Bharat Devotion
Embroidered artwork for Tati Ughada Dnyaneshwara — Abhanga de Sant Muktabai: Embroidered Om symbol above a brass diya, marigolds and a temple spire at sunrise

Tati Ughada Dnyaneshwara — Abhanga de Sant Muktabai

Tati Ughada Dnyaneshwara — Abhanga de Sant Muktabai

L'admirable exhortation à la compassion universelle adressée par Sant Muktabai à son frère aîné, Sant Dnyaneshwar. Réfugié dans sa cabane après les affronts du monde, sa jeune sœur lui rappelle : 'Un saint doit supporter les insultes comme l'eau apaise le feu ; ouvre la porte, ô Dnyaneshwar !'

Vers

Yogī Pāvana Manātchā Sāhe Aparādha Djanāṃtchā Vichva Rāgeṃ Djhāleṃ Vanhī Saṃtīṃ Soukheṃ Vhāveṃ Pāṇī Chabdachāstreṃ Djhāleṃ Klecha Saṃtīṃ Mānāvā Oupadecha Vichvapaṭa Brahmadorā Tāṭī Oughaḍā Djñānechvarā
Yogi pavan manacha, sahe aparadha janancha Vishva ragem jhale vanhi, santim sukhem vhave pani Shabdashastrem jhale klesha, santim manava upadesha Vishvapata brahmadora, tati ughada jnaneshvara

Verset 1

Soukhassāgarīṃ Vāssa Djhālā Ouṃtchanītcha Kāya Tyālā Aho Āpaṇa Djaisseṃ Vhāveṃ Deveṃ Taisseṃtchi Karāveṃ Aissā Naṭanāṭya Khel̤a Sthira Nāhīṃ Eka Vel̤a Ekāpāssonī Aneka Djhāleṃ Tyāssī Pāhidje Sāṃbhāl̤ileṃ Choûnya Sākchitveṃ Samadjāveṃ Veda Oṃkārātchyā Nāveṃ Ekeṃ Ouṃtchapaṇa Keleṃ Eka Abhimāneṃ Geleṃ Itoukeṃ Ṭākounī Chāṃti Dharā Tāṭī Oughaḍā Djñānechvarā
Sukhasagari vasa jhala, unchanicha kaya tyala Aho apana jaisem vhave, devem taisenchi karave Aisa natanatya khela, sthira nahi eka vela Ekapasoni aneka jhale, tyasi pahije sambhalile Shunya sakshitvem samajave, veda onkarachya navem Ekem unchapana kele, eka abhimanem gele Itukem takuni shanti dhara, tati ughada jnaneshvara

Verset 2

Varī Bhagavā Djhālā Nāmeṃ Aṃtarīṃ Vachya Kelā Kāmeṃ Tyālā Mhaṇoṃ Naye Sādhoû Djagīṃ Viṭaṃbanā Bādhoû Āpaāpaṇā Chodhounī Ghyāveṃ Viveka Nāṃde Tyātchyāssaveṃ Āchā Daṃbha Avaghe Āvarā Tāṭī Oughaḍā Djñānechvarā
Vari bhagava jhala namem, antarim vashya kela kamem Tyala mhano naye sadhu, jagi vitambana badhu Apapana shodhuni ghyave, viveka nande tyachyasave Asha dambha avaghe avara, tati ughada jnaneshvara

Verset 3

Saṃta Totchi Djāṇā Djagīṃ Dayā Kchamā Djyātche Aṃgīṃ Lobha Ahaṃtā Naye Manā Djagīṃ Virakta Totchi Djāṇā Ihaparalokīṃ Soukhī Chouddha Djñāna Djyātche Moukhīṃ Mithyā Kalpanā Māgeṃ Sārā Tāṭī Oughaḍā Djñānechvarā
Santa tochi jana jagi, daya kshama jyache angi Lobha ahamta naye mana, jagi virakta tochi jana Ihaparalokim sukhi, shuddha jnana jyache mukhi Mithya kalpana magem sara, tati ughada jnaneshvara

