Bharat Devotion
Embroidered artwork for Śrī Subrahmaṇya Bhujaṅgam (The Serpent-Like Hymn to Lord Murugan): Embroidered Om symbol above a brass diya, marigolds and a temple spire at sunrise

Śrī Subrahmaṇya Bhujaṅgam (The Serpent-Like Hymn to Lord Murugan)

Śrī Subrahmaṇya Bhujaṅgam (The Serpent-Like Hymn to Lord Murugan)

A 33-verse Sanskrit hymn to Lord Murugan in the Bhujanga meter, attributed to Adi Shankaracharya, asking his help in every difficulty and at death.

Verses

sadaa baalaroopaa'pi vighnaadrihantree mahaadantivaktraa'pi pancaasyamaanyaa vidheendraadimrigyaa ganeshaabhidhaa me vidhattaam shriyam kaa'pi kalyaanamoortih | 1 |

Verse 1

na jaanaami shabdam na jaanaami caartham na jaanaami padyam na jaanaami gadyam cidekaa shadaasyaa hridi dyotate me mukhaannihsarante girashcaapi citram | 2 |

Verse 2

mayooraadhiroodham mahaavaakyagoodham manohaarideham mahaccittageham maheedevadevam mahaavedabhaavam mahaadevabaalam bhaje lokapaalam | 3 |

Verse 3

yadaa sannidhaanam gataa maanavaa me bhavaambhodhipaaram gataaste tadaiva iti vyanjayansindhuteere ya aaste tameede pavitram paraashaktiputram | 4 |

Verse 4

yathaabdhestarangaa layam yaanti tungaa- stathaivaapadah sannidhau sevataam me iteevormipankteernrinaam darshayantam sadaa bhaavaye hritsaroje guham tam | 5 |

Verse 5

girau mannivaase naraa ye'dhiroodhaa- stadaa parvate raajate te'dhiroodhaah iteeva bruvangandhashailaadhiroodhah sa devo mude me sadaa shanmukho'stu | 6 |

Verse 6

mahaambhodhiteere mahaapaapacore muneendraanukoole sugandhaakhyashaile guhaayaam vasantam svabhaasaa lasantam janaartim harantam shrayaamo guham tam | 7 |

Verse 7

lasatsvarnagehe nrinaam kaamadohe sumastomasanchannamaanikyamance samudyatsahasraarkatulyaprakaasham sadaa bhaavaye kaartikeyam suresham | 8 |

Verse 8

ranaddhamsake manjule'tyantashone manohaarilaavanyapeeyooshapoorne manahshatpado me bhavakleshataptah sadaa modataam skanda te paadapadme | 9 |

Verse 9

suvarnaabhadivyaambarairbhaasamaanaam kvanatkinkineemekhalaashobhamaanaam lasaddhemapattena vidyotamaanaam katim bhaavaye skanda te deepyamaanaam | 10 |

Verse 10

pulindeshakanyaaghanaabhogatunga- stanaalinganaasaktakaashmeeraraagam namasyaamyaham taarakaare tavorah svabhaktaavane sarvadaa saanuraagam | 11 |

Verse 11

vidhau kḷptadandaan svaleelaadhritaandaa- nnirastebhashundaan dvishatkaaladandaan hatendraarishandaanjagattraanashaundaan sadaa te pracandaan shraye baahudandaan | 12 |

Verse 12

sadaa shaaradaah shanmrigaankaa yadi syuh samudyanta eva sthitaashcetsamantaat sadaa poornabimbaah kalankaishca heenaa- stadaa tvanmukhaanaam bruve skanda saamyam | 13 |

Verse 13

sphuranmandahaasaih sahamsaani canca- tkataakshaavaleebhringasanghojjvalaani sudhaasyandibimbaadharaaneeshasoono tavaalokaye shanmukhaambhoruhaani | 14 |

Verse 14

vishaaleshu karnaantadeergheshvajasram dayaasyandishu dvaadashasveekshaneshu mayeeshatkataakshah sakritpaatitashce- dbhavette dayaasheela kaa naama haanih | 15 |

Verse 15

sutaangodbhavo me'si jeeveti shaddhaa japanmantrameesho mudaa jighrate yaan jagadbhaarabhridbhyo jagannaatha tebhyah kireetojjvalebhyo namo mastakebhyah | 16 |

Verse 16

sphuradratnakeyoorahaaraabhiraama- shcalatkundalashreelasadgandabhaagah katau peetavaasaah kare caarushaktih purastaanmamaastaam puraarestanoojah | 17 |

Verse 17

ihaayaahi vatseti hastaanprasaaryaa- hvayatyaadaraacchankare maaturankaat samutpatya taatam shrayantam kumaaram haraashlishtagaatram bhaje baalamoortim | 18 |

Verse 18

kumaareshasoono guha skanda senaa- pate shaktipaane mayooraadhiroodha pulindaatmajaakaanta bhaktaartihaarin prabho taarakaare sadaa raksha maam tvam | 19 |

Verse 19

prashaantendriye nashtasamjne viceshte kaphodgaarivaktre bhayotkampigaatre prayaanonmukhe mayyanaathe tadaaneem drutam me dayaalo bhavaagre guha tvam | 20 |

Verse 20

kritaantasya dooteshu candeshu kopaa- ddaha cchinddhi bhinddheeti maam tarjayatsu mayooram samaaruhya maa bhairiti tvam purah shaktipaanirmamaayaahi sheeghram | 21 |

Verse 21

pranamyaasakritpaadayoste patitvaa prasaadya prabho praarthaye'nekavaaram na vaktum kshamo'ham tadaaneem kripaabdhe na kaaryaantakaale manaagapyupekshaa | 22 |

