Bharat Devotion
Embroidered artwork for Subrahmanya Bhujanga Stotra (Himno de la Serpiente a Subrahmanya): Embroidered Om symbol above a brass diya, marigolds and a temple spire at sunrise

Subrahmanya Bhujanga Stotra (Himno de la Serpiente a Subrahmanya)

Subrahmanya Bhujanga Stotra (Himno de la Serpiente a Subrahmanya)

Es un canto devocional en sánscrito que alaba al dios Subrahmanya (Skanda/Murugan), describiendo su forma divina, sus hazañas y su poder para disipar el miedo, la enfermedad y los obstáculos. Se recita tradicionalmente para pedir su gracia y refugio en momentos de dificultad.

Versos

Sadā Bālarūpā'pi Vighnādrihantrī Mahādantivaktrā'pi Pañchāsyamānyā Vidhīndrādimṛgyā Gaṇeshābhidhā Me Vidhattāṃ Shriyaṃ Kā'pi Kalyāṇamūrtiḥ
sadaa baalaroopaa'pi vighnaadrihantree mahaadantivaktraa'pi pancaasyamaanyaa vidheendraadimrigyaa ganeshaabhidhaa me vidhattaam shriyam kaa'pi kalyaanamoortih | 1 |

Verso 1

Na Yānāmi Shabdaṃ Na Yānāmi Chārthaṃ Na Yānāmi Padyaṃ Na Yānāmi Gadyam Chidekā Shaḍāsyā Hṛdi Dyotate Me Mukhānniḥsarante Girashchāpi Chitram
na jaanaami shabdam na jaanaami caartham na jaanaami padyam na jaanaami gadyam cidekaa shadaasyaa hridi dyotate me mukhaannihsarante girashcaapi citram | 2 |

Verso 2

Mayūrādhirūḍhaṃ Mahāvākyagūḍhaṃ Manohāridehaṃ Mahachittageham Mahīdevadevaṃ Mahāvedabhāvaṃ Mahādevabālaṃ Bhaye Lokapālam
mayooraadhiroodham mahaavaakyagoodham manohaarideham mahaccittageham maheedevadevam mahaavedabhaavam mahaadevabaalam bhaje lokapaalam | 3 |

Verso 3

Yadā Sannidhānaṃ Gatā Mānavā Me Bhavāmbhodhipāraṃ Gatāste Tadaiva Iti Vyañyayansindhutīre Ya Āste Tamīḍe Pavitraṃ Parāshaktiputram
yadaa sannidhaanam gataa maanavaa me bhavaambhodhipaaram gataaste tadaiva iti vyanjayansindhuteere ya aaste tameede pavitram paraashaktiputram | 4 |

Verso 4

Yathābdhestaraṅgā Layaṃ Yānti Tuṅgā- Stathaivāpadaḥ Sannidhau Sevatāṃ Me Itīvormipaṅktīrnṛṇāṃ Darshayantaṃ Sadā Bhāvaye Hṛtsaroye Guhaṃ Tam
yathaabdhestarangaa layam yaanti tungaa- stathaivaapadah sannidhau sevataam me iteevormipankteernrinaam darshayantam sadaa bhaavaye hritsaroje guham tam | 5 |

Verso 5

Girau Mannivāse Narā Ye'dhirūḍhā- Stadā Parvate Rāyate Te'dhirūḍhāḥ Itīva Bruvangandhashailādhirūḍhaḥ Sa Devo Mude Me Sadā Shaṇmukho'stu
girau mannivaase naraa ye'dhiroodhaa- stadaa parvate raajate te'dhiroodhaah iteeva bruvangandhashailaadhiroodhah sa devo mude me sadaa shanmukho'stu | 6 |

Verso 6

Mahāmbhodhitīre Mahāpāpachore Munīndrānukūle Sugandhākhyashaile Guhāyāṃ Vasantaṃ Svabhāsā Lasantaṃ Yanārtiṃ Harantaṃ Shrayāmo Guhaṃ Tam
mahaambhodhiteere mahaapaapacore muneendraanukoole sugandhaakhyashaile guhaayaam vasantam svabhaasaa lasantam janaartim harantam shrayaamo guham tam | 7 |

