Bharat Devotion
Embroidered artwork for 啟扉吧焦涅什瓦爾 — 聖穆克塔芭伊阿邦加: Embroidered Om symbol above a brass diya, marigolds and a temple spire at sunrise

啟扉吧焦涅什瓦爾 — 聖穆克塔芭伊阿邦加

啟扉吧焦涅什瓦爾 — 聖穆克塔芭伊阿邦加

聖女穆克塔芭伊勸勉其長兄焦涅什瓦爾的千古明訓。面對凡愚鄉民之百般凌辱誹謗,少年焦涅什瓦爾憤而閉門深居草廬。其幼妹佇立柴門之外慈悲棒喝:“若欲為真聖賢,必當含垢忍辱,心如止水吞納天下雷霆嗔怨;速開柴扉吧,焦涅什瓦爾,天下盲冥正待仁兄慈光普照!”

經詩內容

yogī pāvana manācā sāhe aparādha janāṃcā viśva rāgeṃ jhāleṃ vanhī saṃtīṃ sukheṃ vhāveṃ pāṇī śabdaśāstreṃ jhāleṃ kleśa saṃtīṃ mānāvā upadeśa viśvapaṭa brahmadorā tāṭī ughaḍā jñāneśvarā
Yogi pavan manacha, sahe aparadha janancha Vishva ragem jhale vanhi, santim sukhem vhave pani Shabdashastrem jhale klesha, santim manava upadesha Vishvapata brahmadora, tati ughada jnaneshvara

第節 1

sukhasāgarīṃ vāsa jhālā uṃcanīca kāya tyālā aho āpaṇa jaiseṃ vhāveṃ deveṃ taiseṃci karāveṃ aisā naṭanāṭya khel̤a sthira nāhīṃ eka vel̤a ekāpāsonī aneka jhāleṃ tyāsī pāhije sāṃbhāl̤ileṃ śūnya sākṣitveṃ samajāveṃ veda oṃkārācyā nāveṃ ekeṃ uṃcapaṇa keleṃ eka abhimāneṃ geleṃ itukeṃ ṭākunī śāṃti dharā tāṭī ughaḍā jñāneśvarā
Sukhasagari vasa jhala, unchanicha kaya tyala Aho apana jaisem vhave, devem taisenchi karave Aisa natanatya khela, sthira nahi eka vela Ekapasoni aneka jhale, tyasi pahije sambhalile Shunya sakshitvem samajave, veda onkarachya navem Ekem unchapana kele, eka abhimanem gele Itukem takuni shanti dhara, tati ughada jnaneshvara

第節 2

varī bhagavā jhālā nāmeṃ aṃtarīṃ vaśya kelā kāmeṃ tyālā mhaṇoṃ naye sādhū jagīṃ viṭaṃbanā bādhū āpaāpaṇā śodhunī ghyāveṃ viveka nāṃde tyācyāsaveṃ āśā daṃbha avaghe āvarā tāṭī ughaḍā jñāneśvarā
Vari bhagava jhala namem, antarim vashya kela kamem Tyala mhano naye sadhu, jagi vitambana badhu Apapana shodhuni ghyave, viveka nande tyachyasave Asha dambha avaghe avara, tati ughada jnaneshvara

第節 3

saṃta toci jāṇā jagīṃ dayā kṣamā jyāce aṃgīṃ lobha ahaṃtā naye manā jagīṃ virakta toci jāṇā ihaparalokīṃ sukhī śuddha jñāna jyāce mukhīṃ mithyā kalpanā māgeṃ sārā tāṭī ughaḍā jñāneśvarā
Santa tochi jana jagi, daya kshama jyache angi Lobha ahamta naye mana, jagi virakta tochi jana Ihaparalokim sukhi, shuddha jnana jyache mukhi Mithya kalpana magem sara, tati ughada jnaneshvara