Verse 22

sahasrandabhoktaa tvayaa shooranaamaa hatastaarakah simhavaktrashca daityah mamaantarhridistham manahkleshamekam na hamsi prabho kim karomi kva yaami | 23 |

Verse 23

aham sarvadaa duhkhabhaaraavasanno bhavaandeenabandhustvadanyam na yaace bhavadbhaktirodham sadaa kḷptabaadham mamaadhim drutam naashayomaasuta tvam | 24 |

Verse 24

apasmaarakushthakshayaarshah prameha- jvaronmaadagulmaadirogaa mahaantah pishaacaashca sarve bhavatpatrabhootim vilokya kshanaattaarakaare dravante | 25 |

Verse 25

drishi skandamoortih shrutau skandakeerti- rmukhe me pavitram sadaa taccaritram kare tasya krityam vapustasya bhrityam guhe santu leenaa mamaasheshabhaavaah | 26 |

Verse 26

muneenaamutaaho nrinaam bhaktibhaajaa- mabheeshtapradaah santi sarvatra devaah nrinaamantyajaanaamapi svaarthadaane guhaaddevamanyam na jaane na jaane | 27 |

Verse 27

kalatram sutaa bandhuvargah pashurvaa naro vaatha naari grihe ye madeeyaah yajanto namantah stuvanto bhavantam smarantashca te santu sarve kumaara | 28 |

Verse 28

mrigaah pakshino damshakaa ye ca dushtaa- stathaa vyaadhayo baadhakaa ye madange bhavacchaktiteekshnaagrabhinnaah sudoore vinashyantu te coornitakrauncashaila | 29 |

Verse 29

janitree pitaa ca svaputraaparaadham sahete na kim devasenaadhinaatha aham caatibaalo bhavaan lokataatah kshamasvaaparaadham samastam mahesha | 30 |

Verse 30

namah kekine shaktaye caapi tubhyam namashchaaga tubhyam namah kukkutaaya namah sindhave sindhudeshaaya tubhyam punah skandamoorte namaste namo'stu | 31 |

Verse 31

jayaanandabhoomanjayaapaaradhaama- njayaamoghakeerte jayaanandamoorte jayaanandasindho jayaasheshabandho jaya tvam sadaa muktidaaneshasoono | 32 |

Verse 32

bhujangaakhyavrittena kḷptam stavam yah pathedbhaktiyukto guham sampranamya suputraankalatram dhanam deerghamaayu- rlabhetskandasaayujyamante narah sah | 33 |

Verse 33

iti shreemacchankarabhagavatah kritau shreesubrahmanyabhujangam sampoornam | 34 |

Verse 34

Worship Guidelines & Chanting Benefits (Phalashruti)

Auspicious Day

Daily or auspicious lunar days (Ekadashi, Purnima, Pradosham)

Best Time (Muhurta)

Brahma Muhurta (4:00 AM – 6:00 AM) or Evening Dusk (Sandhya)

Sacred Offerings

Ghee lamp (Deepa), Incense (Dhoopa), Fresh flowers & Water offering

Spiritual Benefits (Phalashruti)
  • Peace of mind, spiritual upliftment, and harmonious energy in the home

Background

This text is attributed to Adi Shankaracharya (traditionally 8th century CE). The Sanskrit Documents header says he sang it under inspiration at Thiruchendur in Tamil Nadu. It is a devotional hymn in the 'Bhujanga' meter, whose rolling rhythm evokes the movement of a serpent. It honors Lord Murugan (also called Skanda, Subrahmanya, Kartikeya and Shanmukha), the six-faced god of war and wisdom and son of Shiva. Devotees recite it in the worship of Murugan as a heartfelt plea for protection and spiritual grace.

About this Text

Composed by: Adi Shankaracharya · Classical Philosopher-Saint · 8th century CE, Kaladi (Kerala)

A philosopher and monk born in Kaladi, Kerala, credited with systematizing Advaita Vedanta (non-dual philosophy) and establishing four monastic seats (mathas) across India. Alongside his commentaries on the Upanishads and Brahma Sutras, he composed numerous devotional hymns to various deities in classical Sanskrit.

Did You Know?

Author and Context

This hymn is attributed to Adi Shankaracharya (8th century CE), the renowned philosopher who systematized Advaita Vedanta. He composed many devotional stotras, and this one is dedicated to Lord Subrahmanya (Skanda/Kartikeya), the son of Shiva and Parvati, revered as the commander of the divine army.

Poetic form

The meter is called 'Bhujanga' (serpent), named for its winding, serpentine rhythm. Each verse has four lines of 12 syllables in the bhujangaprayata pattern, and the hymn of 33 verses shows Shankaracharya's mastery of prosody while keeping devotional intensity.

Deity and mythology

Lord Subrahmanya is depicted with six faces (Shanmukha), riding a peacock and wielding a spear. The hymn refers to his key exploits, such as slaying the demon Taraka (verse 23), a story told in the Skanda Purana, and his marriage to Valli, a tribal princess (verse 11 calls her 'Pulindeshakanya').

Themes of Surrender and Protection

The hymn is a heartfelt plea for divine protection, especially at the moment of death (verses 20–22). The devotee asks Skanda to appear and ward off Yama's messengers, emphasizing total dependence on the deity's compassion—a recurring motif in Shankaracharya's stotras. Verse 25 adds that the sight of his sacred ash drives away grave diseases and evil spirits.

Promised Benefits

The final verse (33) states that anyone who recites this hymn with devotion will gain good children, spouse, wealth, long life, and ultimately union (Sāyujya) with Skanda. This phalaśruti (fruit-of-recitation) encourages regular chanting as a spiritual practice.