Bharat Devotion
Embroidered artwork for Subrahmanya Bhujangam – Inno a Skanda (Murugan): Embroidered Om symbol above a brass diya, marigolds and a temple spire at sunrise

Subrahmanya Bhujangam – Inno a Skanda (Murugan)

Subrahmanya Bhujangam – Inno a Skanda (Murugan)

Questo è un inno devozionale sanscrito (stotra) dedicato a Skanda, conosciuto anche come Murugan o Subrahmanya, figlio di Shiva. Composto in metro bhujanga (serpente), esalta le sue glorie e chiede la sua protezione.

Versi

Sadā Bālarūpā'pi Vighnādrihantrī Mahādantivaktrā'pi Pañciāsiamāniā Vidhīndrādimṛgiā Gaṇeshābhidhā Me Vidhattāṃ Shriiaṃ Kā'pi Kaliāṇamūrtiḥ
sadaa baalaroopaa'pi vighnaadrihantree mahaadantivaktraa'pi pancaasyamaanyaa vidheendraadimrigyaa ganeshaabhidhaa me vidhattaam shriyam kaa'pi kalyaanamoortih | 1 |

Verso 1

Na Giānāmi Shabdaṃ Na Giānāmi Ciārthaṃ Na Giānāmi Padiaṃ Na Giānāmi Gadiam Cidekā Shaḍāsiā Hṛdi Diotate Me Mukhānniḥsarante Girashciāpi Citram
na jaanaami shabdam na jaanaami caartham na jaanaami padyam na jaanaami gadyam cidekaa shadaasyaa hridi dyotate me mukhaannihsarante girashcaapi citram | 2 |

Verso 2

Maiūrādhirūḍhaṃ Mahāvākiagūḍhaṃ Manohāridehaṃ Mahaciittageham Mahīdevadevaṃ Mahāvedabhāvaṃ Mahādevabālaṃ Bhage Lokapālam
mayooraadhiroodham mahaavaakyagoodham manohaarideham mahaccittageham maheedevadevam mahaavedabhaavam mahaadevabaalam bhaje lokapaalam | 3 |

Verso 3

Iadā Sannidhānaṃ Gatā Mānavā Me Bhavāmbhodhipāraṃ Gatāste Tadaiva Iti Viañgiaiansindhutīre Ia Āste Tamīḍe Pavitraṃ Parāshaktiputram
yadaa sannidhaanam gataa maanavaa me bhavaambhodhipaaram gataaste tadaiva iti vyanjayansindhuteere ya aaste tameede pavitram paraashaktiputram | 4 |

Verso 4

Iathābdhestaraṅgā Laiaṃ Iānti Tuṅgā- Stathaivāpadaḥ Sannidhau Sevatāṃ Me Itīvormipaṅktīrnṛṇāṃ Darshaiantaṃ Sadā Bhāvaie Hṛtsaroge Guhaṃ Tam
yathaabdhestarangaa layam yaanti tungaa- stathaivaapadah sannidhau sevataam me iteevormipankteernrinaam darshayantam sadaa bhaavaye hritsaroje guham tam | 5 |

Verso 5

Girau Mannivāse Narā Ie'dhirūḍhā- Stadā Parvate Rāgiate Te'dhirūḍhāḥ Itīva Bruvangandhashailādhirūḍhaḥ Sa Devo Mude Me Sadā Shaṇmukho'stu
girau mannivaase naraa ye'dhiroodhaa- stadaa parvate raajate te'dhiroodhaah iteeva bruvangandhashailaadhiroodhah sa devo mude me sadaa shanmukho'stu | 6 |

Verso 6

Mahāmbhodhitīre Mahāpāpaciore Munīndrānukūle Sugandhākhiashaile Guhāiāṃ Vasantaṃ Svabhāsā Lasantaṃ Gianārtiṃ Harantaṃ Shraiāmo Guhaṃ Tam
mahaambhodhiteere mahaapaapacore muneendraanukoole sugandhaakhyashaile guhaayaam vasantam svabhaasaa lasantam janaartim harantam shrayaamo guham tam | 7 |

