Bharat Devotion
Embroidered artwork for Shri Akhilandanayika Dandaka: Embroidered Om symbol above a brass diya, marigolds and a temple spire at sunrise

Shri Akhilandanayika Dandaka

Shri Akhilandanayika Dandaka

Este é um poema devocional em sânscrito, conhecido como dandaka, que louva a deusa Akhilandanayika, a rainha de todos os universos. A obra descreve sua beleza divina, seu poder e as bênçãos que ela concede aos devotos.

Versos

kadambatarumañjarīkalitakarṇapūrojjvalaṃ kalakvaṇavipañcikākalanadattakotsavam karasphuritaśārikaṃ kaṭhinapīnatuṅgastanaṃ jagattritayamaṅgalaṃ jayati manmanomandire
kadambatarumanjareekalitakarnapoorojjvalam kalakvanavipancikaakalanadattakotsavam karasphuritashaarikam kathinapeenatungastanam jagattritayamangalam jayati manmanomandire | 1 |

Verso 1

jaya jaya jagadekamātaḥ śive devi jambūpatīśānahṛnmodakṛnmārasañjīvanoddāmaśobhābhirāmākhilāṅgojjvale campakāśokapunnāgasālāsanaśrīphalodumbarāśvatthajambūlasaccandanādyurvarājātarājīnirastāruṇābhāpadasvīyavelāsamudbhāsisahyātmajāpūrayormadhyage vārijātāvalīgarbhaniryatnaniryanmadhusvādahṛṣyaddvirephāṅganācārusaṅgītavanmañjuśākhāsuḍolāvihārapriyasvapriyāyukpriyasvānavanyāpriyasvādukekālasatkekiṣaṇḍākule, caṇḍabhānudviṣañcaṇḍarāmābjabhūcandrakumbhodbhavaśrīmadindrāgnijambūmahātīrtharājāvalītīrabhūmallikāyūthikāmālatīpūrvavīrutsamudbhūtapuṣpotkasmeragandhābhirāmātibālānilasvairasañcārasañjātasammodadivyāṅganālīlasad gopurālaṅkṛte, siddhaveṣasphuradbhūtinidāyīśvarasvāntasantoṣakṛtsālavaryāvṛte, santataṃ dantikāntāradeśe kṛtāśe dayāśevadhau śeradhīśeḍite, vedhasā vaidikairāgamairbodhitairarcanāsatpathairadbhutaiḥ pūjite, cārujambūtarormūladeśollsadratnagehāntarālaṅkriyākāraṇe, dantinā lūtayā cārusaṃsevite, nīraliṅgākṛtau devadeve hare lokarakṣākṛte, tatsaparyāṃ vidhātuṃ bhavāni svayaṃvyaktarūpojjvale, padmayā hastapaṅkeruhāttāmalasphāramuktāphalālaṅkṛtacchatrayā padmabhūkāntayā kacchapīnirgaladdivyagāndhāranādānukūlībhavadgeyayā nirjarādhīśavāmabhruvā cittabhūpaṅkajākṣyā ca haste dhṛtasvarṇadaṇḍasphura- ccāmarābhyāṃ sadā pārśvayorurvaśīmukhyadivyāṅganābhiścalatkuntalorojabhārālasābhirmudā lāsyabhedaiḥ purastācca saṃsevite
jaya jaya jagadekamaatah shive devi jamboopateeshaanahrinmodakrinmaarasanjeevanoddaamashobhaabhiraamaakhilaangojjvale campakaashokapunnaagasaalaasanashreephalodumbaraashvatthajamboolasaccandanaadyurvaraajaataraajeenirastaarunaabhaapadasveeyavelaasamudbhaasisahyaatmajaapoorayormadhyage vaarijaataavaleegarbhaniryatnaniryanmadhusvaadahrishyaddvirephaanganaacaarusangeetavanmanjushaakhaasudolaavihaarapriyasvapriyaayukpriyasvaanavanyaapriyasvaadukekaalasatkekishandaakule, candabhaanudvishancandaraamaabjabhoocandrakumbhodbhavashreemadindraagnijamboomahaateertharaajaavaleeteerabhoomallikaayoothikaamaalateepoorvaveerutsamudbhootapushpotkasmeragandhaabhiraamaatibaalaanilasvairasancaarasanjaatasammodadivyaanganaaleelasad gopuraalankrite, siddhaveshasphuradbhootinidaayeeshvarasvaantasantoshakritsaalavaryaavrite, santatam dantikaantaaradeshe kritaashe dayaashevadhau sheradheeshedite, vedhasaa vaidikairaagamairbodhitairarcanaasatpathairadbhutaih poojite, caarujambootarormooladeshollsadratnagehaantaraalankriyaakaarane, dantinaa lootayaa caarusamsevite, neeralingaakritau devadeve hare lokarakshaakrite, tatsaparyaam vidhaatum bhavaani svayamvyaktaroopojjvale, padmayaa hastapankeruhaattaamalasphaaramuktaaphalaalankritacchatrayaa padmabhookaantayaa kacchapeenirgaladdivyagaandhaaranaadaanukooleebhavadgeyayaa nirjaraadheeshavaamabhruvaa cittabhoopankajaakshyaa ca haste dhritasvarnadandasphura- ccaamaraabhyaam sadaa paarshvayorurvasheemukhyadivyaanganaabhishcalatkuntalorojabhaaraalasaabhirmudaa laasyabhedaih purastaacca samsevite | 2 |