第節 4

eka āpaṇa sādhū jhāle yera koṇa vāyāṃ gele uṭhe vikāra brahmīṃ mūl̤a avagheṃ māyeceṃ gābāl̤a māyā nure jevhāṃ viśvabrahma hoīla tevhāṃ aisā umaja ādi-aṃtīṃ maga sukhī vhāveṃ saṃtīṃ ciṃtā krodha māgeṃ sārā tāṭī ughaḍā jñāneśvarā
Eka apana sadhu jhale, yera kona vaya gele Uthe vikara brahmim mula, avaghem mayechem gabala Maya nure jevha, vishvabrahma hoila tevha Aisa umaja adi-antim, maga sukhi vhave santim Chinta krodha magem sara, tati ughada jnaneshvara

第節 5

brahma jaiseṃ taisāparī āmhāṃ vaḍīla bhūteṃ sārī hāta āpulā āpaṇā lāge tyācā karūṃ naye kheda jībha dātāṃnī cāvilī koṇe battiśī pāḍilī thora dukhāvaleṃ mana puḍheṃ udaṃḍa śahāṇe caṇe khāve lokhaṃḍāce maga brahmapadīṃ nāce mana mārūnī unmana karā tāṭī ughaḍā jñāneśvarā
Brahma jaisem taisapari, amha vadila bhutem sari Hata apula apana lage, tyacha karu naye kheda Jibha datanni chavili, kone battishi padili Thora dukhavalem mana, pudhem udanda shahane Chane khave lokhandache, maga brahmapadi nache Mana maruni unmana kara, tati ughada jnaneshvara

第節 6

sukhasāgara āpaṇa vhāveṃ jaga bodheṃ nivavāveṃ bodhā karūṃ naye aṃtara sādhū nāhīṃ āpapara jīva jivāsī paiṃ dyāvā maga karūṃ naye hevā taraṇopāya cittīṃ dharā tāṭī ughaḍā jñāneśvarā
Sukhasagara apana vhave, jaga bodhem nivavave Bodha karu naye antara, sadhu nahi apapara Jiva jivasi paim dyava, maga karu naye heva Taranopaya chittim dhara, tati ughada jnaneshvara

第節 7

aho krodheṃ yāveṃ koṭheṃ avagheṃ āpaṇa nighoṭeṃ aiseṃ kal̤aleṃ uttama jana teci janārdana brīda bāṃdhileṃ caraṇīṃ na ye dāvitā karaṇī vel̤a krodhācā ugavalā avaghā yoga phola jhālā aisī thora dṛṣṭī dharā tāṭī ughaḍā jñāneśvarā
Aho krodhem yave kothem, avaghem apana nighotem Aisem kalalem uttama, jana techi janardana Brida bandhilem charani, na ye davita karani Vela krodhacha ugavala, avagha yoga phola jhala Aisi thora drishti dhara, tati ughada jnaneshvara

第節 8

sāṃḍīṃ kalpanā upādhī tīca sādhūlā samādhī vāda ghālāvā kavaṇālā avaghā dvaitācā ho ghālā puḍheṃ umajenā kāya uḍatyāce khālīṃ pāya eka mana ceṣṭā karī bhūteṃ bāpuḍīṃ śejārīṃ avaghī īśvarācī karaṇī kāya tetheṃ keleṃ koṇī punaḥ śuddha mārga dharā tāṭī ughaḍā jñāneśvarā
Sandi kalpana upadhi, ticha sadhula samadhi Vada ghalava kavanala, avagha dvaitacha ho ghala Pudhem umajena kaya, udatyache khali paya Eka mana cheshta kari, bhutem bapudi shejari Avaghi ishvarachi karani, kaya tethe kele koni Punah shuddha marga dhara, tati ughada jnaneshvara

第節 9

girigavhāreṃ kaśāsāṭhīṃ rāgeṃ puravilī pāṭhīṃ aisā nasāvā saṃnyāsī paramārthācā jo kā dveṣī ghara bāṃdhileṃ ḍoṃgarīṃ viṣayā hiṃḍe dārodārīṃ kāya kelā yogadharma nāhīṃ aṃtarīṃ niṣkāma gaṃgājal̤a hṛdaya karā tāṭī ughaḍā jñāneśvarā
Girigavharem kashasathi, ragem puravili pathi Aisa nasava sannyasi, paramarthacha jo ka dveshi Ghara bandhilem dongari, vishaya hinde darodari Kaya kela yogadharma, nahi antari nishkama Gangajala hridaya kara, tati ughada jnaneshvara