Verso 7

Lasatsvarṇagehe Nṛṇāṃ Kāmadohe Sumastomasañciannamāṇikiamañce Samudiatsahasrārkatuliaprakāshaṃ Sadā Bhāvaie Kārtikeiaṃ Suresham
lasatsvarnagehe nrinaam kaamadohe sumastomasanchannamaanikyamance samudyatsahasraarkatulyaprakaasham sadaa bhaavaye kaartikeyam suresham | 8 |

Verso 8

Raṇaddhaṃsake Mañgiule'tiantashoṇe Manohārilāvaṇiapīiūshapūrṇe Manaḥshaṭpado Me Bhavakleshataptaḥ Sadā Modatāṃ Skanda Te Pādapadme
ranaddhamsake manjule'tyantashone manohaarilaavanyapeeyooshapoorne manahshatpado me bhavakleshataptah sadaa modataam skanda te paadapadme | 9 |

Verso 9

Suvarṇābhadiviāmbarairbhāsamānāṃ Kvaṇatkiṅkiṇīmekhalāshobhamānām Lasaddhemapaṭṭena Vidiotamānāṃ Kaṭiṃ Bhāvaie Skanda Te Dīpiamānām
suvarnaabhadivyaambarairbhaasamaanaam kvanatkinkineemekhalaashobhamaanaam lasaddhemapattena vidyotamaanaam katim bhaavaye skanda te deepyamaanaam | 10 |

Verso 10

Pulindeshakaniāghanābhogatuṅga- Stanāliṅganāsaktakāshmīrarāgam Namasiāmiahaṃ Tārakāre Tavoraḥ Svabhaktāvane Sarvadā Sānurāgam
pulindeshakanyaaghanaabhogatunga- stanaalinganaasaktakaashmeeraraagam namasyaamyaham taarakaare tavorah svabhaktaavane sarvadaa saanuraagam | 11 |

Verso 11

Vidhau Kḷptadaṇḍān Svalīlādhṛtāṇḍā- Nnirastebhashuṇḍān Dvishatkāladaṇḍān Hatendrārishaṇḍāñgiagattrāṇashauṇḍān Sadā Te Praciaṇḍān Shraie Bāhudaṇḍān
vidhau kḷptadandaan svaleelaadhritaandaa- nnirastebhashundaan dvishatkaaladandaan hatendraarishandaanjagattraanashaundaan sadaa te pracandaan shraye baahudandaan | 12 |

Verso 12

Sadā Shāradāḥ Shaṇmṛgāṅkā Iadi Siuḥ Samudianta Eva Sthitāshcetsamantāt Sadā Pūrṇabimbāḥ Kalaṅkaishcia Hīnā- Stadā Tvanmukhānāṃ Bruve Skanda Sāmiam
sadaa shaaradaah shanmrigaankaa yadi syuh samudyanta eva sthitaashcetsamantaat sadaa poornabimbaah kalankaishca heenaa- stadaa tvanmukhaanaam bruve skanda saamyam | 13 |

Verso 13

Spuranmandahāsaiḥ Sahaṃsāni Ciañcia- Tkaṭākshāvalībhṛṅgasaṅghoggvalāni Sudhāsiandibimbādharāṇīshasūno Tavālokaie Shaṇmukhāmbhoruhāṇi
sphuranmandahaasaih sahamsaani canca- tkataakshaavaleebhringasanghojjvalaani sudhaasyandibimbaadharaaneeshasoono tavaalokaye shanmukhaambhoruhaani | 14 |

Verso 14

Vishāleshu Karṇāntadīrgheshvagiasraṃ Daiāsiandishu Dvādashasvīkshaṇeshu Maiīshatkaṭākshaḥ Sakṛtpātitashce- Dbhavette Daiāshīla Kā Nāma Hāniḥ
vishaaleshu karnaantadeergheshvajasram dayaasyandishu dvaadashasveekshaneshu mayeeshatkataakshah sakritpaatitashce- dbhavette dayaasheela kaa naama haanih | 15 |

