Bharat Devotion
Embroidered artwork for The Illusion of Separation: Guru Ravidas seated by a river at dawn with one hand raised in blessing, embroidered

The Illusion of Separation

The Illusion of Separation

Bhagat Ravidas uses waves and water, gold and ornaments to teach that the soul and God are one, and that separateness is an illusion.

Verses

Sorath

Verse 1

Jab Ham Hote Tab Too Naahi Ab Toohee Mai Naahi Anal Agam Jaise Lahar Mod Jal Keval Jal Maahi ||1||

Verse 2

Maadhave Kia Kaheeai Bhram Aisa Jaise Maanukh Meri Jeeu Jaise ||1|| Rahaau ||

Verse 3

Jaise Kanak Katak Jal Kumbh Ka Jal Jalahi Samaaia Kathat Kath Kath Ko Brahm Na Jaanai Cheenhi Ram Raaia ||2||

Verse 4

Jaise Rab Kiran Kahe Jal Moothai Trikh Mrig Bhram Bhulaaia Kathat Kath Kath Ko Brahm Na Jaanai Cheenhi Ram Raaia ||3||

Verse 5

Man Rangaaai Rang Saachai Raaia Jaise Rang Majeeth Kai Rang Na Laagai Kaacha Maaia ||4||

Verse 6

Kahai Ravidaas Hath Bhaaia Jaise Paat Patang Tarang Tau Mah Tan Man Gaia Samaaia ||5||1||

Verse 7

Worship Guidelines & Chanting Benefits (Phalashruti)

Auspicious Day

Daily or auspicious lunar days (Ekadashi, Purnima, Pradosham)

Best Time (Muhurta)

Brahma Muhurta (4:00 AM – 6:00 AM) or Evening Dusk (Sandhya)

Sacred Offerings

Ghee lamp (Deepa), Incense (Dhoopa), Fresh flowers & Water offering

Spiritual Benefits (Phalashruti)
  • Peace of mind, spiritual upliftment, and harmonious energy in the home

Background

This shabad by Bhagat Ravidas is in Raag Sorath on Ang 657 of the Guru Granth Sahib, the central scripture of Sikhism. Ravidas was a 15th-century saint-poet of the Bhakti movement, a devotional tradition in medieval India that emphasized personal love for God. The hymn is sung and recited as a meditation on the non-dual nature of reality, reminding devotees that the divine is not separate from creation.

About this Text

Composed by: Bhagat Ravidas · Medieval Nirguna Bhakti Poet-Saint · 15th–16th century, Varanasi

A poet-saint and leather worker by trade from Varanasi, whose hymns envisioned Begampura — a utopian realm free of sorrow, fear, and caste-based inequality. His compositions are included in the Guru Granth Sahib and form the devotional core of the modern Ravidassia tradition.

Did You Know?

Author and Context

Bhagat Ravidas, a 15th-century saint-poet of the Bhakti movement who worked as a cobbler, composed this hymn in Raag Sorath. It stands at Ang 657 of the Guru Granth Sahib, and Sorath is a musical mode traditionally associated with longing and devotion.

Wave and Water Metaphor

The hymn's first image is a wave and the ocean: when the wave appears, the water seems separate, but in truth only water exists. This illustrates the non-dual idea that the individual self (the wave) has no independent existence apart from the Divine (the water).

Gold and Ornament, Pot and Water

Next, the hymn compares the relationship between God and creation to gold and an ornament made from it, or to water inside a pot and the water around it. The ornament and pot are distinct in form but identical in substance, a reminder that the world is a temporary expression of the one Divine reality.

Mirage and the Deer

The hymn then evokes a deer deceived by sunlight into chasing a mirage of water. This highlights how human beings are misled by the illusion (Maya) of the material world, mistaking the temporary for the real and failing to recognize the Divine within.

Dyeing with Madder Root

Another image speaks of dyeing cloth with madder (majith), a natural dye that gives a fast, permanent color. Likewise, when the mind is dyed in the true color of God, it becomes steadfast, unlike the fleeting attractions of Maya.

Thread, Moth and Wave

In its closing lines Ravidas speaks of his body and mind being absorbed into the Divine, using images such as a thread, a moth and a wave. This is the goal of devotion: total union with God.