Bharat Devotion
Embroidered artwork for Shri Akhilandanayika Dandaka: Embroidered Om symbol above a brass diya, marigolds and a temple spire at sunrise

Shri Akhilandanayika Dandaka

Shri Akhilandanayika Dandaka

Este es un himno de alabanza en sánscrito dedicado a la diosa Akhilandanayika, la soberana de todos los universos, que describe su belleza divina, su poder y la protección que otorga a sus devotos.

Versos

Kadambatarumañyarīkalitakarṇapūroyyvalaṃ Kalakvaṇavipañchikākalanadattakotsavam Karaspuritashārikaṃ Kaṭhinapīnatuṅgastanaṃ Yagattritayamaṅgalaṃ Yayati Manmanomandire
kadambatarumanjareekalitakarnapoorojjvalam kalakvanavipancikaakalanadattakotsavam karasphuritashaarikam kathinapeenatungastanam jagattritayamangalam jayati manmanomandire | 1 |

Verso 1

Yaya Yaya Yagadekamātaḥ Shive Devi Yambūpatīshānahṛnmodakṛnmārasañyīvanoddāmashobhābhirāmākhilāṅgoyyvale Champakāshokapunnāgasālāsanashrīpalodumbarāshvatthayambūlasachandanādyurvarāyātarāyīnirastāruṇābhāpadasvīyavelāsamudbhāsisahyātmayāpūrayormadhyage Vāriyātāvalīgarbhaniryatnaniryanmadhusvādahṛshyaddvirepāṅganāchārusaṅgītavanmañyushākhāsuḍolāvihārapriyasvapriyāyukpriyasvānavanyāpriyasvādukekālasatkekishaṇḍākule, Chaṇḍabhānudvishañchaṇḍarāmābyabhūchandrakumbhodbhavashrīmadindrāgniyambūmahātīrtharāyāvalītīrabhūmallikāyūthikāmālatīpūrvavīrutsamudbhūtapushpotkasmeragandhābhirāmātibālānilasvairasañchārasañyātasammodadivyāṅganālīlasad Gopurālaṅkṛte, Siddhaveshaspuradbhūtinidāyīshvarasvāntasantoshakṛtsālavaryāvṛte, Santataṃ Dantikāntāradeshe Kṛtāshe Dayāshevadhau Sheradhīsheḍite, Vedhasā Vaidikairāgamairbodhitairarchanāsatpathairadbhutaiḥ Pūyite, Chāruyambūtarormūladeshollsadratnagehāntarālaṅkriyākāraṇe, Dantinā Lūtayā Chārusaṃsevite, Nīraliṅgākṛtau Devadeve Hare Lokarakshākṛte, Tatsaparyāṃ Vidhātuṃ Bhavāni Svayaṃvyaktarūpoyyvale, Padmayā