Bharat Devotion
Embroidered artwork for Śrī Subrahmaṇya Bhujaṅga: Embroidered Om symbol above a brass diya, marigolds and a temple spire at sunrise

Śrī Subrahmaṇya Bhujaṅga

Śrī Subrahmaṇya Bhujaṅga

Este é um hino devocional (stotra) em louvor a Subrahmaṇya (também conhecido como Murugan, Skanda ou Kārttikeya), o filho do deus Śiva. Composto em uma métrica poética chamada bhujaṅga, a oração pede proteção, destruição de dificuldades e a graça divina para alcançar a paz e a libertação final.

Versos

sadā bālarūpā'pi vighnādrihantrī mahādantivaktrā'pi pañcāsyamānyā vidhīndrādimṛgyā gaṇeśābhidhā me vidhattāṃ śriyaṃ kā'pi kalyāṇamūrtiḥ
sadaa baalaroopaa'pi vighnaadrihantree mahaadantivaktraa'pi pancaasyamaanyaa vidheendraadimrigyaa ganeshaabhidhaa me vidhattaam shriyam kaa'pi kalyaanamoortih | 1 |

Verso 1

na jānāmi śabdaṃ na jānāmi cārthaṃ na jānāmi padyaṃ na jānāmi gadyam cidekā ṣaḍāsyā hṛdi dyotate me mukhānniḥsarante giraścāpi citram
na jaanaami shabdam na jaanaami caartham na jaanaami padyam na jaanaami gadyam cidekaa shadaasyaa hridi dyotate me mukhaannihsarante girashcaapi citram | 2 |

Verso 2

mayūrādhirūḍhaṃ mahāvākyagūḍhaṃ manohāridehaṃ mahaccittageham mahīdevadevaṃ mahāvedabhāvaṃ mahādevabālaṃ bhaje lokapālam
mayooraadhiroodham mahaavaakyagoodham manohaarideham mahaccittageham maheedevadevam mahaavedabhaavam mahaadevabaalam bhaje lokapaalam | 3 |

Verso 3

yadā sannidhānaṃ gatā mānavā me bhavāmbhodhipāraṃ gatāste tadaiva iti vyañjayansindhutīre ya āste tamīḍe pavitraṃ parāśaktiputram
yadaa sannidhaanam gataa maanavaa me bhavaambhodhipaaram gataaste tadaiva iti vyanjayansindhuteere ya aaste tameede pavitram paraashaktiputram | 4 |

Verso 4

yathābdhestaraṅgā layaṃ yānti tuṅgā- stathaivāpadaḥ sannidhau sevatāṃ me itīvormipaṅktīrnṛṇāṃ darśayantaṃ sadā bhāvaye hṛtsaroje guhaṃ tam
yathaabdhestarangaa layam yaanti tungaa- stathaivaapadah sannidhau sevataam me iteevormipankteernrinaam darshayantam sadaa bhaavaye hritsaroje guham tam | 5 |

Verso 5

girau mannivāse narā ye'dhirūḍhā- stadā parvate rājate te'dhirūḍhāḥ itīva bruvangandhaśailādhirūḍhaḥ sa devo mude me sadā ṣaṇmukho'stu
girau mannivaase naraa ye'dhiroodhaa- stadaa parvate raajate te'dhiroodhaah iteeva bruvangandhashailaadhiroodhah sa devo mude me sadaa shanmukho'stu | 6 |

Verso 6

mahāmbhodhitīre mahāpāpacore munīndrānukūle sugandhākhyaśaile guhāyāṃ vasantaṃ svabhāsā lasantaṃ janārtiṃ harantaṃ śrayāmo guhaṃ tam
mahaambhodhiteere mahaapaapacore muneendraanukoole sugandhaakhyashaile guhaayaam vasantam svabhaasaa lasantam janaartim harantam shrayaamo guham tam | 7 |