Verset 4

Eka Āpaṇa Sādhoû Djhāle Yera Koṇa Vāyāṃ Gele Ouṭhe Vikāra Brahmīṃ Moûl̤a Avagheṃ Māyetcheṃ Gābāl̤a Māyā Noure Djevhāṃ Vichvabrahma Hoīla Tevhāṃ Aissā Oumadja Ādi-aṃtīṃ Maga Soukhī Vhāveṃ Saṃtīṃ Tchiṃtā Krodha Māgeṃ Sārā Tāṭī Oughaḍā Djñānechvarā
Eka apana sadhu jhale, yera kona vaya gele Uthe vikara brahmim mula, avaghem mayechem gabala Maya nure jevha, vishvabrahma hoila tevha Aisa umaja adi-antim, maga sukhi vhave santim Chinta krodha magem sara, tati ughada jnaneshvara

Verset 5

Brahma Djaisseṃ Taissāparī Āmhāṃ Vaḍīla Bhoûteṃ Sārī Hāta Āpoulā Āpaṇā Lāge Tyātchā Karoûṃ Naye Kheda Djībha Dātāṃnī Tchāvilī Koṇe Battichī Pāḍilī Thora Doukhāvaleṃ Mana Pouḍheṃ Oudaṃḍa Chahāṇe Tchaṇe Khāve Lokhaṃḍātche Maga Brahmapadīṃ Nātche Mana Māroûnī Ounmana Karā Tāṭī Oughaḍā Djñānechvarā
Brahma jaisem taisapari, amha vadila bhutem sari Hata apula apana lage, tyacha karu naye kheda Jibha datanni chavili, kone battishi padili Thora dukhavalem mana, pudhem udanda shahane Chane khave lokhandache, maga brahmapadi nache Mana maruni unmana kara, tati ughada jnaneshvara

Verset 6

Soukhassāgara Āpaṇa Vhāveṃ Djaga Bodheṃ Nivavāveṃ Bodhā Karoûṃ Naye Aṃtara Sādhoû Nāhīṃ Āpapara Djīva Djivāssī Paiṃ Dyāvā Maga Karoûṃ Naye Hevā Taraṇopāya Tchittīṃ Dharā Tāṭī Oughaḍā Djñānechvarā
Sukhasagara apana vhave, jaga bodhem nivavave Bodha karu naye antara, sadhu nahi apapara Jiva jivasi paim dyava, maga karu naye heva Taranopaya chittim dhara, tati ughada jnaneshvara

Verset 7

Aho Krodheṃ Yāveṃ Koṭheṃ Avagheṃ Āpaṇa Nighoṭeṃ Aisseṃ Kal̤aleṃ Outtama Djana Tetchi Djanārdana Brīda Bāṃdhileṃ Tcharaṇīṃ Na Ye Dāvitā Karaṇī Vel̤a Krodhātchā Ougavalā Avaghā Yoga Pola Djhālā Aissī Thora Dṛchṭī Dharā Tāṭī Oughaḍā Djñānechvarā
Aho krodhem yave kothem, avaghem apana nighotem Aisem kalalem uttama, jana techi janardana Brida bandhilem charani, na ye davita karani Vela krodhacha ugavala, avagha yoga phola jhala Aisi thora drishti dhara, tati ughada jnaneshvara

Verset 8

Sāṃḍīṃ Kalpanā Oupādhī Tītcha Sādhoûlā Samādhī Vāda Ghālāvā Kavaṇālā Avaghā Dvaitātchā Ho Ghālā Pouḍheṃ Oumadjenā Kāya Ouḍatyātche Khālīṃ Pāya Eka Mana Tchechṭā Karī Bhoûteṃ Bāpouḍīṃ Chedjārīṃ Avaghī Īchvarātchī Karaṇī Kāya Tetheṃ Keleṃ Koṇī Pounaḥ Chouddha Mārga Dharā Tāṭī Oughaḍā Djñānechvarā
Sandi kalpana upadhi, ticha sadhula samadhi Vada ghalava kavanala, avagha dvaitacha ho ghala Pudhem umajena kaya, udatyache khali paya Eka mana cheshta kari, bhutem bapudi shejari Avaghi ishvarachi karani, kaya tethe kele koni Punah shuddha marga dhara, tati ughada jnaneshvara