Hastapaṅkeruhāttāmalaspāramuktāpalālaṅkṛtachhatrayā Padmabhūkāntayā Kachhapīnirgaladdivyagāndhāranādānukūlībhavadgeyayā Niryarādhīshavāmabhruvā Chittabhūpaṅkayākshyā Cha Haste Dhṛtasvarṇadaṇḍaspura- Chāmarābhyāṃ Sadā Pārshvayorurvashīmukhyadivyāṅganābhishchalatkuntaloroyabhārālasābhirmudā Lāsyabhedaiḥ Purastācha Saṃsevite
jaya jaya jagadekamaatah shive devi jamboopateeshaanahrinmodakrinmaarasanjeevanoddaamashobhaabhiraamaakhilaangojjvale campakaashokapunnaagasaalaasanashreephalodumbaraashvatthajamboolasaccandanaadyurvaraajaataraajeenirastaarunaabhaapadasveeyavelaasamudbhaasisahyaatmajaapoorayormadhyage vaarijaataavaleegarbhaniryatnaniryanmadhusvaadahrishyaddvirephaanganaacaarusangeetavanmanjushaakhaasudolaavihaarapriyasvapriyaayukpriyasvaanavanyaapriyasvaadukekaalasatkekishandaakule, candabhaanudvishancandaraamaabjabhoocandrakumbhodbhavashreemadindraagnijamboomahaateertharaajaavaleeteerabhoomallikaayoothikaamaalateepoorvaveerutsamudbhootapushpotkasmeragandhaabhiraamaatibaalaanilasvairasancaarasanjaatasammodadivyaanganaaleelasad gopuraalankrite, siddhaveshasphuradbhootinidaayeeshvarasvaantasantoshakritsaalavaryaavrite, santatam dantikaantaaradeshe kritaashe dayaashevadhau sheradheeshedite, vedhasaa vaidikairaagamairbodhitairarcanaasatpathairadbhutaih poojite, caarujambootarormooladeshollsadratnagehaantaraalankriyaakaarane, dantinaa lootayaa caarusamsevite, neeralingaakritau devadeve hare lokarakshaakrite, tatsaparyaam vidhaatum bhavaani svayamvyaktaroopojjvale, padmayaa hastapankeruhaattaamalasphaaramuktaaphalaalankritacchatrayaa padmabhookaantayaa kacchapeenirgaladdivyagaandhaaranaadaanukooleebhavadgeyayaa nirjaraadheeshavaamabhruvaa cittabhoopankajaakshyaa ca haste dhritasvarnadandasphura- ccaamaraabhyaam sadaa paarshvayorurvasheemukhyadivyaanganaabhishcalatkuntalorojabhaaraalasaabhirmudaa laasyabhedaih purastaacca samsevite | 2 |

