Bharat Devotion
Embroidered artwork for The Lord Who Crowns the Poor: Guru Ravidas seated by a river at dawn with one hand raised in blessing, embroidered

The Lord Who Crowns the Poor

The Lord Who Crowns the Poor

Bhagat Ravidas's Raag Maaroo shabad at Ang 1106: the Lord who shelters the poor, raises the lowly and saves Namdev, Kabir, Trilochan, Sadhna and Sain.

Verses

Raag Maaru Baani Ravidas Jeeo Kee Ik Onkar Satgur Prasad

Verse 1

Aisi Lal Tujh Bin Kaun Karai Gareeb Nivaj Gusaiya Mera Mathai Chhatar Dharai ||1|| Rahao ||

Verse 2

Ja Ki Chhot Jagat Kau Lagai Ta Par Tuhin Dharai Neechah Uoch Karai Mera Gobind Kahoo Te Na Darai ||1||

Verse 3

Namdev Kabir Tilochan Sadhna Sain Tarai Kah Ravidas Sunhu Re Santahu Hari Jeeo Te Sabhai Sarai ||2||1||

Verse 4

Worship Guidelines & Chanting Benefits (Phalashruti)

Auspicious Day

Daily or auspicious lunar days (Ekadashi, Purnima, Pradosham)

Best Time (Muhurta)

Brahma Muhurta (4:00 AM – 6:00 AM) or Evening Dusk (Sandhya)

Sacred Offerings

Ghee lamp (Deepa), Incense (Dhoopa), Fresh flowers & Water offering

Spiritual Benefits (Phalashruti)
  • Peace of mind, spiritual upliftment, and harmonious energy in the home

Background

This hymn is by Bhagat Ravidas (also Raidas), a 15th-century saint-poet of the Bhakti movement, and stands at Ang 1106 of the Guru Granth Sahib, the central scripture of Sikhism, under the heading "Raag Maaroo Baani Ravidas Jeeo Kee". It is the shabad numbered ||2||1|| of his Maaroo section. It is sung as kirtan in Sikh gatherings and within the Ravidassia tradition.

About this Text

Composed by: Bhagat Ravidas · Medieval Nirguna Bhakti Poet-Saint · 15th–16th century, Varanasi

A poet-saint and leather worker by trade from Varanasi, whose hymns envisioned Begampura — a utopian realm free of sorrow, fear, and caste-based inequality. His compositions are included in the Guru Granth Sahib and form the devotional core of the modern Ravidassia tradition.

Did You Know?

Author and location

The shabad is by Bhagat Ravidas, a prominent poet-saint of the North Indian Bhakti movement, and stands in Raag Maaroo at Ang 1106 of the Guru Granth Sahib. He was a leatherworker by caste, considered "untouchable" at the time.

”Garib Nivaj” — a name for God

The refrain calls God “Garib Nivaj,” which means “Provider for the poor” or “Cherisher of the humble.” This phrase emphasizes that the Divine cares most for those whom society rejects or ignores.

The canopy of protection

The line “Maathai chhatru dharai” (“places a canopy over my head”) uses a royal symbol to express God’s shelter and honor. A canopy was a mark of sovereignty and dignity; here it signals that the lowly are crowned with divine grace.

A lineage of saved saints

Ravidas lists fellow saints, Namdev, Kabir, Trilochan, Sadhana and Sain, as examples of those who crossed (tarai) the ocean of worldly existence. Most followed humble trades (Namdev as a calico printer and tailor, Kabir as a weaver, Sain as a barber), which shows that devotion crosses social rank.

Social reversal in devotional poetry

The core claim, “Neechahu ooch karai mera Gobind” (“My Lord raises the low to high”), directly challenges caste hierarchy. The hymn asserts that divine power can invert worldly status, and the devotee should fear no one. This subversive message was central to the Bhakti movement.