Bharat Devotion
Embroidered artwork for 安巴女神阿提: Embroidered Om symbol above a brass diya, marigolds and a temple spire at sunrise

安巴女神阿提

安巴女神阿提

這是一首深受喜愛的印度教阿爾蒂,獻給安貝·高利女神,讚頌她光輝的形相、她戰勝惡魔的功業與她的加持,尤其在九夜節期間吟唱。

經詩內容

ūṃ jaya ambe gaurī, maiyā jaya śyāmā gaurī tumako niśadina dhyāvata, hari brahmā śivajī
Om Jai Ambe Gauri, Maiya Jai Shyama Gauri. Tumko Nishdin Dhyaavat, Hari Brahma Shivji.

第節 1

māṃga siṃdūra virājata, ṭīko mṛgamada ko ujjvala se dou nainā, caṃdravadana nīko
Maang Sindoor Viraajat, Teeko Mrigmad Ko. Ujjwal Se Dou Naina, Chandravadan Neeko.

第節 2

kanaka samāna kalevara, raktāmbara rājai raktapuṣpa gala mālā, kaṃṭhana para sājai
Kanak Samaan Kalevar, Raktambar Rajai. Raktapushp Gal Maala, Kanthan Par Sajai.

第節 3

kehari vāhana rājata, khaḍga khappara dhārī sura-nara-munijana sevata, tinake dukhahārī
Kehari Vaahan Raajat, Khadg Khappar Dhaari. Sur-Nar-Munijan Sevat, Tinke Dukhhaari.

第節 4

kānana kuṇḍala śobhita, nāsāgre motī koṭika caṃdra divākara, sama rājata jyotī
Kaanan Kundal Shobhit, Nasagre Moti. Kotik Chand Diwaakar, Sam Raajat Jyoti.

第節 5

śuṃbha-niśuṃbha bidāre, mahiṣāsura ghātī dhūmra vilocana nainā, niśadina madamātī
Shumbh-Nishumbh Bidaare, Mahishaasur Ghaati. Dhoomr Vilochan Naina, Nishdin Madmaati.

第節 6

caṇḍa-muṇḍa saṃhāre, śoṇita bīja hare madhu-kaiṭabha dou māre, sura bhayahīna kare
Chand-Mund Sanhaare, Shonit Beej Hare. Madhu-Kaitabh Dou Maare, Sur Bhayheen Kare.

第節 7

brahmāṇī, rudrāṇī, tuma kamalā rānī āgama nigama bakhānī, tuma śiva paṭarānī
Brahmaani, Rudraani, Tum Kamalaa Raani. Aagam Nigam Bakhaani, Tum Shiv Patraani.

第節 8

cauṃsaṭha yoginī maṃgala gāvata, nṛtya karata bhairoṃ bājata tāla mṛdaṃgā, arū bājata ḍamarū
Chausath Yogini Mangal Gaavat, Nritya Karat Bhairon. Baajat Taal Mridangaa, Aru Baajat Damaroo.

第節 9

tuma hī jaga kī mātā, tuma hī ho bharatā bhaktana kī dukha haratā, sukha saṃpati karatā
Tum Hi Jag Ki Maata, Tum Hi Ho Bhaarta. Bhaktan Ki Dukh Haarta, Sukh Sampati Kaarta.

第節 10

bhujā cāra ati śobhita, vara mudrā dhārī manavāṃchita phala pāvata, sevata nara nārī
Bhujaa Chaar Ati Shobhit, Var Mudraa Dhaari. Manvanchhit Phal Pavat, Sevat Nar Naari.

第節 11

kaṃcana thāla virājata, agara kapūra bātī śrīmālaketu meṃ rājata, koṭi ratana jyotī
Kanchan Thaal Viraajat, Agar Kapoor Baati. Shrimal Ketu Mein Raajat, Koti Ratan Jyoti.

第節 12

śrī aṃbejī kī ārati, jo koi nara gāve kahata śivānaṃda svāmī, sukha-saṃpati pāve
Shri Ambeji Ki Aarati, Jo Koi Nar Gaave. Kahat Shivaanand Swaami, Sukh-Sampati Paave.

第節 13

Worship Guidelines & Chanting Benefits (Phalashruti)

Auspicious Day

Daily or auspicious lunar days (Ekadashi, Purnima, Pradosham)

Best Time (Muhurta)

Brahma Muhurta (4:00 AM – 6:00 AM) or Evening Dusk (Sandhya)

Sacred Offerings

Ghee lamp (Deepa), Incense (Dhoopa), Fresh flowers & Water offering

Spiritual Benefits (Phalashruti)
  • Peace of mind, spiritual upliftment, and harmonious energy in the home
Chanting Practice:Sing together with family at the conclusion of evening worship while offering a circular light flame.

背景介紹

此讚歌是一首阿爾蒂,傳統上在供奉神明時一邊獻光(樟腦或燈火)一邊吟唱。它屬於性力派傳統,該傳統尊崇女神為至上的神聖母親。其十三節讚頌安貝·高利女神(帕爾瓦蒂或杜爾伽的一種形相),並追憶《女神讚美篇》所述的勝利事蹟。它在傍晚禮拜及九夜節等節日中吟唱。末句署名為溼婆難陀·斯瓦米,這是有關其作者的唯一線索;此人的生卒年代並無記載,而此阿爾蒂早已流傳為常見的虔信之歌。

關於此經文

作者: Shivananda Swami

您知道嗎?

起源與流行

「勝利歸於安貝·高利」是北印度最廣為吟唱的阿爾蒂之一,尤在九夜節期間,傳統上於禮拜女神的末尾吟唱。文本末行署名溼婆難陀·斯瓦米;此作者的生平與年代尚未確立。

所記的勝利

第6與第7節追憶女神在《女神讚美篇》中的勝利:戰勝輸毗與尼輸毗(第9與第10章)、戰勝水牛魔摩希沙(第2至4章)、戰勝旃達與蒙達(第7章)、戰勝每一滴血都會化出新魔的羅克塔毗遮(第8章),以及戰勝摩度與凱塔巴(第1章)。

她的形相

第2至5節與第11節描繪她金色的膚色、紅色的衣裳、紅花的花環、朱砂的記號與額上的麝香提拉克、如月的面容,以及以獅子為坐騎;她手持劍與骷髏杯,並作賜願印。

宇宙的意涵

第8節將她與梵天之力布拉赫瑪尼、濕婆之力魯德拉尼與吉祥天女(迦瑪拉)等同,稱她為被《阿伽瑪》與《尼伽瑪》讚頌的「濕婆之首妃」。第9節描繪六十四位瑜伽女與怖畏王隨鼓與達瑪魯小鼓起舞。

結尾的加持

末節寫明作者溼婆難陀·斯瓦米,並應許凡唱誦此阿爾蒂者將得幸福與財富,這是虔信阿爾蒂中常見的特點,鼓勵人們經常吟唱。