Verso 2

Nikhilabhuvanarakshaṇe, Sakshaṇotkshiptakauksheyasatpakshirāyadhvayādhyakshite Svardhurīṇādrisarvāmarādhīshakoṭīrakoṭīmaṇīkāntinīrāyitāṅghridvayīpadmakoshodarodgīrṇamuktāpalastomabhāsvannakhashreṇikābhāsure Shambhuhṛddhīratāsanmṛgīyantraṇākṛnmanobhūnishaṅgaspurayyaṅghike, Bālarambhātishāyīshaviyñātasaubhāgyakorudvaye, Dehashobhāsaroghūrṇadambhobhramabhrāntikṛnnābhigambhīratābhāsure, Nīlaromāvalīvallarīsatpaloroyabhārānamanmadhyadeshe, Dayānaddhadehe, Shubhe,kumbhikumbhadvayīdhikkiyādakshavakshoruhadvandvasaṃvardhiteshānahṛnmodabhāre, Nateshvekadā Dharmakāmārthamokshapradānaikadakshairlasatkalpavallīsamaiḥ Bāhubhiḥ Paṅkaye Bhītinodakshamāmishṭadāṃ Mudrikāṃ Chādadhāne, Harāmodadhānākṛte, Sindhurādhīshvarāraṇyavāsīshvareṇādarāt Baddhamāṅgalyasūtraspuratkambuyitkandharārāyite, Pārvikasvachhachandrābhirāmānane Nūtnasadvidrumāraktadantachhadālaṅkṛte Kundavṛndollasaddantapaṅktyā Yute, Dehashobhātamālāvalīsañcharañchandrikāmandahāsābhirāme Manohārihīrāṅkarairnistulairmauktikaiḥbaddhatāṭaṅkabhārāyitashrotrayugmāntare, Chāruchāmpeyagarvaughasarvaṅkashodāramuktāpalodbhāsināsāyute, Mandavātāgatipreṅkhadindīvaradvandvayillochane, Mārakodaṇḍarugbhaṅgakṛñchillike, Sharvarīnāthakhaṇḍābhirāmālike, Kāmayitsvāntavātāyusho Mohakṛtkeshapāshaprabhābhāsure, Mañyule, Dehasaundaryavishrāntikṛdrekhikābuddhidasvachhashītāṃshurekhāyute Padmarāgādibhī Ratnavaryaiḥ Kanaddivyakoṭīrahārāvalīkaṅkaṇairmañyumāṇikyasannaddhashiñyanmaṇīkāñchidāmāruṇasvachhachīnāṃshukenāpi Shiñyānamañyīrayugmena Chālaṅkṛte Shobhamānākṛte
nikhilabhuvanarakshane, sakshanotkshiptakauksheyasatpakshiraajadhvajaadhyakshite svardhureenaadrisarvaamaraadheeshakoteerakoteemaneekaantineeraajitaanghridvayeepadmakoshodarodgeernamuktaaphalastomabhaasvannakhashrenikaabhaasure shambhuhriddheerataasanmrigeeyantranaakrinmanobhoonishangasphurajjanghike, baalarambhaatishaayeeshavijnaatasaubhaagyakorudvaye, dehashobhaasaroghoornadambhobhramabhraantikrinnaabhigambheerataabhaasure, neelaromaavaleevallareesatphalorojabhaaraanamanmadhyadeshe, dayaanaddhadehe, shubhe,kumbhikumbhadvayeedhikkiyaadakshavakshoruhadvandvasamvardhiteshaanahrinmodabhaare, nateshvekadaa dharmakaamaarthamokshapradaanaikadakshairlasatkalpavalleesamaih baahubhih pankaje bheetinodakshamaamishtadaam mudrikaam caadadhaane, haraamodadhaanaakrite, sindhuraadheeshvaraaranyavaaseeshvarenaadaraat baddhamaangalyasootrasphuratkambujitkandharaaraajite, paarvikasvacchacandraabhiraamaanane nootnasadvidrumaaraktadantacchadaalankrite kundavrindollasaddantapanktyaa yute, dehashobhaatamaalaavaleesancarancandrikaamandahaasaabhiraame manohaariheeraankarairnistulairmauktikaihbaddhataatankabhaaraajitashrotrayugmaantare, caarucaampeyagarvaughasarvankashodaaramuktaaphalodbhaasinaasaayute, mandavaataagatiprenkhadindeevaradvandvajillocane, maarakodandarugbhangakrincillike, sharvareenaathakhandaabhiraamaalike, kaamajitsvaantavaataayusho mohakritkeshapaashaprabhaabhaasure, manjule, dehasaundaryavishraantikridrekhikaabuddhidasvacchasheetaamshurekhaayute padmaraagaadibhee ratnavaryaih kanaddivyakoteerahaaraavaleekankanairmanjumaanikyasannaddhashinjanmaneekaancidaamaarunasvacchaceenaamshukenaapi shinjaanamanjeerayugmena caalankrite shobhamaanaakrite | 3 |