Verso 2

nikhilabhuvanarakṣaṇe, sakṣaṇotkṣiptakaukṣeyasatpakṣirājadhvajādhyakṣite svardhurīṇādrisarvāmarādhīśakoṭīrakoṭīmaṇīkāntinīrājitāṅghridvayīpadmakośodarodgīrṇamuktāphalastomabhāsvannakhaśreṇikābhāsure śambhuhṛddhīratāsanmṛgīyantraṇākṛnmanobhūniṣaṅgasphurajjaṅghike, bālarambhātiśāyīśavijñātasaubhāgyakorudvaye, dehaśobhāsaroghūrṇadambhobhramabhrāntikṛnnābhigambhīratābhāsure, nīlaromāvalīvallarīsatphalorojabhārānamanmadhyadeśe, dayānaddhadehe, śubhe,kumbhikumbhadvayīdhikkiyādakṣavakṣoruhadvandvasaṃvardhiteśānahṛnmodabhāre, nateṣvekadā dharmakāmārthamokṣapradānaikadakṣairlasatkalpavallīsamaiḥ bāhubhiḥ paṅkaje bhītinodakṣamāmiṣṭadāṃ mudrikāṃ cādadhāne, harāmodadhānākṛte, sindhurādhīśvarāraṇyavāsīśvareṇādarāt baddhamāṅgalyasūtrasphuratkambujitkandharārājite, pārvikasvacchacandrābhirāmānane nūtnasadvidrumāraktadantacchadālaṅkṛte kundavṛndollasaddantapaṅktyā yute, dehaśobhātamālāvalīsañcarañcandrikāmandahāsābhirāme manohārihīrāṅkarairnistulairmauktikaiḥbaddhatāṭaṅkabhārājitaśrotrayugmāntare, cārucāmpeyagarvaughasarvaṅkaṣodāramuktāphalodbhāsināsāyute, mandavātāgatipreṅkhadindīvaradvandvajillocane, mārakodaṇḍarugbhaṅgakṛñcillike, śarvarīnāthakhaṇḍābhirāmālike, kāmajitsvāntavātāyuṣo mohakṛtkeśapāśaprabhābhāsure, mañjule, dehasaundaryaviśrāntikṛdrekhikābuddhidasvacchaśītāṃśurekhāyute padmarāgādibhī ratnavaryaiḥ kanaddivyakoṭīrahārāvalīkaṅkaṇairmañjumāṇikyasannaddhaśiñjanmaṇīkāñcidāmāruṇasvacchacīnāṃśukenāpi śiñjānamañjīrayugmena cālaṅkṛte śobhamānākṛte
nikhilabhuvanarakshane, sakshanotkshiptakauksheyasatpakshiraajadhvajaadhyakshite svardhureenaadrisarvaamaraadheeshakoteerakoteemaneekaantineeraajitaanghridvayeepadmakoshodarodgeernamuktaaphalastomabhaasvannakhashrenikaabhaasure shambhuhriddheerataasanmrigeeyantranaakrinmanobhoonishangasphurajjanghike, baalarambhaatishaayeeshavijnaatasaubhaagyakorudvaye, dehashobhaasaroghoornadambhobhramabhraantikrinnaabhigambheerataabhaasure, neelaromaavaleevallareesatphalorojabhaaraanamanmadhyadeshe, dayaanaddhadehe, shubhe,kumbhikumbhadvayeedhikkiyaadakshavakshoruhadvandvasamvardhiteshaanahrinmodabhaare, nateshvekadaa dharmakaamaarthamokshapradaanaikadakshairlasatkalpavalleesamaih baahubhih pankaje bheetinodakshamaamishtadaam mudrikaam caadadhaane, haraamodadhaanaakrite, sindhuraadheeshvaraaranyavaaseeshvarenaadaraat baddhamaangalyasootrasphuratkambujitkandharaaraajite, paarvikasvacchacandraabhiraamaanane nootnasadvidrumaaraktadantacchadaalankrite kundavrindollasaddantapanktyaa yute, dehashobhaatamaalaavaleesancarancandrikaamandahaasaabhiraame manohaariheeraankarairnistulairmauktikaihbaddhataatankabhaaraajitashrotrayugmaantare, caarucaampeyagarvaughasarvankashodaaramuktaaphalodbhaasinaasaayute, mandavaataagatiprenkhadindeevaradvandvajillocane, maarakodandarugbhangakrincillike, sharvareenaathakhandaabhiraamaalike, kaamajitsvaantavaataayusho mohakritkeshapaashaprabhaabhaasure, manjule, dehasaundaryavishraantikridrekhikaabuddhidasvacchasheetaamshurekhaayute padmaraagaadibhee ratnavaryaih kanaddivyakoteerahaaraavaleekankanairmanjumaanikyasannaddhashinjanmaneekaancidaamaarunasvacchaceenaamshukenaapi shinjaanamanjeerayugmena caalankrite shobhamaanaakrite | 3 |