Verso 7

Lasatsvarṇagehe Nṛṇāṃ Kāmadohe Sumastomasañchhannamāṇikyamañche Samudyatsahasrārkatulyaprakāshaṃ Sadā Bhāvaye Kārtikeyaṃ Suresham
lasatsvarnagehe nrinaam kaamadohe sumastomasanchannamaanikyamance samudyatsahasraarkatulyaprakaasham sadaa bhaavaye kaartikeyam suresham | 8 |

Verso 8

Raṇaddhaṃsake Mañyule'tyantashoṇe Manohārilāvaṇyapīyūshapūrṇe Manaḥshaṭpado Me Bhavakleshataptaḥ Sadā Modatāṃ Skanda Te Pādapadme
ranaddhamsake manjule'tyantashone manohaarilaavanyapeeyooshapoorne manahshatpado me bhavakleshataptah sadaa modataam skanda te paadapadme | 9 |

Verso 9

Suvarṇābhadivyāmbarairbhāsamānāṃ Kvaṇatkiṅkiṇīmekhalāshobhamānām Lasaddhemapaṭṭena Vidyotamānāṃ Kaṭiṃ Bhāvaye Skanda Te Dīpyamānām
suvarnaabhadivyaambarairbhaasamaanaam kvanatkinkineemekhalaashobhamaanaam lasaddhemapattena vidyotamaanaam katim bhaavaye skanda te deepyamaanaam | 10 |

Verso 10

Pulindeshakanyāghanābhogatuṅga- Stanāliṅganāsaktakāshmīrarāgam Namasyāmyahaṃ Tārakāre Tavoraḥ Svabhaktāvane Sarvadā Sānurāgam
pulindeshakanyaaghanaabhogatunga- stanaalinganaasaktakaashmeeraraagam namasyaamyaham taarakaare tavorah svabhaktaavane sarvadaa saanuraagam | 11 |

Verso 11

Vidhau Kḷptadaṇḍān Svalīlādhṛtāṇḍā- Nnirastebhashuṇḍān Dvishatkāladaṇḍān Hatendrārishaṇḍāñyagattrāṇashauṇḍān Sadā Te Prachaṇḍān Shraye Bāhudaṇḍān
vidhau kḷptadandaan svaleelaadhritaandaa- nnirastebhashundaan dvishatkaaladandaan hatendraarishandaanjagattraanashaundaan sadaa te pracandaan shraye baahudandaan | 12 |

Verso 12

Sadā Shāradāḥ Shaṇmṛgāṅkā Yadi Syuḥ Samudyanta Eva Sthitāshchetsamantāt Sadā Pūrṇabimbāḥ Kalaṅkaishcha Hīnā- Stadā Tvanmukhānāṃ Bruve Skanda Sāmyam
sadaa shaaradaah shanmrigaankaa yadi syuh samudyanta eva sthitaashcetsamantaat sadaa poornabimbaah kalankaishca heenaa- stadaa tvanmukhaanaam bruve skanda saamyam | 13 |

Verso 13

Spuranmandahāsaiḥ Sahaṃsāni Chañcha- Tkaṭākshāvalībhṛṅgasaṅghoyyvalāni Sudhāsyandibimbādharāṇīshasūno Tavālokaye Shaṇmukhāmbhoruhāṇi
sphuranmandahaasaih sahamsaani canca- tkataakshaavaleebhringasanghojjvalaani sudhaasyandibimbaadharaaneeshasoono tavaalokaye shanmukhaambhoruhaani | 14 |

Verso 14

Vishāleshu Karṇāntadīrgheshvayasraṃ Dayāsyandishu Dvādashasvīkshaṇeshu Mayīshatkaṭākshaḥ Sakṛtpātitashche- Dbhavette Dayāshīla Kā Nāma Hāniḥ
vishaaleshu karnaantadeergheshvajasram dayaasyandishu dvaadashasveekshaneshu mayeeshatkataakshah sakritpaatitashce- dbhavette dayaasheela kaa naama haanih | 15 |

Verso 15

Sutāṅgodbhavo Me'si Yīveti Shaḍdhā Yapanmantramīsho Mudā Yighrate Yān Yagadbhārabhṛdbhyo Yagannātha Tebhyaḥ Kirīṭoyyvalebhyo Namo Mastakebhyaḥ
sutaangodbhavo me'si jeeveti shaddhaa japanmantrameesho mudaa jighrate yaan jagadbhaarabhridbhyo jagannaatha tebhyah kireetojjvalebhyo namo mastakebhyah | 16 |