Verso 15

Sutāṅgodbhavo Me'si Gīveti Shaḍdhā Giapanmantramīsho Mudā Gighrate Iān Giagadbhārabhṛdbhio Giagannātha Tebhiaḥ Kirīṭoggvalebhio Namo Mastakebhiaḥ
sutaangodbhavo me'si jeeveti shaddhaa japanmantrameesho mudaa jighrate yaan jagadbhaarabhridbhyo jagannaatha tebhyah kireetojjvalebhyo namo mastakebhyah | 16 |

Verso 16

Spuradratnakeiūrahārābhirāma- Shcialatkuṇḍalashrīlasadgaṇḍabhāgaḥ Kaṭau Pītavāsāḥ Kare Ciārushaktiḥ Purastānmamāstāṃ Purārestanūgiaḥ
sphuradratnakeyoorahaaraabhiraama- shcalatkundalashreelasadgandabhaagah katau peetavaasaah kare caarushaktih purastaanmamaastaam puraarestanoojah | 17 |

Verso 17

Ihāiāhi Vatseti Hastānprasāriā- Hvaiatiādarāciaṅkare Māturaṅkāt Samutpatia Tātaṃ Shraiantaṃ Kumāraṃ Harāshlishṭagātraṃ Bhage Bālamūrtim
ihaayaahi vatseti hastaanprasaaryaa- hvayatyaadaraacchankare maaturankaat samutpatya taatam shrayantam kumaaram haraashlishtagaatram bhaje baalamoortim | 18 |

Verso 18

Kumāreshasūno Guha Skanda Senā- Pate Shaktipāṇe Maiūrādhirūḍha Pulindātmagiākānta Bhaktārtihārin Prabho Tārakāre Sadā Raksha Māṃ Tvam
kumaareshasoono guha skanda senaa- pate shaktipaane mayooraadhiroodha pulindaatmajaakaanta bhaktaartihaarin prabho taarakaare sadaa raksha maam tvam | 19 |

Verso 19

Prashāntendriie Nashṭasaṃgñe Viceshṭe Kapodgārivaktre Bhaiotkampigātre Praiāṇonmukhe Maiianāthe Tadānīṃ Drutaṃ Me Daiālo Bhavāgre Guha Tvam
prashaantendriye nashtasamjne viceshte kaphodgaarivaktre bhayotkampigaatre prayaanonmukhe mayyanaathe tadaaneem drutam me dayaalo bhavaagre guha tvam | 20 |

Verso 20

Kṛtāntasia Dūteshu Ciaṇḍeshu Kopā- Ddaha Cinddhi Bhinddhīti Māṃ Targiaiatsu Maiūraṃ Samāruhia Mā Bhairiti Tvaṃ Puraḥ Shaktipāṇirmamāiāhi Shīghram
kritaantasya dooteshu candeshu kopaa- ddaha cchinddhi bhinddheeti maam tarjayatsu mayooram samaaruhya maa bhairiti tvam purah shaktipaanirmamaayaahi sheeghram | 21 |

Verso 21

Praṇamiāsakṛtpādaioste Patitvā Prasādia Prabho Prārthaie'nekavāram Na Vaktuṃ Kshamo'haṃ Tadānīṃ Kṛpābdhe Na Kāriāntakāle Manāgapiupekshā
pranamyaasakritpaadayoste patitvaa prasaadya prabho praarthaye'nekavaaram na vaktum kshamo'ham tadaaneem kripaabdhe na kaaryaantakaale manaagapyupekshaa | 22 |

Verso 22

Sahasraṇḍabhoktā Tvaiā Shūranāmā Hatastārakaḥ Siṃhavaktrashcia Daitiaḥ Mamāntarhṛdisthaṃ Manaḥkleshamekaṃ Na Haṃsi Prabho Kiṃ Karomi Kva Iāmi
sahasrandabhoktaa tvayaa shooranaamaa hatastaarakah simhavaktrashca daityah mamaantarhridistham manahkleshamekam na hamsi prabho kim karomi kva yaami | 23 |

