Bharat Devotion
Embroidered artwork for Bhagyada Lakshmi – Come, O Goddess of Fortune: Embroidered Om symbol above a brass diya, marigolds and a temple spire at sunrise

Bhagyada Lakshmi – Come, O Goddess of Fortune

BhajansDvaita (Haridasa Tradition)LakshmiVenkateswara

Bhagyada Lakshmi – Come, O Goddess of Fortune

Purandara Dasa's Kannada devaranama inviting Goddess Lakshmi into the home to bestow fortune and auspiciousness, sung on Fridays.

Verses

Rachane: Shree Purandaradasaru Bhagyada Lakshmi Baramma Nammamma Nee | Saubhagyada Lakshmi Baramma ||

Verse 1

Hejjeya Mele Hejjeyanikkuta Gejje Kaalgala Dhvaniya Toruta | Sajjana Sadhu Poojeya Velege Majjigeyolagina Benneyante || 1 || Bhagyada Lakshmi Baramma

Verse 2

Kanakavrishtiya Kareyuta Baare Mana Kamaneya Siddhiya Tore | Dinakara Koti Tejadi Holeyuva Janakarayana Kumari Bega Baramma || 2 || Bhagyada Lakshmi Baramma

Verse 3

Attittalagade Bhaktara Maneyali Nitya Mahotsava Nitya Sumangali | Satyava Toruva Sadhu Sajjanara Chittadi Holeyuva Putthali Bombe || 3 || Bhagyada Lakshmi Baramma

Verse 4

Sankhyeyillada Bhagyava Kottu Kankana Kaiya Tiruvuta Baare | Kunkumaankita Pankajalochane Venkataramanana Binkada Raani || 4 || Bhagyada Lakshmi Baramma

Verse 5

Sakkare Tuppada Kaaluve Harisi Shukravaarada Poojeya Velege | Akkarevulla Alagiri Rangana Chokka Purandara Vittala Na Raani || 5 || Bhagyada Lakshmi Baramma

Verse 6

Worship Guidelines & Chanting Benefits (Phalashruti)

Auspicious Day

Friday (Shukrawar) & Purnima (Full Moon)

Best Time (Muhurta)

Evening Sandhya (Dusk / Deepa Lighting Time)

Sacred Offerings

Pink Lotus, Kheer, Panchamrit, Kumkum & Ghee Lamp

Spiritual Benefits (Phalashruti)
  • Abundance (Dhana-Dhanya), household harmony, and spiritual purity

Background

This bhajan belongs to the Kannada devotional tradition of the Haridasa movement, a spiritual and musical current that flourished in Karnataka from the 13th to 18th centuries. The Haridasas, literally servants of Hari or Vishnu, composed simple, heartfelt songs in the local language to make devotion accessible to everyone. Purandara Dasa (c. 16th century) is widely regarded as the father of Carnatic music, and his compositions remain central to both temple and household worship. This particular song is traditionally sung during Lakshmi puja, especially on Fridays as the last verse mentions, and is a beloved prayer for inviting the goddess of fortune into one's home. The lyrics describe Lakshmi's graceful arrival and her connection to Venkataramana, Vishnu at Tirupati, and Ranga of Alagiri, and close with the composer's signature name, his ankita, Purandara Vittala, his name for the Lord. Lakshmi's identity as Vishnu's consort and the goddess who rose from the churning of the ocean is told in the Vishnu Purana 1.9; the song's Kannada imagery of anklets, golden rain and kumkuma rests on that older foundation.

About this Text

Composed by: Purandara Dasa

Did You Know?

Composer

This bhajan was written by Purandara Dasa (1484–1564), a saint-poet widely regarded as the father of Carnatic music. He composed thousands of devotional songs in Kannada, and this one is a heartfelt invitation to Goddess Lakshmi.

Structure

The song has a repeating refrain — “Bhagyada Lakshmi Baramma” (meaning “O Lakshmi of fortune, please come”) — and five verses. Each verse highlights a different aspect of the goddess, using vivid imagery to make the invitation feel personal and urgent.

Simile in verse 1

The line “like butter hidden in buttermilk” describes how Lakshmi’s presence can be felt subtly but powerfully during the worship of good and holy people. It’s a classic Kannada metaphor that suggests she is already there, waiting to be recognized.

Mythological link in verse 4

The goddess is called “the proud queen of Venkataramana” — a name for Lord Venkateshwara, the deity of the famous Tirumala temple in Andhra Pradesh. This connects the song to one of the most revered pilgrimage sites in South India.

Cultural detail in verse 5

The verse mentions Friday (Shukravara) as the special day for Lakshmi worship, and describes offering her a “canal of sugar and ghee” — a poetic way of asking for abundance. The composer signs off with his signature name (ankita) Purandara Vittala, where Vittala is his name for the Lord (Vishnu/Krishna); it does not refer to a guru.