Bharat Devotion
Embroidered artwork for Shri Akhilandanayika Dandaka: Embroidered Om symbol above a brass diya, marigolds and a temple spire at sunrise

Shri Akhilandanayika Dandaka

Shri Akhilandanayika Dandaka

Questo è un potente inno devozionale (daṇḍaka) in sanscrito che loda la Dea Akhilāṇḍanāyikā, la 'Signora di Tutti gli Universi', identificata con l'energia divina (Śakti) di Śiva. I versi celebrano la sua bellezza, il suo potere e la sua grazia attraverso un linguaggio ricco di immagini poetiche e metafore, invitando alla contemplazione e alla devozione.

Versi

Kadambatarumañgiarīkalitakarṇapūroggvalaṃ Kalakvaṇavipañcikākalanadattakotsavam Karaspuritashārikaṃ Kaṭhinapīnatuṅgastanaṃ Giagattritaiamaṅgalaṃ Giaiati Manmanomandire
kadambatarumanjareekalitakarnapoorojjvalam kalakvanavipancikaakalanadattakotsavam karasphuritashaarikam kathinapeenatungastanam jagattritayamangalam jayati manmanomandire | 1 |

Verso 1

Giaia Giaia Giagadekamātaḥ Shive Devi Giambūpatīshānahṛnmodakṛnmārasañgīvanoddāmashobhābhirāmākhilāṅgoggvale Ciampakāshokapunnāgasālāsanashrīpalodumbarāshvatthagiambūlasaciiandanādiurvarāgiātarāgīnirastāruṇābhāpadasvīiavelāsamudbhāsisahiātmagiāpūraiormadhiage Vārigiātāvalīgarbhaniriatnanirianmadhusvādahṛshiaddvirepāṅganāciārusaṅgītavanmañgiushākhāsuḍolāvihārapriiasvapriiāiukpriiasvānavaniāpriiasvādukekālasatkekishaṇḍākule, Ciaṇḍabhānudvishañciaṇḍarāmābgiabhūciandrakumbhodbhavashrīmadindrāgnigiambūmahātīrtharāgiāvalītīrabhūmallikāiūthikāmālatīpūrvavīrutsamudbhūtapushpotkasmeragandhābhirāmātibālānilasvairasañciārasañgiātasammodadiviāṅganālīlasad Gopurālaṅkṛte, Siddhaveshaspuradbhūtinidāiīshvarasvāntasantoshakṛtsālavariāvṛte, Santataṃ Dantikāntāradeshe Kṛtāshe Daiāshevadhau Sheradhīsheḍite, Vedhasā Vaidikairāgamairbodhitairarcianāsatpathairadbhutaiḥ Pūgite, Ciārugiambūtarormūladeshollsadratnagehāntarālaṅkriiākāraṇe, Dantinā Lūtaiā Ciārusaṃsevite, Nīraliṅgākṛtau Devadeve Hare