Verso 3

Akṛtakavachanāni Sarvāṇi Yogīndrasanmānasaiḥ Sākamaprāpya Yasmānnivṛttāni Taṃ Te Parānandamamba, Tvadīhābalādye Labhante Na Te Kutrachit Bibhyati Svachhabuddhīnamūnna Spṛshatyugrasaṃsārayaṃ Karmayātaṃ, Purā Yo Vidhiṃ Sṛshṭavānadbhutān Vedarāshīnamushmai Punardattavānātmabuddhiprakāshaṃ Mumukshuḥ Yano Yaṃ Sadā Sevate Yashcha Sūrye Vibhātyānakhāgrāt Pumān Svarṇavarṇoyyvalo Yashcha Puṃsāṃ Hṛdākāshagaḥ Sachidānandarūpaḥ Shivastasya Shaktistvamasyuttamā Tanmayī Tattvamasyambike Tvadbhiyā Māruto Vāti Sūryānalau Tārakānāyako'pyandhakāraṃ Nirasyānishaṃ Yaṅgamaṃ Sthāvaraṃ Chābhitaḥ Pālayante Yagatpannagādhīshvaro'pyunnamatkandharaṃ Bhūtalaṃ Sāvalambaṃ Karotyambare Meghapaṅktiryalaiḥ Siñchati Kshmātalaṃ Devi Me Satpathe'tyantasaktiṃ Kuru Tvaṃ Hi Buddhipradā Sarvahṛtpaṅkaye Sannivishṭā Na Cheddushkṛtaṃ Yatkaromyadya Tannishkṛtāvesha Bhārastvayi
akritakavacanaani sarvaani yogeendrasanmaanasaih saakamapraapya yasmaannivrittaani tam te paraanandamamba, tvadeehaabalaadye labhante na te kutracit bibhyati svacchabuddheenamoonna sprishatyugrasamsaarajam karmajaatam, puraa yo vidhim srishtavaanadbhutaan vedaraasheenamushmai punardattavaanaatmabuddhiprakaasham mumukshuh jano yam sadaa sevate yashca soorye vibhaatyaanakhaagraat pumaan svarnavarnojjvalo yashca pumsaam hridaakaashagah saccidaanandaroopah shivastasya shaktistvamasyuttamaa tanmayee tattvamasyambike tvadbhiyaa maaruto vaati sooryaanalau taarakaanaayako'pyandhakaaram nirasyaanisham jangamam sthaavaram caabhitah paalayante jagatpannagaadheeshvaro'pyunnamatkandharam bhootalam saavalambam karotyambare meghapanktirjalaih sincati kshmaatalam devi me satpathe'tyantasaktim kuru tvam hi buddhipradaa sarvahritpankaje sannivishtaa na ceddushkritam yatkaromyadya tannishkritaavesha bhaarastvayi | 4 |

Verso 4

Sulalitapadapaṅkaye Te Sadā Yaḥ Sadā Sevate Taṃ Narādhīshvarāḥ Prārthayantetarāmambuvāhopamairbaddhaghaṇṭākshaṇātkārasammpūritāshātaṭairhastibhiḥ Vātavegairhayairuttamairhārakeyūrarukmāṅgadaiḥ Kuṇḍalairmaṇḍayantyasya Gehe Sadā Padmahastā Vasatyetadīyānane Gadyapadyātmikā Bhāratī Nṛtyati Svairameṇīdṛshāṃ Pushpadhanvāyate So'vanau Putrapautrādibhirbandhuvargaiḥ Saha Krīḍati Svachhakīrtyā Yagachhādayatyambike Tvatkṛpāvatkaṭākshāvalīgocharasyeha Vāmutra Vā Durlabhaṃ Kiṃ Bhavet Sarvalokeshvari Tvatpadaṃ Svalpavāgalpatāchoditaḥ Stotumārabdhavānasmyathāpyādarāt Bālalīlāvacho Māturatyantamodaṃ Vidhatte Shive Tanmayā Bālishenānishaṃ Gumbhitaṃ Chāparādhaṃ Kshamasvākhilāṇḍeshvari Tvaṃ Sadā Pāhi Māṃ Dīnamīshapriye Devi Tubhyaṃ Namo Devi Tubhyaṃ Namaḥ
sulalitapadapankaje te sadaa yah sadaa sevate tam naraadheeshvaraah praarthayantetaraamambuvaahopamairbaddhaghantaakshanaatkaarasammpooritaashaatatairhastibhih vaatavegairhayairuttamairhaarakeyoorarukmaangadaih kundalairmandayantyasya gehe sadaa padmahastaa vasatyetadeeyaanane gadyapadyaatmikaa bhaaratee nrityati svairameneedrishaam pushpadhanvaayate so'vanau putrapautraadibhirbandhuvargaih saha kreedati svacchakeertyaa jagacchaadayatyambike tvatkripaavatkataakshaavaleegocarasyeha vaamutra vaa durlabham kim bhavet sarvalokeshvari tvatpadam svalpavaagalpataacoditah stotumaarabdhavaanasmyathaapyaadaraat baalaleelaavaco maaturatyantamodam vidhatte shive tanmayaa baalishenaanisham gumbhitam caaparaadham kshamasvaakhilaandeshvari tvam sadaa paahi maam deenameeshapriye devi tubhyam namo devi tubhyam namah | 5 |

