Bharat Devotion
Embroidered artwork for 安巴女神阿爾提: Embroidered Om symbol above a brass diya, marigolds and a temple spire at sunrise

安巴女神阿爾提

安巴女神阿爾提

這是一首獻給安貝女神(神聖母親)的虔敬阿爾蒂,描繪她光輝的形相、她的兵器,以及她戰勝惡魔的英勇功業。

經詩內容

jaya ambe gaurī, maiyā jaya śyāmā gaurī tumako niśadina dhyāvata, hari brahmā śivajī
Jai Ambe Gauri, Maiya Jai Shyama Gauri. Tumko Nishdin Dhyavat, Hari Brahma Shivji.

第節 1

māṃga siṃdūra virājata, ṭīko mṛgamada ko ujjvala se dou nainā, caṃdravadana nīko
Maang Sindoor Virajat, Teeko Mrigmad Ko. Ujjwal Se Dou Naina, Chandravadan Neeko.

第節 2

kanaka samāna kalevara, raktāmbara rājai raktapuṣpa gala mālā, kaṃṭhana para sājai
Kanak Samaan Kalevar, Raktambar Rajai. Raktpushp Gal Maala, Kanthan Par Sajai.

第節 3

kehari vāhana rājata, khaḍga khappara dhārī sura-nara-munijana sevata, tinake dukhahārī
Kehari Vahan Rajat, Khadg Khappar Dhaari. Sur Nar Munijan Sevat, Tinke Dukhhaari.

第節 4

kānana kuṇḍala śobhita, nāsāgre motī koṭika caṃdra divākara, sama rājata jyotī
Kaanan Kundal Shobhit, Naasagre Moti. Kotik Chandra Divakar, Sam Rajat Jyoti.

第節 5

śuṃbha-niśuṃbha bidāre, mahiṣāsura ghātī dhūmra vilocana nainā, niśadina madamātī
Shumbh-Nishumbh Bidaare, Mahishasur Ghaati. Dhumra Vilochan Naina, Nishdin Madmaati.

第節 6

caṇḍa-muṇḍa saṃhāre, śoṇita bīja hare madhu-kaiṭabha dou māre, sura bhayahīna kare
Chand-Mund Sanhaare, Shonit Beej Hare. Madhu-Kaitabh Dou Maare, Sur Bhayheen Kare.

第節 7

brahmāṇī, rudrāṇī, tuma kamalā rānī āgama nigama bakhānī, tuma śiva paṭarānī
Brahmani, Rudrani, Tum Kamala Raani. Aagam Nigam Bakhaani, Tum Shiv Patraani.

第節 8

cauṃsaṭha yoginī maṃgala gāvata, nṛtya karata bhairoṃ bājata tāla mṛdaṃgā, arū bājata ḍamarū
Chausath Yogini Mangal Gaavat, Nritya Karat Bhairon. Baajat Taal Mridanga, Aru Baajat Damaru.

第節 9

tuma hī jaga kī mātā, tuma hī ho bharatā bhaktana kī dukha haratā, sukha saṃpati karatā
Tum Hi Jag Ki Maata, Tum Hi Ho Bharata. Bhaktan Ki Dukh Harta, Sukh Sampati Karta.

第節 10

bhujā cāra ati śobhita, vara mudrā dhārī manavāṃchita phala pāvata, sevata nara nārī
Bhuja Chaar Ati Shobhit, Var Mudra Dhaari. Manvaanchhit Phal Paavat, Sevat Nar Naari.

第節 11

kaṃcana thāla virājata, agara kapūra bātī śrīmālaketu meṃ rājata, koṭi ratana jyotī
Kanchan Thaal Virajat, Agar Kapoor Baati. Shrimalaketu Mein Rajat, Koti Ratan Jyoti.

第節 12

śrī aṃbejī kī ārati, jo koi nara gāve kahata śivānaṃda svāmī, sukha-saṃpati pāve
Shri Ambeji Ki Aarti, Jo Koi Nar Gaave. Kahat Shivanand Swami, Sukh Sampati Paave.

第節 13

Worship Guidelines & Chanting Benefits (Phalashruti)

Auspicious Day

Daily or auspicious lunar days (Ekadashi, Purnima, Pradosham)

Best Time (Muhurta)

Brahma Muhurta (4:00 AM – 6:00 AM) or Evening Dusk (Sandhya)

Sacred Offerings

Ghee lamp (Deepa), Incense (Dhoopa), Fresh flowers & Water offering

Spiritual Benefits (Phalashruti)
  • Peace of mind, spiritual upliftment, and harmonious energy in the home
Chanting Practice:Sing together with family at the conclusion of evening worship while offering a circular light flame.

背景介紹

此讚歌屬於印度教的性力派傳統,該傳統尊崇神聖母親的眾多形相。它傳統上以阿爾蒂的形式吟唱(獻光伴以歌唱),於寺廟與家中的傍晚禮拜時演唱,尤以北印度為盛。末節將作品歸於溼婆難陀斯瓦米名下,他是一位虔信詩人,不過此讚歌借用了更廣大女神文學中眾所周知的意象。其核心意象(摧滅摩度與凱塔巴、水牛魔摩希沙、旃達與蒙達、羅克塔毗遮,以及輸毗與尼輸毗)依循《摩根德耶往世書》中《女神讚美篇》(即《杜爾伽七百頌》)所述的斬魔次第,橫跨其十三章,自第1章的摩度與凱塔巴事蹟,至第8至10章輸毗與尼輸毗的敗亡。

您知道嗎?

結構與用意

這是一首阿爾蒂,傳統上在一盞燈於神明前揮動時吟唱。全歌有十二節加一對結尾的偈句,每節讚美安貝女神(杜爾伽或帕爾瓦蒂的一種形相)的不同面向。末句將此作歸於名為溼婆難陀斯瓦米的信徒名下。

標誌性的描繪

女神被描繪得栩栩如生:額上朱砂的記號、鹿麝香的提拉克、如月的面容、金色的膚色、紅色的衣裳與紅花的花環。她騎獅子,手持劍與骷髏碗(卡帕爾),象徵她摧毀邪惡、護佑信徒的力量。

被擊敗的惡魔

此阿爾蒂列舉她所降伏的數位惡魔:輸毗與尼輸毗、水牛魔摩希沙、煙眼、旃達與蒙達、紹尼塔比賈(每滴血都會化出新魔者),以及摩度與凱塔巴。這些勝利確立了她作為至上戰神、為諸神與人類驅除恐懼的身份。

宇宙的慶典

第8節描繪六十四位瑜伽女(神聖的女性存在)唱誦吉祥之歌,而怖畏王(溼婆的猛烈形相)起舞。鼓(穆利丹加)與達瑪魯小鼓(溼婆之小鼓)齊奏,於女神周圍形成天界歡喜與禮拜的景象。

虔信的應許

末節宣稱凡唱誦此阿爾蒂者將得幸福與繁榮。這是阿爾蒂的常見特徵:以加持作結,鼓勵經常誦唱,以求靈性與物質上的安康。

跨傳統相通教義

同一教義,迴響於不同傳統之中