Bharat Devotion
Embroidered artwork for Tati Ughada Dnyaneshwara — Sant Muktabai Abhanga: Embroidered Om symbol above a brass diya, marigolds and a temple spire at sunrise

Tati Ughada Dnyaneshwara — Sant Muktabai Abhanga

Tati Ughada Dnyaneshwara — Sant Muktabai Abhanga

Die unvergessliche Mahnung zu universellem Mitgefühl von Sant Muktabai an ihren älteren Bruder Dnyaneshwar. Als er sich gekränkt in seiner Hütte einschloss, rief sie ihm zu: 'Ein Heiliger muss die Schmähungen der Welt mit wassergleicher Sanftmut ertragen; öffne die Tür, o Dnyaneshwar!'

Verse

Jogī Pāwana Manātschā Sāhe Aparādha Dschanāṃtschā Wischwa Rāgeṃ Dschhāleṃ Wanhī Saṃtīṃ Sukheṃ Whāweṃ Pāṇī Schabdaschāstreṃ Dschhāleṃ Klescha Saṃtīṃ Mānāwā Upadescha Wischwapaṭa Brahmadorā Tāṭī Ughaḍā Dschñāneschwarā
Yogi pavan manacha, sahe aparadha janancha Vishva ragem jhale vanhi, santim sukhem vhave pani Shabdashastrem jhale klesha, santim manava upadesha Vishvapata brahmadora, tati ughada jnaneshvara

Vers 1

Sukhasāgarīṃ Wāsa Dschhālā Uṃtschanītscha Kāja Tjālā Aho Āpaṇa Dschaiseṃ Whāweṃ Deweṃ Taiseṃtschi Karāweṃ Aisā Naṭanāṭja Khel̤a Sthira Nāhīṃ Eka Wel̤a Ekāpāsonī Aneka Dschhāleṃ Tjāsī Pāhidsche Sāṃbhāl̤ileṃ Schūnja Sākschitweṃ Samadschāweṃ Weda Oṃkārātschjā Nāweṃ Ekeṃ Uṃtschapaṇa Keleṃ Eka Abhimāneṃ Geleṃ Itukeṃ Ṭākunī Schāṃti Dharā Tāṭī Ughaḍā Dschñāneschwarā
Sukhasagari vasa jhala, unchanicha kaya tyala Aho apana jaisem vhave, devem taisenchi karave Aisa natanatya khela, sthira nahi eka vela Ekapasoni aneka jhale, tyasi pahije sambhalile Shunya sakshitvem samajave, veda onkarachya navem Ekem unchapana kele, eka abhimanem gele Itukem takuni shanti dhara, tati ughada jnaneshvara

Vers 2

Warī Bhagawā Dschhālā Nāmeṃ Aṃtarīṃ Waschja Kelā Kāmeṃ Tjālā Mhaṇoṃ Naje Sādhū Dschagīṃ Wiṭaṃbanā Bādhū Āpaāpaṇā Schodhunī Ghjāweṃ Wiweka Nāṃde Tjātschjāsaweṃ Āschā Daṃbha Awaghe Āwarā Tāṭī Ughaḍā Dschñāneschwarā
Vari bhagava jhala namem, antarim vashya kela kamem Tyala mhano naye sadhu, jagi vitambana badhu Apapana shodhuni ghyave, viveka nande tyachyasave Asha dambha avaghe avara, tati ughada jnaneshvara

Vers 3

Saṃta Totschi Dschāṇā Dschagīṃ Dajā Kschamā Dschjātsche Aṃgīṃ Lobha Ahaṃtā Naje Manā Dschagīṃ Wirakta Totschi Dschāṇā Ihaparalokīṃ Sukhī Schuddha Dschñāna Dschjātsche Mukhīṃ Mithjā Kalpanā Māgeṃ Sārā Tāṭī Ughaḍā Dschñāneschwarā
Santa tochi jana jagi, daya kshama jyache angi Lobha ahamta naye mana, jagi virakta tochi jana Ihaparalokim sukhi, shuddha jnana jyache mukhi Mithya kalpana magem sara, tati ughada jnaneshvara