Verso 16

Spuradratnakeyūrahārābhirāma- Shchalatkuṇḍalashrīlasadgaṇḍabhāgaḥ Kaṭau Pītavāsāḥ Kare Chārushaktiḥ Purastānmamāstāṃ Purārestanūyaḥ
sphuradratnakeyoorahaaraabhiraama- shcalatkundalashreelasadgandabhaagah katau peetavaasaah kare caarushaktih purastaanmamaastaam puraarestanoojah | 17 |

Verso 17

Ihāyāhi Vatseti Hastānprasāryā- Hvayatyādarāchhaṅkare Māturaṅkāt Samutpatya Tātaṃ Shrayantaṃ Kumāraṃ Harāshlishṭagātraṃ Bhaye Bālamūrtim
ihaayaahi vatseti hastaanprasaaryaa- hvayatyaadaraacchankare maaturankaat samutpatya taatam shrayantam kumaaram haraashlishtagaatram bhaje baalamoortim | 18 |

Verso 18

Kumāreshasūno Guha Skanda Senā- Pate Shaktipāṇe Mayūrādhirūḍha Pulindātmayākānta Bhaktārtihārin Prabho Tārakāre Sadā Raksha Māṃ Tvam
kumaareshasoono guha skanda senaa- pate shaktipaane mayooraadhiroodha pulindaatmajaakaanta bhaktaartihaarin prabho taarakaare sadaa raksha maam tvam | 19 |

Verso 19

Prashāntendriye Nashṭasaṃyñe Vicheshṭe Kapodgārivaktre Bhayotkampigātre Prayāṇonmukhe Mayyanāthe Tadānīṃ Drutaṃ Me Dayālo Bhavāgre Guha Tvam
prashaantendriye nashtasamjne viceshte kaphodgaarivaktre bhayotkampigaatre prayaanonmukhe mayyanaathe tadaaneem drutam me dayaalo bhavaagre guha tvam | 20 |

Verso 20

Kṛtāntasya Dūteshu Chaṇḍeshu Kopā- Ddaha Chhinddhi Bhinddhīti Māṃ Taryayatsu Mayūraṃ Samāruhya Mā Bhairiti Tvaṃ Puraḥ Shaktipāṇirmamāyāhi Shīghram
kritaantasya dooteshu candeshu kopaa- ddaha cchinddhi bhinddheeti maam tarjayatsu mayooram samaaruhya maa bhairiti tvam purah shaktipaanirmamaayaahi sheeghram | 21 |

Verso 21

Praṇamyāsakṛtpādayoste Patitvā Prasādya Prabho Prārthaye'nekavāram Na Vaktuṃ Kshamo'haṃ Tadānīṃ Kṛpābdhe Na Kāryāntakāle Manāgapyupekshā
pranamyaasakritpaadayoste patitvaa prasaadya prabho praarthaye'nekavaaram na vaktum kshamo'ham tadaaneem kripaabdhe na kaaryaantakaale manaagapyupekshaa | 22 |

Verso 22

Sahasraṇḍabhoktā Tvayā Shūranāmā Hatastārakaḥ Siṃhavaktrashcha Daityaḥ Mamāntarhṛdisthaṃ Manaḥkleshamekaṃ Na Haṃsi Prabho Kiṃ Karomi Kva Yāmi
sahasrandabhoktaa tvayaa shooranaamaa hatastaarakah simhavaktrashca daityah mamaantarhridistham manahkleshamekam na hamsi prabho kim karomi kva yaami | 23 |

Verso 23

Ahaṃ Sarvadā Duḥkhabhārāvasanno Bhavāndīnabandhustvadanyaṃ Na Yāche Bhavadbhaktirodhaṃ Sadā Kḷptabādhaṃ Mamādhiṃ Drutaṃ Nāshayomāsuta Tvam
aham sarvadaa duhkhabhaaraavasanno bhavaandeenabandhustvadanyam na yaace bhavadbhaktirodham sadaa kḷptabaadham mamaadhim drutam naashayomaasuta tvam | 24 |

