Bharat Devotion
Embroidered artwork for Parshvanath Chalisa: A Hymn of Praise to Lord Parshvanatha: Embroidered Jain ahimsa palm with a gold wheel, white marble temples and lotuses at dawn

Parshvanath Chalisa

A Hymn of Praise to Lord Parshvanatha

Parshvanath Chalisa

A Hymn of Praise to Lord Parshvanatha

A Jain chalisa praising Parshvanatha, the 23rd Tirthankara: his life, victory over Kamatha and liberation at Sammet Shikhar; recited for protection.

Verses

Doha Sheesh Nawakar Charan Mein, Vandan Karoon Trikaal. Parshwanath Bhagwan Ka, Sumiran Karoon Kripaal.

Verse 1

Ashwasen Ke Laadle, Vama Sut Sukhkaar. Varanasi Ke Raj The, Jag Taran Avtaar.

Verse 2

Chaupai Jai Parshwanath Prabhu Sukhkaari. Jag Ke Sankat Haran Haari.

Verse 3

Varanasi Nagari Ati Paawan. Jahan Janme Jag Ke Manbhaawan.

Verse 4

Paush Krishna Gyaaras Ka Din Tha. Indra Dev Sab Aanandit Tha.

Verse 5

Kamath Ka Jeev Poorav Vairi Tha. Pashan Roop Vikraal Dhari Tha.

Verse 6

Tap Karte Jab Prabhu Ko Paaya. Moosaladhaar Neer Barsaaya.

Verse 7

Bijali Kadaki Megh Garjaaye. Vikraal Roop Dhari Sur Ghabraaye.

Verse 8

Jara Na Vichalit Bhae Prabhu Jee. Dhyan Leen Rahe Sab Sukh Jee.

Verse 9

Dharanendra Padmavati Dhaaye. Phan Ka Chhatra Prabhu Sheesh Sajaaye.

Verse 10

Kamath Haari Prabhu Charnan Aayo. Kshama Maangi Nij Paap Nasaayo.

Verse 11

Kevalgyan Bhayo Sukhdaata. Samavasaran Vishai Gyan Vidhaata.

Verse 12

Sammed Shikhar Se Mukti Paayi. Mukti Dhaam Ki Raah Dikhaayi.

Verse 13

Jo Nar Parshva Chalisa Gaave. Sab Sankat Se Mukti Paave.

Verse 14

Bhoot Pishaach Nikat Nahin Aavai. Parshwanath Ka Naam Sunaavai.

Verse 15

Vishadhar Ka Vish Utarat Jaayi. Parshva Naam Ki Mahima Gaayi.

Verse 16

Santaan Heen Ko Sut Mil Jaave. Nirdhan Dhan Daulat Sukh Paave.

Verse 17

Rog Shok Sab Vyaadhi Nasaave. Kanchan Deh Suyash Jag Paave.

Verse 18

Sakal Manorath Pooran Daata. Teen Lok Ke Bhaagya Vidhaata.

Verse 19

Chaalees Din Jo Paath Karaavai. Manwaanchhit Phal So Nar Paavai.

Verse 20

Jai Parshwanath Jai Sukhdaata. Jai Trilok Ke Pitu-Maata.

Verse 21

Charan Sharan Nij Daasahin Deejai. Bhav Saagar Se Paar Kareejai.

Verse 22

Namo Namo Paaras Prabhu, Sankat Harahu Hamaar. Haath Jodi Vinati Karoon, Utaro Bhav Se Paar.

Verse 23

Jayati Jayati Parshva Dayaala. Sankat Haran Karahu Kalyaana.

Verse 24

Chaari Padaarath Paavai Gyaani. Parshwanath Ki Amrit Baani.

Verse 25

Ahinsa Satya Achairya Sikhaya. Tyag Dharm Ka Path Padhaya.

Verse 26

Sakal Sangh Par Kripa Keejai. Jain Dharm Ka Jaykara Deejai.

Verse 27

Jai Jai Jai Paras Bhagwana. Poojit Sur Nar Muni Bhagwana.

