Bharat Devotion
Embroidered artwork for Shani Chalisa: Forty Verses in Praise of Lord Shani: Embroidered Om symbol above a brass diya, marigolds and a temple spire at sunrise

Shani Chalisa

Forty Verses in Praise of Lord Shani

Shani Chalisa

Forty Verses in Praise of Lord Shani

A forty-verse Hindi hymn to Shani Dev, the planetary deity of Saturn, recited on Saturdays to seek his mercy and ease hardship.

Verses

Opening Dohas (Mangalācharaṇa)

Introductory couplets invoking the Guru and Divine grace before the forty chaupais.

Jai Ganesh Girija Suvan Mangal Karan Kripaal. Deenan Ke Dukh Door Kari Keejai Naath Nihaal. Jai Jai Shri Shanidev Prabhu Sunahu Vinay Maharaj. Karahu Kripa He Ravi Tanay Raakhahu Janaki Laaj.

Verse Dohā

The Forty Verses (Chaupais)

The core forty verses celebrating the divine glory, valour, and boundless compassion of the Lord.

Jayati Jayati Shanidev Dayala. Karat Sada Bhaktan Pratipala.

Verse 1

Chaari Bhuja Tanu Shyaam Viraajai. Maathe Ratan Mukut Chhabi Chhaajai.

Verse 2

Param Vishaal Manohar Bhaala. Tedhi Drishti Bhrikuti Vikaraala.

Verse 3

Kundal Shravan Chamaacham Chamake. Hiye Maal Muktan Mani Damakai.

Verse 4

Kar Mein Gada Trishul Kuthara. Pal Bich Karain Arihin Samhara.

Verse 5

Pingal Krishno Chhaya Nandana. Yama Konasth Raudra Dukh Bhanjana.

Verse 6

Sauri Manda Shani Dasha Naama. Bhanu Putra Poojahin Sab Kaama.

Verse 7

Jaapar Prabhu Prasanna Havain Jaahi. Rankahu Raav Karain Kshan Maahi.

Verse 8

Parvatahu Trina Hoi Nihaarata. Trinahu Ko Parvat Kari Daarata.

Verse 9

Raj Milat Ban Raamahin Deenhayo. Kaikeihu Ki Mati Hari Leenhayo.

Verse 10

Banahun Mein Mrig Kapat Dikhai. Maatu Janaki Gai Churai.

Verse 11

Lashhanahin Shakti Vikal Kari Daara. Machiga Dal Mein Hahakaara.

Verse 12

Ravan Ki Gati-Mati Bauraai. Ramachandra Son Bair Badhai.

Verse 13

Diyo Keet Kari Kanchan Lanka. Baji Bajarang Beer Ki Danka.

Verse 14

Nrip Vikram Par Tuhin Pagu Dhaara. Chitra Mayoor Nigali Gai Haara.

Verse 15

Haar Naunlakha Laagyo Chori. Haath Pair Daravaayo Tori.

Verse 16

Bhaari Dasha Nikrishht Dikhaayo. Telahin Ghar Kolhu Chalavaayo.

Verse 17

Vinay Raag Deepak Mahan Keenhayon. Tab Prasanna Prabhu Hvai Sukh Deenhayon.

Verse 18

Harishchandra Nrip Naari Bikaani. Aapahun Bharen Dom Ghar Paani.

Verse 19

Taise Nal Par Dasha Siraani. Bhunji-Meen Kood Gai Paani.

Verse 20

Shri Shankarahin Gahyo Jab Jaai. Paravati Ko Sati Karaai.

Verse 21

Tanik Volokat Hi Kari Reesa. Nabh Udi Gayo Gaurisut Seesa.

Verse 22

Pandav Par Bhai Dasha Tumhaari. Bachi Draupadi Hoti Ughaari.

Verse 23

Kaurav Ke Bhi Gati Mati Maaryo. Yuddh Mahabharat Kari Daaryo.

Verse 24

Ravi Kahan Mukh Mahan Dhari Tatkaala. Lekar Koodi Parayo Paataala.

Verse 25

Shesh Dev-Lakhi Vinati Laai. Ravi Ko Mukh Te Diyo Chhudaai.

Verse 26

Vaahan Prabhu Ke Saat Sujaana. Jag Diggaj Gardabh Mrig Svaana.

Verse 27

Jambuk Sinh Aadi Nakh Dhaari. So Phal Jyotish Kahat Pukaari.

Verse 28

Gaj Vaahan Lakshmi Grih Aavain. Hay Te Sukh Sampatti Upajaavain.

Verse 29

Gardabh Haani Karai Bahu Kaaja. Sinh Siddhakar Raj Samaaja.

Verse 30

Jambuk Buddhi Nashht Kar Daarai. Mrig De Kashht Praan Samhaarai.