Verso 24

Apasmārakushṭhakshayārshaḥ Prameha- Yvaronmādagulmādirogā Mahāntaḥ Pishāchāshcha Sarve Bhavatpatrabhūtiṃ Vilokya Kshaṇāttārakāre Dravante
apasmaarakushthakshayaarshah prameha- jvaronmaadagulmaadirogaa mahaantah pishaacaashca sarve bhavatpatrabhootim vilokya kshanaattaarakaare dravante | 25 |

Verso 25

Dṛshi Skandamūrtiḥ Shrutau Skandakīrti- Rmukhe Me Pavitraṃ Sadā Tacharitram Kare Tasya Kṛtyaṃ Vapustasya Bhṛtyaṃ Guhe Santu Līnā Mamāsheshabhāvāḥ
drishi skandamoortih shrutau skandakeerti- rmukhe me pavitram sadaa taccaritram kare tasya krityam vapustasya bhrityam guhe santu leenaa mamaasheshabhaavaah | 26 |

Verso 26

Munīnāmutāho Nṛṇāṃ Bhaktibhāyā- Mabhīshṭapradāḥ Santi Sarvatra Devāḥ Nṛṇāmantyayānāmapi Svārthadāne Guhāddevamanyaṃ Na Yāne Na Yāne
muneenaamutaaho nrinaam bhaktibhaajaa- mabheeshtapradaah santi sarvatra devaah nrinaamantyajaanaamapi svaarthadaane guhaaddevamanyam na jaane na jaane | 27 |

Verso 27

Kalatraṃ Sutā Bandhuvargaḥ Pashurvā Naro Vātha Nāri Gṛhe Ye Madīyāḥ Yayanto Namantaḥ Stuvanto Bhavantaṃ Smarantashcha Te Santu Sarve Kumāra
kalatram sutaa bandhuvargah pashurvaa naro vaatha naari grihe ye madeeyaah yajanto namantah stuvanto bhavantam smarantashca te santu sarve kumaara | 28 |

Verso 28

Mṛgāḥ Pakshiṇo Daṃshakā Ye Cha Dushṭā- Stathā Vyādhayo Bādhakā Ye Madaṅge Bhavachhaktitīkshṇāgrabhinnāḥ Sudūre Vinashyantu Te Chūrṇitakrauñchashaila
mrigaah pakshino damshakaa ye ca dushtaa- stathaa vyaadhayo baadhakaa ye madange bhavacchaktiteekshnaagrabhinnaah sudoore vinashyantu te coornitakrauncashaila | 29 |

Verso 29

Yanitrī Pitā Cha Svaputrāparādhaṃ Sahete Na Kiṃ Devasenādhinātha Ahaṃ Chātibālo Bhavān Lokatātaḥ Kshamasvāparādhaṃ Samastaṃ Mahesha
janitree pitaa ca svaputraaparaadham sahete na kim devasenaadhinaatha aham caatibaalo bhavaan lokataatah kshamasvaaparaadham samastam mahesha | 30 |

Verso 30

Namaḥ Kekine Shaktaye Chāpi Tubhyaṃ Namashchhāga Tubhyaṃ Namaḥ Kukkuṭāya Namaḥ Sindhave Sindhudeshāya Tubhyaṃ Punaḥ Skandamūrte Namaste Namo'stu
namah kekine shaktaye caapi tubhyam namashchaaga tubhyam namah kukkutaaya namah sindhave sindhudeshaaya tubhyam punah skandamoorte namaste namo'stu | 31 |

Verso 31

Yayānandabhūmañyayāpāradhāma- Ñyayāmoghakīrte Yayānandamūrte Yayānandasindho Yayāsheshabandho Yaya Tvaṃ Sadā Muktidāneshasūno
jayaanandabhoomanjayaapaaradhaama- njayaamoghakeerte jayaanandamoorte jayaanandasindho jayaasheshabandho jaya tvam sadaa muktidaaneshasoono | 32 |

Verso 32

Bhuyaṅgākhyavṛttena Kḷptaṃ Stavaṃ Yaḥ Paṭhedbhaktiyukto Guhaṃ Sampraṇamya Suputrānkalatraṃ Dhanaṃ Dīrghamāyu- Rlabhetskandasāyuyyamante Naraḥ Saḥ
bhujangaakhyavrittena kḷptam stavam yah pathedbhaktiyukto guham sampranamya suputraankalatram dhanam deerghamaayu- rlabhetskandasaayujyamante narah sah | 33 |