Lokarakshākṛte, Tatsapariāṃ Vidhātuṃ Bhavāni Svaiaṃviaktarūpoggvale, Padmaiā Hastapaṅkeruhāttāmalaspāramuktāpalālaṅkṛtaciatraiā Padmabhūkāntaiā Kaciapīnirgaladdiviagāndhāranādānukūlībhavadgeiaiā Nirgiarādhīshavāmabhruvā Cittabhūpaṅkagiākshiā Cia Haste Dhṛtasvarṇadaṇḍaspura- Ciiāmarābhiāṃ Sadā Pārshvaiorurvashīmukhiadiviāṅganābhishcialatkuntalorogiabhārālasābhirmudā Lāsiabhedaiḥ Purastāciia Saṃsevite
jaya jaya jagadekamaatah shive devi jamboopateeshaanahrinmodakrinmaarasanjeevanoddaamashobhaabhiraamaakhilaangojjvale campakaashokapunnaagasaalaasanashreephalodumbaraashvatthajamboolasaccandanaadyurvaraajaataraajeenirastaarunaabhaapadasveeyavelaasamudbhaasisahyaatmajaapoorayormadhyage vaarijaataavaleegarbhaniryatnaniryanmadhusvaadahrishyaddvirephaanganaacaarusangeetavanmanjushaakhaasudolaavihaarapriyasvapriyaayukpriyasvaanavanyaapriyasvaadukekaalasatkekishandaakule, candabhaanudvishancandaraamaabjabhoocandrakumbhodbhavashreemadindraagnijamboomahaateertharaajaavaleeteerabhoomallikaayoothikaamaalateepoorvaveerutsamudbhootapushpotkasmeragandhaabhiraamaatibaalaanilasvairasancaarasanjaatasammodadivyaanganaaleelasad gopuraalankrite, siddhaveshasphuradbhootinidaayeeshvarasvaantasantoshakritsaalavaryaavrite, santatam dantikaantaaradeshe kritaashe dayaashevadhau sheradheeshedite, vedhasaa vaidikairaagamairbodhitairarcanaasatpathairadbhutaih poojite, caarujambootarormooladeshollsadratnagehaantaraalankriyaakaarane, dantinaa lootayaa caarusamsevite, neeralingaakritau devadeve hare lokarakshaakrite, tatsaparyaam vidhaatum bhavaani svayamvyaktaroopojjvale, padmayaa hastapankeruhaattaamalasphaaramuktaaphalaalankritacchatrayaa padmabhookaantayaa kacchapeenirgaladdivyagaandhaaranaadaanukooleebhavadgeyayaa nirjaraadheeshavaamabhruvaa cittabhoopankajaakshyaa ca haste dhritasvarnadandasphura- ccaamaraabhyaam sadaa paarshvayorurvasheemukhyadivyaanganaabhishcalatkuntalorojabhaaraalasaabhirmudaa laasyabhedaih purastaacca samsevite | 2 |

