Bharat Devotion
Embroidered artwork for Salutations to Ajita and Shanti: A Jain Hymn of Praise: Embroidered Jain ahimsa palm with a gold wheel, white marble temples and lotuses at dawn

Salutations to Ajita and Shanti

A Jain Hymn of Praise

Salutations to Ajita and Shanti

A Jain Hymn of Praise

This Jain hymn salutes the Tirthankaras Ajita and Shanti, praising their virtues and seeking help to cross the ocean of worldly existence.

Verses

Ajjiya-Santi-Samubbhavam Panaami Jinavaraiyam Jugalam Sansaar-Saayar-Taro, Namuchchayam Taarayam Bhattiee

Verse 1

Ajie Jinavarinde, Jina-Vara-Vrisabhe Anega-Guna-Nilae Bhava-Saayar-Taarana-Mattano, Namo Thua-Surette

Verse 2

Santim Jina-Vara-Vindam, Sura-Nara-Sura-Pooeeyam Mahaa-Bhavvam Bhava-Saayar-Taarana-Mattano, Namo Thua-Surette

Verse 3

Ajiam Jina-Varindam, Jina-Vara-Vrisabham Anega-Guna-Nilayam Bhava-Saayar-Taarana-Mattanam, Namaami Jinavara-Vara-Vrisabham

Verse 4

Santim Jina-Vara-Vindam, Sura-Nara-Sura-Pooeeyam Mahaa-Bhavvam Bhava-Saayar-Taarana-Mattanam, Namaami Jinavara-Vara-Vrisabham

Verse 5

Ajie Jinavarinde, Jina-Vara-Vrisabhe Anega-Guna-Nilae Bhava-Saayar-Taarana-Mattano, Namaami Sura-Vara-Vinuam

Verse 6

Santim Jina-Vara-Vindam, Sura-Nara-Sura-Pooeeyam Mahaa-Bhavvam Bhava-Saayar-Taarana-Mattano, Namaami Sura-Vara-Vinuam

Verse 7

Ajiam Jina-Varindam, Jina-Vara-Vrisabham Anega-Guna-Nilayam Bhava-Saayar-Taarana-Mattanam, Namaami Jina-Vara-Vara-Vrisabham

Verse 8

Santim Jina-Vara-Vindam, Sura-Nara-Sura-Pooeeyam Mahaa-Bhavvam Bhava-Saayar-Taarana-Mattanam, Namaami Jina-Vara-Vara-Vrisabham

Verse 9

Ajie Jinavarinde, Jina-Vara-Vrisabhe Anega-Guna-Nilae Bhava-Saayar-Taarana-Mattano, Namaami Jina-Vara-Vara-Vrisabham

Verse 10

Santim Jina-Vara-Vindam, Sura-Nara-Sura-Pooeeyam Mahaa-Bhavvam Bhava-Saayar-Taarana-Mattano, Namaami Jina-Vara-Vara-Vrisabham

Verse 11

Worship Guidelines & Chanting Benefits (Phalashruti)

Auspicious Day

Daily or auspicious lunar days (Ekadashi, Purnima, Pradosham)

Best Time (Muhurta)

Brahma Muhurta (4:00 AM – 6:00 AM) or Evening Dusk (Sandhya)

Sacred Offerings

Ghee lamp (Deepa), Incense (Dhoopa), Fresh flowers & Water offering

Spiritual Benefits (Phalashruti)
  • Peace of mind, spiritual upliftment, and harmonious energy in the home

Background

This Prakrit stotra (verses 1-11 presented here) is traditionally attributed to the Jain monk Acharya Nandisena, said to have composed it on pilgrimage at Shatrunjaya Giriraj. This hymn comes from the Jain tradition, which reveres 24 Tirthankaras — enlightened spiritual teachers who have crossed the ocean of rebirth and show others the path to liberation. The verses are in Prakrit, an ancient language closely tied to Jain scriptures. Traditionally, this stotra (a poetic hymn of praise) is recited by Jains during daily prayers or on holy days as a way to honor the Tirthankaras Ajita and Shanti and to seek their blessings for spiritual progress. While some later verses of the fuller stotra are of uncertain authorship, this opening portion belongs to the well-established genre of Jain devotional literature attributed to Nandisena.

About this Text

Composed by: Acharya Nandisena

Did You Know?

Two Tirthankaras

This hymn venerates a pair of Jinas from the current cosmic era: Ajitanatha, the second Tirthankara, and Shantinatha, the sixteenth. In Jainism, a Tirthankara is a spiritual teacher who has conquered the cycle of birth and death and shows the path to liberation. The verses repeatedly call each of them "vrishabha" (literally "bull"), an epithet meaning "the foremost" or "the best among Jinas" — not a reference to Rishabhanatha, the unrelated first Tirthankara who also carries that name.

Language of the Jinas

The verses are composed in Ardhamagadhi Prakrit, an ancient Indian language closely associated with the earliest Jain scriptures. Prakrit was chosen to reflect the original teachings of the Tirthankaras, who are believed to have preached in the common language of the people.

Metaphor of the Boat

The recurring phrase “भव-सायर-तारण-मत्तणो” (bhavasagara-tarana-mattano) means “the boat that ferries across the ocean of worldly existence.” In Jain thought, the cycle of rebirth (samsara) is often compared to a vast, dangerous ocean, and the Jinas are the compassionate guides who provide the means to cross it.

Structure of Devotion

The hymn consists of 11 verses, each a salutation (namo, namami, pannami) to the two Jinas, Ajita and Shanti, in alternating order. The repetition of their names in different orders is a common technique in Jain stotras (hymns of praise), intended to deepen focus and generate spiritual merit through the power of the name.