Bharat Devotion
Embroidered artwork for The Shiva Tandava Stotram: Embroidered Om symbol above a brass diya, marigolds and a temple spire at sunrise

The Shiva Tandava Stotram

The Shiva Tandava Stotram

This is a powerful Sanskrit hymn dedicated to Lord Shiva, celebrating his fierce and graceful cosmic dance. It is traditionally recited to invoke his blessings, remove obstacles, and deepen devotion.

Verses

Jatataveegalaj jala pravaha pavita sthale Gale avalambya lambitam bhujanga tunga malikam Damad damad damad daman ninadavad damarvayam Chakar chand tandavam tanotu nah shiv shivam

Verse 1

Jata kataha sambhrama bhraman nilimpa nirjhari Vilola veechi vallari virajamana murdhani Dhagadh dhagadh dhagaj jalal lalata patta pavake Kishora chandra shekhare ratih pratikshanam mama

Verse 2

Dharadharendra nandini vilasa bandhu bandhura Sphurad diganta santati pramodamana manase Kripa kataksha dhorani niruddha durdharapadi Kvachid digambare mano vinodam etu vastuni

Verse 3

Jata bhujanga pingala sphurat phana mani prabha Kadamba kunkuma drava pralipta digvadhu mukhe Madandha sindhura sphurat tvag uttareeya medure Mano vinodam adbhutam bibhartu bhuta bhartari

Verse 4

Sahasra lochana prabhriti ashesha lekha shekhara Prasuna dhooli dhorani vidhoosaranghri peethabhoo Bhujanga raja malaya nibaddha jata jootakah Shriyai chiraya jayatam chakorabandhu shekharah

Verse 5

Lalata chatvara jvalad dhananjaya sphulingabha Nipeeta pancha sayakam naman nilimpa nayakam Sudha mayookha lekhaya virajamana shekharam Maha kapali sampade shiro jatalam astu nah

Verse 6

Karala bhala pattika dhagadh dhagadh dhagaj jvalad Dhananjayahuteekrita prachanda pancha sayake Dharadharendra nandini kuchagra chitra patraka Prakalpanaika shilpini trilochane ratir mama

Verse 7

Naveena megha mandala niruddha durdhara sphurat Kuhuu nisheethini tamah prabandha baddha kandharah Nilimpa nirjhari dharas tanotu kritti sindhurah Kala nidhana bandhurah shriyam jagad dhurandharah

Verse 8

Praphulla neela pankaja prapancha kalima prabha Avalambi kantha kandali ruchi prabaddha kandharam Smarachchhidam purachchhidam bhavachchhidam makhachchhidam Gajachchhidandhakachchhidam tam antakachchhidam bhaje

Verse 9

Akharva sarva mangala kala kadamba manjari Rasa pravaha madhuri vijrimbhana madhuvratam Smarantakam purantakam bhavantakam makhantakam Gajantakandhakantakam tam antakantakam bhaje

Verse 10

Jayat vadabhra vibhrama bhramad bhujangama shvasad Vinirgamat kramat sphurat karala bhala havya vat Dhimid dhimid dhimidhvanan mridanga tunga mangala Dhvani krama pravartita prachanda tandavah shivah

Verse 11

Drishadvichitra talpayor bhujanga mauktika srajor Garishta ratna loshtayoh suhrid vipaksha pakshayoh Trinaravinda chakshushoh praja mahee mahendrayoh Sama pravrittikah kada sadashivam bhajamyaham

Verse 12

Kada nilimpa nirjhari nikunja kotare vasan Vimukta durmatih sada shirahstham anjalim vahan Vimukta lola lochano lalama bhala lagnakah Shiveti mantram uchcharan kada sukhee bhavamyaham

Verse 13

Imam hi nityam evam uktam uttamottamam stavam Pathan smaran bruvan naro vishuddhim eti santatam Hare gurau subhaktim aashu yaati nanyatha gatim Vimohanam hi dehinam sushankarasya chintanam

Verse 14

Pooja vasana samaye dashavaktra geetam yah Shambhu poojana param pathati pradoshe Tasya sthiram rathagajendra turanga yuktam Lakshmeem sadaiva sumukheem pradadati shambhuh

Verse 15

Worship Guidelines & Chanting Benefits (Phalashruti)

Auspicious Day

Monday (Somwar) & Pradosham

Best Time (Muhurta)

Early Morning (Brahma Muhurta) or Evening Twilight (Sandhya)

Sacred Offerings

Bilva leaves, Ganga water, Bhasma (sacred ash), Dhatura & White flowers

Spiritual Benefits (Phalashruti)
  • Inner stillness, destruction of negative karma, and freedom from fear of death (Mrityunjaya)

Background

This hymn is part of the wider tradition of Shaiva devotional poetry, composed in Sanskrit. It is traditionally attributed to Ravana, the learned king of Lanka from the Ramayana, who is said to have sung it in praise of Lord Shiva. The stotra is often recited during evening worship (pradosh) or in personal meditation, and it is believed to bring blessings, clarity, and spiritual upliftment. The verses describe Shiva's cosmic dance (tandava) and his awe-inspiring attributes, using vivid imagery and rhythmic sound patterns. The Valmiki Ramayana (Uttara Kanda, sarga 16) tells how Ravana, pinned beneath Mount Kailasa, praised Shiva for a thousand years; the Tandava Stotra is traditionally linked with that episode, though it is not part of the epic.

Story & Significance

Tradition says Ravana composed the Shiva Tandava Stotram beneath Mount Kailash, where Shiva's toe humbled his pride and his song won Shiva's grace.

Read the full story →

About this Text

Composed by: Ravana

More by Ravana

Did You Know?

Author

Composed by the demon-king Ravana, a master of the veena and a devout follower of Shiva. This stotram is said to have been sung by Ravana to appease Shiva after being trapped under Mount Kailash.

Structure

The stotram consists of 15 verses, each in the Panchachamara meter, whose alternating short and long syllables mimic the sound of Shiva's cosmic dance. Onomatopoeic words like 'Dhagad dhagad' (crackling fire) and 'Damad damad' (drum beats) vividly evoke the scene.

Imagery

The verses describe Shiva's physical form in intricate detail: his matted hair holding the river Ganga, a crescent moon on his head, a serpent as a garland, and a third eye emitting fire. Each element symbolizes a cosmic power – destruction (fire), purity (Ganga), and time (moon).

Philosophy

Verse 12 beautifully expresses the concept of equanimity – the sage or devotee sees no difference between a blade of grass and a lotus, a friend and a foe, or a gem and a clod of earth. This is a core teaching of Advaita (non-duality).

Benefits

The final verses promise the reciter purity and devotion to the guru (Shiva), and specifically that reciting this stotram at dusk after worship grants wealth, chariots, elephants, and horses – a boon for both worldly prosperity and spiritual liberation.