Brahmam Okate (Das Höchste ist Eins)
Ein unsterblicher Telugu-Gesang des 15. Jahrhunderts von Tallapaka Annamacharya, der die universelle Gleichheit und die göttliche Gegenwart in allen Wesen verkündet.
Verse
Tandanana! Hail the rhythm of truth! The Supreme Reality (Brahman) is one and only one. Indeed, the Supreme Divine is universally one!
Vers 1
In this realm of the Divine, there are no distinctions of high or low. Lord Sri Hari resides as the inner soul (Antaratma) in everyone. The entire animal and human kingdom is fundamentally one, for Sri Hari dwells within all.
Vers 2
The deep sleep enjoyed by a king is identical to the sleep of a servant. The sacred ground trodden upon by an exalted scholar is the very same earth upon which an outcaste dwells.
Vers 3
The sensory pleasures experienced by exalted celestials and those of animals and tiny insects are essentially identical. Day and night revolve equally for the wealthy magnate and the poorest pauper.
Vers 4
The hunger satisfied by delicious, royal delicacies is the exact same hunger felt when eating coarse, stale food. The gentle breeze that blows across foul odors is the very same pure breeze that caresses fragrant perfumes.
Vers 5
The blazing sun that shines upon a royal elephant is the very same sun that shines upon a street dog. To protect the highly virtuous and redeem the sinners alike, the saving holy name of Lord Sri Venkateswara alone is supreme!
Vers 6
Anbetungsrichtlinien und Vorteile des Chants (Phalashruti)
PhalashrutiTäglich oder an heiligen Mondtagen (Ekadashi, Purnima)
Brahma Muhurta (4:00 – 6:00 Uhr) oder Abenddämmerung
Ghee-Lampe, Weihrauch, frische Blüten und Wasseropfer
- Geistiger Friede, spiritueller Aufstieg und harmonische Energie
Hintergrund
Composed in Raga Bowli, 'Brahmam Okate' is one of the most celebrated philosophical compositions of Tallapaka Annamacharya (1408–1503 CE), the supreme poet of Tirumala Venkateswara. At a time when medieval society was divided by caste rigidities, Annamayya boldly challenged discrimination by highlighting that human biological and existential realities—sleep, hunger, birth, and breath—are identical for both king and pauper, Brahmin and outcaste. The song teaches that the indivisible Supreme Spirit (Parabrahman) alone is the indwelling soul (Antaratma) of all creation. The refrain's equal vision echoes the Bhagavad Gita (5.18), which praises the sage who sees the learned Brahmin and the outcaste alike. Annamayya's songs were engraved on copper plates at Tirumala, and the Tirumala Tirupati Devasthanams published them as the Tallapaka Pada Sahityam in 1998.
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Composer
Composed by the 15th-century saint-poet Tallapaka Annamacharya (Annamayya), hailed as the Pada-kavita Pitamaha (Godfather of Songwriting), who composed over 32,000 sankeertanas dedicated to Lord Venkateswara of Tirupati.
Radical Egalitarianism
Centuries before modern constitutional equality movements, Annamayya preached spiritual egalitarianism in the 1400s, singing that human artificial social hierarchies do not exist in the eyes of God.
Metaphor of Bodily Needs
The song uses universal daily realities—sleep, hunger, the ground we walk on, and sunlight—to demonstrate that nature treats the monarch and the servant identically.
Indwelling Divine Spirit
The central teaching is that Lord Hari (Venkateswara) dwells as the Antaratma (inner soul) inside every creature, from celestial gods down to tiny insects.
Musical Heritage
Set traditionally in the early morning Raga Bowli, this sankeertana was brought to global prominence by legendary vocalist Bharat Ratna M. S. Subbulakshmi.
Vishnu
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