Bharat Devotion
Embroidered artwork for Shiva Tandava Stotram: Embroidered Om symbol above a brass diya, marigolds and a temple spire at sunrise

Shiva Tandava Stotram

Shiva Tandava Stotram

The Shiva Tandava Stotram: 15 Sanskrit verses on Shiva's cosmic dance, traditionally attributed to Ravana and chanted at Pradosha.

Verses

jataatavee galajjala pravaaha paavitasthale galevalambya lambitaam bhujangatungamaalikaam damaddamaddamaddamanninaadavaddamarvayam cakaara candataandavam tanotu nah shivah shivam | 1 |

Verse 1

jataakataahasambhramabhramannilimpanirjharee vilolaveecivallaree viraajamaanamoordhani dhagaddhagaddhagajjvalallalaata pat‍tapaavake kishoracandrashekhare ratih pratikshanam mama | 2 |

Verse 2

dharaadharendra nandinee vilaasabandhu bandhura sphuraddiganta santati pramoda maanamaanase kripaakataakshadhoranee niruddha durdharaapadi kvaciddigambare manovinodametu vastuni | 3 |

Verse 3

jataabhujanga pingala sphuratphanaa maniprabhaa kadamba kunkuma drava pralipta digvadhoomukhe madaandha sindhura sphurattvaguttareeyamedure mano vinodamadbhutam bibhartu bhootabhartari | 4 |

Verse 4

sahasralocana prabhrityasheshalekha shekhara prasoonadhooli dhoranee vidhoosaraanghri peethabhooh bhujangaraajamaalayaa nibaddha jaatajootakah shriyai ciraaya jaayataam cakorabandhu shekharah | 5 |

Verse 5

lalaata catvarajvaladdhananjaya sphulingabhaa nipeeta pancasaayakam namannilimpanaayakam sudhaamayookhalekhayaa viraajamaana shekharam mahaakapaali sampade shirojataalamastu nah | 6 |

Verse 6

karaala phaalapat‍tikaa dhagaddhagaddhagajjvala- -ddhananjayaahuteekrita pracanda pancasaayake dharaadharendra nandinee kucaagra citrapatraka- -prakalpanaikashilpini trilocane ratirmama | 7 |

Verse 7

naveenameghamandalee niruddha durdhara sphurat kuhoo nisheethinee tamah prabandha baddha kandharah nilimpa nirjhareedharastanotu krittisindhurah kalaanidhaana bandhurah shriyam jagaddhurandharah | 8 |

Verse 8

praphulla neela pankaja prapanca kaalimaprabhaa- -valambi kantha kandalee ruci prabaddha kandharam smaracchidam puracchidam bhavacchidam makhacchidam gajacchidaandhakacchidam tamantakacchidam bhaje | 9 |

Verse 9

akharva sarvamangalaa kalaakadambamanjaree rasapravaaha maadhuree vijrimbhanaa madhuvratam smaraantakam puraantakam bhavaantakam makhaantakam gajaantakaandhakaantakam tamantakaantakam bhaje | 10 |

Verse 10

jayatvadabhra vibhrama bhramadbhujangamashvasa- -dvinirgamat kramasphurat karaala phaalahavyavaat dhimiddhimiddhimidhvanan mridanga tunga mangala- -dhvanikrama pravartita pracanda taandavah shivah | 11 |

Verse 11

drishadvicitra talpayorbhujanga mauktika srajo- -rgarishtha ratnaloshthayoh suhridvipaksha pakshayoh trinaaravinda cakshushoh prajaamahee mahendrayoh samapravrittikah kadaa sadaashivam bhajaamyaham | 12 |

Verse 12

kadaa nilimpanirjharee nikunjakotare vasan vimukta durmatih sadaa shirasthamanjalim vahan vilola lolalocano lalaamaphaalalagnakah shiveti mantramuccaran kadaa sukhee bhavaamyaham | 13 |

Verse 13

imam hi nityamevamuktamuttamottamam stavam pathan smaran bruvannaro vishuddhimeti santatam hare gurau subhaktimaashu yaati naanyathaa gatim vimohanam hi dehinaam sushankarasya cintanam | 14 |

Verse 14

poojaavasaanasamaye dashavaktrageetam yah shambhupoojanaparam pathati pradoshe tasya sthiraam rathagajendra turangayuktaam lakshmeem sadaiva sumukheem pradadaati shambhuh | 15 |

Verse 15

Worship Guidelines & Chanting Benefits (Phalashruti)

Auspicious Day

Monday (Somwar) & Pradosham

Best Time (Muhurta)

Early Morning (Brahma Muhurta) or Evening Twilight (Sandhya)

Sacred Offerings

Bilva leaves, Ganga water, Bhasma (sacred ash), Dhatura & White flowers

Spiritual Benefits (Phalashruti)
  • Inner stillness, destruction of negative karma, and freedom from fear of death (Mrityunjaya)

Background

The Shiva Tandava Stotram is traditionally attributed to Ravana, the king of Lanka and a devout worshipper of Shiva. Tradition says he sang it after Shiva pressed down Mount Kailasa when Ravana tried to lift it; the hymn itself is not part of the Valmiki Ramayana. Its 15 verses praise Shiva's matted hair, the Ganga, the serpent garland and the fierce, joyful dance, and verses 14 and 15 state the fruit of reciting it. It is chanted in the evening at Pradosha, at the end of Shiva worship, and is composed in the Panchachamara meter.

About this Text

Composed by: Ravana

Did You Know?

Author

This hymn is traditionally attributed to Ravana, the ten-headed king of Lanka in the Ramayana. A devout Shiva worshipper, he is said to have composed it in praise of the god's cosmic dance; the verses themselves name him as the author in the closing verse 15.

Drumbeat in Verse

The first line famously mimics the sound of Shiva’s small drum (damaru) with the onomatopoeic refrain “ḍamaḍḍamaḍḍamaḍḍam.” This rhythmic pattern is central to the stotram’s musical and meditative power.

Shiva’s Attributes

Each verse vividly describes iconic elements of Shiva’s form: the crescent moon on his head, the river Ganga flowing from his matted locks, the serpent necklace, the third eye on his forehead, and the ashes smeared on his body. These symbols are not decorative but carry deep theological meaning about creation, destruction, and transcendence.

The Cosmic Dance (Tandava)

The stotram celebrates Shiva’s tandava, the fierce, ecstatic dance that sustains and destroys the universe. The eleventh verse explicitly links the dance to the sound of the mridangam (a drum) and the fire of destruction emanating from his third eye.

Promise of Recitation

Verses 14 and 15 state the benefits of chanting this hymn with devotion: purification of the mind, unwavering devotion to the guru Shiva, and lasting wealth and prosperity. Verse 15 says to recite it at Pradosha at the end of worship.

The Meter

The stotram is in the Panchachamara meter, sixteen syllables to a line, built on alternating short and long syllables. This gives the verses their galloping, drum-like rhythm.