Bharat Devotion
Embroidered artwork for Kanakadhara Stotram (La Lluvia Dorada de Prosperidad): Embroidered Om symbol above a brass diya, marigolds and a temple spire at sunrise

Kanakadhara Stotram (La Lluvia Dorada de Prosperidad)

Kanakadhara Stotram (La Lluvia Dorada de Prosperidad)

El Kanakadhara Stotram es un célebre himno de 21 versos compuesto por Adi Shankara a la Diosa Mahalakshmi. Conmovido por la entrega de una mujer pobre que le ofreció una grosella seca, Shankara cantó esta plegaria provocando una lluvia de grosellas de oro.

Versos

Aṅgaṃ Hareḥ Pulakabhūshaṇamāshrayantī Bhṛṅgāṅganeva Mukulābharaṇaṃ Tamālam Aṅgīkṛtākhilavibhūtirapāṅga Līlā Māṅgalyadā'stu Mama Maṅgaladevatāyāḥ
Angam Hareh Pulaka-Bhooshanam-Aashrayantee Bhringaanganeva Mukulaabharanam Tamaalam | Angeekritaakhila-Vibhootir-Apaanga-Leelaa Maangalyadaa-Astu Mama Mangala-Devataayaah || 1 ||

Verso 1

Mugdhā Muhurvidadhatī Vadane Murāreḥ Prematrapāpraṇihitāni Gatāgatāni Mālā Dṛshormadhukarīva Mahotpale Yā Sā Me Shriyaṃ Dishatu Sāgarasambhavāyāḥ
Mugdhaa Muhur-Vidadhatee Vadane Muraareh Prema-Trapaa-Pranihitaani Gataagataani | Maalaa Drishor-Madhukareeva Mahotpale Yaa Saa Me Shriyam Dishatu Saagara-Sambhavaayaah || 2 ||

Verso 2

Vishvāmarendrapadavibhramadānadaksham Ānandaheturadhikaṃ Muravidvisho'pi Īshannishīdatu Mayi Kshaṇamīkshaṇārdham Indīvarodarasahodaramindirāyāḥ
Vishvaamarendra-Pada-Vibhrama-Daana-Daksham Aananda-Hetur-Adhikam Mura-Vidvisho-Api | Eeshan-Nisheedatu Mayi Kshanam-Eekshanaardham IndeEvarodara-Sahodaram-Indiraayaah || 3 ||

Verso 3

Āmīlitākshamadhigamya Mudā Mukundam Ānandakandamanimeshamanaṅgatantram Ākekarasthitakanīnikapakshmanetraṃ Bhūtyai Bhavenmama Bhuyaṅgashayāṅganāyāḥ
Aameelitaaksham-Adhigamya Mudaa Mukundam Aananda-Kandam-Animesham-Ananga-Tantram | Aakekara-Sthita-Kaneenika-Pakshma-Netram Bhootyai Bhaven-Mama Bhujanga-Shayaanganaayaah || 4 ||

Verso 4

Bāhvantare Madhuyitaḥ Shritakaustubhe Yā Hārāvalīva Harinīlamayī Vibhāti Kāmapradā Bhagavato'pi Kaṭākshamālā Kalyāṇamāvahatu Me Kamalālayāyāḥ
Baahvantare Madhujitah Shrita-Kaustubhe Yaa Haaraavaleeva Harineelamayee Vibhaati | Kaamapradaa Bhagavato-Api Kataaksha-Maalaa Kalyaanamaavahatu Me Kamalaalayaayaah || 5 ||

Verso 5

Kālāmbudālilalitorasi Kaiṭabhāreḥ Dhārādhare Spurati Yā Taḍidaṅganeva Mātussamastayagatāṃ Mahanīyamūrtiḥ Bhadrāṇi Me Dishatu Bhārgavanandanāyāḥ
Kaalaambudaali-Lalitorasi Kaitabhaareh Dhaaraadhare Sphurati Yaa Tadid-Anganeva | Maatus-Samasta-Jagataam Mahaneeya-Moortih Bhadraani Me Dishatu Bhaargava-Nandanaayaah || 6 ||

Verso 6

Prāptaṃ Padaṃ Prathamataḥ Khalu Yatprabhāvāt Māṅgalyabhāyi Madhumāthini Manmathena Mayyāpatettadiha Mantharamīkshaṇārdhaṃ Mandālasaṃ Cha Makarālayakanyakāyāḥ
Praaptam Padam Prathamatah Khalu Yat-Prabhaavaat Maangalya-Bhaaji Madhumaathini Manmathena | Mayyaapatet-Tad-Iha Mantharam-Eekshanaardham Mandaalasam Cha Makaraalaya-Kanyakaayaah || 7 ||

Verso 7

Dadyāddayānupavano Draviṇāmbudhārāṃ Asminnakiñchanavihaṅgashishau Vishaṇṇe Dushkarmagharmamapanīya Chirāya Dūraṃ Nārāyaṇapraṇayinīnayanāmbuvāhaḥ
Dadyaad-Dayaanupavano Dravinaambudhaaraam Asminn-Akinchana-Vihanga-Shishau Vishanne | Dushkarma-Gharmam-Apaneeya Chiraaya Dooram Naaraayana-Pranayinee-Nayanaambuvaahah || 8 ||