Verso 7

lasatsvarṇagehe nṛṇāṃ kāmadohe sumastomasañchannamāṇikyamañce samudyatsahasrārkatulyaprakāśaṃ sadā bhāvaye kārtikeyaṃ sureśam
lasatsvarnagehe nrinaam kaamadohe sumastomasanchannamaanikyamance samudyatsahasraarkatulyaprakaasham sadaa bhaavaye kaartikeyam suresham | 8 |

Verso 8

raṇaddhaṃsake mañjule'tyantaśoṇe manohārilāvaṇyapīyūṣapūrṇe manaḥṣaṭpado me bhavakleśataptaḥ sadā modatāṃ skanda te pādapadme
ranaddhamsake manjule'tyantashone manohaarilaavanyapeeyooshapoorne manahshatpado me bhavakleshataptah sadaa modataam skanda te paadapadme | 9 |

Verso 9

suvarṇābhadivyāmbarairbhāsamānāṃ kvaṇatkiṅkiṇīmekhalāśobhamānām lasaddhemapaṭṭena vidyotamānāṃ kaṭiṃ bhāvaye skanda te dīpyamānām
suvarnaabhadivyaambarairbhaasamaanaam kvanatkinkineemekhalaashobhamaanaam lasaddhemapattena vidyotamaanaam katim bhaavaye skanda te deepyamaanaam | 10 |

Verso 10

pulindeśakanyāghanābhogatuṅga- stanāliṅganāsaktakāśmīrarāgam namasyāmyahaṃ tārakāre tavoraḥ svabhaktāvane sarvadā sānurāgam
pulindeshakanyaaghanaabhogatunga- stanaalinganaasaktakaashmeeraraagam namasyaamyaham taarakaare tavorah svabhaktaavane sarvadaa saanuraagam | 11 |

Verso 11

vidhau kḷptadaṇḍān svalīlādhṛtāṇḍā- nnirastebhaśuṇḍān dviṣatkāladaṇḍān hatendrāriṣaṇḍāñjagattrāṇaśauṇḍān sadā te pracaṇḍān śraye bāhudaṇḍān
vidhau kḷptadandaan svaleelaadhritaandaa- nnirastebhashundaan dvishatkaaladandaan hatendraarishandaanjagattraanashaundaan sadaa te pracandaan shraye baahudandaan | 12 |

Verso 12

sadā śāradāḥ ṣaṇmṛgāṅkā yadi syuḥ samudyanta eva sthitāścetsamantāt sadā pūrṇabimbāḥ kalaṅkaiśca hīnā- stadā tvanmukhānāṃ bruve skanda sāmyam
sadaa shaaradaah shanmrigaankaa yadi syuh samudyanta eva sthitaashcetsamantaat sadaa poornabimbaah kalankaishca heenaa- stadaa tvanmukhaanaam bruve skanda saamyam | 13 |

Verso 13

sphuranmandahāsaiḥ sahaṃsāni cañca- tkaṭākṣāvalībhṛṅgasaṅghojjvalāni sudhāsyandibimbādharāṇīśasūno tavālokaye ṣaṇmukhāmbhoruhāṇi
sphuranmandahaasaih sahamsaani canca- tkataakshaavaleebhringasanghojjvalaani sudhaasyandibimbaadharaaneeshasoono tavaalokaye shanmukhaambhoruhaani | 14 |

Verso 14

viśāleṣu karṇāntadīrgheṣvajasraṃ dayāsyandiṣu dvādaśasvīkṣaṇeṣu mayīṣatkaṭākṣaḥ sakṛtpātitaśce- dbhavette dayāśīla kā nāma hāniḥ
vishaaleshu karnaantadeergheshvajasram dayaasyandishu dvaadashasveekshaneshu mayeeshatkataakshah sakritpaatitashce- dbhavette dayaasheela kaa naama haanih | 15 |

