Bharat Devotion
Embroidered artwork for Kanakadhara Stotram (La Pioggia Dorata di Abbondanza): Embroidered Om symbol above a brass diya, marigolds and a temple spire at sunrise

Kanakadhara Stotram (La Pioggia Dorata di Abbondanza)

Kanakadhara Stotram (La Pioggia Dorata di Abbondanza)

Il Kanakadhara Stotram è un celebre inno di 21 versi composto da Adi Shankara in lode della Dea Mahalakshmi, che generò una pioggia di frutti dorati sulla capanna di una devota indigente.

Versi

Aṅgaṃ Hareḥ Pulakabhūshaṇamāshraiantī Bhṛṅgāṅganeva Mukulābharaṇaṃ Tamālam Aṅgīkṛtākhilavibhūtirapāṅga Līlā Māṅgaliadā'stu Mama Maṅgaladevatāiāḥ
Angam Hareh Pulaka-Bhooshanam-Aashrayantee Bhringaanganeva Mukulaabharanam Tamaalam | Angeekritaakhila-Vibhootir-Apaanga-Leelaa Maangalyadaa-Astu Mama Mangala-Devataayaah || 1 ||

Verso 1

Mugdhā Muhurvidadhatī Vadane Murāreḥ Prematrapāpraṇihitāni Gatāgatāni Mālā Dṛshormadhukarīva Mahotpale Iā Sā Me Shriiaṃ Dishatu Sāgarasambhavāiāḥ
Mugdhaa Muhur-Vidadhatee Vadane Muraareh Prema-Trapaa-Pranihitaani Gataagataani | Maalaa Drishor-Madhukareeva Mahotpale Yaa Saa Me Shriyam Dishatu Saagara-Sambhavaayaah || 2 ||

Verso 2

Vishvāmarendrapadavibhramadānadaksham Ānandaheturadhikaṃ Muravidvisho'pi Īshannishīdatu Maii Kshaṇamīkshaṇārdham Indīvarodarasahodaramindirāiāḥ
Vishvaamarendra-Pada-Vibhrama-Daana-Daksham Aananda-Hetur-Adhikam Mura-Vidvisho-Api | Eeshan-Nisheedatu Mayi Kshanam-Eekshanaardham IndeEvarodara-Sahodaram-Indiraayaah || 3 ||

Verso 3

Āmīlitākshamadhigamia Mudā Mukundam Ānandakandamanimeshamanaṅgatantram Ākekarasthitakanīnikapakshmanetraṃ Bhūtiai Bhavenmama Bhugiaṅgashaiāṅganāiāḥ
Aameelitaaksham-Adhigamya Mudaa Mukundam Aananda-Kandam-Animesham-Ananga-Tantram | Aakekara-Sthita-Kaneenika-Pakshma-Netram Bhootyai Bhaven-Mama Bhujanga-Shayaanganaayaah || 4 ||

Verso 4

Bāhvantare Madhugitaḥ Shritakaustubhe Iā Hārāvalīva Harinīlamaiī Vibhāti Kāmapradā Bhagavato'pi Kaṭākshamālā Kaliāṇamāvahatu Me Kamalālaiāiāḥ
Baahvantare Madhujitah Shrita-Kaustubhe Yaa Haaraavaleeva Harineelamayee Vibhaati | Kaamapradaa Bhagavato-Api Kataaksha-Maalaa Kalyaanamaavahatu Me Kamalaalayaayaah || 5 ||

Verso 5

Kālāmbudālilalitorasi Kaiṭabhāreḥ Dhārādhare Spurati Iā Taḍidaṅganeva Mātussamastagiagatāṃ Mahanīiamūrtiḥ Bhadrāṇi Me Dishatu Bhārgavanandanāiāḥ
Kaalaambudaali-Lalitorasi Kaitabhaareh Dhaaraadhare Sphurati Yaa Tadid-Anganeva | Maatus-Samasta-Jagataam Mahaneeya-Moortih Bhadraani Me Dishatu Bhaargava-Nandanaayaah || 6 ||

Verso 6

Prāptaṃ Padaṃ Prathamataḥ Khalu Iatprabhāvāt Māṅgaliabhāgi Madhumāthini Manmathena Maiiāpatettadiha Mantharamīkshaṇārdhaṃ Mandālasaṃ Cia Makarālaiakaniakāiāḥ
Praaptam Padam Prathamatah Khalu Yat-Prabhaavaat Maangalya-Bhaaji Madhumaathini Manmathena | Mayyaapatet-Tad-Iha Mantharam-Eekshanaardham Mandaalasam Cha Makaraalaya-Kanyakaayaah || 7 ||

Verso 7

Dadiāddaiānupavano Draviṇāmbudhārāṃ Asminnakiñcianavihaṅgashishau Vishaṇṇe Dushkarmagharmamapanīia Cirāia Dūraṃ Nārāiaṇapraṇaiinīnaianāmbuvāhaḥ
Dadyaad-Dayaanupavano Dravinaambudhaaraam Asminn-Akinchana-Vihanga-Shishau Vishanne | Dushkarma-Gharmam-Apaneeya Chiraaya Dooram Naaraayana-Pranayinee-Nayanaambuvaahah || 8 ||

