Bharat Devotion
Embroidered artwork for Inno a Ajita e Shanti, i Vittoriosi: Embroidered Jain ahimsa palm with a gold wheel, white marble temples and lotuses at dawn

Inno a Ajita e Shanti, i Vittoriosi

Inno a Ajita e Shanti, i Vittoriosi

Questo è un inno di lode giainista che saluta e venera due dei ventiquattro Tirthankara (maestri illuminati): Ajita e Shanti, chiamati 'vittoriosi' (Jina) e 'signori supremi'. I versi ripetono con variazioni il gesto di omaggio, chiedendo la loro protezione per attraversare l'oceano delle rinascite (samsara).

Versi

Aggiia-saṃti-samudbhavaṃ Paṇāmi Giṇavarāiiaṃ Giugalaṃ Saṃsāra-sāiara-taro, Namuciiaiaṃ Tāraiaṃ Bhattīe1
Ajjiya-Santi-Samubbhavam Panaami Jinavaraiyam Jugalam Sansaar-Saayar-Taro, Namuchchayam Taarayam Bhattiee

Verso 1

Agie Giṇavariṃde, Giṇa-vara-vṛsabhe Aṇega-guṇa-nilae Bhava-sāiara-tāraṇa-mattaṇo, Namo Thua-surette2
Ajie Jinavarinde, Jina-Vara-Vrisabhe Anega-Guna-Nilae Bhava-Saayar-Taarana-Mattano, Namo Thua-Surette

Verso 2

Saṃtiṃ Giṇa-vara-viṃdaṃ, Sura-nara-sura-pūiiaṃ Mahā-bhavvaṃ Bhava-sāiara-tāraṇa-mattaṇo, Namo Thua-surette3
Santim Jina-Vara-Vindam, Sura-Nara-Sura-Pooeeyam Mahaa-Bhavvam Bhava-Saayar-Taarana-Mattano, Namo Thua-Surette

Verso 3

Agiaṃ Giṇa-variṃdaṃ, Giṇa-vara-vṛsabhaṃ Aṇega-guṇa-nilaiaṃ Bhava-sāiara-tāraṇa-mattaṇaṃ, Namāmi Giṇavara-vara-vṛsabhaṃ4
Ajiam Jina-Varindam, Jina-Vara-Vrisabham Anega-Guna-Nilayam Bhava-Saayar-Taarana-Mattanam, Namaami Jinavara-Vara-Vrisabham

Verso 4

Saṃtiṃ Giṇa-vara-viṃdaṃ, Sura-nara-sura-pūiiaṃ Mahā-bhavvaṃ Bhava-sāiara-tāraṇa-mattaṇaṃ, Namāmi Giṇavara-vara-vṛsabhaṃ5
Santim Jina-Vara-Vindam, Sura-Nara-Sura-Pooeeyam Mahaa-Bhavvam Bhava-Saayar-Taarana-Mattanam, Namaami Jinavara-Vara-Vrisabham

Verso 5

Agie Giṇavariṃde, Giṇa-vara-vṛsabhe Aṇega-guṇa-nilae Bhava-sāiara-tāraṇa-mattaṇo, Namāmi Sura-vara-viṇuaṃ6
Ajie Jinavarinde, Jina-Vara-Vrisabhe Anega-Guna-Nilae Bhava-Saayar-Taarana-Mattano, Namaami Sura-Vara-Vinuam

Verso 6

Saṃtiṃ Giṇa-vara-viṃdaṃ, Sura-nara-sura-pūiiaṃ Mahā-bhavvaṃ Bhava-sāiara-tāraṇa-mattaṇo, Namāmi Sura-vara-viṇuaṃ7
Santim Jina-Vara-Vindam, Sura-Nara-Sura-Pooeeyam Mahaa-Bhavvam Bhava-Saayar-Taarana-Mattano, Namaami Sura-Vara-Vinuam

Verso 7

Agiaṃ Giṇa-variṃdaṃ, Giṇa-vara-vṛsabhaṃ Aṇega-guṇa-nilaiaṃ Bhava-sāiara-tāraṇa-mattaṇaṃ, Namāmi Giṇa-vara-vara-vṛsabhaṃ8
Ajiam Jina-Varindam, Jina-Vara-Vrisabham Anega-Guna-Nilayam Bhava-Saayar-Taarana-Mattanam, Namaami Jina-Vara-Vara-Vrisabham

