Bharat Devotion
Embroidered artwork for Kanakadhara Stotram: Embroidered Om symbol above a brass diya, marigolds and a temple spire at sunrise

Kanakadhara Stotram

Kanakadhara Stotram

The Kanakadhara Stotram, attributed to Adi Shankaracharya, praises Mahalakshmi; tradition says it brought golden amla fruits to a poor woman.

Verses

Angam Hareh Pulaka-Bhooshanam-Aashrayantee Bhringaanganeva Mukulaabharanam Tamaalam | Angeekritaakhila-Vibhootir-Apaanga-Leelaa Maangalyadaa-Astu Mama Mangala-Devataayaah || 1 ||

Verse 1

Mugdhaa Muhur-Vidadhatee Vadane Muraareh Prema-Trapaa-Pranihitaani Gataagataani | Maalaa Drishor-Madhukareeva Mahotpale Yaa Saa Me Shriyam Dishatu Saagara-Sambhavaayaah || 2 ||

Verse 2

Vishvaamarendra-Pada-Vibhrama-Daana-Daksham Aananda-Hetur-Adhikam Mura-Vidvisho-Api | Eeshan-Nisheedatu Mayi Kshanam-Eekshanaardham IndeEvarodara-Sahodaram-Indiraayaah || 3 ||

Verse 3

Aameelitaaksham-Adhigamya Mudaa Mukundam Aananda-Kandam-Animesham-Ananga-Tantram | Aakekara-Sthita-Kaneenika-Pakshma-Netram Bhootyai Bhaven-Mama Bhujanga-Shayaanganaayaah || 4 ||

Verse 4

Baahvantare Madhujitah Shrita-Kaustubhe Yaa Haaraavaleeva Harineelamayee Vibhaati | Kaamapradaa Bhagavato-Api Kataaksha-Maalaa Kalyaanamaavahatu Me Kamalaalayaayaah || 5 ||

Verse 5

Kaalaambudaali-Lalitorasi Kaitabhaareh Dhaaraadhare Sphurati Yaa Tadid-Anganeva | Maatus-Samasta-Jagataam Mahaneeya-Moortih Bhadraani Me Dishatu Bhaargava-Nandanaayaah || 6 ||

Verse 6

Praaptam Padam Prathamatah Khalu Yat-Prabhaavaat Maangalya-Bhaaji Madhumaathini Manmathena | Mayyaapatet-Tad-Iha Mantharam-Eekshanaardham Mandaalasam Cha Makaraalaya-Kanyakaayaah || 7 ||

Verse 7

Dadyaad-Dayaanupavano Dravinaambudhaaraam Asminn-Akinchana-Vihanga-Shishau Vishanne | Dushkarma-Gharmam-Apaneeya Chiraaya Dooram Naaraayana-Pranayinee-Nayanaambuvaahah || 8 ||

Verse 8

Ishta-Vishishta-Matayo-Api Yayaa Dayaardra-Drishtyaa Trivishtapa-Padam Sulabham Labhante | Drishtih Prahrishta-Kamalodara-Deeptir-Ishtaam Pushtim Krisheeshta Mama Pushkara-Vishtaraayaah || 9 ||

Verse 9

Geer-Devateti Garudadhvaja-Sundareeti Shaakambhareeti Shashishekhara-Vallabheti | Srishti-Sthiti-Pralaya-Kelishu Samsthitaayai Tasyai Namas-Tribhuvanaika-Guros-Tarunyai || 10 ||

Verse 10

Shrutyai Namo-Astu Shubhakarma-Phala-Prasootyai Ratyai Namo-Astu Ramaneeya-Gunaarnavaayai | Shaktyai Namo-Astu Shatapatra-Niketanaayai Pushtyai Namo-Astu Purushottama-Vallabhaayai || 11 ||

Verse 11

Namo-Astu Naaleeka-Nibhaananaayai Namo-Astu Dugdhodadhi-Janmabhoomyai | Namo-Astu Somaamrita-Sodaraayai Namo-Astu Naaraayana-Vallabhaayai || 12 ||

Verse 12

Sampatkaraani Sakalendriya-Nandanaani Saamraajyadaana-Vibhavaani Saroruhaakshi | Tvadvandanaani Duritaaharano-Udyataani Maameva Maatar-Anisham Kalayantu Maanye || 13 ||

Verse 13

Yat-Kataaksha-Samupaasanaa-Vidhih Sevakasya Sakalaartha-Sampadah | Santanoti Vachanaanga-Maanasaih Tvaam Muraari-Hridayeshvareem Bhaje || 14 ||

Verse 14

Sarasija-Nilaye Saroja-Haste Dhavalatamaamshuka-Gandha-Maalya-Shobhe | Bhagavati Hari-Vallabhe Manojne Tribhuvana-Bhootikari Praseeda Mahyam || 15 ||

