Bharat Devotion
Embroidered artwork for 《湿婆狂舞颂》: Embroidered Om symbol above a brass diya, marigolds and a temple spire at sunrise

《湿婆狂舞颂》

《湿婆狂舞颂》

一首强有力的梵文赞歌,献给湿婆,赞颂他猛烈而慈悲的宇宙之舞。传统上诵念以祈求其加持、除去障碍并深化虔敬。

经文段落

jaṭāṭavīgalajjalapravāhapāvitasthale gale'valambya lambitāṃ bhujaṅgatuṅgamālikām ḍamaḍḍamaḍḍamaḍḍamanninādavaḍḍamarvayaṃ cakāra caṇḍatāṇḍavaṃ tanotu naḥ śivaḥ śivam
Jatataveegalaj jala pravaha pavita sthale Gale avalambya lambitam bhujanga tunga malikam Damad damad damad daman ninadavad damarvayam Chakar chand tandavam tanotu nah shiv shivam

第节 1

jaṭākaṭāhasambhramabhramannilimpanirjharīvilolavīcivallarīvirājamānamūrdhani dhagaddhagaddhagajjalallalāṭapaṭṭapāvake kiśoracandraśekhare ratiḥ pratikṣaṇaṃ mama
Jata kataha sambhrama bhraman nilimpa nirjhari Vilola veechi vallari virajamana murdhani Dhagadh dhagadh dhagaj jalal lalata patta pavake Kishora chandra shekhare ratih pratikshanam mama

第节 2

dharādharendranandinīvilāsabandhubandhurasphuraddigantasantatipramodamānamānase kṛpākaṭākṣadhoraṇīniruddhadurdharāpadi kvaciddigambare mano vinodametu vastuni
Dharadharendra nandini vilasa bandhu bandhura Sphurad diganta santati pramodamana manase Kripa kataksha dhorani niruddha durdharapadi Kvachid digambare mano vinodam etu vastuni

第节 3

jaṭābhujaṅgapiṅgalasphuratphaṇāmaṇiprabhākadambakuṅkumadravapraliptadigvadhūmukhe madāndhasindhurasphurattvaguttarīyamedure mano vinodamad‍bhūtaṃ bibhartu bhūtabhartari
Jata bhujanga pingala sphurat phana mani prabha Kadamba kunkuma drava pralipta digvadhu mukhe Madandha sindhura sphurat tvag uttareeya medure Mano vinodam adbhutam bibhartu bhuta bhartari

第节 4

sahasralocanaprabhṛtyaśeṣalekhaśekharaprasūnadhūlidhoraṇī vidhūsarāṅghripīṭhabhūḥ bhujaṅgarājamālayā nibaddhajāṭajūṭakaḥ śriyai cirāya jāyatāṃ cakorabandhuśekharaḥ
Sahasra lochana prabhriti ashesha lekha shekhara Prasuna dhooli dhorani vidhoosaranghri peethabhoo Bhujanga raja malaya nibaddha jata jootakah Shriyai chiraya jayatam chakorabandhu shekharah

第节 5

lalāṭacatvarajvaladdhanañjayasphuliṅgabhā nipītapañcasāyakaṃ namannilimpanāyakam sudhāmayūkhalekhayā virājamānaśekharaṃ mahākapālisampadeśirojaṭālamastu naḥ
Lalata chatvara jvalad dhananjaya sphulingabha Nipeeta pancha sayakam naman nilimpa nayakam Sudha mayookha lekhaya virajamana shekharam Maha kapali sampade shiro jatalam astu nah

第节 6

karālabhālapaṭṭikādhagad‍dhagad‍dhagajjvaladdhanañjayāhutīkṛtapracaṇḍapañcasāyake dharādharendranandinīkucāgracitrapatrakaprakalpanaikaśilpini trilocane ratirmama
Karala bhala pattika dhagadh dhagadh dhagaj jvalad Dhananjayahuteekrita prachanda pancha sayake Dharadharendra nandini kuchagra chitra patraka Prakalpanaika shilpini trilochane ratir mama

第节 7

navīnameghamaṇḍalī nirud‍dhadurdharasphuratkuhūniśīthinītamaḥ prabandhabaddhakandharaḥ nilimpanirjharīdharastanotu kṛttisindhuraḥ kalānidhānabandhuraḥ śriyaṃ jagaddhuraṃdharaḥ
Naveena megha mandala niruddha durdhara sphurat Kuhuu nisheethini tamah prabandha baddha kandharah Nilimpa nirjhari dharas tanotu kritti sindhurah Kala nidhana bandhurah shriyam jagad dhurandharah

第节 8

praphullanīlapaṅkajaprapañcakālimaprabhāvalambikaṇṭhakandalīruciprabaddhakandharam smaracchidaṃ puracchidaṃ bhavacchidaṃ makhacchidaṃ gajacchidāndhakacchidaṃ tamantakacchidaṃ bhaje
Praphulla neela pankaja prapancha kalima prabha Avalambi kantha kandali ruchi prabaddha kandharam Smarachchhidam purachchhidam bhavachchhidam makhachchhidam Gajachchhidandhakachchhidam tam antakachchhidam bhaje

第节 9

akharvasarvamaṅgalākalākadambamañjarīrasapravāhamādhurīvijṛmbhaṇāmadhuvratam smarāntakaṃ purāntakaṃ bhavāntakaṃ makhāntakaṃ gajāntakāndhakāntakaṃ tamantakāntakaṃ bhaje
Akharva sarva mangala kala kadamba manjari Rasa pravaha madhuri vijrimbhana madhuvratam Smarantakam purantakam bhavantakam makhantakam Gajantakandhakantakam tam antakantakam bhaje

