Adivo Alladivo (Siehe die heilige Wohnstätte Haris)
Annamacharya's Telugu sankeertana hailing the Seven Hills of Tirumala as the abode of Sri Hari, Lord Venkateswara.
Verse
Behold! Look right there, that is the divine abode of Lord Sri Hari! It is the wondrous embodiment of the ten thousand hoods of the serpent Adisesha!
Vers 1
Behold Mount Venkatachala, highest among all peaks! It is the rarest vision even for Lord Brahma and the gods; it is the perpetual hermitage of all sages. Behold it, bow down in reverence, and enter supreme bliss!
Vers 2
Close by lies Mount Seshachala, the true abode of celestial gods dwelling in heaven! Behold the hidden treasure now resting right in our courtyard, shining with golden spires full of the Supreme Brahman!
Vers 3
Behold Mount Venkatachala, the very realm of liberation (Kaivalya)! It is the treasured wealth of Lord Venkateswara; contemplating it reveals the essence of all divine abundance, the purest and holiest of all sacred sanctuaries!
Vers 4
Anbetungsrichtlinien und Vorteile des Chants (Phalashruti)
PhalashrutiTäglich oder an heiligen Mondtagen (Ekadashi, Purnima)
Brahma Muhurta (4:00 – 6:00 Uhr) oder Abenddämmerung
Ghee-Lampe, Weihrauch, frische Blüten und Wasseropfer
- Geistiger Friede, spiritueller Aufstieg und harmonische Energie
Hintergrund
Tradition holds that when the young Annamacharya (1408-1503) first climbed the sacred Tirumala hills, the entire mountain range appeared to him not as inert rock, but as the divine serpent Adisesha. Overwhelmed, he sang 'Adivo Alladivo Sri Hari Vasamu' (Behold, there is the sacred dwelling of Sri Hari!). Annamacharya's sankeertanas were engraved on copper plates by his descendants and kept in a cell inside the Tirumala temple, where thousands of plates survive. This song, set in Raga Madhyamavati and Adi tala, describes Venkatachala as the highest of all peaks, filled with golden spires and conferring the supreme state of liberation (Kaivalya). The Varaha Purana and the Skanda Purana connect the Tirumala hills with Vishnu's Varaha incarnation, and the range is traditionally held to be the body of the serpent Shesha, which is why it is also called Seshachalam.
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First Sight of Tirumala
Tradition relates that Annamacharya composed this spontaneously as a young pilgrim when he caught his very first glimpse of the Seven Hills of Tirupati.
Cosmic Serpent Imagery
The opening verse depicts the peaks of the hill range as the ten-thousand hoods of the cosmic serpent Adisesha (Padivela Seshula Padagalamayamu).
Treasure in the Courtyard
Annamayya describes Lord Venkateswara as the 'divine treasure hidden right in the courtyard' (Mungita Nalladivo Moolanunna Dhanamu), accessible freely to all genuine devotees.
Golden Spires
The song paints a vivid portrait of golden temple spires (Bangaru Sikharala) shimmering in the sun, where Brahma and all celestial beings perpetually assemble in worship.
Carnatic Standard
Set in Raga Madhyamavati, it is one of Annamacharya's best-loved sankeertanas and a staple of Annamayya programmes and Carnatic concerts.
Vishnu
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Dieselbe Lehre, widergespiegelt in verschiedenen Traditionen