Verso 2

Nikhilabhuvanarakshaṇe, Sakshaṇotkshiptakauksheiasatpakshirāgiadhvagiādhiakshite Svardhurīṇādrisarvāmarādhīshakoṭīrakoṭīmaṇīkāntinīrāgitāṅghridvaiīpadmakoshodarodgīrṇamuktāpalastomabhāsvannakhashreṇikābhāsure Shambhuhṛddhīratāsanmṛgīiantraṇākṛnmanobhūnishaṅgaspuraggiaṅghike, Bālarambhātishāiīshavigñātasaubhāgiakorudvaie, Dehashobhāsaroghūrṇadambhobhramabhrāntikṛnnābhigambhīratābhāsure, Nīlaromāvalīvallarīsatpalorogiabhārānamanmadhiadeshe, Daiānaddhadehe, Shubhe,kumbhikumbhadvaiīdhikkiiādakshavakshoruhadvandvasaṃvardhiteshānahṛnmodabhāre, Nateshvekadā Dharmakāmārthamokshapradānaikadakshairlasatkalpavallīsamaiḥ Bāhubhiḥ Paṅkage Bhītinodakshamāmishṭadāṃ Mudrikāṃ Ciādadhāne, Harāmodadhānākṛte, Sindhurādhīshvarāraṇiavāsīshvareṇādarāt Baddhamāṅgaliasūtraspuratkambugitkandharārāgite, Pārvikasvaciaciandrābhirāmānane Nūtnasadvidrumāraktadantaciadālaṅkṛte Kundavṛndollasaddantapaṅktiā Iute, Dehashobhātamālāvalīsañciarañciandrikāmandahāsābhirāme Manohārihīrāṅkarairnistulairmauktikaiḥbaddhatāṭaṅkabhārāgitashrotraiugmāntare, Ciāruciāmpeiagarvaughasarvaṅkashodāramuktāpalodbhāsināsāiute, Mandavātāgatipreṅkhadindīvaradvandvagillociane, Mārakodaṇḍarugbhaṅgakṛñcillike, Sharvarīnāthakhaṇḍābhirāmālike, Kāmagitsvāntavātāiusho Mohakṛtkeshapāshaprabhābhāsure, Mañgiule, Dehasaundariavishrāntikṛdrekhikābuddhidasvaciashītāṃshurekhāiute Padmarāgādibhī Ratnavariaiḥ Kanaddiviakoṭīrahārāvalīkaṅkaṇairmañgiumāṇikiasannaddhashiñgianmaṇīkāñcidāmāruṇasvaciacīnāṃshukenāpi Shiñgiānamañgīraiugmena Ciālaṅkṛte Shobhamānākṛte
nikhilabhuvanarakshane, sakshanotkshiptakauksheyasatpakshiraajadhvajaadhyakshite svardhureenaadrisarvaamaraadheeshakoteerakoteemaneekaantineeraajitaanghridvayeepadmakoshodarodgeernamuktaaphalastomabhaasvannakhashrenikaabhaasure shambhuhriddheerataasanmrigeeyantranaakrinmanobhoonishangasphurajjanghike, baalarambhaatishaayeeshavijnaatasaubhaagyakorudvaye, dehashobhaasaroghoornadambhobhramabhraantikrinnaabhigambheerataabhaasure, neelaromaavaleevallareesatphalorojabhaaraanamanmadhyadeshe, dayaanaddhadehe, shubhe,kumbhikumbhadvayeedhikkiyaadakshavakshoruhadvandvasamvardhiteshaanahrinmodabhaare, nateshvekadaa dharmakaamaarthamokshapradaanaikadakshairlasatkalpavalleesamaih baahubhih pankaje bheetinodakshamaamishtadaam mudrikaam caadadhaane, haraamodadhaanaakrite, sindhuraadheeshvaraaranyavaaseeshvarenaadaraat baddhamaangalyasootrasphuratkambujitkandharaaraajite, paarvikasvacchacandraabhiraamaanane nootnasadvidrumaaraktadantacchadaalankrite kundavrindollasaddantapanktyaa yute, dehashobhaatamaalaavaleesancarancandrikaamandahaasaabhiraame manohaariheeraankarairnistulairmauktikaihbaddhataatankabhaaraajitashrotrayugmaantare, caarucaampeyagarvaughasarvankashodaaramuktaaphalodbhaasinaasaayute, mandavaataagatiprenkhadindeevaradvandvajillocane, maarakodandarugbhangakrincillike, sharvareenaathakhandaabhiraamaalike, kaamajitsvaantavaataayusho mohakritkeshapaashaprabhaabhaasure, manjule, dehasaundaryavishraantikridrekhikaabuddhidasvacchasheetaamshurekhaayute padmaraagaadibhee ratnavaryaih kanaddivyakoteerahaaraavaleekankanairmanjumaanikyasannaddhashinjanmaneekaancidaamaarunasvacchaceenaamshukenaapi shinjaanamanjeerayugmena caalankrite shobhamaanaakrite | 3 |

