Bharat Devotion
Embroidered artwork for Aghorakavacham ou Aghora Murti Kavacham: Embroidered Om symbol above a brass diya, marigolds and a temple spire at sunrise

Aghorakavacham ou Aghora Murti Kavacham

Aghorakavacham ou Aghora Murti Kavacham

Este é um texto devocional sagrado no qual o deus Bhairava (uma forma feroz de Shiva) concede à deusa Parvati uma oração protetora focada no aspecto Aghora de Shiva. Ele funciona como uma armadura espiritual, pedindo proteção divina para todas as partes do corpo e em todas as situações da vida.

Versos

oṃ śrīgaṇeśāya namaḥ atha aghorakavacaṃ likhyate śrī aghorabhairavāya namaḥ bhairavī uvāca bhagavankaruṇāmbhodhe śāstrāmbhonidhipāraga purā'smākaṃ varo dattaḥ taṃ dātuṃ me kṣamo bhava
Om Shri Ganeshaya Namah | Atha Aghora Kavacham Likhyate | Shri Aghora Bhairavaya Namah | Bhairavi Uvach: Bhagavan Karunambhodhe Shastrambhonidhi Paraga | Purasmakam Varo Dattah Tam Datum Me K构kshamo Bhav || 1 ||

Verso 1

bhairava uvāca satyaṃ purā varo datto varaṃ varaya pārvati yatkiñcinmanasīṣṭaṃ syāttaddātuṃ te kṣamo'smyaham
Bhairav Uvach: Satyam Pura Varo Datto Varam Varay Parvati | Yatkinchin Manasishtam Syat Tad Datum Te Kshamosmyaham || 2 ||

Verso 2

devī uvāca aghorasya mahādeva kavacaṃ devadurlabham śīghraṃ me dayayā brūhi yadyahaṃ preyasī tava
Devi Uvach: Aghorasya Mahadev Kavacham Devadurlabham | Sheeghram Me Dayaya Broohi Yadyaham Preyasi Tava || 3 ||

Verso 3

bhairava uvāca aghorakavacaṃ vakṣye mahāmantramayaṃ param rahasyaṃ paramaṃ tattvaṃ na cākhyeyaṃ durātmane
Bhairav Uvach: Aghora Kavacham Vakshye Mahamantramayam Param | Rahasyam Paramam Tattvam Na Chakhyeyam Duratmane || 4 ||

Verso 4

asya śrī aghorakavacasya mahākālabhairava ṛṣiḥ anuṣṭup chandaḥ śrīkālāgnirudro devatā kṣmīṃ bījaṃ kṣmāṃ śaktiḥ kṣmaḥ kīlakaṃ śrī aghora vidyāsiddhyarthaṃ kavacapāṭhe viniyogaḥ
Asya Shri Aghora Kavachasya Mahakala Bhairav Rishih Anushtup Chhandah Shri Kalagni Rudro Devata | Kshmeem Beejam Kshmaam Shaktih Kshmah Keelakam Shri Aghor Vidya Siddhyartham Kavacha Pathe Viniyogah ||

Verso 5

atha mantraḥ aghorebhyo'tha ghorebhyo ghoraghoratarebhyaḥ sarvataḥ sarvasarvebhyo namastebhyo rudrarūpebhyaḥ
Atha Mantrah: Aghorebhyoth Ghorebhyo Ghora Ghoratarebhyah | Sarvatah Sarva Sarvebhyo Namastebhyo Rudraroopebhyah ||

Verso 6

oṃ aghoro me śivaḥ pātu śrī me'ghoro lalāṭakam hrīṃ ghoro me'vatāṃ netre klīṃ ghoro me'vatācchatī
Om Aghoro Me Shivah Patu Shri Meghoro Lalatakam | Hreem Ghoro Mevtam Netre Kleem Ghoro Mevtachhatee || 5 ||

Verso 7

sauḥtarebhyo'vatāṅgaḍaukṣī nāsāṃ pātu sarvataḥ kṣaṃ mukhaṃ pātu me śarvo'ghoraḥ sarvo'vatāṅgalam
Sauhtarebhyovtangadaukshee Nasam Patu Sarvatah Ksham | Mukham Patu Me Sharvoghrah Sarvovtangalam || 6 ||

Verso 8

ghoraśca me'vatātskandhau hastau jvalannamo'vatu jvalanaḥ pātu me vakṣaḥ kukṣiṃ prajvalarudrakaḥ
Ghorashcha Mevtatskandhau Hastau Jvalan Namovatu | Jvalanah Patu Me Vakshah Kukshim Prajvala Rudrakah || 7 ||