Verso 5

Shivasūryadīkshitagurorbhāskaranāmnā Tanūbhuvā Rachitaḥ Akhilāṇḍanāyikāyāḥ Kuryāchiramesha Daṇḍakaḥ Pramadam
shivasooryadeekshitagurorbhaaskaranaamnaa tanoobhuvaa racitah akhilaandanaayikaayaah kuryaacciramesha dandakah pramadam | 6 |

Verso 6

Iti Shrībhāskarakavikṛtaḥ Akhilāṇḍanāyikādaṇḍakaḥ Samāptaḥ
iti shreebhaaskarakavikritah akhilaandanaayikaadandakah samaaptah | 7 |

Verso 7

Worship Guidelines & Chanting Benefits (Phalashruti)

Auspicious Day

A diario o en días sagrados lunares (Ekadashi, Purnima)

Best Time (Muhurta)

Brahma Muhurta (4:00 AM – 6:00 AM) o atardecer

Sacred Offerings

Lámpara de ghee, incienso, flores frescas y ofrenda de agua

Spiritual Benefits (Phalashruti)
  • Paz mental, elevación espiritual y armonía en el hogar

Contexto

Esta composición pertenece a la tradición del shaktismo, una corriente del hinduismo que adora a la diosa como la realidad suprema. Está atribuida al poeta Bhaskara Kavi, hijo de Shivasurya Dikshita, y sigue la forma poética de dandaka, caracterizada por versos largos y rítmicos. Tradicionalmente se recita como parte de rituales devocionales o en ocasiones especiales para invocar la gracia de la diosa.

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Autoría y origen

El himno fue compuesto por Bhāskara Kavi, hijo de Śiva Sūrya Dīkṣita, probablemente en los siglos XVII-XVIII. Pertenece a la tradición de los daṇḍakas, una forma poética sánscrita caracterizada por versos largos y continuos que permiten una alabanza detallada.

Forma literaria

Se trata de un daṇḍaka, una composición sin pausa métrica que puede extenderse en largas cadenas de versos. Esta estructura permite descripciones exuberantes y detalladas de la diosa, enumerando sus atributos y epítetos en un solo flujo rítmico.

Temática central

La obra alaba a Akhilanāyikā (la Señora de todo el universo), identificada con la diosa Pārvatī o Śivā. El himno describe su belleza divina, sus joyas, su papel como madre del cosmos y su poder sobre los elementos y otros dioses.

Imágenes descriptivas

Se destacan vívidas descripciones de la diosa: su rostro como la luna llena, su cabello oscuro como nubes, sus ojos de loto y su cuerpo adornado con joyas de oro y piedras preciosas. También se mencionan sus acciones protectoras y su capacidad para conceder bendiciones.

Referencias mitológicas y naturales

El texto incluye menciones a Śiva, Viṣṇu, Brahmā y otros dioses, así como a árboles sagrados como el kadamba y el jamun (jambū). La diosa es presentada como la energía suprema (Śakti) de Śiva, y se alude a lugares y ríos sagrados del sur de la India.

Propósito devocional

Según el colofón, este daṇḍaka fue compuesto para alabar a la diosa y se recita para obtener su gracia. Se considera un himno poderoso que puede proteger al devoto, conceder deseos y liberar del ciclo de nacimientos, terminando con una súplica humilde de perdón por los errores cometidos en la alabanza.

Más de Hinduismo

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Enseñanzas Conectadas

La misma enseñanza, repetida en distintas tradiciones