Bharat Devotion
Embroidered artwork for 湿婆宇宙之舞颂: Embroidered Om symbol above a brass diya, marigolds and a temple spire at sunrise

湿婆宇宙之舞颂

湿婆宇宙之舞颂

十五节梵文颂,礼赞湿婆的宇宙之舞,传统上归于罗波那名下,于普罗多莎时分诵持。

经文段落

jaṭāṭavī galajjala pravāha pāvitasthale galevalambya lambitāṃ bhujaṅgatuṅgamālikām ḍamaḍḍamaḍḍamaḍḍamanninādavaḍḍamarvayaṃ cakāra caṇḍatāṇḍavaṃ tanotu naḥ śivaḥ śivam
jataatavee galajjala pravaaha paavitasthale galevalambya lambitaam bhujangatungamaalikaam damaddamaddamaddamanninaadavaddamarvayam cakaara candataandavam tanotu nah shivah shivam | 1 |

第节 1

jaṭākaṭāhasambhramabhramannilimpanirjharī vilolavīcivallarī virājamānamūrdhani dhagaddhagaddhagajjvalallalāṭa paṭ‍ṭapāvake kiśoracandraśekhare ratiḥ pratikṣaṇaṃ mama
jataakataahasambhramabhramannilimpanirjharee vilolaveecivallaree viraajamaanamoordhani dhagaddhagaddhagajjvalallalaata pat‍tapaavake kishoracandrashekhare ratih pratikshanam mama | 2 |

第节 2

dharādharendra nandinī vilāsabandhu bandhura sphuraddiganta santati pramoda mānamānase kṛpākaṭākṣadhoraṇī niruddha durdharāpadi kvaciddigambare manovinodametu vastuni
dharaadharendra nandinee vilaasabandhu bandhura sphuraddiganta santati pramoda maanamaanase kripaakataakshadhoranee niruddha durdharaapadi kvaciddigambare manovinodametu vastuni | 3 |

第节 3

jaṭābhujaṅga piṅgala sphuratphaṇā maṇiprabhā kadamba kuṅkuma drava pralipta digvadhūmukhe madāndha sindhura sphurattvaguttarīyamedure mano vinodamadbhutaṃ bibhartu bhūtabhartari
jataabhujanga pingala sphuratphanaa maniprabhaa kadamba kunkuma drava pralipta digvadhoomukhe madaandha sindhura sphurattvaguttareeyamedure mano vinodamadbhutam bibhartu bhootabhartari | 4 |

第节 4

sahasralocana prabhṛtyaśeṣalekha śekhara prasūnadhūli dhoraṇī vidhūsarāṅghri pīṭhabhūḥ bhujaṅgarājamālayā nibaddha jāṭajūṭakaḥ śriyai cirāya jāyatāṃ cakorabandhu śekharaḥ
sahasralocana prabhrityasheshalekha shekhara prasoonadhooli dhoranee vidhoosaraanghri peethabhooh bhujangaraajamaalayaa nibaddha jaatajootakah shriyai ciraaya jaayataam cakorabandhu shekharah | 5 |

第节 5

lalāṭa catvarajvaladdhanañjaya sphuliṅgabhā nipīta pañcasāyakaṃ namannilimpanāyakam sudhāmayūkhalekhayā virājamāna śekharaṃ mahākapāli sampade śirojaṭālamastu naḥ
lalaata catvarajvaladdhananjaya sphulingabhaa nipeeta pancasaayakam namannilimpanaayakam sudhaamayookhalekhayaa viraajamaana shekharam mahaakapaali sampade shirojataalamastu nah | 6 |

第节 6

karāla phālapaṭ‍ṭikā dhagaddhagaddhagajjvala- -ddhanañjayāhutīkṛta pracaṇḍa pañcasāyake dharādharendra nandinī kucāgra citrapatraka- -prakalpanaikaśilpini trilocane ratirmama
karaala phaalapat‍tikaa dhagaddhagaddhagajjvala- -ddhananjayaahuteekrita pracanda pancasaayake dharaadharendra nandinee kucaagra citrapatraka- -prakalpanaikashilpini trilocane ratirmama | 7 |

第节 7

navīnameghamaṇḍalī niruddha durdhara sphurat kuhū niśīthinī tamaḥ prabandha baddha kandharaḥ nilimpa nirjharīdharastanotu kṛttisindhuraḥ kalānidhāna bandhuraḥ śriyaṃ jagaddhurandharaḥ
naveenameghamandalee niruddha durdhara sphurat kuhoo nisheethinee tamah prabandha baddha kandharah nilimpa nirjhareedharastanotu krittisindhurah kalaanidhaana bandhurah shriyam jagaddhurandharah | 8 |

第节 8

praphulla nīla paṅkaja prapañca kālimaprabhā- -valambi kaṇṭha kandalī ruci prabaddha kandharam smaracchidaṃ puracchidaṃ bhavacchidaṃ makhacchidaṃ gajacchidāndhakacchidaṃ tamantakacchidaṃ bhaje
praphulla neela pankaja prapanca kaalimaprabhaa- -valambi kantha kandalee ruci prabaddha kandharam smaracchidam puracchidam bhavacchidam makhacchidam gajacchidaandhakacchidam tamantakacchidam bhaje | 9 |

第节 9

akharva sarvamaṅgalā kalākadambamañjarī rasapravāha mādhurī vijṛmbhaṇā madhuvratam smarāntakaṃ purāntakaṃ bhavāntakaṃ makhāntakaṃ gajāntakāndhakāntakaṃ tamantakāntakaṃ bhaje
akharva sarvamangalaa kalaakadambamanjaree rasapravaaha maadhuree vijrimbhanaa madhuvratam smaraantakam puraantakam bhavaantakam makhaantakam gajaantakaandhakaantakam tamantakaantakam bhaje | 10 |