Verso 8

Saṃtiṃ Giṇa-vara-viṃdaṃ, Sura-nara-sura-pūiiaṃ Mahā-bhavvaṃ Bhava-sāiara-tāraṇa-mattaṇaṃ, Namāmi Giṇa-vara-vara-vṛsabhaṃ9
Santim Jina-Vara-Vindam, Sura-Nara-Sura-Pooeeyam Mahaa-Bhavvam Bhava-Saayar-Taarana-Mattanam, Namaami Jina-Vara-Vara-Vrisabham

Verso 9

Agie Giṇavariṃde, Giṇa-vara-vṛsabhe Aṇega-guṇa-nilae Bhava-sāiara-tāraṇa-mattaṇo, Namāmi Giṇa-vara-vara-vṛsabhaṃ10
Ajie Jinavarinde, Jina-Vara-Vrisabhe Anega-Guna-Nilae Bhava-Saayar-Taarana-Mattano, Namaami Jina-Vara-Vara-Vrisabham

Verso 10

Saṃtiṃ Giṇa-vara-viṃdaṃ, Sura-nara-sura-pūiiaṃ Mahā-bhavvaṃ Bhava-sāiara-tāraṇa-mattaṇo, Namāmi Giṇa-vara-vara-vṛsabhaṃ11
Santim Jina-Vara-Vindam, Sura-Nara-Sura-Pooeeyam Mahaa-Bhavvam Bhava-Saayar-Taarana-Mattano, Namaami Jina-Vara-Vara-Vrisabham

Verso 11

Worship Guidelines & Chanting Benefits (Phalashruti)

Auspicious Day

Daily or auspicious lunar days (Ekadashi, Purnima, Pradosham)

Best Time (Muhurta)

Brahma Muhurta (4:00 AM – 6:00 AM) or Evening Dusk (Sandhya)

Sacred Offerings

Ghee lamp (Deepa), Incense (Dhoopa), Fresh flowers & Water offering

Spiritual Benefits (Phalashruti)
  • Peace of mind, spiritual upliftment, and harmonious energy in the home

Contesto

Questo inno fa parte della tradizione devozionale giainista, una delle più antiche religioni dell'India, che venera i Tirthankara — maestri spirituali che hanno raggiunto l'illuminazione e insegnano la via per la liberazione. I versi sono in una lingua pratica (un antico dialetto indiano affine al sanscrito) e sono tradizionalmente recitati durante le preghiere quotidiane o in occasioni festive, come atto di omaggio e meditazione sui nomi dei Tirthankara. L'autore e la data esatta di composizione non sono noti con certezza, ma il testo appartiene al ricco patrimonio di stotra (inni di lode) giainisti.

Su questo Testo

Composto da: Acharya Nandisena

Lo sapevi?

Due Tīrthaṅkara

Il testo è un inno di lode rivolto a due dei ventiquattro maestri spirituali del Giainismo: Ajita (l'Invitto) e Śānti (la Pace). Entrambi sono figure storiche che, secondo la tradizione, hanno raggiunto l'illuminazione e insegnato la via per liberarsi dal ciclo delle rinascite.

Lingua e forma

I versi sono in Prākrit (la lingua volgare dell'antica India, usata nei testi canonici jaina più antichi). La struttura ripetitiva – con piccole variazioni in ogni strofa – è tipica di un stotra (un inno devozionale) recitato o cantato per meditare sulle qualità dei Tīrthaṅkara, come la loro capacità di traghettare gli esseri oltre l'oceano del mondo (bhavasāgara).

Simbolo del toro

In diverse strofe Ajita e Śānti sono chiamati

Jina-vara-vṛṣabha

il sommo toro tra i vittoriosi

. ________________________________________________________________________________________________________________________________________________________________________________________ ________________________________________________________________________________________________________________________________________________________________________________________ ________________________________________________________________________________________________________________________________________________________________________________________