Verso 9

pārśvau prajvalarūpebhyo nābhiṃ me'ghorarūpabhṛt śiśnaṃ me śūlapāṇiśca guhyaṃ rudraḥ sadāvatu
Parshvau Prajvala Roopebhyo Nabhim Me Aghoraroopabhrit | Shishnam Me Shoolapanishcha Guhyam Rudrah Sadavatu || 8 ||

Verso 10

kaṭiṃ me'mṛtamūrtiśca meḍhre'vyānnīlakaṇṭhakaḥ ūrū candrajaṭaḥ pātu pātu me tripurāntakaḥ
Katim Memrita Moortishcha Medhrevyan Neela Kanthakah | Ooroo Chandrajatah Patu Patu Me Tripurantakah || 9 ||

Verso 11

jaṅghe trilocanaḥ pātu gulphau yājñiyarūpavān aghoro'ṅghrī ca me pātu pādau me'ghorabhairavaḥ
Janghe Trilochanah Patu Gulphau Yajnriya Roopavan | Aghoronghree Cha Me Patu Padau Meghorabhairavah || 10 ||

Verso 12

pādādimūrdhaparyantamaghorātmā śivo'vatu śirasaḥ pādaparyantaṃ pāyānme'ghorabhairavaḥ
Padadi Moordha Paryantam Aghoratma Shivovatu | Shirasah Pada Paryantam Payan Meghorabhairavah || 11 ||

Verso 13

prabhāte bhairavaḥ pātu madhyāhe vaṭuko'vatu sandhyāyāṃ ca mahākālo niśāyāṃ kālabhairavaḥ
Prabhate Bhairavah Patu Madhyahne Vatukovatu | Sandhyayam Cha Mahakalo Nishayam Kalabhairavah || 12 ||

Verso 14

arddharātre svayaṃ ghoro niśānte'mṛtarūpadhṛt pūrve māṃ pātu ṛgvedo yajurvedastu dakṣiṇe
Arddharatre Svayam Ghoro Nishantemritaroopadhrit | Poorve Mam Patu Rigvedo Yajurvedas Tu Dakshine || 13 ||

Verso 15

paścime sāmavedo'vyāduttare'tharvavedakaḥ āgneyyāmagniravyānmāṃ nairṛtyāṃ nityacetanaḥ
Pashchime Samavedovyaad Uttaretharva Vedakah | Agneyyam Agnir Avyan Mam Nairrityam Nitya Chetanah || 14 ||

Verso 16

vāyavyāṃ raudrarūpo'vyādaiśānyāṃ kālaśāsanaḥ ūrdhvo'vyādūrdhvaretāśca pātāle parameśvaraḥ
Vayavyam Raudra Roopovyaad Aishanyam Kala Shashanah | Oordhvovyaad Oordhvaretashcha Patale Parameshvarah || 15 ||

Verso 17

daśadikṣu sadā pāyāddevaḥ kālāgnirudrakaḥ agnermāṃ pātu kālāgnirvāyormāṃ vāyubhakṣakaḥ
Dasha Dikshu Sada Payad Devah Kalagni Rudrakah | Agnermam Patu Kalagnir Vayormam Vayu Bhakshakah || 16 ||

Verso 18

jalādaurvāmukhaḥ pātu pathi māṃ śaṅkaro'vatu niṣaṇṇaṃ yogadhyeyo'vyādgacchantaṃ vāyurūpabhṛt
Jalad Aurvamukhah Patu Pathi Mam Shankaro-vatu | Nishannam Yoga Dhyeyovyaad Gachhantam Vayu Roopabhrit || 17 ||

Verso 19

gṛhe śarvaḥ sadā pātu bahiḥ pāyādvṛṣadhvajaḥ sarvatra sarvadā pātu māmaghoro'tha ghorakaḥ
Grihe Sharvah Sada Patu Bahih Payad Vrishadhvajah | Sarvatra Sarvada Patu Mam Aghoroth Ghorakah || 18 ||

Verso 20

raṇe rājakule durge durbhikṣe śatrusaṃsadi dyūte mārībhaye rāṣṭre pralaye vādinā kule
Rane Rajakule Durge Durbhikshe Shatru Samsadi | Dyoote Mareebhaye Rashtre Pralaye Vadinakule || 19 ||