Verso 33

Iti Shrīmachhaṅkarabhagavataḥ Kṛtau Shrīsubrahmaṇyabhuyaṅgaṃ Sampūrṇam
iti shreemacchankarabhagavatah kritau shreesubrahmanyabhujangam sampoornam | 34 |

Verso 34

Worship Guidelines & Chanting Benefits (Phalashruti)

Auspicious Day

A diario o en días sagrados lunares (Ekadashi, Purnima)

Best Time (Muhurta)

Brahma Muhurta (4:00 AM – 6:00 AM) o atardecer

Sacred Offerings

Lámpara de ghee, incienso, flores frescas y ofrenda de agua

Spiritual Benefits (Phalashruti)
  • Paz mental, elevación espiritual y armonía en el hogar

Contexto

Este himno, conocido como Subrahmanya Bhujanga Stotra, es atribuido tradicionalmente al gran maestro Advaita Śaṅkarācārya (siglo VIII d.C.). Está compuesto en el metro bhujaṅga (literalmente «serpiente»), un ritmo poético sánscrito que imita el deslizamiento de una serpiente. Se recita como una oración devocional a Subrahmanya (también llamado Skanda, Murugan o Kārtikeya), el dios guerrero hijo de Śiva, para obtener protección, salud y liberación espiritual.

Sobre este Texto

Compuesto por: Adi Shankaracharya · Classical Philosopher-Saint · 8th century CE, Kaladi (Kerala)

A philosopher and monk born in Kaladi, Kerala, credited with systematizing Advaita Vedanta (non-dual philosophy) and establishing four monastic seats (mathas) across India. Alongside his commentaries on the Upanishads and Brahma Sutras, he composed numerous devotional hymns to various deities in classical Sanskrit.

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Autoría y contexto

Este himno, el Subrahmaṇya Bhujaṅga, fue compuesto por el gran maestro Advaita Śaṅkarācārya (siglo VIII d.C.). Pertenece al género stotra (himno de alabanza) y está dedicado a Subrahmaṇya, también conocido como Skanda, Murugan o Kārttikeya, el dios guerrero hijo de Śiva y Pārvatī.

Métrica y estructura

El poema está escrito en la métrica bhujaṅga (

que significa

serpiente

), caracterizada por un ritmo ondulante que imita el deslizamiento de una serpiente. Consta de 33 versos (ślokas), cada uno de cuatro líneas, y sigue una estructura típica de alabanza, súplica y bendición final.

Las seis caras (ṣaṇmukha) y su simbolismo

El verso 13 ofrece una metáfora poética: si hubiera seis lunas llenas sin mancha, podrían compararse a los seis rostros de Skanda. Esta imagen resalta la belleza radiante y perfecta del dios, que es descrito con seis caras para ver en todas direcciones y proteger a sus devotos.

El monte fragante y la cueva costera

Los versos 6 y 7 mencionan que el dios reside en el monte Gandhaśaila (

Monte Fragante

) y en una cueva (guha) junto al océano. Esto alude al famoso templo de Subrahmaṇya en Tiruchendur (Tamil Nadu), situado en la costa, donde se cree que el dios mora en una cueva.

El demonio Tāraka y la súplica personal

En el verso 23, el devoto recuerda cómo Skanda mató al demonio Tāraka (y al demonio Siṃhavaktra), pero se queja de que aún no ha destruido su propio sufrimiento interno. Esto conecta la mitología con la experiencia personal del devoto, buscando la misma intervención divina en sus problemas.

Saludos a los animales y elementos divinos

El verso 31 es único: el devoto se postra ante el pavo real (montura de Skanda), la lanza (śakti), el carnero, el gallo, el océano y la región del océano. Estos son símbolos asociados a Subrahmaṇya, mostrando una devoción que abarca todos los aspectos de su manifestación.

Promesa final (phalaśruti)

El último verso (32) declara que quien recite este himno con devoción obtendrá hijos, esposa, riqueza, larga vida y, finalmente, la unión con Skanda (sāyujya). Es una bendición típica de los stotras, ofreciendo beneficios tanto mundanos como espirituales.