Bharat Devotion
Embroidered artwork for 《濕婆狂舞頌》: Embroidered Om symbol above a brass diya, marigolds and a temple spire at sunrise

《濕婆狂舞頌》

《濕婆狂舞頌》

這是一首獻給濕婆主的強有力梵文讚歌,讚頌他威猛而優美的宇宙之舞。傳統上以誦唸此歌祈求神的加持、消除障礙,並深化虔敬之心。

經詩內容

jaṭāṭavīgalajjalapravāhapāvitasthale gale'valambya lambitāṃ bhujaṅgatuṅgamālikām ḍamaḍḍamaḍḍamaḍḍamanninādavaḍḍamarvayaṃ cakāra caṇḍatāṇḍavaṃ tanotu naḥ śivaḥ śivam
Jatataveegalaj jala pravaha pavita sthale Gale avalambya lambitam bhujanga tunga malikam Damad damad damad daman ninadavad damarvayam Chakar chand tandavam tanotu nah shiv shivam

第節 1

jaṭākaṭāhasambhramabhramannilimpanirjharīvilolavīcivallarīvirājamānamūrdhani dhagaddhagaddhagajjalallalāṭapaṭṭapāvake kiśoracandraśekhare ratiḥ pratikṣaṇaṃ mama
Jata kataha sambhrama bhraman nilimpa nirjhari Vilola veechi vallari virajamana murdhani Dhagadh dhagadh dhagaj jalal lalata patta pavake Kishora chandra shekhare ratih pratikshanam mama

第節 2

dharādharendranandinīvilāsabandhubandhurasphuraddigantasantatipramodamānamānase kṛpākaṭākṣadhoraṇīniruddhadurdharāpadi kvaciddigambare mano vinodametu vastuni
Dharadharendra nandini vilasa bandhu bandhura Sphurad diganta santati pramodamana manase Kripa kataksha dhorani niruddha durdharapadi Kvachid digambare mano vinodam etu vastuni

第節 3

jaṭābhujaṅgapiṅgalasphuratphaṇāmaṇiprabhākadambakuṅkumadravapraliptadigvadhūmukhe madāndhasindhurasphurattvaguttarīyamedure mano vinodamad‍bhūtaṃ bibhartu bhūtabhartari
Jata bhujanga pingala sphurat phana mani prabha Kadamba kunkuma drava pralipta digvadhu mukhe Madandha sindhura sphurat tvag uttareeya medure Mano vinodam adbhutam bibhartu bhuta bhartari

第節 4

sahasralocanaprabhṛtyaśeṣalekhaśekharaprasūnadhūlidhoraṇī vidhūsarāṅghripīṭhabhūḥ bhujaṅgarājamālayā nibaddhajāṭajūṭakaḥ śriyai cirāya jāyatāṃ cakorabandhuśekharaḥ
Sahasra lochana prabhriti ashesha lekha shekhara Prasuna dhooli dhorani vidhoosaranghri peethabhoo Bhujanga raja malaya nibaddha jata jootakah Shriyai chiraya jayatam chakorabandhu shekharah

第節 5

lalāṭacatvarajvaladdhanañjayasphuliṅgabhā nipītapañcasāyakaṃ namannilimpanāyakam sudhāmayūkhalekhayā virājamānaśekharaṃ mahākapālisampadeśirojaṭālamastu naḥ
Lalata chatvara jvalad dhananjaya sphulingabha Nipeeta pancha sayakam naman nilimpa nayakam Sudha mayookha lekhaya virajamana shekharam Maha kapali sampade shiro jatalam astu nah

第節 6

karālabhālapaṭṭikādhagad‍dhagad‍dhagajjvaladdhanañjayāhutīkṛtapracaṇḍapañcasāyake dharādharendranandinīkucāgracitrapatrakaprakalpanaikaśilpini trilocane ratirmama
Karala bhala pattika dhagadh dhagadh dhagaj jvalad Dhananjayahuteekrita prachanda pancha sayake Dharadharendra nandini kuchagra chitra patraka Prakalpanaika shilpini trilochane ratir mama