Verso 21

aghorebhyo'tha ghorebhyo'vatānmāṃ ghorabhairavaḥ ghoraghoratarebhyo māṃ pāyānmanmathasaṅgare
Aghorebhyoth Ghorebhyovtan Mam Ghorabhairavah | Ghora Ghoratarebhyo Mam Payan Manmatha Sangare || 20 ||

Verso 22

sarvataḥ sarvasarvebhyo bhojanāvasare'vatu namaste rudrarūpebhyo'vatu māṃ ghorabhairavaḥ
Sarvatah Sarva Sarvebhyo Bhojanavasarevatu | Namaste Rudraroopebhyovatu Mam Ghorabhairavah || 21 ||

Verso 23

sarvatra sarvadākālaṃ sarvāṅgaṃ sarvabhītiṣu haṃ yaṃ raṃ laṃ vaṃ śaṃ ṣaṃ saṃ haṃ laṃ kṣaḥ aghorakaḥ
Sarvatra Sarvada Kalam Sarvangam Sarva Bheetishu | Ham Yam Ram Lam Vam Sham Sham Sam Ham Lam Kshah Aghorakah || 22 ||

Verso 24

aghorāstrāya phaṭ pātu aghoro māṃ sabhairavaḥ vismāritaṃ ca yatsthānaṃ sthalaṃ yannāmavarjitam
Aghorastraya Phat Patu Aghoro Mam Sabhairavah | Vismritam Cha Yat Sthanam Sthalam Yan Nama Varjitam || 23 ||

Verso 25

tatsarvaṃ māmaghoro'vyānmāmathāghoraḥ sabhairavaḥ bhāryānputrānsuhṛdvargānkanyāṃ yadvastu māmakam
Tat-sarvam Mam-aghoro-vyan-mam-athaghorah Sa-bhairavah Bharyan-putran-suhrid-vargan-kanyam Yad-vastu Mamakam

Verso 26

tatsarvaṃ pātu me nityaṃ aghoro mātha ghorakaḥ snāne stave jape pāṭhe home'vyātkṣaḥ aghorakaḥ
Tat-sarvam Patu Me Nityam Aghoro Matha Ghorakah Snane Stave Jape Pathe Home-vyat-kshah Aghorakah

Verso 27

aghorebhyo'tha ghorebhyo ghoraghoratarebhyaḥ sarvataḥ sarvasarvebhyo namastebhyo rudrarūpebhyaḥ
Aghorebhyo-tha Ghorebhyo Ghora-ghoratarebhyah Sarvatah Sarva-sarvebhyo Namastebhyo Rudra-rupebhyah

Verso 28

oṃ śrīṃ hrīṃ klīṃ sauḥ kṣmaṃ pātu nityaṃ māṃ śrī aghorakaḥ itīdaṃ kavacaṃ guhyaṃ triṣu lokeṣu durlabham
Om Shreem Hreem Kleem Sauh Kshmam Patu Nityam Mam Shri Aghorakah Iti-dam Kavacham Guhyam Trishu Lokeshu Durlabham

Verso 29

mūlamantramayaṃ divyaṃ trailokye sāramuttamam adātavyamavācyaṃ ca kavacaṃ guhyamīśvari
Moola-mantramayam Divyam Trailokye Saram-uttamam Adatavyam-avachyam Cha Kavacham Guhyam-eeshwari

Verso 30

apraṣṭavyamastotavyaṃ dīkṣāhīnena mantriṇā adīkṣitāya śiṣyāya putrāya śarajanmane
Aprashtavyam-astotavyam Deeksha-heenena Mantrina Adeekshitaya Shishyaya Putraya Shara-janmane

Verso 31

na dātavyaṃ na śrotavyamityājñāṃ māmakāṃ śṛṇu paraṃ śrīmahimānaṃ ca śṛṇu cāsya suvarmaṇaḥ
Na Datavyam Na Shrotavyam-ityagyanm Mamakam Shrinu Param Shri-mahimanam Cha Shrinu Chasya Su-varmanah

Verso 32

adīkṣito yadā mantrī vidyāgṛdhnuḥ paṭhedidam sadīkṣita iti jñeyo māntrikaḥ sādhakottamaḥ
Adeekshito Yada Mantri Vidya-gridhnuh Pathed-idam Sa-deekshita Iti Gyeyo Mantrikah Sadhakottamah

Verso 33

yaḥ paṭhenmanasā tasya rātrau brāhme muhūrttake pūjākāle niśīthe ca tasya haste'ṣṭasiddhayaḥ
Yah Pathen-manasa Tasya Ratrau Brahme Muhurtake Pooja-kale Nisheethe Cha Tasya Haste-ashta-siddhayah