Verse 15

Dig-Hastibhih Kanaka-Kumbha-Mukhaavasrishta-Svarvaahinee-Vimala-Chaaru-Jala-Plutaangeem | Praatar-Namaami Jagataam Jananeem-Ashesha-Lokaadhinaatha-Grihineem-Amritaabdhi-Putreem || 16 ||

Verse 16

Kamale Kamalaaksha-Vallabhe Tvam Karunaapoora-Tarangitair-Apaangaih | Avalokaya Maam-Akinchanaanaam Prathamam Paatram-Akritrimam Dayaayaah || 17 ||

Verse 17

Stuvanti Ye Stutibhir-Ameebhir-Anvaham Trayeemayeem Tribhuvana-Maataram Ramaam | Gunaadhikaa Gurutara-Bhaagya-Bhaagino Bhavanti Te Bhuvi Budha-Bhaavitaashayaah || 18 ||

Verse 18

Namo-Astu Hemaambuja-Peethikaayai Namo-Astu Bhoomandala-Naayikaayai | Namo-Astu Devaadi-Dayaaparaayai Namo-Astu Shaarngaayudha-Vallabhaayai || 19 ||

Verse 19

Namo-Astu Devyai Bhrigu-Nandanaayai Namo-Astu Vishnor-Urasi Sthitaayai | Namo-Astu Lakshmyai Kamalaalayaayai Namo-Astu Daamodara-Vallabhaayai || 20 ||

Verse 20

Suvarna-Dhaaraa-Stotram Yach-Chhankaraachaarya-Nirmitam | Trisandhyam Yah Pathen-Nityam Sa Kubera-Samo Bhavet || 21 ||

Verse 21

Worship Guidelines & Chanting Benefits (Phalashruti)

Auspicious Day

Daily or auspicious lunar days (Ekadashi, Purnima, Pradosham)

Best Time (Muhurta)

Brahma Muhurta (4:00 AM – 6:00 AM) or Evening Dusk (Sandhya)

Sacred Offerings

Ghee lamp (Deepa), Incense (Dhoopa), Fresh flowers & Water offering

Spiritual Benefits (Phalashruti)
  • Peace of mind, spiritual upliftment, and harmonious energy in the home

Background

According to popular hagiography, young Shankara was on his alms round in Kalady when a destitute Brahmin woman, in tears because she had only one shriveled amla fruit, placed it in his bowl. Moved by her selfless gift, he sang this Sanskrit hymn to Mahalakshmi. The Sanskrit Documents text credits Shankaracharya in its colophon. The Kanakadhara Stotram is chanted for relief from poverty and debt, business prosperity and spiritual well-being.

Story & Significance

How young Adi Shankara, moved by a poor woman's gift of a single gooseberry, sang the Kanakadhara Stotram and golden amlas filled her home.

Read the full story →

About this Text

Composed by: Adi Shankaracharya · Classical Philosopher-Saint · 8th century CE, Kaladi (Kerala)

A philosopher and monk born in Kaladi, Kerala, credited with systematizing Advaita Vedanta (non-dual philosophy) and establishing four monastic seats (mathas) across India. Alongside his commentaries on the Upanishads and Brahma Sutras, he composed numerous devotional hymns to various deities in classical Sanskrit.

Did You Know?

The Legend of the Amla Offering

In Kalady, Kerala, young Shankara encountered an impoverished woman who wept because she had nothing to offer except a single dried amla fruit. Her pure, self-effacing generosity so moved Shankara that his prayer compelled Mahalakshmi to shower her home with gooseberries of solid gold.

The Metaphor of the Dark Bee (Verse 1)

Verse 1 uses the striking poetic imagery of a female honeybee ('bhringanganeva') flitting around a dark Tamala tree to represent Lakshmi's dark, loving sidelong glances hovering over Lord Hari's blue chest.

Synthesis of the Triple Goddess (Verse 10)

Verse 10 identifies Mahalakshmi as Saraswati in cosmic creation, Lakshmi in sustenance, and Parvati/Shakambhari in dissolution, embodying the complete unified Mother Principle.

The Raincloud of Grace (Verse 8)

In verse 8, Shankara humbly likens himself to a fledgling chataka bird parched by the scorching heat of past karmas, praying for the monsoon raincloud of Lakshmi's mercy to shower golden grace.

Advaita in devotion

Though celebrated as the foremost philosopher of non-dual Advaita Vedanta, Shankara shows in the Kanakadhara Stotram that non-dual realization can blossom into tender devotion. Verse 21 closes by promising that whoever recites it at the three twilights becomes equal to Kubera.