第節 7

navīnameghamaṇḍalī nirud‍dhadurdharasphuratkuhūniśīthinītamaḥ prabandhabaddhakandharaḥ nilimpanirjharīdharastanotu kṛttisindhuraḥ kalānidhānabandhuraḥ śriyaṃ jagaddhuraṃdharaḥ
Naveena megha mandala niruddha durdhara sphurat Kuhuu nisheethini tamah prabandha baddha kandharah Nilimpa nirjhari dharas tanotu kritti sindhurah Kala nidhana bandhurah shriyam jagad dhurandharah

第節 8

praphullanīlapaṅkajaprapañcakālimaprabhāvalambikaṇṭhakandalīruciprabaddhakandharam smaracchidaṃ puracchidaṃ bhavacchidaṃ makhacchidaṃ gajacchidāndhakacchidaṃ tamantakacchidaṃ bhaje
Praphulla neela pankaja prapancha kalima prabha Avalambi kantha kandali ruchi prabaddha kandharam Smarachchhidam purachchhidam bhavachchhidam makhachchhidam Gajachchhidandhakachchhidam tam antakachchhidam bhaje

第節 9

akharvasarvamaṅgalākalākadambamañjarīrasapravāhamādhurīvijṛmbhaṇāmadhuvratam smarāntakaṃ purāntakaṃ bhavāntakaṃ makhāntakaṃ gajāntakāndhakāntakaṃ tamantakāntakaṃ bhaje
Akharva sarva mangala kala kadamba manjari Rasa pravaha madhuri vijrimbhana madhuvratam Smarantakam purantakam bhavantakam makhantakam Gajantakandhakantakam tam antakantakam bhaje

第節 10

jayatvadabhravibhramabhramad‍bhujaṅgamaśvasadvinirgamatkramasphuratkarālabhālahavyavāṭ dhimiddhimiddhimidhvananmṛdaṅgatuṅgamaṅgaladhvanikramapravartitapracaṇḍatāṇḍavaḥ śivaḥ
Jayat vadabhra vibhrama bhramad bhujangama shvasad Vinirgamat kramat sphurat karala bhala havya vat Dhimid dhimid dhimidhvanan mridanga tunga mangala Dhvani krama pravartita prachanda tandavah shivah

第節 11

dṛṣadvicitratalpayorbhujaṅgamauktikasrajorgariṣṭharatnaloṣṭhayoḥ suhṛdvipakṣapakṣayoḥ tṛṇāravindacakṣuṣoḥ prajāmahīmahendrayoḥ samapravṛttikaḥ kadā sadāśivaṃ bhajāmyaham
Drishadvichitra talpayor bhujanga mauktika srajor Garishta ratna loshtayoh suhrid vipaksha pakshayoh Trinaravinda chakshushoh praja mahee mahendrayoh Sama pravrittikah kada sadashivam bhajamyaham

第節 12

kadā nilimpanirjharīnikuñjakoṭare vasan vimuktadurmatiḥ sadā śiraḥsthamañjaliṃ vahan vimuktalolalocano lalāmabhālalagnakaḥ śiveti mantramuccarankadā sukhī bhavāmyaham
Kada nilimpa nirjhari nikunja kotare vasan Vimukta durmatih sada shirahstham anjalim vahan Vimukta lola lochano lalama bhala lagnakah Shiveti mantram uchcharan kada sukhee bhavamyaham

第節 13

imaṃ hi nityamevamuktamuttamottamaṃ stavaṃ paṭhansmaranbruvannaro viśuddhimetisaṃtatam hare gurau subhaktimāśu yāti nānyathā gatiṃ vimohanaṃ hi dehināṃ suśaṅkarasya cintanam
Imam hi nityam evam uktam uttamottamam stavam Pathan smaran bruvan naro vishuddhim eti santatam Hare gurau subhaktim aashu yaati nanyatha gatim Vimohanam hi dehinam sushankarasya chintanam