Verse 28

Deenbandhu Dukhaharta Swami. Raksha Keejai Antaryami.

Verse 29

Jo Yah Chalisa Nit Dhyavai. So Nishchay Hi Nirvan Pavai.

Verse 30

Parshvanath Prabhu Ki Jai Bolo. Nij Man Ke Sab Pat Ko Kholo.

Verse 31

Jayati Jayati Parsh Jinrai. Sakal Manorath Siddhi Karai.

Verse 32

Doha Parsh Chalisa Jo Padhe, Man Mein Bhakti Dhar. Sakal Amangal Door Hon, Pave Sukh Apar.

Verse 33

Sammed Shikhar Ke Nath Prabhu, Parasnath Kripal. Sharan Pade Ki Laj Rakh, Keejai Nath Nihal.

Verse 34

Worship Guidelines & Chanting Benefits (Phalashruti)

Auspicious Day

Daily or auspicious lunar days (Ekadashi, Purnima, Pradosham)

Best Time (Muhurta)

Brahma Muhurta (4:00 AM – 6:00 AM) or Evening Dusk (Sandhya)

Sacred Offerings

Ghee lamp (Deepa), Incense (Dhoopa), Fresh flowers & Water offering

Spiritual Benefits (Phalashruti)
  • Peace of mind, spiritual upliftment, and harmonious energy in the home
Chanting Practice:Reciting 1 to 11 times daily for 40 consecutive days is traditionally practiced for resolution of difficulties.

Background

This text is a Jain devotional hymn known as a chalisa (a forty-verse praise poem), dedicated to Lord Parshvanatha, the twenty-third Tirthankara (spiritual teacher) of Jainism. It is part of the wider tradition of Jain stotra literature, composed in a mix of doha and chaupai meters, and is traditionally recited by devotees in the morning or evening, especially on holy days associated with Parshvanatha. The hymn recounts key events from the Tirthankara's life—his birth in Varanasi, his meditation and victory over the demon Kamath, the protection offered by the serpent king Dharanendra and queen Padmavati, his attainment of omniscience, and his final liberation at Sammet Shikhar—while also promising spiritual and worldly blessings to those who recite it with faith.

Did You Know?

Author and Structure

The Parshva Chalisa is a 40-verse hymn in Hindi, composed in the traditional doha (couplet) and chaupai (quatrain) meters. It is part of Jain devotional literature, often recited for protection and blessings. The text narrates key events from the life of Parshvanath, the 23rd Tirthankara (spiritual teacher) in Jainism.

The Story of Kamatha and Dharanendra

Verses 5–10 describe the dramatic confrontation between Parshvanath and the demon Kamatha, his enemy from past lives. Kamatha, taking the form of a massive stone, unleashed a storm with lightning and rain, but Parshvanath remained unmoved in meditation. The serpent king Dharanendra and his queen Padmavati then sheltered the Lord with a canopy of their hoods—a scene iconic in Jain iconography.

Parshvanath's Fourfold Dharma

Verse 25 summarizes the core teachings of Parshvanath: non-violence (ahimsa), truth (satya), non-stealing (achaurrya), and renunciation (tyaga). Unlike Mahavira, the 24th Tirthankara, who added celibacy as a fifth vow, Parshvanath's followers observed these four. This distinction is historically significant in Jain tradition.

The Significance of Mount Sammeta

Verse 12 mentions Parshvanath's liberation on Sammed Shikhar (Mount Sammeta, now Parasnath Hill in Jharkhand, India). This is one of the most sacred Jain pilgrimage sites, where 20 of the 24 Tirthankaras are believed to have attained moksha (liberation). The hill is named after Parshvanath (Parasnath).

Promised Benefits of Recitation

The final verses (13–19, 29, 32–33) list the benefits of reciting the Chalisa: removal of obstacles, protection from ghosts and snakes, granting children to the childless, wealth to the poor, and ultimately liberation. This mirrors the structure of many Hindu and Jain chalisa hymns, emphasizing faith and devotion as the path to worldly and spiritual rewards.