Verso 15

sutāṅgodbhavo me'si jīveti ṣaḍdhā japanmantramīśo mudā jighrate yān jagadbhārabhṛdbhyo jagannātha tebhyaḥ kirīṭojjvalebhyo namo mastakebhyaḥ
sutaangodbhavo me'si jeeveti shaddhaa japanmantrameesho mudaa jighrate yaan jagadbhaarabhridbhyo jagannaatha tebhyah kireetojjvalebhyo namo mastakebhyah | 16 |

Verso 16

sphuradratnakeyūrahārābhirāma- ścalatkuṇḍalaśrīlasadgaṇḍabhāgaḥ kaṭau pītavāsāḥ kare cāruśaktiḥ purastānmamāstāṃ purārestanūjaḥ
sphuradratnakeyoorahaaraabhiraama- shcalatkundalashreelasadgandabhaagah katau peetavaasaah kare caarushaktih purastaanmamaastaam puraarestanoojah | 17 |

Verso 17

ihāyāhi vatseti hastānprasāryā- hvayatyādarācchaṅkare māturaṅkāt samutpatya tātaṃ śrayantaṃ kumāraṃ harāśliṣṭagātraṃ bhaje bālamūrtim
ihaayaahi vatseti hastaanprasaaryaa- hvayatyaadaraacchankare maaturankaat samutpatya taatam shrayantam kumaaram haraashlishtagaatram bhaje baalamoortim | 18 |

Verso 18

kumāreśasūno guha skanda senā- pate śaktipāṇe mayūrādhirūḍha pulindātmajākānta bhaktārtihārin prabho tārakāre sadā rakṣa māṃ tvam
kumaareshasoono guha skanda senaa- pate shaktipaane mayooraadhiroodha pulindaatmajaakaanta bhaktaartihaarin prabho taarakaare sadaa raksha maam tvam | 19 |

Verso 19

praśāntendriye naṣṭasaṃjñe viceṣṭe kaphodgārivaktre bhayotkampigātre prayāṇonmukhe mayyanāthe tadānīṃ drutaṃ me dayālo bhavāgre guha tvam
prashaantendriye nashtasamjne viceshte kaphodgaarivaktre bhayotkampigaatre prayaanonmukhe mayyanaathe tadaaneem drutam me dayaalo bhavaagre guha tvam | 20 |

Verso 20

kṛtāntasya dūteṣu caṇḍeṣu kopā- ddaha cchinddhi bhinddhīti māṃ tarjayatsu mayūraṃ samāruhya mā bhairiti tvaṃ puraḥ śaktipāṇirmamāyāhi śīghram
kritaantasya dooteshu candeshu kopaa- ddaha cchinddhi bhinddheeti maam tarjayatsu mayooram samaaruhya maa bhairiti tvam purah shaktipaanirmamaayaahi sheeghram | 21 |

Verso 21

praṇamyāsakṛtpādayoste patitvā prasādya prabho prārthaye'nekavāram na vaktuṃ kṣamo'haṃ tadānīṃ kṛpābdhe na kāryāntakāle manāgapyupekṣā
pranamyaasakritpaadayoste patitvaa prasaadya prabho praarthaye'nekavaaram na vaktum kshamo'ham tadaaneem kripaabdhe na kaaryaantakaale manaagapyupekshaa | 22 |

Verso 22

sahasraṇḍabhoktā tvayā śūranāmā hatastārakaḥ siṃhavaktraśca daityaḥ mamāntarhṛdisthaṃ manaḥkleśamekaṃ na haṃsi prabho kiṃ karomi kva yāmi
sahasrandabhoktaa tvayaa shooranaamaa hatastaarakah simhavaktrashca daityah mamaantarhridistham manahkleshamekam na hamsi prabho kim karomi kva yaami | 23 |