Verso 8

Ishṭāvishishṭamatayo'pi Yayā Dayārdra- Dṛshṭyā Trivishṭapapadaṃ Sulabhaṃ Labhante Dṛshṭiḥ Prahṛshṭakamalodaradīptirishṭāṃ Pushṭiṃ Kṛshīshṭa Mama Pushkaravishṭarāyāḥ
Ishta-Vishishta-Matayo-Api Yayaa Dayaardra-Drishtyaa Trivishtapa-Padam Sulabham Labhante | Drishtih Prahrishta-Kamalodara-Deeptir-Ishtaam Pushtim Krisheeshta Mama Pushkara-Vishtaraayaah || 9 ||

Verso 9

Gīrdevateti Garuḍadhvayasundarīti Shākambharīti Shashishekharavallabheti Sṛshṭisthitipralayakelishu Saṃsthitāyai Tasyai Namastribhuvanaikagurostaruṇyai
Geer-Devateti Garudadhvaja-Sundareeti Shaakambhareeti Shashishekhara-Vallabheti | Srishti-Sthiti-Pralaya-Kelishu Samsthitaayai Tasyai Namas-Tribhuvanaika-Guros-Tarunyai || 10 ||

Verso 10

Shrutyai Namo'stu Shubhakarmapalaprasūtyai Ratyai Namo'stu Ramaṇīyaguṇārṇavāyai Shaktyai Namo'stu Shatapatraniketanāyai Pushṭyai Namo'stu Purushottamavallabhāyai
Shrutyai Namo-Astu Shubhakarma-Phala-Prasootyai Ratyai Namo-Astu Ramaneeya-Gunaarnavaayai | Shaktyai Namo-Astu Shatapatra-Niketanaayai Pushtyai Namo-Astu Purushottama-Vallabhaayai || 11 ||

Verso 11

Namo'stu Nālīkanibhānanāyai Namo'stu Dugdhodadhiyanmabhūmyai Namo'stu Somāmṛtasodarāyai Namo'stu Nārāyaṇavallabhāyai
Namo-Astu Naaleeka-Nibhaananaayai Namo-Astu Dugdhodadhi-Janmabhoomyai | Namo-Astu Somaamrita-Sodaraayai Namo-Astu Naaraayana-Vallabhaayai || 12 ||

Verso 12

Sampatkarāṇi Sakalendriyanandanāni Sāmrāyyadānavibhavāni Saroruhākshi Tvadvandanāni Duritāharaṇodyatāni Māmeva Mātaranishaṃ Kalayantu Mānye
Sampatkaraani Sakalendriya-Nandanaani Saamraajyadaana-Vibhavaani Saroruhaakshi | Tvadvandanaani Duritaaharano-Udyataani Maameva Maatar-Anisham Kalayantu Maanye || 13 ||

Verso 13

Yatkaṭākshasamupāsanāvidhiḥ Sevakasya Sakalārthasampadaḥ Santanoti Vachanāṅgamānasaiḥ Tvāṃ Murārīhṛdayeshvarīṃ Bhaye
Yat-Kataaksha-Samupaasanaa-Vidhih Sevakasya Sakalaartha-Sampadah | Santanoti Vachanaanga-Maanasaih Tvaam Muraari-Hridayeshvareem Bhaje || 14 ||

Verso 14

Sarasiyanilaye Saroyahaste Dhavalatamāṃshukagandhamālyashobhe Bhagavati Harivallabhe Manoyñe Tribhuvanabhūtikari Prasīda Mahyam
Sarasija-Nilaye Saroja-Haste Dhavalatamaamshuka-Gandha-Maalya-Shobhe | Bhagavati Hari-Vallabhe Manojne Tribhuvana-Bhootikari Praseeda Mahyam || 15 ||

Verso 15

Dighastibhiḥ Kanakakumbhamukhāvasṛshṭa- Svarvāhinīvimalachāruyalaplutāṅgīm Prātarnamāmi Yagatāṃ Yananīmashesha- Lokādhināthagṛhiṇīmamṛtābdhiputrīm
Dig-Hastibhih Kanaka-Kumbha-Mukhaavasrishta-Svarvaahinee-Vimala-Chaaru-Jala-Plutaangeem | Praatar-Namaami Jagataam Jananeem-Ashesha-Lokaadhinaatha-Grihineem-Amritaabdhi-Putreem || 16 ||

Verso 16

Kamale Kamalākashavallabhe Tvaṃ Karuṇāpūrataraṅgitairapāṅgaiḥ Avalokaya Māmakiñchanānāṃ Prathamaṃ Pātramakṛtrimaṃ Dayāyāḥ
Kamale Kamalaaksha-Vallabhe Tvam Karunaapoora-Tarangitair-Apaangaih | Avalokaya Maam-Akinchanaanaam Prathamam Paatram-Akritrimam Dayaayaah || 17 ||