Verso 23

Ahaṃ Sarvadā Duḥkhabhārāvasanno Bhavāndīnabandhustvadaniaṃ Na Iāce Bhavadbhaktirodhaṃ Sadā Kḷptabādhaṃ Mamādhiṃ Drutaṃ Nāshaiomāsuta Tvam
aham sarvadaa duhkhabhaaraavasanno bhavaandeenabandhustvadanyam na yaace bhavadbhaktirodham sadaa kḷptabaadham mamaadhim drutam naashayomaasuta tvam | 24 |

Verso 24

Apasmārakushṭhakshaiārshaḥ Prameha- Gvaronmādagulmādirogā Mahāntaḥ Pishāciāshcia Sarve Bhavatpatrabhūtiṃ Vilokia Kshaṇāttārakāre Dravante
apasmaarakushthakshayaarshah prameha- jvaronmaadagulmaadirogaa mahaantah pishaacaashca sarve bhavatpatrabhootim vilokya kshanaattaarakaare dravante | 25 |

Verso 25

Dṛshi Skandamūrtiḥ Shrutau Skandakīrti- Rmukhe Me Pavitraṃ Sadā Taciiaritram Kare Tasia Kṛtiaṃ Vapustasia Bhṛtiaṃ Guhe Santu Līnā Mamāsheshabhāvāḥ
drishi skandamoortih shrutau skandakeerti- rmukhe me pavitram sadaa taccaritram kare tasya krityam vapustasya bhrityam guhe santu leenaa mamaasheshabhaavaah | 26 |

Verso 26

Munīnāmutāho Nṛṇāṃ Bhaktibhāgiā- Mabhīshṭapradāḥ Santi Sarvatra Devāḥ Nṛṇāmantiagiānāmapi Svārthadāne Guhāddevamaniaṃ Na Giāne Na Giāne
muneenaamutaaho nrinaam bhaktibhaajaa- mabheeshtapradaah santi sarvatra devaah nrinaamantyajaanaamapi svaarthadaane guhaaddevamanyam na jaane na jaane | 27 |

Verso 27

Kalatraṃ Sutā Bandhuvargaḥ Pashurvā Naro Vātha Nāri Gṛhe Ie Madīiāḥ Iagianto Namantaḥ Stuvanto Bhavantaṃ Smarantashcia Te Santu Sarve Kumāra
kalatram sutaa bandhuvargah pashurvaa naro vaatha naari grihe ye madeeyaah yajanto namantah stuvanto bhavantam smarantashca te santu sarve kumaara | 28 |

Verso 28

Mṛgāḥ Pakshiṇo Daṃshakā Ie Cia Dushṭā- Stathā Viādhaio Bādhakā Ie Madaṅge Bhavaciaktitīkshṇāgrabhinnāḥ Sudūre Vinashiantu Te Ciūrṇitakrauñciashaila
mrigaah pakshino damshakaa ye ca dushtaa- stathaa vyaadhayo baadhakaa ye madange bhavacchaktiteekshnaagrabhinnaah sudoore vinashyantu te coornitakrauncashaila | 29 |

Verso 29

Gianitrī Pitā Cia Svaputrāparādhaṃ Sahete Na Kiṃ Devasenādhinātha Ahaṃ Ciātibālo Bhavān Lokatātaḥ Kshamasvāparādhaṃ Samastaṃ Mahesha
janitree pitaa ca svaputraaparaadham sahete na kim devasenaadhinaatha aham caatibaalo bhavaan lokataatah kshamasvaaparaadham samastam mahesha | 30 |

Verso 30

Namaḥ Kekine Shaktaie Ciāpi Tubhiaṃ Namashciāga Tubhiaṃ Namaḥ Kukkuṭāia Namaḥ Sindhave Sindhudeshāia Tubhiaṃ Punaḥ Skandamūrte Namaste Namo'stu
namah kekine shaktaye caapi tubhyam namashchaaga tubhyam namah kukkutaaya namah sindhave sindhudeshaaya tubhyam punah skandamoorte namaste namo'stu | 31 |

Verso 31

Giaiānandabhūmañgiaiāpāradhāma- Ñgiaiāmoghakīrte Giaiānandamūrte Giaiānandasindho Giaiāsheshabandho Giaia Tvaṃ Sadā Muktidāneshasūno
jayaanandabhoomanjayaapaaradhaama- njayaamoghakeerte jayaanandamoorte jayaanandasindho jayaasheshabandho jaya tvam sadaa muktidaaneshasoono | 32 |

