Bharat Devotion
Embroidered artwork for Caste Transcended Through the Divine Name: Guru Ravidas seated by a river at dawn with one hand raised in blessing, embroidered

Caste Transcended Through the Divine Name

Caste Transcended Through the Divine Name

Ravidas names his caste as a leatherworker and declares that the virtues of Ram fill his heart; devotion, not birth, makes one pure.

Verses

Malar Mahala 3 || Nagar Jana Meri Jaat Bikhiat Chamaran || Har Kai Naam Koot Rahio Ram Ras Chaakhan ||1|| Rahao ||

Verse 1

Log Ganga Ju Ganga Kar Bahut Bilaavai || Chaar Akhar Ko Naam Japat Kaul Pun Paavai ||1||

Verse 2

Jau Tau Man Magan Hoi Har Ke Charna || Satsangat Mil Jai Tarai Bhav Tarna ||2||

Verse 3

Ja Kai Hirdai Gobind Ta Ki Gat Kia Kahiai || Badbhagi Autare Jag Kul Pavitra Bhaiai ||3||

Verse 4

Ravidas Chamar Istri Teen Lok Tarai || Naam Let Pavitra Bhaio Bhagat Har Kai Gharai ||4||2||

Verse 5

Worship Guidelines & Chanting Benefits (Phalashruti)

Auspicious Day

Daily or auspicious lunar days (Ekadashi, Purnima, Pradosham)

Best Time (Muhurta)

Brahma Muhurta (4:00 AM – 6:00 AM) or Evening Dusk (Sandhya)

Sacred Offerings

Ghee lamp (Deepa), Incense (Dhoopa), Fresh flowers & Water offering

Spiritual Benefits (Phalashruti)
  • Peace of mind, spiritual upliftment, and harmonious energy in the home

Background

This shabad by Bhagat Ravidas is in Raag Malar on Ang 1293 of the Guru Granth Sahib, the central scripture of Sikhism, under the heading of his bani. Speaking as a leatherworker well known to the townsfolk, Ravidas teaches that devotion to the Divine Name, not birth, makes a person pure. It is sung in kirtan and is dear to the Ravidassia community and to Sikh congregations alike, as a call to humility and faith.

About this Text

Composed by: Bhagat Ravidas · Medieval Nirguna Bhakti Poet-Saint · 15th–16th century, Varanasi

A poet-saint and leather worker by trade from Varanasi, whose hymns envisioned Begampura — a utopian realm free of sorrow, fear, and caste-based inequality. His compositions are included in the Guru Granth Sahib and form the devotional core of the modern Ravidassia tradition.

Did You Know?

Author and Context

This shabad is by Bhagat Ravidas, a 15th-century saint-poet of the Bhakti movement born into a leatherworker (chamaar) family in Banaras. It stands at Ang 1293 in Raag Malar, among his hymns in the Guru Granth Sahib, and is not a composition of Guru Amar Das.

The Refrain's Plain Statement

Ravidas addresses the townspeople and says that his caste, that of a chamaar, is well known, yet the virtues of Ram and Gobind fill his heart. He names the very label used to lower him and makes it the ground of his devotion.

Images of Purification

The canonical shabad turns to everyday images: liquor made with water is not drunk by the saints, yet impure water that joins the Ganga becomes one with the river, and paper from an impure source is bowed to once words of devotion are written on it.

Respect Won by Devotion

Ravidas recalls that his people did lowly work in Banaras, yet he has taken shelter in the Lord, and now even the learned of the city bow to him. Worth comes from refuge in God, not from birth.

Note on the Text

The Gurmukhi shown on this page is a loose rendering. Its 'Mahala 3' heading and several lines differ from Ang 1293, where the shabad carries the heading of Bhagat Ravidas, so consult Ang 1293 for the exact words.

Connected Teachings

The same teaching, echoed across traditions