Verso 3

Akṛtakavacianāni Sarvāṇi Iogīndrasanmānasaiḥ Sākamaprāpia Iasmānnivṛttāni Taṃ Te Parānandamamba, Tvadīhābalādie Labhante Na Te Kutracit Bibhiati Svaciabuddhīnamūnna Spṛshatiugrasaṃsāragiaṃ Karmagiātaṃ, Purā Io Vidhiṃ Sṛshṭavānadbhutān Vedarāshīnamushmai Punardattavānātmabuddhiprakāshaṃ Mumukshuḥ Giano Iaṃ Sadā Sevate Iashcia Sūrie Vibhātiānakhāgrāt Pumān Svarṇavarṇoggvalo Iashcia Puṃsāṃ Hṛdākāshagaḥ Saciidānandarūpaḥ Shivastasia Shaktistvamasiuttamā Tanmaiī Tattvamasiambike Tvadbhiiā Māruto Vāti Sūriānalau Tārakānāiako'piandhakāraṃ Nirasiānishaṃ Giaṅgamaṃ Sthāvaraṃ Ciābhitaḥ Pālaiante Giagatpannagādhīshvaro'piunnamatkandharaṃ Bhūtalaṃ Sāvalambaṃ Karotiambare Meghapaṅktirgialaiḥ Siñciati Kshmātalaṃ Devi Me Satpathe'tiantasaktiṃ Kuru Tvaṃ Hi Buddhipradā Sarvahṛtpaṅkage Sannivishṭā Na Ceddushkṛtaṃ Iatkaromiadia Tannishkṛtāvesha Bhārastvaii
akritakavacanaani sarvaani yogeendrasanmaanasaih saakamapraapya yasmaannivrittaani tam te paraanandamamba, tvadeehaabalaadye labhante na te kutracit bibhyati svacchabuddheenamoonna sprishatyugrasamsaarajam karmajaatam, puraa yo vidhim srishtavaanadbhutaan vedaraasheenamushmai punardattavaanaatmabuddhiprakaasham mumukshuh jano yam sadaa sevate yashca soorye vibhaatyaanakhaagraat pumaan svarnavarnojjvalo yashca pumsaam hridaakaashagah saccidaanandaroopah shivastasya shaktistvamasyuttamaa tanmayee tattvamasyambike tvadbhiyaa maaruto vaati sooryaanalau taarakaanaayako'pyandhakaaram nirasyaanisham jangamam sthaavaram caabhitah paalayante jagatpannagaadheeshvaro'pyunnamatkandharam bhootalam saavalambam karotyambare meghapanktirjalaih sincati kshmaatalam devi me satpathe'tyantasaktim kuru tvam hi buddhipradaa sarvahritpankaje sannivishtaa na ceddushkritam yatkaromyadya tannishkritaavesha bhaarastvayi | 4 |

Verso 4

Sulalitapadapaṅkage Te Sadā Iaḥ Sadā Sevate Taṃ Narādhīshvarāḥ Prārthaiantetarāmambuvāhopamairbaddhaghaṇṭākshaṇātkārasammpūritāshātaṭairhastibhiḥ Vātavegairhaiairuttamairhārakeiūrarukmāṅgadaiḥ Kuṇḍalairmaṇḍaiantiasia Gehe Sadā Padmahastā Vasatietadīiānane Gadiapadiātmikā Bhāratī Nṛtiati Svairameṇīdṛshāṃ Pushpadhanvāiate So'vanau Putrapautrādibhirbandhuvargaiḥ Saha Krīḍati Svaciakīrtiā Giagaciādaiatiambike Tvatkṛpāvatkaṭākshāvalīgociarasieha Vāmutra Vā Durlabhaṃ Kiṃ Bhavet Sarvalokeshvari Tvatpadaṃ Svalpavāgalpatācioditaḥ Stotumārabdhavānasmiathāpiādarāt Bālalīlāvacio Māturatiantamodaṃ Vidhatte Shive Tanmaiā Bālishenānishaṃ Gumbhitaṃ Ciāparādhaṃ Kshamasvākhilāṇḍeshvari Tvaṃ Sadā Pāhi Māṃ Dīnamīshapriie Devi Tubhiaṃ Namo Devi Tubhiaṃ Namaḥ
sulalitapadapankaje te sadaa yah sadaa sevate tam naraadheeshvaraah praarthayantetaraamambuvaahopamairbaddhaghantaakshanaatkaarasammpooritaashaatatairhastibhih vaatavegairhayairuttamairhaarakeyoorarukmaangadaih kundalairmandayantyasya gehe sadaa padmahastaa vasatyetadeeyaanane gadyapadyaatmikaa bhaaratee nrityati svairameneedrishaam pushpadhanvaayate so'vanau putrapautraadibhirbandhuvargaih saha kreedati svacchakeertyaa jagacchaadayatyambike tvatkripaavatkataakshaavaleegocarasyeha vaamutra vaa durlabham kim bhavet sarvalokeshvari tvatpadam svalpavaagalpataacoditah stotumaarabdhavaanasmyathaapyaadaraat baalaleelaavaco maaturatyantamodam vidhatte shive tanmayaa baalishenaanisham gumbhitam caaparaadham kshamasvaakhilaandeshvari tvam sadaa paahi maam deenameeshapriye devi tubhyam namo devi tubhyam namah | 5 |

