Bharat Devotion
Embroidered artwork for Yuge Atthavis Vitevari Ubha — Shri Vitthal Aarti: Embroidered Om symbol above a brass diya, marigolds and a temple spire at sunrise

Yuge Atthavis Vitevari Ubha — Shri Vitthal Aarti

Yuge Atthavis Vitevari Ubha — Shri Vitthal Aarti

The evening aarti of Vitthal at Pandharpur, traditionally ascribed to Sant Namdev, sung across Maharashtra to the Lord on the brick beside Rakhumai.

Verses

Yuge atthaveesa vitevaree ubhaa, vaamaangee rakhumaaee dise divya shobhaa Pundalikaache bhetee parabrahma aale gaa, charanee vaahe bheemaa uddharee jagaa

Verse 1

Jaya deva jaya deva jaya paandurangaa, rakhumaaee vallabhaa raaeechyaa vallabhaa paave jivalagaa

Verse 2

Tulasheemaalaa galaa kara thevunee katee, kaase peetaambara kastooree lallaatee Deva suravara nitya yetee bhetee, garuda hanumanta pudhe ubhe thaatee

Verse 3

Dhanya venunaada anukshetrapaalaa, suvarnaachee kamale vanamaalaa galaa Raaee rakhumaabaaee satyabhaamaa sakalaa, ovaalitee bhaave deva saavalaa

Verse 4

Ovaaloo aaratyaa kurvandyaa yetee, chandrabhaagemaajee sodooniyaa detee Dhoopa deepa naivedya saadhya jana paahatee, naamayaachaa svaamee dekhilaa dolaam pratee

Verse 5

Worship Guidelines & Chanting Benefits (Phalashruti)

Auspicious Day

Daily or auspicious lunar days (Ekadashi, Purnima, Pradosham)

Best Time (Muhurta)

Brahma Muhurta (4:00 AM – 6:00 AM) or Evening Dusk (Sandhya)

Sacred Offerings

Ghee lamp (Deepa), Incense (Dhoopa), Fresh flowers & Water offering

Spiritual Benefits (Phalashruti)
  • Peace of mind, spiritual upliftment, and harmonious energy in the home
Chanting Practice:Sing together with family at the conclusion of evening worship while offering a circular light flame.

Background

Sung in evening worship across Maharashtra, usually after the Ganesha and Shiva aartis, 'Yuge Atthavis' holds pride of place in the devotional calendar. It is traditionally ascribed to Sant Namdev (c. 1270 to c. 1350), the Warkari saint-poet, and its closing line carries his name, as the poet's signature. The phrase 'Yuge Atthavis' (28 eons) echoes the Puranic count in which the present Vaivasvata manvantara is in its 28th chaturyuga; devotees read it as saying the Lord has stood on the brick of devotion for ages beyond counting, waiting for his devotees. The aarti depicts the dark-hued Lord with his hands on his waist, attended by Garuda and Hanuman, with the river Chandrabhaga flowing beside Pandharpur. The standing-on-a-brick image comes from the legend of Pundalik, who threw a brick for Krishna to stand on while he served his parents; this legend is told in the Skanda Purana (1.34 to 1.67) and in the Panduranga Mahatmya of the Padma Purana.

Did You Know?

Significance of 28 Yugas

In the Puranic count, the present Vaivasvata manvantara (the 7th) is in its 28th chaturyuga, so 'Yuge Atthavis' points to Vitthal as the eternal Lord of cosmic time, standing and waiting rather than a temporary presence.

The Divine Pair

Lord Vitthal is worshipped here alongside Devi Rakhumai (Rukmini) standing gracefully on His left side (Vamangi Rakhumai). Verse 4 adds that Rai (Radha) and Satyabhama also offer aarti to the dark-hued Lord with devotion.

Holy River Bhima

The sacred river Bhima wraps in a crescent around Pandharpur, earning the endearing spiritual name Chandrabhaga (crescent moon river). Verse 5 describes the waving lamps being floated on the Chandrabhaga after the aarti.

Nama's signature

The text of this aarti in the Marathi Arati collection of Sanskrit Documents closes by saying that Namdev offers the lamp to Keshava with devotion. Because the poet's own name appears in the last line, the aarti is traditionally attributed to Sant Namdev, the Warkari saint-poet. The wording of the closing line differs between printed and sung versions, and the version on this page ends with “Namayacha swami dekhila dola”, the Lord of Nama seen before the eyes.