Verso 3

akṛtakavacanāni sarvāṇi yogīndrasanmānasaiḥ sākamaprāpya yasmānnivṛttāni taṃ te parānandamamba, tvadīhābalādye labhante na te kutracit bibhyati svacchabuddhīnamūnna spṛśatyugrasaṃsārajaṃ karmajātaṃ, purā yo vidhiṃ sṛṣṭavānadbhutān vedarāśīnamuṣmai punardattavānātmabuddhiprakāśaṃ mumukṣuḥ jano yaṃ sadā sevate yaśca sūrye vibhātyānakhāgrāt pumān svarṇavarṇojjvalo yaśca puṃsāṃ hṛdākāśagaḥ saccidānandarūpaḥ śivastasya śaktistvamasyuttamā tanmayī tattvamasyambike tvadbhiyā māruto vāti sūryānalau tārakānāyako'pyandhakāraṃ nirasyāniśaṃ jaṅgamaṃ sthāvaraṃ cābhitaḥ pālayante jagatpannagādhīśvaro'pyunnamatkandharaṃ bhūtalaṃ sāvalambaṃ karotyambare meghapaṅktirjalaiḥ siñcati kṣmātalaṃ devi me satpathe'tyantasaktiṃ kuru tvaṃ hi buddhipradā sarvahṛtpaṅkaje sanniviṣṭā na cedduṣkṛtaṃ yatkaromyadya tanniṣkṛtāveṣa bhārastvayi
akritakavacanaani sarvaani yogeendrasanmaanasaih saakamapraapya yasmaannivrittaani tam te paraanandamamba, tvadeehaabalaadye labhante na te kutracit bibhyati svacchabuddheenamoonna sprishatyugrasamsaarajam karmajaatam, puraa yo vidhim srishtavaanadbhutaan vedaraasheenamushmai punardattavaanaatmabuddhiprakaasham mumukshuh jano yam sadaa sevate yashca soorye vibhaatyaanakhaagraat pumaan svarnavarnojjvalo yashca pumsaam hridaakaashagah saccidaanandaroopah shivastasya shaktistvamasyuttamaa tanmayee tattvamasyambike tvadbhiyaa maaruto vaati sooryaanalau taarakaanaayako'pyandhakaaram nirasyaanisham jangamam sthaavaram caabhitah paalayante jagatpannagaadheeshvaro'pyunnamatkandharam bhootalam saavalambam karotyambare meghapanktirjalaih sincati kshmaatalam devi me satpathe'tyantasaktim kuru tvam hi buddhipradaa sarvahritpankaje sannivishtaa na ceddushkritam yatkaromyadya tannishkritaavesha bhaarastvayi | 4 |

Verso 4

sulalitapadapaṅkaje te sadā yaḥ sadā sevate taṃ narādhīśvarāḥ prārthayantetarāmambuvāhopamairbaddhaghaṇṭākṣaṇātkārasammpūritāśātaṭairhastibhiḥ vātavegairhayairuttamairhārakeyūrarukmāṅgadaiḥ kuṇḍalairmaṇḍayantyasya gehe sadā padmahastā vasatyetadīyānane gadyapadyātmikā bhāratī nṛtyati svairameṇīdṛśāṃ puṣpadhanvāyate so'vanau putrapautrādibhirbandhuvargaiḥ saha krīḍati svacchakīrtyā jagacchādayatyambike tvatkṛpāvatkaṭākṣāvalīgocarasyeha vāmutra vā durlabhaṃ kiṃ bhavet sarvalokeśvari tvatpadaṃ svalpavāgalpatācoditaḥ stotumārabdhavānasmyathāpyādarāt bālalīlāvaco māturatyantamodaṃ vidhatte śive tanmayā bāliśenāniśaṃ gumbhitaṃ cāparādhaṃ kṣamasvākhilāṇḍeśvari tvaṃ sadā pāhi māṃ dīnamīśapriye devi tubhyaṃ namo devi tubhyaṃ namaḥ
sulalitapadapankaje te sadaa yah sadaa sevate tam naraadheeshvaraah praarthayantetaraamambuvaahopamairbaddhaghantaakshanaatkaarasammpooritaashaatatairhastibhih vaatavegairhayairuttamairhaarakeyoorarukmaangadaih kundalairmandayantyasya gehe sadaa padmahastaa vasatyetadeeyaanane gadyapadyaatmikaa bhaaratee nrityati svairameneedrishaam pushpadhanvaayate so'vanau putrapautraadibhirbandhuvargaih saha kreedati svacchakeertyaa jagacchaadayatyambike tvatkripaavatkataakshaavaleegocarasyeha vaamutra vaa durlabham kim bhavet sarvalokeshvari tvatpadam svalpavaagalpataacoditah stotumaarabdhavaanasmyathaapyaadaraat baalaleelaavaco maaturatyantamodam vidhatte shive tanmayaa baalishenaanisham gumbhitam caaparaadham kshamasvaakhilaandeshvari tvam sadaa paahi maam deenameeshapriye devi tubhyam namo devi tubhyam namah | 5 |