Verso 17

Stuvanti Ye Stutibhiramībhiranvahaṃ Trayīmayīṃ Tribhuvanamātaraṃ Ramām Guṇādhikā Gurutarabhāgyabhāgino Bhavanti Te Bhuvi Budhabhāvitāshayāḥ
Stuvanti Ye Stutibhir-Ameebhir-Anvaham Trayeemayeem Tribhuvana-Maataram Ramaam | Gunaadhikaa Gurutara-Bhaagya-Bhaagino Bhavanti Te Bhuvi Budha-Bhaavitaashayaah || 18 ||

Verso 18

Namo'stu Hemāmbuyapīṭhikāyai Namo'stu Bhūmaṇḍal̤anāyikāyai Namo'stu Devādidayāparāyai Namo'stu Shārṅgāyudhavallabhāyai
Namo-Astu Hemaambuja-Peethikaayai Namo-Astu Bhoomandala-Naayikaayai | Namo-Astu Devaadi-Dayaaparaayai Namo-Astu Shaarngaayudha-Vallabhaayai || 19 ||

Verso 19

Namo'stu Devyai Bhṛgunandanāyai Namo'stu Vishṇorurasi Sthitāyai Namo'stu Lakshmyai Kamalālayāyai Namo'stu Dāmodaravallabhāyai
Namo-Astu Devyai Bhrigu-Nandanaayai Namo-Astu Vishnor-Urasi Sthitaayai | Namo-Astu Lakshmyai Kamalaalayaayai Namo-Astu Daamodara-Vallabhaayai || 20 ||

Verso 20

Suvarṇadhārāstotraṃ Yachhaṅkarāchāryanirmitam Trisandhyaṃ Yaḥ Paṭhennityaṃ Sa Kuberasamo Bhavet
Suvarna-Dhaaraa-Stotram Yach-Chhankaraachaarya-Nirmitam | Trisandhyam Yah Pathen-Nityam Sa Kubera-Samo Bhavet || 21 ||

Verso 21

Worship Guidelines & Chanting Benefits (Phalashruti)

Auspicious Day

A diario o en días sagrados lunares (Ekadashi, Purnima)

Best Time (Muhurta)

Brahma Muhurta (4:00 AM – 6:00 AM) o atardecer

Sacred Offerings

Lámpara de ghee, incienso, flores frescas y ofrenda de agua

Spiritual Benefits (Phalashruti)
  • Paz mental, elevación espiritual y armonía en el hogar

Contexto

Tradicionalmente recitado en viernes y durante Diwali, este cántico disuelve deudas, aleja la pobreza y atrae bendiciones de gracia divina y bienestar material.

Historia y Significado

Inmortalizado en el Madhaviya Shankara Digvijaya, el Kanakadhara Stotram fue compuesto por un joven Adi Shankaracharya en su ronda de limosnas en Kaladi. Conmovido por una mujer empobrecida que lloraba por no tener nada que ofrecer salvo una sola grosella espinosa seca (amla), el joven asceta entonó veintiún versos a la Diosa Mahalakshmi, provocando una milagrosa lluvia de amlas de oro.

Leer la historia completa →

Sobre este Texto

Compuesto por: Adi Shankaracharya · Classical Philosopher-Saint · 8th century CE, Kaladi (Kerala)

A philosopher and monk born in Kaladi, Kerala, credited with systematizing Advaita Vedanta (non-dual philosophy) and establishing four monastic seats (mathas) across India. Alongside his commentaries on the Upanishads and Brahma Sutras, he composed numerous devotional hymns to various deities in classical Sanskrit.

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The Legend of the Amla Offering

In Kalady, Kerala, young Shankara encountered an impoverished woman who wept because she had nothing to offer except a single dried amla fruit. Her pure, self-effacing generosity so moved Shankara that his prayer compelled Mahalakshmi to shower her home with gooseberries of solid gold.

The Metaphor of the Dark Bee (Verse 1)

Verse 1 uses the striking poetic imagery of a female honeybee ('bhringanganeva') flitting around a dark Tamala tree to represent Lakshmi's dark, loving sidelong glances hovering over Lord Hari's blue chest.

Synthesis of the Triple Goddess (Verse 10)

Verse 10 identifies Mahalakshmi as Saraswati in cosmic creation, Lakshmi in sustenance, and Parvati/Shakambhari in dissolution, embodying the complete unified Mother Principle.

The Raincloud of Grace (Verse 8)

In verse 8, Shankara humbly likens himself to a fledgling chataka bird parched by the scorching heat of past karmas, praying for the monsoon raincloud of Lakshmi's mercy to shower golden grace.

Advaita in devotion

Though celebrated as the foremost philosopher of non-dual Advaita Vedanta, Shankara shows in the Kanakadhara Stotram that non-dual realization can blossom into tender devotion. Verse 21 closes by promising that whoever recites it at the three twilights becomes equal to Kubera.

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