Verso 8

Ishṭāvishishṭamataio'pi Iaiā Daiārdra- Dṛshṭiā Trivishṭapapadaṃ Sulabhaṃ Labhante Dṛshṭiḥ Prahṛshṭakamalodaradīptirishṭāṃ Pushṭiṃ Kṛshīshṭa Mama Pushkaravishṭarāiāḥ
Ishta-Vishishta-Matayo-Api Yayaa Dayaardra-Drishtyaa Trivishtapa-Padam Sulabham Labhante | Drishtih Prahrishta-Kamalodara-Deeptir-Ishtaam Pushtim Krisheeshta Mama Pushkara-Vishtaraayaah || 9 ||

Verso 9

Gīrdevateti Garuḍadhvagiasundarīti Shākambharīti Shashishekharavallabheti Sṛshṭisthitipralaiakelishu Saṃsthitāiai Tasiai Namastribhuvanaikagurostaruṇiai
Geer-Devateti Garudadhvaja-Sundareeti Shaakambhareeti Shashishekhara-Vallabheti | Srishti-Sthiti-Pralaya-Kelishu Samsthitaayai Tasyai Namas-Tribhuvanaika-Guros-Tarunyai || 10 ||

Verso 10

Shrutiai Namo'stu Shubhakarmapalaprasūtiai Ratiai Namo'stu Ramaṇīiaguṇārṇavāiai Shaktiai Namo'stu Shatapatraniketanāiai Pushṭiai Namo'stu Purushottamavallabhāiai
Shrutyai Namo-Astu Shubhakarma-Phala-Prasootyai Ratyai Namo-Astu Ramaneeya-Gunaarnavaayai | Shaktyai Namo-Astu Shatapatra-Niketanaayai Pushtyai Namo-Astu Purushottama-Vallabhaayai || 11 ||

Verso 11

Namo'stu Nālīkanibhānanāiai Namo'stu Dugdhodadhigianmabhūmiai Namo'stu Somāmṛtasodarāiai Namo'stu Nārāiaṇavallabhāiai
Namo-Astu Naaleeka-Nibhaananaayai Namo-Astu Dugdhodadhi-Janmabhoomyai | Namo-Astu Somaamrita-Sodaraayai Namo-Astu Naaraayana-Vallabhaayai || 12 ||

Verso 12

Sampatkarāṇi Sakalendriianandanāni Sāmrāgiadānavibhavāni Saroruhākshi Tvadvandanāni Duritāharaṇodiatāni Māmeva Mātaranishaṃ Kalaiantu Mānie
Sampatkaraani Sakalendriya-Nandanaani Saamraajyadaana-Vibhavaani Saroruhaakshi | Tvadvandanaani Duritaaharano-Udyataani Maameva Maatar-Anisham Kalayantu Maanye || 13 ||

Verso 13

Iatkaṭākshasamupāsanāvidhiḥ Sevakasia Sakalārthasampadaḥ Santanoti Vacianāṅgamānasaiḥ Tvāṃ Murārīhṛdaieshvarīṃ Bhage
Yat-Kataaksha-Samupaasanaa-Vidhih Sevakasya Sakalaartha-Sampadah | Santanoti Vachanaanga-Maanasaih Tvaam Muraari-Hridayeshvareem Bhaje || 14 ||

Verso 14

Sarasigianilaie Sarogiahaste Dhavalatamāṃshukagandhamāliashobhe Bhagavati Harivallabhe Manogñe Tribhuvanabhūtikari Prasīda Mahiam
Sarasija-Nilaye Saroja-Haste Dhavalatamaamshuka-Gandha-Maalya-Shobhe | Bhagavati Hari-Vallabhe Manojne Tribhuvana-Bhootikari Praseeda Mahyam || 15 ||

Verso 15

Dighastibhiḥ Kanakakumbhamukhāvasṛshṭa- Svarvāhinīvimalaciārugialaplutāṅgīm Prātarnamāmi Giagatāṃ Giananīmashesha- Lokādhināthagṛhiṇīmamṛtābdhiputrīm
Dig-Hastibhih Kanaka-Kumbha-Mukhaavasrishta-Svarvaahinee-Vimala-Chaaru-Jala-Plutaangeem | Praatar-Namaami Jagataam Jananeem-Ashesha-Lokaadhinaatha-Grihineem-Amritaabdhi-Putreem || 16 ||

Verso 16

Kamale Kamalākashavallabhe Tvaṃ Karuṇāpūrataraṅgitairapāṅgaiḥ Avalokaia Māmakiñcianānāṃ Prathamaṃ Pātramakṛtrimaṃ Daiāiāḥ
Kamale Kamalaaksha-Vallabhe Tvam Karunaapoora-Tarangitair-Apaangaih | Avalokaya Maam-Akinchanaanaam Prathamam Paatram-Akritrimam Dayaayaah || 17 ||