. Il toro ( ________________________________________________________________________________________________________________________________________________________________________________________ vṛṣabha ________________________________________________________________________________________________________________________________________________________________________________________ ) ________________________________________________________________________________________________________________________________________________________________________________________ è ________________________________________________________________________________________________________________________________________________________________________________________ il ________________________________________________________________________________________________________________________________________________________________________________________ simbolo ________________________________________________________________________________________________________________________________________________________________________________________ del ________________________________________________________________________________________________________________________________________________________________________________________ primo ________________________________________________________________________________________________________________________________________________________________________________________ Tīrthaṅkara ________________________________________________________________________________________________________________________________________________________________________________________ ( ________________________________________________________________________________________________________________________________________________________________________________________ Ṛṣabha ________________________________________________________________________________________________________________________________________________________________________________________ ) ________________________________________________________________________________________________________________________________________________________________________________________ , ________________________________________________________________________________________________________________________________________________________________________________________ ma ________________________________________________________________________________________________________________________________________________________________________________________ qui ________________________________________________________________________________________________________________________________________________________________________________________ viene ________________________________________________________________________________________________________________________________________________________________________________________ usato ________________________________________________________________________________________________________________________________________________________________________________________ come ________________________________________________________________________________________________________________________________________________________________________________________ epiteto ________________________________________________________________________________________________________________________________________________________________________________________ onorifico ________________________________________________________________________________________________________________________________________________________________________________________ per ________________________________________________________________________________________________________________________________________________________________________________________ indicare ________________________________________________________________________________________________________________________________________________________________________________________ la ________________________________________________________________________________________________________________________________________________________________________________________ forza ________________________________________________________________________________________________________________________________________________________________________________________ e ________________________________________________________________________________________________________________________________________________________________________________________ la ________________________________________________________________________________________________________________________________________________________________________________________ supremazia ________________________________________________________________________________________________________________________________________________________________________________________ spirituale ________________________________________________________________________________________________________________________________________________________________________________________ di ________________________________________________________________________________________________________________________________________________________________________________________ questi ________________________________________________________________________________________________________________________________________________________________________________________ maestri ________________________________________________________________________________________________________________________________________________________________________________________ . ________________________________________________________________________________________________________________________________________________________________________________________

Tema centrale

Il ritornello

bhavasāyara-tāraṇa-mattaṇo

________________________________________________________________________________________________________________________________________________________________________________________ ________________________________________________________________________________________________________________________________________________________________________________________

________________________________________________________________________________________________________________________________________________________________________________________ che ________________________________________________________________________________________________________________________________________________________________________________________ significa ________________________________________________________________________________________________________________________________________________________________________________________

intento ________________________________________________________________________________________________________________________________________________________________________________________ a ________________________________________________________________________________________________________________________________________________________________________________________ far ________________________________________________________________________________________________________________________________________________________________________________________ attraversare ________________________________________________________________________________________________________________________________________________________________________________________ l ________________________________________________________________________________________________________________________________________________________________________________________ ' ________________________________________________________________________________________________________________________________________________________________________________________ oceano ________________________________________________________________________________________________________________________________________________________________________________________ delle ________________________________________________________________________________________________________________________________________________________________________________________ esistenze ________________________________________________________________________________________________________________________________________________________________________________________

________________________________________________________________________________________________________________________________________________________________________________________ ________________________________________________________________________________________________________________________________________________________________________________________ richiama ________________________________________________________________________________________________________________________________________________________________________________________ la ________________________________________________________________________________________________________________________________________________________________________________________ missione ________________________________________________________________________________________________________________________________________________________________________________________ del ________________________________________________________________________________________________________________________________________________________________________________________ Tīrthaṅkara ________________________________________________________________________________________________________________________________________________________________________________________ : ________________________________________________________________________________________________________________________________________________________________________________________ essere ________________________________________________________________________________________________________________________________________________________________________________________ un ________________________________________________________________________________________________________________________________________________________________________________________

costruttore ________________________________________________________________________________________________________________________________________________________________________________________ di ________________________________________________________________________________________________________________________________________________________________________________________ un ________________________________________________________________________________________________________________________________________________________________________________________ guado ________________________________________________________________________________________________________________________________________________________________________________________

________________________________________________________________________________________________________________________________________________________________________________________ ________________________________________________________________________________________________________________________________________________________________________________________ che ________________________________________________________________________________________________________________________________________________________________________________________ aiuta ________________________________________________________________________________________________________________________________________________________________________________________ le ________________________________________________________________________________________________________________________________________________________________________________________ anime ________________________________________________________________________________________________________________________________________________________________________________________ ad ________________________________________________________________________________________________________________________________________________________________________________________ attraversare ________________________________________________________________________________________________________________________________________________________________________________________ il ________________________________________________________________________________________________________________________________________________________________________________________ ciclo ________________________________________________________________________________________________________________________________________________________________________________________ infinito ________________________________________________________________________________________________________________________________________________________________________________________ di ________________________________________________________________________________________________________________________________________________________________________________________ nascita ________________________________________________________________________________________________________________________________________________________________________________________ e ________________________________________________________________________________________________________________________________________________________________________________________ morte ________________________________________________________________________________________________________________________________________________________________________________________ . ________________________________________________________________________________________________________________________________________________________________________________________

