Bharat Devotion
Embroidered artwork for 安巴·高里女神赞: Embroidered Om symbol above a brass diya, marigolds and a temple spire at sunrise

安巴·高里女神赞

安巴·高里女神赞

这是一首广受喜爱的印度教阿尔蒂,献给安巴·高里女神,描绘她光辉的形相、降伏恶魔的功绩与她的赐福,尤其在九夜节中吟唱。

经文段落

ūṃ jaya ambe gaurī, maiyā jaya śyāmā gaurī tumako niśadina dhyāvata, hari brahmā śivajī
Om Jai Ambe Gauri, Maiya Jai Shyama Gauri. Tumko Nishdin Dhyaavat, Hari Brahma Shivji.

第节 1

māṃga siṃdūra virājata, ṭīko mṛgamada ko ujjvala se dou nainā, caṃdravadana nīko
Maang Sindoor Viraajat, Teeko Mrigmad Ko. Ujjwal Se Dou Naina, Chandravadan Neeko.

第节 2

kanaka samāna kalevara, raktāmbara rājai raktapuṣpa gala mālā, kaṃṭhana para sājai
Kanak Samaan Kalevar, Raktambar Rajai. Raktapushp Gal Maala, Kanthan Par Sajai.

第节 3

kehari vāhana rājata, khaḍga khappara dhārī sura-nara-munijana sevata, tinake dukhahārī
Kehari Vaahan Raajat, Khadg Khappar Dhaari. Sur-Nar-Munijan Sevat, Tinke Dukhhaari.

第节 4

kānana kuṇḍala śobhita, nāsāgre motī koṭika caṃdra divākara, sama rājata jyotī
Kaanan Kundal Shobhit, Nasagre Moti. Kotik Chand Diwaakar, Sam Raajat Jyoti.

第节 5

śuṃbha-niśuṃbha bidāre, mahiṣāsura ghātī dhūmra vilocana nainā, niśadina madamātī
Shumbh-Nishumbh Bidaare, Mahishaasur Ghaati. Dhoomr Vilochan Naina, Nishdin Madmaati.

第节 6

caṇḍa-muṇḍa saṃhāre, śoṇita bīja hare madhu-kaiṭabha dou māre, sura bhayahīna kare
Chand-Mund Sanhaare, Shonit Beej Hare. Madhu-Kaitabh Dou Maare, Sur Bhayheen Kare.

第节 7

brahmāṇī, rudrāṇī, tuma kamalā rānī āgama nigama bakhānī, tuma śiva paṭarānī
Brahmaani, Rudraani, Tum Kamalaa Raani. Aagam Nigam Bakhaani, Tum Shiv Patraani.

第节 8

cauṃsaṭha yoginī maṃgala gāvata, nṛtya karata bhairoṃ bājata tāla mṛdaṃgā, arū bājata ḍamarū
Chausath Yogini Mangal Gaavat, Nritya Karat Bhairon. Baajat Taal Mridangaa, Aru Baajat Damaroo.

第节 9

tuma hī jaga kī mātā, tuma hī ho bharatā bhaktana kī dukha haratā, sukha saṃpati karatā
Tum Hi Jag Ki Maata, Tum Hi Ho Bhaarta. Bhaktan Ki Dukh Haarta, Sukh Sampati Kaarta.

第节 10

bhujā cāra ati śobhita, vara mudrā dhārī manavāṃchita phala pāvata, sevata nara nārī
Bhujaa Chaar Ati Shobhit, Var Mudraa Dhaari. Manvanchhit Phal Pavat, Sevat Nar Naari.

第节 11

kaṃcana thāla virājata, agara kapūra bātī śrīmālaketu meṃ rājata, koṭi ratana jyotī
Kanchan Thaal Viraajat, Agar Kapoor Baati. Shrimal Ketu Mein Raajat, Koti Ratan Jyoti.

第节 12

śrī aṃbejī kī ārati, jo koi nara gāve kahata śivānaṃda svāmī, sukha-saṃpati pāve
Shri Ambeji Ki Aarati, Jo Koi Nar Gaave. Kahat Shivaanand Swaami, Sukh-Sampati Paave.

第节 13

Worship Guidelines & Chanting Benefits (Phalashruti)

Auspicious Day

Daily or auspicious lunar days (Ekadashi, Purnima, Pradosham)

Best Time (Muhurta)

Brahma Muhurta (4:00 AM – 6:00 AM) or Evening Dusk (Sandhya)

Sacred Offerings

Ghee lamp (Deepa), Incense (Dhoopa), Fresh flowers & Water offering

Spiritual Benefits (Phalashruti)
  • Peace of mind, spiritual upliftment, and harmonious energy in the home
Chanting Practice:Sing together with family at the conclusion of evening worship while offering a circular light flame.

经典背景

此颂是一首阿尔蒂,即在供奉灯火(樟脑或油灯)时吟唱的虔诚歌曲。它属于性力派传统,此派尊崇女神为至上的神圣母亲。它的十三节诗颂扬安巴·高里女神(即帕尔瓦蒂或杜尔迦的一种形相),并回忆《女神颂》中所述的诸般胜利。它在傍晚礼拜与九夜节等节庆中吟唱。末句署有希瓦南达斯瓦米之名,这是唯一关于其作者的线索;其生卒年代并无记载,此阿尔蒂则早已流传于寻常的虔信生活之中。

关于此经文

作者: Shivananda Swami

您知道吗?

起源与流行

「胜利归于安巴·高里」是北印度最广为吟唱的阿尔蒂之一,尤在九夜节期间,传统上在礼拜女神的结尾吟唱。末句提及希瓦南达斯瓦米之名;此作者的生平与年代尚无定论。

所忆的胜利

第6与第7节回忆《女神颂》中的胜利:舍姆巴与尼舍姆巴(第9、10章)、水牛魔摩哈夏沙(第2至4章)、旃达与蒙达(第7章)、血种(每一滴血都会生出一个新魔,第8章),以及摩度与凯塔巴(第1章)。

她的形相

第2至5节及第11节描绘她金黄色的肤色、红色的衣裳、红花的花环、额上的朱砂与麝香额痕、如月的面容,以及以狮子为坐骑;她手持剑与颅碗,并结赐愿印。

宇宙的意义

第8节将她与梵天之力、楼陀罗之力,以及吉祥天女等同,并称她为湿婆的正妃,由阿伽摩与尼伽摩所赞颂。第9节描绘六十四瑜伽母与怖畏神随着穆利当鼓与达玛鲁鼓起舞。

结尾的赐福

末节写明作者希瓦南达,并承诺凡唱诵此阿尔蒂者,将获得幸福与财富,这是虔信阿尔蒂的常见特色,鼓励人们经常吟唱。