Verse 31

Jab Aavahin Prabhu Svaan Savaari. Chori Aadi Hoya Dar Bhaari.

Verse 32

Taisahi Chaari Charan Yah Naama. Swarn Lauh Chaandi Aru Taama.

Verse 33

Lauh Charan Par Jab Prabhu Aavain. Dhan Jan Sampatti Nashht Karaavain.

Verse 34

Samata Taamra Rajat Shubhakaari. Swarn Sarva Sukh Mangal Bhaari.

Verse 35

Jo Yah Shani Charitra Nit Gaavai. Kabahun Na Dasha Nikrishht Sataavai.

Verse 36

Adbhut Naath Dikhaavain Leela. Karain Shatru Ke Nasheeb Bali Dheela.

Verse 37

Jo Pandit Suyogya Bulavaai. Vidhivat Shani Grah Shaanti Karaai.

Verse 38

Peepal Jal Shani Divas Chadhaavat. Deep Daan Dai Bahu Sukh Paavat.

Verse 39

Kahat Ram Sundar Prabhu Dasa. Shani Sumirat Sukh Hot Prakaasha.

Verse 40

Paath Shanishchar Dev Ko Keenhon Vimal Tayyaar. Karat Paath Chaalees Din Ho Bhavasaagar Paar. Jo Stuti Dasharath Ji Kiyo Sammukh Shani Nihaar. Sarasa Subhaash Mein Vahi Lalita Likhen Sudhaar.

Verse 41

Worship Guidelines & Chanting Benefits (Phalashruti)

Auspicious Day

Daily or auspicious lunar days (Ekadashi, Purnima, Pradosham)

Best Time (Muhurta)

Brahma Muhurta (4:00 AM – 6:00 AM) or Evening Dusk (Sandhya)

Sacred Offerings

Ghee lamp (Deepa), Incense (Dhoopa), Fresh flowers & Water offering

Spiritual Benefits (Phalashruti)
  • Peace of mind, spiritual upliftment, and harmonious energy in the home
Chanting Practice:Reciting 1 to 11 times daily for 40 consecutive days is traditionally practiced for resolution of difficulties.

Background

The Shani Chalisa is part of the broader Chalisa tradition in Hinduism, a genre of devotional poetry typically composed in Awadhi and Hindi. It is traditionally recited on Saturdays (Shanivar), which are considered sacred to Shani Dev, as a form of prayer to seek his mercy and reduce the malefic effects of Saturn in one's horoscope. Its author is not recorded in the earliest manuscripts and remains genuinely anonymous — it is a folk/traditional composition in the wider Navagraha devotional corpus rather than the work of a documented poet-saint. The text is widely venerated across North India and is often chanted during fasting or as part of daily worship. The verses describe Shani's appearance and attributes, and recount stories of his power — the same body of Navagraha mythology (Shani as son of Surya and Chhaya) found scattered across the Puranas — alongside instructions for offerings and the benefits of recitation.

About this Text

Composed by: Ram Sunder Prabhu Das

More by Ram Sunder Prabhu Das

Did You Know?

Authorship

No single author of the Shani Chalisa is securely documented. Printed and online editions differ in wording, and some carry a closing signature line, so the hymn is best approached as a living devotional tradition of North India rather than the work of one named poet.

Structure

The hymn has forty chaupai (single lines of two half-lines) framed by an opening doha and a closing doha, forty-two verses in all. In this text the chaupai are numbered 1 to 40, with the dohas standing before the first and after the last.

Iconography

Chaupai 2 to 5 picture Shani Dev with four arms, a dark (shyam) complexion and a jeweled crown, a broad forehead and a stern sidelong glance, earrings and garlands of pearls, and a mace, trident and axe in his hands.

Stories recalled

Chaupai 12 to 15 recall King Harishchandra's trials, the trials of King Nala (whose roasted fish leapt back into the water), Rama's exile and the abduction of Sita, and the turning of Ravana's judgment before the burning of Lanka. The episodes themselves are told in the Markandeya Purana, the Nalopakhyana in the Vana Parva of the Mahabharata, and the Aranya Kanda of the Valmiki Ramayana; the chalisa recalls them to show that no one is beyond Shani's reach and that surrender wins his mercy.

Observances named in the hymn

Chaupai 18 to 23 mention keeping a Saturday fast, offering sesame and oil, giving a black cow, iron, black gram and black cloth, and singing Shani's aarti. Chaupai 28 promises that reciting the chalisa for forty days brings fulfilment, and the closing doha speaks of crossing the ocean of worldly existence (bhavasagar).

Names and lineage

Chaupai 6 and 7 gather Shani's names, among them Pingala, Manda, Raudra, Yama, Babhru and Sauri, and chaupai 9 calls him the son of Chhaya and of Ravi, the Sun. This matches the wider Navagraha tradition in which Shani is the son of Surya and Chhaya.