第節 14

pūjāvasānasamaye daśavaktragītaṃ yaḥ śambhupūjanaparaṃ paṭhati pradoṣe tasya sthirāṃ rathagajendraturaṅgayuktāṃ lakṣmīṃ sadaiva sumukhīṃ pradadāti śambhuḥ
Pooja vasana samaye dashavaktra geetam yah Shambhu poojana param pathati pradoshe Tasya sthiram rathagajendra turanga yuktam Lakshmeem sadaiva sumukheem pradadati shambhuh

第節 15

Worship Guidelines & Chanting Benefits (Phalashruti)

Auspicious Day

Monday (Somwar) & Pradosham

Best Time (Muhurta)

Early Morning (Brahma Muhurta) or Evening Twilight (Sandhya)

Sacred Offerings

Bilva leaves, Ganga water, Bhasma (sacred ash), Dhatura & White flowers

Spiritual Benefits (Phalashruti)
  • Inner stillness, destruction of negative karma, and freedom from fear of death (Mrityunjaya)

背景介紹

此讚歌屬於濕婆派梵文虔敬詩歌的更廣傳統。傳統上歸於羅波那名下,他是《羅摩衍那》中博學的蘭卡之王,據說他曾唱此歌以讚美濕婆主。此頌常於傍晚崇拜(普羅曼)時,或在個人冥想中誦唸,人們相信它能帶來加持、心智的清明與靈性的提升。詩節以生動的意象與韻律感十足的音調,描繪濕婆的宇宙之舞(坦達瓦)及其令人敬畏的神聖特質。《瓦爾米基羅摩衍那》〈後篇〉第16章記載,羅波那被壓於凱拉薩山之下,曾歷千年讚頌濕婆;此讚歌傳統上與該段情節相連,然而它並非史詩本身的一部分。

故事與涵義

據《羅摩衍那·後篇》與《濕婆往世書》記載,楞伽王羅波那欲撼動岡仁波齊神山,反被濕婆大神以足趾輕壓山巒囚於山底。在傲慢粉碎與劇痛交織之下,羅波那抽身軀之筋脈為琴弦,作十四首韻律鏗鏘、辭藻華美的《濕婆狂舞頌》,終感得大神欣悅並賜名‘羅波那’。

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關於此經文

作者: Ravana

Ravana的更多作品

您知道嗎?

作者

由魔王羅波那所作,他是維納琴的大師,也是濕婆的虔誠追隨者。據說他被壓於凱拉薩山之下後,吟唱此歌以平息濕婆的怒意。

結構

此讚歌共十五頌,每頌皆為「旃陀羅恰瑪拉」韻律,其短長交替的音節模仿濕婆宇宙之舞的節奏。象聲詞「達嘎德、達嘎德」(噼啪的火焰聲)與「達馬德、達馬德」(鼓聲)生動地再現了場景。

意象

詩節詳細描繪濕婆的形體:他的結髮承載著恆河,頭上一彎新月,頸上以蛇為花環,第三隻眼噴出火焰。每個元素都象徵一種宇宙之力——毀滅(火)、純淨(恆河)與時間(月亮)。

哲學

第十二頌表達了平等心:聖人或信徒視草芥與蓮花、朋友與敵人、寶石與土塊無別。這是不二論(阿德瓦衍)的核心教義。

利益

末數頌許諾誦者得到清淨與對上師(濕婆)的奉愛;並特別指出,在傍晚禮拜之後誦唸此讚歌,可獲得財富、戰車、大象與馬匹——兼具世間繁榮與靈性解脫的恩賜。

跨傳統相通教義

同一教義,迴響於不同傳統之中