Verso 17

Stuvanti Ie Stutibhiramībhiranvahaṃ Traiīmaiīṃ Tribhuvanamātaraṃ Ramām Guṇādhikā Gurutarabhāgiabhāgino Bhavanti Te Bhuvi Budhabhāvitāshaiāḥ
Stuvanti Ye Stutibhir-Ameebhir-Anvaham Trayeemayeem Tribhuvana-Maataram Ramaam | Gunaadhikaa Gurutara-Bhaagya-Bhaagino Bhavanti Te Bhuvi Budha-Bhaavitaashayaah || 18 ||

Verso 18

Namo'stu Hemāmbugiapīṭhikāiai Namo'stu Bhūmaṇḍal̤anāiikāiai Namo'stu Devādidaiāparāiai Namo'stu Shārṅgāiudhavallabhāiai
Namo-Astu Hemaambuja-Peethikaayai Namo-Astu Bhoomandala-Naayikaayai | Namo-Astu Devaadi-Dayaaparaayai Namo-Astu Shaarngaayudha-Vallabhaayai || 19 ||

Verso 19

Namo'stu Deviai Bhṛgunandanāiai Namo'stu Vishṇorurasi Sthitāiai Namo'stu Lakshmiai Kamalālaiāiai Namo'stu Dāmodaravallabhāiai
Namo-Astu Devyai Bhrigu-Nandanaayai Namo-Astu Vishnor-Urasi Sthitaayai | Namo-Astu Lakshmyai Kamalaalayaayai Namo-Astu Daamodara-Vallabhaayai || 20 ||

Verso 20

Suvarṇadhārāstotraṃ Iaciaṅkarāciārianirmitam Trisandhiaṃ Iaḥ Paṭhennitiaṃ Sa Kuberasamo Bhavet
Suvarna-Dhaaraa-Stotram Yach-Chhankaraachaarya-Nirmitam | Trisandhyam Yah Pathen-Nityam Sa Kubera-Samo Bhavet || 21 ||

Verso 21

Worship Guidelines & Chanting Benefits (Phalashruti)

Auspicious Day

Daily or auspicious lunar days (Ekadashi, Purnima, Pradosham)

Best Time (Muhurta)

Brahma Muhurta (4:00 AM – 6:00 AM) or Evening Dusk (Sandhya)

Sacred Offerings

Ghee lamp (Deepa), Incense (Dhoopa), Fresh flowers & Water offering

Spiritual Benefits (Phalashruti)
  • Peace of mind, spiritual upliftment, and harmonious energy in the home

Contesto

Recitato tradizionalmente il venerdì e durante la festa di Diwali, questo inno dissolve i debiti, allontana l'indigenza e ricolma la dimora di prosperità.

Storia e Significato

Narrato nel Madhaviya Shankara Digvijaya, il Kanakadhara Stotram fu composto da un giovanissimo Adi Shankaracharya durante la questua a Kaladi. Commosso da una donna poverissima che piangeva non avendo altro da offrire se non una sola amla essiccata, il santo intonò ventuno versi a Mahalakshmi, scatenando una prodigiosa pioggia di amla d'oro puro sulla capanna.

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Su questo Testo

Composto da: Adi Shankaracharya · Classical Philosopher-Saint · 8th century CE, Kaladi (Kerala)

A philosopher and monk born in Kaladi, Kerala, credited with systematizing Advaita Vedanta (non-dual philosophy) and establishing four monastic seats (mathas) across India. Alongside his commentaries on the Upanishads and Brahma Sutras, he composed numerous devotional hymns to various deities in classical Sanskrit.

Lo sapevi?

The Legend of the Amla Offering

In Kalady, Kerala, young Shankara encountered an impoverished woman who wept because she had nothing to offer except a single dried amla fruit. Her pure, self-effacing generosity so moved Shankara that his prayer compelled Mahalakshmi to shower her home with gooseberries of solid gold.

The Metaphor of the Dark Bee (Verse 1)

Verse 1 uses the striking poetic imagery of a female honeybee ('bhringanganeva') flitting around a dark Tamala tree to represent Lakshmi's dark, loving sidelong glances hovering over Lord Hari's blue chest.

Synthesis of the Triple Goddess (Verse 10)

Verse 10 identifies Mahalakshmi as Saraswati in cosmic creation, Lakshmi in sustenance, and Parvati/Shakambhari in dissolution, embodying the complete unified Mother Principle.

The Raincloud of Grace (Verse 8)

In verse 8, Shankara humbly likens himself to a fledgling chataka bird parched by the scorching heat of past karmas, praying for the monsoon raincloud of Lakshmi's mercy to shower golden grace.

Advaita in devotion

Though celebrated as the foremost philosopher of non-dual Advaita Vedanta, Shankara shows in the Kanakadhara Stotram that non-dual realization can blossom into tender devotion. Verse 21 closes by promising that whoever recites it at the three twilights becomes equal to Kubera.

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