Verso 5

śivasūryadīkṣitagurorbhāskaranāmnā tanūbhuvā racitaḥ akhilāṇḍanāyikāyāḥ kuryāccirameṣa daṇḍakaḥ pramadam
shivasooryadeekshitagurorbhaaskaranaamnaa tanoobhuvaa racitah akhilaandanaayikaayaah kuryaacciramesha dandakah pramadam | 6 |

Verso 6

iti śrībhāskarakavikṛtaḥ akhilāṇḍanāyikādaṇḍakaḥ samāptaḥ
iti shreebhaaskarakavikritah akhilaandanaayikaadandakah samaaptah | 7 |

Verso 7

Worship Guidelines & Chanting Benefits (Phalashruti)

Auspicious Day

Daily or auspicious lunar days (Ekadashi, Purnima, Pradosham)

Best Time (Muhurta)

Brahma Muhurta (4:00 AM – 6:00 AM) or Evening Dusk (Sandhya)

Sacred Offerings

Ghee lamp (Deepa), Incense (Dhoopa), Fresh flowers & Water offering

Spiritual Benefits (Phalashruti)
  • Peace of mind, spiritual upliftment, and harmonious energy in the home

Contexto

Este stotra (hino) faz parte da tradição devocional hindu, mais especificamente da corrente Shákta, que venera a Deusa como a realidade suprema. É tradicionalmente atribuído ao poeta Bhaskara Kavi e é recitado para elevação espiritual e proteção. O metro dandaka caracteriza-se por versos longos e ritmados, repletos de palavras compostas, o que confere ao texto uma sonoridade única e poderosa.

Você sabia?

Forma poética Dandaka

Este texto é um dandaka, um tipo de poema devocional sânscrito caracterizado por versos longos e complexos, onde uma única frase pode se estender por muitas linhas. O desafio métrico e a abundância de palavras compostas (samasa) são marcas dessa forma, usada para criar uma sensação de fluxo ininterrupto de louvor, como uma oração em êxtase.

Deusa Akhilandanayika

A homenageada é Akhilandanayika, um epíteto da deusa Parvati, significando “Mãe de todo o universo”. Este poema a associa ao santuário de Jambukeswaram (Tiruvanaikaval, no sul da Índia), onde ela é adorada ao lado de Shiva como Jambunatha, e a descrição enfatiza sua beleza, poder e papel como protetora do mundo.

Autor e sua linhagem

O poeta é Bhaskara Kavi, filho de Shiva Surya Dikshita, conforme declarado no verso final (5). O nome do pai sugere uma tradição de estudiosos brâmanes do sul da Índia, ligados ao culto shivaíta. Ao nomear a si mesmo e sua origem, Bhaskara insere a obra em uma linhagem de devoção e erudição, um gesto comum em textos clássicos para autenticidade e bênção.

Estrutura visual e sonora

O poema é rico em palavras compostas extensas que descrevem a deusa em detalhes vívidos – desde suas vestes e joias até o ambiente natural ao redor (como o rio com flores e abelhas). A repetição de sons (aliteração) e a cadência rítmica criam uma experiência quase hipnótica, refletindo a ideia de que a beleza da deusa é tão abundante que transborda em palavras.

Tema de refúgio e graça

Nos versos (4) e (5), o poeta pede perdão por sua imperfeição e suplica a proteção da deusa, lembrando que ela é a inteligência que habita o coração de todos. Essa passagem reforça a crença de que a graça divina é acessível mesmo aos humildes, e que o louvor sincero – mesmo que infantil ou imperfeito – é aceito com amor maternal.

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Ensinamentos Conectados

O mesmo ensinamento, ecoado em diferentes tradições