第节 10

jayatvadabhra vibhrama bhramadbhujaṅgamaśvasa- -dvinirgamat kramasphurat karāla phālahavyavāṭ dhimiddhimiddhimidhvanan mṛdaṅga tuṅga maṅgala- -dhvanikrama pravartita pracaṇḍa tāṇḍavaḥ śivaḥ
jayatvadabhra vibhrama bhramadbhujangamashvasa- -dvinirgamat kramasphurat karaala phaalahavyavaat dhimiddhimiddhimidhvanan mridanga tunga mangala- -dhvanikrama pravartita pracanda taandavah shivah | 11 |

第节 11

dṛṣadvicitra talpayorbhujaṅga mauktika srajo- -rgariṣṭha ratnaloṣṭhayoḥ suhṛdvipakṣa pakṣayoḥ tṛṇāravinda cakṣuṣoḥ prajāmahī mahendrayoḥ samapravṛttikaḥ kadā sadāśivaṃ bhajāmyaham
drishadvicitra talpayorbhujanga mauktika srajo- -rgarishtha ratnaloshthayoh suhridvipaksha pakshayoh trinaaravinda cakshushoh prajaamahee mahendrayoh samapravrittikah kadaa sadaashivam bhajaamyaham | 12 |

第节 12

kadā nilimpanirjharī nikuñjakoṭare vasan vimukta durmatiḥ sadā śirasthamañjaliṃ vahan vilola lolalocano lalāmaphālalagnakaḥ śiveti mantramuccaran kadā sukhī bhavāmyaham
kadaa nilimpanirjharee nikunjakotare vasan vimukta durmatih sadaa shirasthamanjalim vahan vilola lolalocano lalaamaphaalalagnakah shiveti mantramuccaran kadaa sukhee bhavaamyaham | 13 |

第节 13

imaṃ hi nityamevamuktamuttamottamaṃ stavaṃ paṭhan smaran bruvannaro viśuddhimeti santatam hare gurau subhaktimāśu yāti nānyathā gatiṃ vimohanaṃ hi dehināṃ suśaṅkarasya cintanam
imam hi nityamevamuktamuttamottamam stavam pathan smaran bruvannaro vishuddhimeti santatam hare gurau subhaktimaashu yaati naanyathaa gatim vimohanam hi dehinaam sushankarasya cintanam | 14 |

第节 14

pūjāvasānasamaye daśavaktragītaṃ yaḥ śambhupūjanaparaṃ paṭhati pradoṣe tasya sthirāṃ rathagajendra turaṅgayuktāṃ lakṣmīṃ sadaiva sumukhīṃ pradadāti śambhuḥ
poojaavasaanasamaye dashavaktrageetam yah shambhupoojanaparam pathati pradoshe tasya sthiraam rathagajendra turangayuktaam lakshmeem sadaiva sumukheem pradadaati shambhuh | 15 |

第节 15

Worship Guidelines & Chanting Benefits (Phalashruti)

Auspicious Day

Monday (Somwar) & Pradosham

Best Time (Muhurta)

Early Morning (Brahma Muhurta) or Evening Twilight (Sandhya)

Sacred Offerings

Bilva leaves, Ganga water, Bhasma (sacred ash), Dhatura & White flowers

Spiritual Benefits (Phalashruti)
  • Inner stillness, destruction of negative karma, and freedom from fear of death (Mrityunjaya)

经典背景

《湿婆坦达婆颂》传统上归于兰卡之王、湿婆的虔诚信徒罗波那名下。传说他企图举起凯拉什山时,被湿婆以足压下,此后他便歌唱此颂;此颂本身并不属于《蚁垤罗摩衍那》。其十五节赞颂湿婆的编发、恒河、蛇的花环,以及猛烈而喜悦的舞蹈,第14与第15节则说明诵持的功德。此颂于普罗多莎的黄昏时分诵持,在湿婆礼拜结束时吟唱,格律为般查查玛拉格律。

关于此经文

作者: Ravana

Ravana的更多作品

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作者

此颂传统上归于《罗摩衍那》中十首的兰卡之王罗波那名下,他是湿婆的虔诚崇拜者。相传他作此颂以赞美神的宇宙之舞;诗节本身在末节第15节中点名他为作者。

诗节中的鼓声

首行以拟声的叠句“达玛达玛德”模拟湿婆小鼓的声音,这一节奏形式是此颂音乐与冥想之力的核心。

湿婆的特征

每一节都生动描绘湿婆的圣相要素:头上的新月、从编发流下的恒河、蛇的项链、额上的第三只眼,以及涂于身上的圣灰。这些象征并非装饰,而蕴含关于创造、毁灭与超越的深刻义理。

宇宙之舞(坦达婆)

此颂歌颂湿婆的坦达婆,即维系并毁灭宇宙的猛烈而狂喜的舞蹈。第11节明确将舞蹈与鼓声及从第三只眼发出的毁灭之火相连。

诵持的承诺

第14与第15节说明以虔敬诵持此颂的功德:心意清净,对上师湿婆坚定不移的虔信,以及持久的财富与繁荣。第15节说应在礼拜终了的普罗多莎时分诵持。

格律

此颂为般查查玛拉格律,每行十六个音节,由交替的短音与长音构成,使诗节具有奔腾如鼓点般的节奏。