Verso 23

ahaṃ sarvadā duḥkhabhārāvasanno bhavāndīnabandhustvadanyaṃ na yāce bhavadbhaktirodhaṃ sadā kḷptabādhaṃ mamādhiṃ drutaṃ nāśayomāsuta tvam
aham sarvadaa duhkhabhaaraavasanno bhavaandeenabandhustvadanyam na yaace bhavadbhaktirodham sadaa kḷptabaadham mamaadhim drutam naashayomaasuta tvam | 24 |

Verso 24

apasmārakuṣṭhakṣayārśaḥ prameha- jvaronmādagulmādirogā mahāntaḥ piśācāśca sarve bhavatpatrabhūtiṃ vilokya kṣaṇāttārakāre dravante
apasmaarakushthakshayaarshah prameha- jvaronmaadagulmaadirogaa mahaantah pishaacaashca sarve bhavatpatrabhootim vilokya kshanaattaarakaare dravante | 25 |

Verso 25

dṛśi skandamūrtiḥ śrutau skandakīrti- rmukhe me pavitraṃ sadā taccaritram kare tasya kṛtyaṃ vapustasya bhṛtyaṃ guhe santu līnā mamāśeṣabhāvāḥ
drishi skandamoortih shrutau skandakeerti- rmukhe me pavitram sadaa taccaritram kare tasya krityam vapustasya bhrityam guhe santu leenaa mamaasheshabhaavaah | 26 |

Verso 26

munīnāmutāho nṛṇāṃ bhaktibhājā- mabhīṣṭapradāḥ santi sarvatra devāḥ nṛṇāmantyajānāmapi svārthadāne guhāddevamanyaṃ na jāne na jāne
muneenaamutaaho nrinaam bhaktibhaajaa- mabheeshtapradaah santi sarvatra devaah nrinaamantyajaanaamapi svaarthadaane guhaaddevamanyam na jaane na jaane | 27 |

Verso 27

kalatraṃ sutā bandhuvargaḥ paśurvā naro vātha nāri gṛhe ye madīyāḥ yajanto namantaḥ stuvanto bhavantaṃ smarantaśca te santu sarve kumāra
kalatram sutaa bandhuvargah pashurvaa naro vaatha naari grihe ye madeeyaah yajanto namantah stuvanto bhavantam smarantashca te santu sarve kumaara | 28 |

Verso 28

mṛgāḥ pakṣiṇo daṃśakā ye ca duṣṭā- stathā vyādhayo bādhakā ye madaṅge bhavacchaktitīkṣṇāgrabhinnāḥ sudūre vinaśyantu te cūrṇitakrauñcaśaila
mrigaah pakshino damshakaa ye ca dushtaa- stathaa vyaadhayo baadhakaa ye madange bhavacchaktiteekshnaagrabhinnaah sudoore vinashyantu te coornitakrauncashaila | 29 |

Verso 29

janitrī pitā ca svaputrāparādhaṃ sahete na kiṃ devasenādhinātha ahaṃ cātibālo bhavān lokatātaḥ kṣamasvāparādhaṃ samastaṃ maheśa
janitree pitaa ca svaputraaparaadham sahete na kim devasenaadhinaatha aham caatibaalo bhavaan lokataatah kshamasvaaparaadham samastam mahesha | 30 |

Verso 30

namaḥ kekine śaktaye cāpi tubhyaṃ namaśchāga tubhyaṃ namaḥ kukkuṭāya namaḥ sindhave sindhudeśāya tubhyaṃ punaḥ skandamūrte namaste namo'stu
namah kekine shaktaye caapi tubhyam namashchaaga tubhyam namah kukkutaaya namah sindhave sindhudeshaaya tubhyam punah skandamoorte namaste namo'stu | 31 |

Verso 31

jayānandabhūmañjayāpāradhāma- ñjayāmoghakīrte jayānandamūrte jayānandasindho jayāśeṣabandho jaya tvaṃ sadā muktidāneśasūno
jayaanandabhoomanjayaapaaradhaama- njayaamoghakeerte jayaanandamoorte jayaanandasindho jayaasheshabandho jaya tvam sadaa muktidaaneshasoono | 32 |