Verset 9

Girigavhāreṃ Kachāssāṭhīṃ Rāgeṃ Pouravilī Pāṭhīṃ Aissā Nassāvā Saṃnyāssī Paramārthātchā Djo Kā Dvechī Ghara Bāṃdhileṃ Ḍoṃgarīṃ Vichayā Hiṃḍe Dārodārīṃ Kāya Kelā Yogadharma Nāhīṃ Aṃtarīṃ Nichkāma Gaṃgādjal̤a Hṛdaya Karā Tāṭī Oughaḍā Djñānechvarā
Girigavharem kashasathi, ragem puravili pathi Aisa nasava sannyasi, paramarthacha jo ka dveshi Ghara bandhilem dongari, vishaya hinde darodari Kaya kela yogadharma, nahi antari nishkama Gangajala hridaya kara, tati ughada jnaneshvara

Verset 10

Chouddha Djyātchā Bhāva Djhālā Dourī Nāhīṃ Deva Tyālā Avaghīṃ Sādhaneṃ Hātavaṭī Mola Mil̤ata Nāhīṃ Hāṭīṃ Aho Āpaṇa Taisseṃ Vhāveṃ Avagheṃ Anoumānonī Ghyāveṃ Aisseṃ Keleṃ Sad‌gourounātheṃ Bāpa Rakhoumādevīkāṃteṃ Tetheṃ Koṇī Chikavāveṃ Sāra Sādhouniyā Ghyāveṃ Laḍivāl̤a Mouktābāī Djīva Mouddala Ṭhāyīṃtche Ṭhāyīṃ Toumhī Taroûna Vichva Tārā Tāṭī Oughaḍā Djñānechvarā
Shuddha jyacha bhava jhala, duri nahi deva tyala Avaghi sadhanem hatavati, mola milata nahi hati Aho apana taisem vhave, avaghem anumanoni ghyave Aisem kelem sadgurunathem, bapa rakhumadevikantem Tethe koni shikavave, sara sadhuniya ghyave Ladivala muktabai, jiva muddala thayinche thayi Tumhi taruna vishva tara, tati ughada jnaneshvara

Verset 11

Worship Guidelines & Chanting Benefits (Phalashruti)

Auspicious Day

Tous les jours ou lors des jours lunaires sacrés

Best Time (Muhurta)

Brahma Muhurta (4h00 – 6h00) ou au crépuscule

Sacred Offerings

Lampe de ghee, encens, fleurs fraîches et offrande d'eau

Spiritual Benefits (Phalashruti)
  • Paix de l'esprit, élévation spirituelle et harmonie dans le foyer

Contexte

Humilié par les villageois, le jeune Dnyaneshwar s'était enfermé pour jeûner jusqu'à la mort ; sa sœur Muktabai chanta ces vers qui le décidèrent à ouvrir et à guider l'humanité.

À propos de ce Texte

Composé par: Sant Muktabai

Le saviez-vous ?

The door of the hut (tati)

'Tati' is the woven reed or bamboo screen used as a door in rural Maharashtra, so the refrain 'open the door' is both literal and a plea to open his heart to the world.

The definition of a saint

Verse 1 opens with Yogi pavana manacha, sahe aparadh janacha — a pure-minded yogi bears the faults of the people around him. The verse goes on to ask the saint to turn into cooling water when the world is inflamed with anger, and to give sound teaching when disputes over scripture cause distress: forbearance, not withdrawal, is the saint's defining trait.

Mastering ego and anger

Verse 2 urges guarding against ego and conquering anger, and Verse 3 says that when the world is filled with rage the saint should stay calm and speak nectar even to an enemy.

A plea to help others cross

Verse 11 ends with Muktabai's own name, 'Mukta mhane', asking her brother, who has himself crossed over, to help ignorant people cross as well and to show his grace.

Text and editions

The Tatiche Abhang are traditionally ascribed to Muktabai, and every stanza ends with the refrain “Tati ughada Dnyaneshwara”. The stanzas on this page follow the Sanskrit Documents recension (credited to Muktabai), whose eleven abhangas open with “Yogi pavana manacha” — the same opening found in Verse 1 here. Editions differ in the number, order, and wording of the stanzas, so other anthologies of the Tatiche Abhang may arrange or word the verses differently.

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