Vers 4

Eka Āpaṇa Sādhū Dschhāle Jera Koṇa Wājāṃ Gele Uṭhe Wikāra Brahmīṃ Mūl̤a Awagheṃ Mājetscheṃ Gābāl̤a Mājā Nure Dschewhāṃ Wischwabrahma Hoīla Tewhāṃ Aisā Umadscha Ādi-aṃtīṃ Maga Sukhī Whāweṃ Saṃtīṃ Tschiṃtā Krodha Māgeṃ Sārā Tāṭī Ughaḍā Dschñāneschwarā
Eka apana sadhu jhale, yera kona vaya gele Uthe vikara brahmim mula, avaghem mayechem gabala Maya nure jevha, vishvabrahma hoila tevha Aisa umaja adi-antim, maga sukhi vhave santim Chinta krodha magem sara, tati ughada jnaneshvara

Vers 5

Brahma Dschaiseṃ Taisāparī Āmhāṃ Waḍīla Bhūteṃ Sārī Hāta Āpulā Āpaṇā Lāge Tjātschā Karūṃ Naje Kheda Dschībha Dātāṃnī Tschāwilī Koṇe Battischī Pāḍilī Thora Dukhāwaleṃ Mana Puḍheṃ Udaṃḍa Schahāṇe Tschaṇe Khāwe Lokhaṃḍātsche Maga Brahmapadīṃ Nātsche Mana Mārūnī Unmana Karā Tāṭī Ughaḍā Dschñāneschwarā
Brahma jaisem taisapari, amha vadila bhutem sari Hata apula apana lage, tyacha karu naye kheda Jibha datanni chavili, kone battishi padili Thora dukhavalem mana, pudhem udanda shahane Chane khave lokhandache, maga brahmapadi nache Mana maruni unmana kara, tati ughada jnaneshvara

Vers 6

Sukhasāgara Āpaṇa Whāweṃ Dschaga Bodheṃ Niwawāweṃ Bodhā Karūṃ Naje Aṃtara Sādhū Nāhīṃ Āpapara Dschīwa Dschiwāsī Paiṃ Djāwā Maga Karūṃ Naje Hewā Taraṇopāja Tschittīṃ Dharā Tāṭī Ughaḍā Dschñāneschwarā
Sukhasagara apana vhave, jaga bodhem nivavave Bodha karu naye antara, sadhu nahi apapara Jiva jivasi paim dyava, maga karu naye heva Taranopaya chittim dhara, tati ughada jnaneshvara

Vers 7

Aho Krodheṃ Jāweṃ Koṭheṃ Awagheṃ Āpaṇa Nighoṭeṃ Aiseṃ Kal̤aleṃ Uttama Dschana Tetschi Dschanārdana Brīda Bāṃdhileṃ Tscharaṇīṃ Na Je Dāwitā Karaṇī Wel̤a Krodhātschā Ugawalā Awaghā Joga Pola Dschhālā Aisī Thora Dṛschṭī Dharā Tāṭī Ughaḍā Dschñāneschwarā
Aho krodhem yave kothem, avaghem apana nighotem Aisem kalalem uttama, jana techi janardana Brida bandhilem charani, na ye davita karani Vela krodhacha ugavala, avagha yoga phola jhala Aisi thora drishti dhara, tati ughada jnaneshvara

Vers 8

Sāṃḍīṃ Kalpanā Upādhī Tītscha Sādhūlā Samādhī Wāda Ghālāwā Kawaṇālā Awaghā Dwaitātschā Ho Ghālā Puḍheṃ Umadschenā Kāja Uḍatjātsche Khālīṃ Pāja Eka Mana Tscheschṭā Karī Bhūteṃ Bāpuḍīṃ Schedschārīṃ Awaghī Īschwarātschī Karaṇī Kāja Tetheṃ Keleṃ Koṇī Punaḥ Schuddha Mārga Dharā Tāṭī Ughaḍā Dschñāneschwarā
Sandi kalpana upadhi, ticha sadhula samadhi Vada ghalava kavanala, avagha dvaitacha ho ghala Pudhem umajena kaya, udatyache khali paya Eka mana cheshta kari, bhutem bapudi shejari Avaghi ishvarachi karani, kaya tethe kele koni Punah shuddha marga dhara, tati ughada jnaneshvara