第節 10

śuddha jyācā bhāva jhālā durī nāhīṃ deva tyālā avaghīṃ sādhaneṃ hātavaṭī mola mil̤ata nāhīṃ hāṭīṃ aho āpaṇa taiseṃ vhāveṃ avagheṃ anumānonī ghyāveṃ aiseṃ keleṃ sad‌gurunātheṃ bāpa rakhumādevīkāṃteṃ tetheṃ koṇī śikavāveṃ sāra sādhuniyā ghyāveṃ laḍivāl̤a muktābāī jīva muddala ṭhāyīṃce ṭhāyīṃ tumhī tarūna viśva tārā tāṭī ughaḍā jñāneśvarā
Shuddha jyacha bhava jhala, duri nahi deva tyala Avaghi sadhanem hatavati, mola milata nahi hati Aho apana taisem vhave, avaghem anumanoni ghyave Aisem kelem sadgurunathem, bapa rakhumadevikantem Tethe koni shikavave, sara sadhuniya ghyave Ladivala muktabai, jiva muddala thayinche thayi Tumhi taruna vishva tara, tati ughada jnaneshvara

第節 11

Worship Guidelines & Chanting Benefits (Phalashruti)

Auspicious Day

Daily or auspicious lunar days (Ekadashi, Purnima, Pradosham)

Best Time (Muhurta)

Brahma Muhurta (4:00 AM – 6:00 AM) or Evening Dusk (Sandhya)

Sacred Offerings

Ghee lamp (Deepa), Incense (Dhoopa), Fresh flowers & Water offering

Spiritual Benefits (Phalashruti)
  • Peace of mind, spiritual upliftment, and harmonious energy in the home

背景介紹

昔年少年焦涅什瓦爾在阿蘭迪乞食遭守舊宗徒辱罵毆打,悲憤交加下閉門絕食。其九歲幼妹穆克塔芭伊於茅扉外即興吟唱出組詩《扉之詩》(Tatiche Abhang),警醒長兄肩負之救世天命。兄聞之沛然感悟,豁然啟扉,遂有日後照徹萬古之《焦涅什瓦爾之友》(Dnyaneshwari)問世。

關於此經文

作者: Sant Muktabai

您知道嗎?

The door of the hut (tati)

'Tati' is the woven reed or bamboo screen used as a door in rural Maharashtra, so the refrain 'open the door' is both literal and a plea to open his heart to the world.

The definition of a saint

Verse 1 opens with Yogi pavana manacha, sahe aparadh janacha — a pure-minded yogi bears the faults of the people around him. The verse goes on to ask the saint to turn into cooling water when the world is inflamed with anger, and to give sound teaching when disputes over scripture cause distress: forbearance, not withdrawal, is the saint's defining trait.

Mastering ego and anger

Verse 2 urges guarding against ego and conquering anger, and Verse 3 says that when the world is filled with rage the saint should stay calm and speak nectar even to an enemy.

A plea to help others cross

Verse 11 ends with Muktabai's own name, 'Mukta mhane', asking her brother, who has himself crossed over, to help ignorant people cross as well and to show his grace.

Text and editions

The Tatiche Abhang are traditionally ascribed to Muktabai, and every stanza ends with the refrain “Tati ughada Dnyaneshwara”. The stanzas on this page follow the Sanskrit Documents recension (credited to Muktabai), whose eleven abhangas open with “Yogi pavana manacha” — the same opening found in Verse 1 here. Editions differ in the number, order, and wording of the stanzas, so other anthologies of the Tatiche Abhang may arrange or word the verses differently.

更多來自 印度教 的內容

查看全部