Aarti of Lord Parshvanatha
A devotional aarti to Parshvanatha, the 23rd Jain Tirthankara, celebrating his protection of devotees and the light of wisdom he brings.
Verses
Victory to Lord Parshva, the Jina! I reverently offer this arati to You. You are the savior who carries beings across the ocean of worldly existence; I gaze upon You with devotion. Victory to Lord Parshva, the Jina!
Verse 1
Your body is of a pure white complexion, and a royal canopy adorns Your head. The hood of the serpent king Indra forms a canopy that shines most beautifully above Your brow.
Verse 2
You were born in the holy city of Kashi, the beloved son of King Ashvasena. To Queen Vama Devi, You are her most precious child.
Verse 3
The demon Kamath inflicted great torment upon You, bringing a heavy affliction. Yet the serpent king Dharanendra and the goddess Padmavati came and steadfastly stood by Your side.
Verse 4
By kindling the radiant light of true knowledge and vision, You attained the palace of liberation. You remove the sorrows of Your devotees, who have been blessed with Your holy sight.
Verse 5
With my whole heart I offer this arati, for You are the bestower of the supreme goal. The poet Jnasundar sings Your praises, and by doing so crosses the ocean of worldly existence. Victory to Lord Parshva, the Jina! I reverently offer this arati to You.
Verse 6
Worship Guidelines & Chanting Benefits (Phalashruti)
Daily or auspicious lunar days (Ekadashi, Purnima, Pradosham)
Brahma Muhurta (4:00 AM – 6:00 AM) or Evening Dusk (Sandhya)
Ghee lamp (Deepa), Incense (Dhoopa), Fresh flowers & Water offering
- Peace of mind, spiritual upliftment, and harmonious energy in the home
Background
This is an aarti, a devotional hymn of light and worship sung in Jain tradition, specifically honouring Parshvanatha, the 23rd Tirthankara (spiritual teacher who has crossed the cycle of rebirth). Aartis are traditionally performed during rituals, often at home or in temples, accompanied by the waving of a lamp before the deity's image. The hymn is part of the wider Jain devotional (bhakti) tradition and is sung in Hindi and other regional languages. The composer's name 'Jñānasundar' appears in the final verse, but specific historical details about the author are not widely established, so it is best to keep the background general. The episode referenced in verse 3 — the serpent king Dharanendra and his consort Padmavati shielding Parshvanatha with their hoods while the demon Kamatha assailed him in meditation — is recounted in the Trishashtishalakapurushacharita ("Lives of the Sixty-Three Illustrious Persons") of Acharya Hemachandra, a major Jain narrative of the lives of the Tirthankaras.
Did You Know?
Who is Parshva?
Parshvanatha is the 23rd of the 24 Tirthankaras ('ford-makers') in Jainism — enlightened teachers who show the way across the ocean of worldly existence. He is traditionally placed in the 9th century BCE, making him the earliest Tirthankara with strong historical evidence, and he is often depicted with a serpent hood over his head.
The serpent canopy
The hoods of a cobra over Parshva's head are his most iconic symbol. According to the story, when the demon Kamatha attacked him during deep meditation, the serpent king Dharanendra and his consort Padmavati shielded him with their hoods — a moment directly referenced in verse 3 of this aarti.
A royal birth
Verse 2 places his birth in Varanasi (Kashi) to King Ashvasena and Queen Vama. Jain tradition says his mother had auspicious dreams before his birth, and he lived a princely life for 30 years before renouncing the world to become an ascetic.
The four vows
Parshva is uniquely associated with four great vows (non-violence, truth, non-stealing, and non-possessiveness), while the 24th Tirthankara, Mahavira, added a fifth (celibacy). This difference is a well-known point of discussion in Jain history, though the exact relationship between the two teachers remains a matter of scholarly debate.
The aarti's structure
This is a Jain aarti — a devotional hymn of light-waving — modeled on the Hindu aarti tradition. The refrain 'Jai Parshva Jineshwar' frames each verse, and the closing signature 'Gyanasundar' (verse 5) is the composer's name, a common practice in devotional poetry to embed the author's identity.
Symbolism of light
The aarti's central act — waving a lamp before the idol — is a metaphor for dispelling inner darkness. Verse 4's 'light of knowledge and perception' (jnan-darshan) points to the Jain goal of perfect insight, which leads to liberation (moksha), here called the 'palace of freedom.'
Parshvanatha
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