Vers 9

Girigawhāreṃ Kaschāsāṭhīṃ Rāgeṃ Purawilī Pāṭhīṃ Aisā Nasāwā Saṃnjāsī Paramārthātschā Dscho Kā Dweschī Ghara Bāṃdhileṃ Ḍoṃgarīṃ Wischajā Hiṃḍe Dārodārīṃ Kāja Kelā Jogadharma Nāhīṃ Aṃtarīṃ Nischkāma Gaṃgādschal̤a Hṛdaja Karā Tāṭī Ughaḍā Dschñāneschwarā
Girigavharem kashasathi, ragem puravili pathi Aisa nasava sannyasi, paramarthacha jo ka dveshi Ghara bandhilem dongari, vishaya hinde darodari Kaya kela yogadharma, nahi antari nishkama Gangajala hridaya kara, tati ughada jnaneshvara

Vers 10

Schuddha Dschjātschā Bhāwa Dschhālā Durī Nāhīṃ Dewa Tjālā Awaghīṃ Sādhaneṃ Hātawaṭī Mola Mil̤ata Nāhīṃ Hāṭīṃ Aho Āpaṇa Taiseṃ Whāweṃ Awagheṃ Anumānonī Ghjāweṃ Aiseṃ Keleṃ Sad‌gurunātheṃ Bāpa Rakhumādewīkāṃteṃ Tetheṃ Koṇī Schikawāweṃ Sāra Sādhunijā Ghjāweṃ Laḍiwāl̤a Muktābāī Dschīwa Muddala Ṭhājīṃtsche Ṭhājīṃ Tumhī Tarūna Wischwa Tārā Tāṭī Ughaḍā Dschñāneschwarā
Shuddha jyacha bhava jhala, duri nahi deva tyala Avaghi sadhanem hatavati, mola milata nahi hati Aho apana taisem vhave, avaghem anumanoni ghyave Aisem kelem sadgurunathem, bapa rakhumadevikantem Tethe koni shikavave, sara sadhuniya ghyave Ladivala muktabai, jiva muddala thayinche thayi Tumhi taruna vishva tara, tati ughada jnaneshvara

Vers 11

Worship Guidelines & Chanting Benefits (Phalashruti)

Auspicious Day

Täglich oder an heiligen Mondtagen (Ekadashi, Purnima)

Best Time (Muhurta)

Brahma Muhurta (4:00 – 6:00 Uhr) oder Abenddämmerung

Sacred Offerings

Ghee-Lampe, Weihrauch, frische Blüten und Wasseropfer

Spiritual Benefits (Phalashruti)
  • Geistiger Friede, spiritueller Aufstieg und harmonische Energie

Hintergrund

Als Dnyaneshwar sich nach Demütigungen in seiner Hütte einschloss, bewegte ihn seine junge Schwester Muktabai mit diesem Lied dazu, die Tür zu öffnen und die Welt zu erleuchten.

Über diesen Text

Verfasst von: Sant Muktabai

Wusstest du schon?

The door of the hut (tati)

'Tati' is the woven reed or bamboo screen used as a door in rural Maharashtra, so the refrain 'open the door' is both literal and a plea to open his heart to the world.

The definition of a saint

Verse 1 opens with Yogi pavana manacha, sahe aparadh janacha — a pure-minded yogi bears the faults of the people around him. The verse goes on to ask the saint to turn into cooling water when the world is inflamed with anger, and to give sound teaching when disputes over scripture cause distress: forbearance, not withdrawal, is the saint's defining trait.

Mastering ego and anger

Verse 2 urges guarding against ego and conquering anger, and Verse 3 says that when the world is filled with rage the saint should stay calm and speak nectar even to an enemy.

A plea to help others cross

Verse 11 ends with Muktabai's own name, 'Mukta mhane', asking her brother, who has himself crossed over, to help ignorant people cross as well and to show his grace.

Text and editions

The Tatiche Abhang are traditionally ascribed to Muktabai, and every stanza ends with the refrain “Tati ughada Dnyaneshwara”. The stanzas on this page follow the Sanskrit Documents recension (credited to Muktabai), whose eleven abhangas open with “Yogi pavana manacha” — the same opening found in Verse 1 here. Editions differ in the number, order, and wording of the stanzas, so other anthologies of the Tatiche Abhang may arrange or word the verses differently.

Mehr aus Hinduismus

Alle anzeigen