第节 10

jayatvadabhravibhramabhramad‍bhujaṅgamaśvasadvinirgamatkramasphuratkarālabhālahavyavāṭ dhimiddhimiddhimidhvananmṛdaṅgatuṅgamaṅgaladhvanikramapravartitapracaṇḍatāṇḍavaḥ śivaḥ
Jayat vadabhra vibhrama bhramad bhujangama shvasad Vinirgamat kramat sphurat karala bhala havya vat Dhimid dhimid dhimidhvanan mridanga tunga mangala Dhvani krama pravartita prachanda tandavah shivah

第节 11

dṛṣadvicitratalpayorbhujaṅgamauktikasrajorgariṣṭharatnaloṣṭhayoḥ suhṛdvipakṣapakṣayoḥ tṛṇāravindacakṣuṣoḥ prajāmahīmahendrayoḥ samapravṛttikaḥ kadā sadāśivaṃ bhajāmyaham
Drishadvichitra talpayor bhujanga mauktika srajor Garishta ratna loshtayoh suhrid vipaksha pakshayoh Trinaravinda chakshushoh praja mahee mahendrayoh Sama pravrittikah kada sadashivam bhajamyaham

第节 12

kadā nilimpanirjharīnikuñjakoṭare vasan vimuktadurmatiḥ sadā śiraḥsthamañjaliṃ vahan vimuktalolalocano lalāmabhālalagnakaḥ śiveti mantramuccarankadā sukhī bhavāmyaham
Kada nilimpa nirjhari nikunja kotare vasan Vimukta durmatih sada shirahstham anjalim vahan Vimukta lola lochano lalama bhala lagnakah Shiveti mantram uchcharan kada sukhee bhavamyaham

第节 13

imaṃ hi nityamevamuktamuttamottamaṃ stavaṃ paṭhansmaranbruvannaro viśuddhimetisaṃtatam hare gurau subhaktimāśu yāti nānyathā gatiṃ vimohanaṃ hi dehināṃ suśaṅkarasya cintanam
Imam hi nityam evam uktam uttamottamam stavam Pathan smaran bruvan naro vishuddhim eti santatam Hare gurau subhaktim aashu yaati nanyatha gatim Vimohanam hi dehinam sushankarasya chintanam

第节 14

pūjāvasānasamaye daśavaktragītaṃ yaḥ śambhupūjanaparaṃ paṭhati pradoṣe tasya sthirāṃ rathagajendraturaṅgayuktāṃ lakṣmīṃ sadaiva sumukhīṃ pradadāti śambhuḥ
Pooja vasana samaye dashavaktra geetam yah Shambhu poojana param pathati pradoshe Tasya sthiram rathagajendra turanga yuktam Lakshmeem sadaiva sumukheem pradadati shambhuh

第节 15

Worship Guidelines & Chanting Benefits (Phalashruti)

Auspicious Day

Monday (Somwar) & Pradosham

Best Time (Muhurta)

Early Morning (Brahma Muhurta) or Evening Twilight (Sandhya)

Sacred Offerings

Bilva leaves, Ganga water, Bhasma (sacred ash), Dhatura & White flowers

Spiritual Benefits (Phalashruti)
  • Inner stillness, destruction of negative karma, and freedom from fear of death (Mrityunjaya)

经典背景

此颂属于更广阔的湿婆派奉爱诗歌传统,以梵文写成。传统上归于楞伽的博学之王罗波那(《罗摩衍那》中的人物)名下,据说他曾以此颂赞美湿婆。此颂常在黄昏礼拜(普罗多沙)或个人冥想中诵念,人们相信它能带来加持、清明与灵性的提升。诗句描绘湿婆的宇宙之舞(坦达瓦)及其令人敬畏的属性,运用生动的意象与富有节奏的音韵。《蚁垤罗摩衍那》(《后篇》第16章)讲述罗波那被压在凯拉萨山之下,历经千年赞颂湿婆;坦达瓦颂传统上与这一情节相连,但它并非史诗的一部分。

故事与含义

据《罗摩衍那·后篇》与《湿婆往世书》记载,楞伽王罗波那欲撼动冈仁波齐神山,反被湿婆大神以足趾轻压山峦囚于山底。在傲慢粉碎与剧痛交织之下,罗波那抽身躯之筋脉为琴弦,作十四首韵律铿锵、辞藻华美的《湿婆狂舞颂》,终感得大神欣悦并赐名‘罗波那’。

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关于此经文

作者: Ravana

Ravana的更多作品

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作者

此颂相传由魔王罗波那所作,他是精通维纳琴的大师,也是虔诚的湿婆信徒。据说罗波那在被压于凯拉萨山之下后,以此颂歌唱,以平息湿婆之怒。

结构

此颂共十五节,每节都用潘查查玛拉格律写成,其交替的短长音节模仿湿婆宇宙之舞的节奏。拟声词如“达噶德达噶德”(烈火噼啪)与“达玛德达玛德”(鼓声)生动地唤起场景。

意象

诗句细致描绘湿婆的形相:纠结的发间承接着恒河,额上有新月,颈上缠绕着蛇作花环,额间的第三只眼喷射烈火。每一元素都象征一种宇宙之力:毁灭(火)、纯净(恒河)与时间(月)。

哲理

第十二节优美地表达了平等心的理念:智者或奉爱者视一根草与一朵莲花无异,视朋友与敌人无异,视宝石与土块无异。这是不二论(阿德瓦依塔)的核心教导。

功德

末节许诺,诵读者可得清净与对上师(湿婆)的虔信;并且特别说,在礼拜之后于黄昏诵念此颂,可得财富、车乘、象与马,既为世俗的繁荣,也为灵性的解脱。

跨传统相通教义

同一教义,回响于不同传统之中