Verso 5

Shivasūriadīkshitagurorbhāskaranāmnā Tanūbhuvā Racitaḥ Akhilāṇḍanāiikāiāḥ Kuriāciiramesha Daṇḍakaḥ Pramadam
shivasooryadeekshitagurorbhaaskaranaamnaa tanoobhuvaa racitah akhilaandanaayikaayaah kuryaacciramesha dandakah pramadam | 6 |

Verso 6

Iti Shrībhāskarakavikṛtaḥ Akhilāṇḍanāiikādaṇḍakaḥ Samāptaḥ
iti shreebhaaskarakavikritah akhilaandanaayikaadandakah samaaptah | 7 |

Verso 7

Worship Guidelines & Chanting Benefits (Phalashruti)

Auspicious Day

Daily or auspicious lunar days (Ekadashi, Purnima, Pradosham)

Best Time (Muhurta)

Brahma Muhurta (4:00 AM – 6:00 AM) or Evening Dusk (Sandhya)

Sacred Offerings

Ghee lamp (Deepa), Incense (Dhoopa), Fresh flowers & Water offering

Spiritual Benefits (Phalashruti)
  • Peace of mind, spiritual upliftment, and harmonious energy in the home

Contesto

Tradizionalmente attribuito al poeta Bhāskara, che si dice fosse discepolo del maestro Śiva Sūrya Dīkṣita, questo testo appartiene alla tradizione dello Śrī Vidyā, una scuola induista che venera la Dea come realtà suprema. Il daṇḍaka viene spesso recitato durante il culto quotidiano o in occasioni solenni; la sua struttura metrica, caratterizzata da lunghi composti, è considerata un mezzo per favorire la concentrazione meditativa e la lode collettiva.

Lo sapevi?

Autore

Questo daṇḍaka è stato composto da Bhāskara Kavi, figlio di Śivasūrya Dīkṣita, come indicato nell'ultimo verso. Il nome del poeta significa 'il sole' (bhāskara) e riflette la tradizione di poeti devozionali del sud dell'India.

Genere letterario

Si tratta di un daṇḍaka, una forma poetica sanscrita caratterizzata da lunghi composti (samāsa) e da un ritmo incalzante, spesso usata per inni alle divinità. Ogni verso è un'unica frase ampia che descrive in dettaglio la grandezza della dea.

Dea celebrata

L'inno è dedicato ad Akhilāṇḍanāyikā, 'la signora dell'intero universo', una forma della Dea Madre (Devī). Nel testo viene invocata come Śivā (consorte di Śiva) e descritta come la forza che muove il creato: il vento, il sole, il fuoco e persino il serpente cosmico Śeṣa agiscono per suo volere.

Contenuto mitologico e simbolico

La descrizione della dea è ricca di simbologia. Si menzionano alberi sacri (come il kadamba e il jambū), animali (elefanti, api, pavoni) e gioielli, tutti elementi che sottolineano la sua bellezza e potenza. Il verso 4 allude al mito secondo cui la dea è la mente che illumina il creatore Brahmā e che protegge i devoti dal ciclo delle rinascite.

Struttura e finalità

L'opera si compone di 6 versi, di cui l'ultimo è un phalaśruti (dichiarazione del frutto spirituale). Il poeta afferma che recitare questo daṇḍaka con devozione porta prosperità, protezione e la realizzazione dei desideri. La conclusione contiene una richiesta di perdono per eventuali errori poetici, tipica degli inni devozionali.

Altro da Induismo

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Insegnamenti Collegati

Lo stesso insegnamento, riecheggiato in diverse tradizioni