colors dissolve into Lord Shriranga.

Historic Woman Saint

Sant Soyarabai is one of the foundational women mystics of Maharashtra, demonstrating that spiritual realization in the Warkari path was fully open to women of the most marginalized castes.

Musical Legacy

The abhanga is widely known in concert through Kishori Amonkar's rendition, which carried it far beyond Maharashtra.

Attribution Note

This cherished abhanga is popularly sung in Soyarabai's name, but it could not be located in Sakhare's printed Shree Sant Gatha, the dedicated 2014 Sant Chokhamela Abhangagatha, or the available Sant Tukaram Gatha; at least one major Marathi publication (Loksatta, 2015) instead credits the opening line to Chokhamela. It is preserved here as living devotional tradition, while its written provenance remains unconfirmed.

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