Verso 34

duḥsvapne bandhane dhīre kāntāre sāgare bhaye paṭhet kavacarājendraṃ mantrī vidyānidhiṃ priye
Duh-svapne Bandhane Dheere Kantare Sagare Bhaye Pathet Kavacha-rajendram Mantri Vidyanidhim Priye

Verso 35

sarvaṃ tatpraśamaṃ yāti bhayaṃ kavacapāṭhanāt rajaḥ-sattva-tamorūpamaghorakavacaṃ paṭhet
Sarvam Tat-prashamam Yati Bhayam Kavacha-pathanat Rajah-sattva-tamo-roopam-aghora-kavacham Pathet

Verso 36

vāñchitaṃ manasā yadyattattatprāpnoti sādhakaḥ kuṅkumena likhitvā ca bhūrjatvaci ravau śive
Vanchhitam Manasa Yad-yat-tat-tat-prapnoti Sadhakah Kunkumena Likhitva Cha Bhoorja-tvachi Ravau Shive

Verso 37

kevalena subhakṣye ca dhārayenmūrdhni vā bhuje yadyadiṣṭaṃ bhavet tattatsādhako labhate'cirāt
Kevalena Subhakshye Cha Dharayen-moordhni Va Bhuje Yad-yad-ishtam Bhavet Tat-tat-sadhako Labhate-chirat

Verso 38

yadgṛhe aghorakavacaṃ vartate tasya mandire vidyā kīrtirdhanārogyalakṣmīvṛddhirna saṃśayaḥ
Yad-grihe Aghora-kavacham Vartate Tasya Mandire Vidya Keertir-dhanarogya-lakshmi-vriddhir-na Sanshayah

Verso 39

japeccāghoravidyāṃ yo vinānenaiva varmaṇā tasya vidyā japaṃ hīnaṃ tasmāddharmaṃ sadā paṭhet
Japech-chaghora-vidyam Yo Vinanenaiva Varmana Tasya Vidya Japam Heenam Tasmad-dharmam Sada Pathet

Verso 40

aghoramantravidyāpi japan stotraṃ tathā manum sadyaḥ siddhiṃ samāyāti aghorasya prasādataḥ
Aghora-mantra-vidyapi Japan Stotram Tatha Manum Sadyah Siddhim Samayati Aghorasya Prasadatah

Verso 41

iti śrīdevadeveśi aghorakavacaṃ smaret
Iti Shri-deva-deveshi Aghora-kavacham Smaret

Verso 42

Worship Guidelines & Chanting Benefits (Phalashruti)

Auspicious Day

Monday (Somwar) & Pradosham

Best Time (Muhurta)

Early Morning (Brahma Muhurta) or Evening Twilight (Sandhya)

Sacred Offerings

Bilva leaves, Ganga water, Bhasma (sacred ash), Dhatura & White flowers

Spiritual Benefits (Phalashruti)
  • Inner stillness, destruction of negative karma, and freedom from fear of death (Mrityunjaya)

Contexto

Esta obra faz parte da vasta tradição tântrica do hinduísmo, associada à veneração de Shiva sob sua forma Aghora ou Bhairava. Textos do tipo 'Kavacha' (que significa literalmente 'armadura' ou 'couraça') são hinos e preces usados tradicionalmente pelos praticantes para invocar a proteção divina e afastar energias negativas ou medos.

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Diálogo Divino

O texto começa com uma conversa sagrada entre a deusa Parvati e o deus Bhairava, uma forma feroz de Shiva, onde ela pede que ele revele um conhecimento supremo e secreto.

O Conceito de Kavach

Na tradição indiana, um 'kavach' ou armadura mítica é um hino protetor recitado para envolver o corpo e a alma do devoto com energias divinas, criando um escudo contra o medo e o perigo.

Conexão com os Vedas

O texto invoca os quatro antigos textos sagrados hindus — Rigveda, Yajurveda, Samaveda e Atharvaveda — para proteger o praticante nas diferentes direções cardeais.

Benefícios da Prática

A literatura associada a este hino promete que quem o recita com devoção supera pesadelos, prisões e perigos na natureza, além de atrair sabedoria, saúde e prosperidade.

Mais de Hinduísmo

Ver tudo

Ensinamentos Conectados

O mesmo ensinamento, ecoado em diferentes tradições