Bharat Devotion
Embroidered artwork for Aarti of Lord Parshvanatha: Embroidered Jain ahimsa palm with a gold wheel, white marble temples and lotuses at dawn

Aarti of Lord Parshvanatha

Aarti of Lord Parshvanatha

A devotional aarti to Parshvanatha, the 23rd Jain Tirthankara, celebrating his protection of devotees and the light of wisdom he brings.

Verses

Jai Parshva Jineshwar, Aarti Utaroon Re, Bhavsagar Taarak, Tujhko Nihaaroon Re. Jai Parshva Jineshwar...

Verse 1

Shvetvarn Kaaya Teri, Mastak Chhatra Birajai Re, Indra-Phan Naag Ka Chhatra, Sir Par Ati Sohai Re. Jai Parshva Jineshwar...

Verse 2

Kashi Nagri Mein Janmen, Raja Ashvasen Nandan Re, Mata Vaama Devi Ke, Tu Pyaara Hai Nandan Re. Jai Parshva Jineshwar...

Verse 3

Kamath Asur Ne Updrav Keenho, Upsarg Bhaari Laayo Re, Dharanendra-Padmaavati Ne, Aakar Saath Nibhaayo Re. Jai Parshva Jineshwar...

Verse 4

Gyan-Darshan Ki Jyoti Jagaakar, Mukti Mahal Tu Paaya Re, Bhakt Janon Ke Sankat Taare, Darsh Tumhara Paaya Re. Jai Parshva Jineshwar...

Verse 5

Aarti Karoon Main Man Laai, Tum Ho Gati Ke Daata Re, 'Gyansundar' Gun Gaave, Bhavdadhi Se Tar Jaata Re. Jai Parshva Jineshwar, Aarti Utaroon Re.

Verse 6

Worship Guidelines & Chanting Benefits (Phalashruti)

Auspicious Day

Daily or auspicious lunar days (Ekadashi, Purnima, Pradosham)

Best Time (Muhurta)

Brahma Muhurta (4:00 AM – 6:00 AM) or Evening Dusk (Sandhya)

Sacred Offerings

Ghee lamp (Deepa), Incense (Dhoopa), Fresh flowers & Water offering

Spiritual Benefits (Phalashruti)
  • Peace of mind, spiritual upliftment, and harmonious energy in the home
Chanting Practice:Sing together with family at the conclusion of evening worship while offering a circular light flame.

Background

This is an aarti, a devotional hymn of light and worship sung in Jain tradition, specifically honouring Parshvanatha, the 23rd Tirthankara (spiritual teacher who has crossed the cycle of rebirth). Aartis are traditionally performed during rituals, often at home or in temples, accompanied by the waving of a lamp before the deity's image. The hymn is part of the wider Jain devotional (bhakti) tradition and is sung in Hindi and other regional languages. The composer's name 'Jñānasundar' appears in the final verse, but specific historical details about the author are not widely established, so it is best to keep the background general. The episode referenced in verse 3 — the serpent king Dharanendra and his consort Padmavati shielding Parshvanatha with their hoods while the demon Kamatha assailed him in meditation — is recounted in the Trishashtishalakapurushacharita ("Lives of the Sixty-Three Illustrious Persons") of Acharya Hemachandra, a major Jain narrative of the lives of the Tirthankaras.

Did You Know?

Who is Parshva?

Parshvanatha is the 23rd of the 24 Tirthankaras ('ford-makers') in Jainism — enlightened teachers who show the way across the ocean of worldly existence. He is traditionally placed in the 9th century BCE, making him the earliest Tirthankara with strong historical evidence, and he is often depicted with a serpent hood over his head.

The serpent canopy

The hoods of a cobra over Parshva's head are his most iconic symbol. According to the story, when the demon Kamatha attacked him during deep meditation, the serpent king Dharanendra and his consort Padmavati shielded him with their hoods — a moment directly referenced in verse 3 of this aarti.

A royal birth

Verse 2 places his birth in Varanasi (Kashi) to King Ashvasena and Queen Vama. Jain tradition says his mother had auspicious dreams before his birth, and he lived a princely life for 30 years before renouncing the world to become an ascetic.

The four vows

Parshva is uniquely associated with four great vows (non-violence, truth, non-stealing, and non-possessiveness), while the 24th Tirthankara, Mahavira, added a fifth (celibacy). This difference is a well-known point of discussion in Jain history, though the exact relationship between the two teachers remains a matter of scholarly debate.

The aarti's structure

This is a Jain aarti — a devotional hymn of light-waving — modeled on the Hindu aarti tradition. The refrain 'Jai Parshva Jineshwar' frames each verse, and the closing signature 'Gyanasundar' (verse 5) is the composer's name, a common practice in devotional poetry to embed the author's identity.

Symbolism of light

The aarti's central act — waving a lamp before the idol — is a metaphor for dispelling inner darkness. Verse 4's 'light of knowledge and perception' (jnan-darshan) points to the Jain goal of perfect insight, which leads to liberation (moksha), here called the 'palace of freedom.'