Struttura devozionale

L'inno alterna due forme di saluto: ṇamo ( ________________________________________________________________________________________________________________________________________________________________________________________

riverenza ________________________________________________________________________________________________________________________________________________________________________________________

________________________________________________________________________________________________________________________________________________________________________________________ ________________________________________________________________________________________________________________________________________________________________________________________ ) ________________________________________________________________________________________________________________________________________________________________________________________ e ________________________________________________________________________________________________________________________________________________________________________________________ ________________________________________________________________________________________________________________________________________________________________________________________ ṇamāmi ________________________________________________________________________________________________________________________________________________________________________________________ ________________________________________________________________________________________________________________________________________________________________________________________ ( ________________________________________________________________________________________________________________________________________________________________________________________

io ________________________________________________________________________________________________________________________________________________________________________________________ mi ________________________________________________________________________________________________________________________________________________________________________________________ inchino ________________________________________________________________________________________________________________________________________________________________________________________

________________________________________________________________________________________________________________________________________________________________________________________ ________________________________________________________________________________________________________________________________________________________________________________________ ) ________________________________________________________________________________________________________________________________________________________________________________________ . ________________________________________________________________________________________________________________________________________________________________________________________ Le ________________________________________________________________________________________________________________________________________________________________________________________ prime ________________________________________________________________________________________________________________________________________________________________________________________ tre ________________________________________________________________________________________________________________________________________________________________________________________ strofe ________________________________________________________________________________________________________________________________________________________________________________________ usano ________________________________________________________________________________________________________________________________________________________________________________________ ________________________________________________________________________________________________________________________________________________________________________________________ ṇamo ________________________________________________________________________________________________________________________________________________________________________________________ , ________________________________________________________________________________________________________________________________________________________________________________________ mentre ________________________________________________________________________________________________________________________________________________________________________________________ le ________________________________________________________________________________________________________________________________________________________________________________________ successive ________________________________________________________________________________________________________________________________________________________________________________________ passano ________________________________________________________________________________________________________________________________________________________________________________________ a ________________________________________________________________________________________________________________________________________________________________________________________ ________________________________________________________________________________________________________________________________________________________________________________________ ṇamāmi ________________________________________________________________________________________________________________________________________________________________________________________ , ________________________________________________________________________________________________________________________________________________________________________________________ creando ________________________________________________________________________________________________________________________________________________________________________________________ una ________________________________________________________________________________________________________________________________________________________________________________________ progressione ________________________________________________________________________________________________________________________________________________________________________________________ dall ________________________________________________________________________________________________________________________________________________________________________________________ ' ________________________________________________________________________________________________________________________________________________________________________________________ invocazione ________________________________________________________________________________________________________________________________________________________________________________________ alla ________________________________________________________________________________________________________________________________________________________________________________________ personale ________________________________________________________________________________________________________________________________________________________________________________________ adorazione ________________________________________________________________________________________________________________________________________________________________________________________ . ________________________________________________________________________________________________________________________________________________________________________________________ Questa ________________________________________________________________________________________________________________________________________________________________________________________ ripetizione ________________________________________________________________________________________________________________________________________________________________________________________ con ________________________________________________________________________________________________________________________________________________________________________________________ variazioni ________________________________________________________________________________________________________________________________________________________________________________________ è ________________________________________________________________________________________________________________________________________________________________________________________ tipica ________________________________________________________________________________________________________________________________________________________________________________________ della ________________________________________________________________________________________________________________________________________________________________________________________ meditazione ________________________________________________________________________________________________________________________________________________________________________________________ jaina ________________________________________________________________________________________________________________________________________________________________________________________ , ________________________________________________________________________________________________________________________________________________________________________________________ che ________________________________________________________________________________________________________________________________________________________________________________________ aiuta ________________________________________________________________________________________________________________________________________________________________________________________ a ________________________________________________________________________________________________________________________________________________________________________________________ fissare ________________________________________________________________________________________________________________________________________________________________________________________ la ________________________________________________________________________________________________________________________________________________________________________________________ mente ________________________________________________________________________________________________________________________________________________________________________________________ sulle ________________________________________________________________________________________________________________________________________________________________________________________ virtù ________________________________________________________________________________________________________________________________________________________________________________________ divine ________________________________________________________________________________________________________________________________________________________________________________________ . ________________________________________________________________________________________________________________________________________________________________________________________

Altro da Jainismo

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