Verso 32

bhujaṅgākhyavṛttena kḷptaṃ stavaṃ yaḥ paṭhedbhaktiyukto guhaṃ sampraṇamya suputrānkalatraṃ dhanaṃ dīrghamāyu- rlabhetskandasāyujyamante naraḥ saḥ
bhujangaakhyavrittena kḷptam stavam yah pathedbhaktiyukto guham sampranamya suputraankalatram dhanam deerghamaayu- rlabhetskandasaayujyamante narah sah | 33 |

Verso 33

iti śrīmacchaṅkarabhagavataḥ kṛtau śrīsubrahmaṇyabhujaṅgaṃ sampūrṇam
iti shreemacchankarabhagavatah kritau shreesubrahmanyabhujangam sampoornam | 34 |

Verso 34

Worship Guidelines & Chanting Benefits (Phalashruti)

Auspicious Day

Daily or auspicious lunar days (Ekadashi, Purnima, Pradosham)

Best Time (Muhurta)

Brahma Muhurta (4:00 AM – 6:00 AM) or Evening Dusk (Sandhya)

Sacred Offerings

Ghee lamp (Deepa), Incense (Dhoopa), Fresh flowers & Water offering

Spiritual Benefits (Phalashruti)
  • Peace of mind, spiritual upliftment, and harmonious energy in the home

Contexto

Este texto é um stotra (hino devocional) tradicionalmente atribuído ao grande filósofo e santo Śaṅkarācārya (século VIII d.C.), uma das figuras mais importantes do Advaita Vedānta. Composto em métrica bhujaṅga (assim chamada por seu ritmo que evoca o movimento de uma serpente), o hino é recitado por devotos de Subrahmaṇya, especialmente no sul da Índia, como parte da adoração diária ou em ocasiões especiais. A obra invoca a proteção e as bênçãos do deus, pedindo remoção de obstáculos, cura e libertação espiritual.

Sobre este Texto

Composto por: Adi Shankaracharya · Classical Philosopher-Saint · 8th century CE, Kaladi (Kerala)

A philosopher and monk born in Kaladi, Kerala, credited with systematizing Advaita Vedanta (non-dual philosophy) and establishing four monastic seats (mathas) across India. Alongside his commentaries on the Upanishads and Brahma Sutras, he composed numerous devotional hymns to various deities in classical Sanskrit.

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Autor

Este hino é tradicionalmente atribuído a Adi Shankaracharya (século VIII), o grande filósofo do Advaita Vedanta. Embora famoso por seus comentários não-dualistas, ele também compôs várias obras devocionais, como esta, dedicada ao deus Murugan (Subrahmanya).

Forma poética

O poema usa o metro Bhujanga (serpente), caracterizado por um ritmo ondulante que imita o movimento de uma cobra. Cada verso tem 21 sílabas, com pausas específicas, criando um efeito hipnótico e solene, ideal para recitação devocional.

Estrutura

Composto por 33 versos (incluindo o verso de bênção final e o colofão), o hino segue uma progressão: louvor às formas e atributos de Murugan, súplicas pessoais por proteção, e uma promessa de benefícios para quem o recitar com fé (phalasruti).

Conteúdo

O texto descreve Murugan com seis faces (ṣaṇmukha), montado em um pavão, empunhando uma lança (śakti), e habitando a colina de Suragiri (Gandhamadana). Inclui passagens tocantes de humildade, onde o devoto se declara ignorante e implora perdão, mostrando uma relação íntima com a divindade.

Significado

Este hino é amplamente recitado por hindus do sul da Índia, especialmente tamis, para afastar doenças, medos e obstáculos. O verso 25, por exemplo, afirma que até doenças graves fogem ao ver a cinza sagrada (bhasma) consagrada a Murugan, destacando seu poder protetor.

Orações completas para Murugan

Murugan

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