Verso 32

Bhugiaṅgākhiavṛttena Kḷptaṃ Stavaṃ Iaḥ Paṭhedbhaktiiukto Guhaṃ Sampraṇamia Suputrānkalatraṃ Dhanaṃ Dīrghamāiu- Rlabhetskandasāiugiamante Naraḥ Saḥ
bhujangaakhyavrittena kḷptam stavam yah pathedbhaktiyukto guham sampranamya suputraankalatram dhanam deerghamaayu- rlabhetskandasaayujyamante narah sah | 33 |

Verso 33

Iti Shrīmaciaṅkarabhagavataḥ Kṛtau Shrīsubrahmaṇiabhugiaṅgaṃ Sampūrṇam
iti shreemacchankarabhagavatah kritau shreesubrahmanyabhujangam sampoornam | 34 |

Verso 34

Worship Guidelines & Chanting Benefits (Phalashruti)

Auspicious Day

Daily or auspicious lunar days (Ekadashi, Purnima, Pradosham)

Best Time (Muhurta)

Brahma Muhurta (4:00 AM – 6:00 AM) or Evening Dusk (Sandhya)

Sacred Offerings

Ghee lamp (Deepa), Incense (Dhoopa), Fresh flowers & Water offering

Spiritual Benefits (Phalashruti)
  • Peace of mind, spiritual upliftment, and harmonious energy in the home

Contesto

Tradizionalmente attribuito al grande filosofo e santo Shankaracharya, questo inno fa parte della ricca tradizione dello Shivaismo e del culto di Skanda (Murugan) nell'India meridionale. Viene recitato dai devoti per ottenere benedizioni, protezione e liberazione, specialmente nei momenti di difficoltà o in punto di morte.

Su questo Testo

Composto da: Adi Shankaracharya · Classical Philosopher-Saint · 8th century CE, Kaladi (Kerala)

A philosopher and monk born in Kaladi, Kerala, credited with systematizing Advaita Vedanta (non-dual philosophy) and establishing four monastic seats (mathas) across India. Alongside his commentaries on the Upanishads and Brahma Sutras, he composed numerous devotional hymns to various deities in classical Sanskrit.

Lo sapevi?

Autore

Tradizionalmente attribuito al grande filosofo e poeta Adi Shankaracharya (VIII secolo d.C.), questo inno fa parte della sua produzione devozionale in metro bhujanga. Shankaracharya è noto per aver composto numerosi stotra in sanscrito, spesso dedicati a divinità come Shiva, Vishnu e Devi.

Metro

Il Bhujanga (serpente) è un metro poetico sanscrito caratterizzato da quattro piedi di quattro sillabe ciascuno per ogni emistichio, creando un ritmo fluido e sinuoso. Questo stile è frequentemente usato negli inni devozionali per la sua musicalità e facilità di recitazione.

Divinità

L'inno è dedicato a Subrahmanya, noto anche come Skanda, Kartikeya o Murugan, figlio di Shiva e Parvati. Viene descritto con sei volti (ṣaṇmukha), cavalca un pavone e brandisce una lancia (śakti). È il comandante dell'esercito divino e uccisore del demone Tārakāsura.

Struttura e contenuto

Il testo si apre con la lode della forma divina e prosegue con descrizioni dettagliate delle sue membra, degli ornamenti e delle sue gesta. Versi celebri come il secondo esprimono l'umiltà del devoto che, pur non conoscendo le Scritture, sente la presenza divina nel cuore. La parte finale include suppliche per la protezione nell'ora della morte e una promessa di benefici per chi recita l'inno.

Particolarità

L'inno menziona luoghi specifici come il monte Gandhashaila (monte fragrante) e la riva del mare, associati alla presenza di Skanda. Notevole anche il verso 30, dove vengono salutati il pavone, la lancia, il capro e il gallo, simboli del dio. La conclusione (versi 32-33) promette ai devoti figli, ricchezza, lunga vita e infine l'unione con Skanda.

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