Bharat Devotion
Embroidered artwork for Shri Akhilandanayika Dandaka: Embroidered Om symbol above a brass diya, marigolds and a temple spire at sunrise

Shri Akhilandanayika Dandaka

Shri Akhilandanayika Dandaka

Daṇḍaka sanskrit de six versets composé par Bhāskara Kavi, qui loue la Déesse Akhilāṇḍanāyikā pour sa beauté, sa puissance et sa grâce, et implore sa protection.

Vers

Kadambataroumañdjarīkalitakarṇapoûrodjdjvalaṃ Kalakvaṇavipañtchikākalanadattakotsavam Karaspouritachārikaṃ Kaṭhinapīnatouṅgastanaṃ Djagattritayamaṅgalaṃ Djayati Manmanomandire
kadambatarumanjareekalitakarnapoorojjvalam kalakvanavipancikaakalanadattakotsavam karasphuritashaarikam kathinapeenatungastanam jagattritayamangalam jayati manmanomandire | 1 |

Verset 1

Djaya Djaya Djagadekamātaḥ Chive Devi Djamboûpatīchānahṛnmodakṛnmārassañdjīvanoddāmachobhābhirāmākhilāṅgodjdjvale Tchampakāchokapounnāgassālāssanachrīpalodoumbarāchvatthadjamboûlassatchandanādyourvarādjātarādjīnirastārouṇābhāpadasvīyavelāssamoudbhāssisahyātmadjāpoûrayormadhyage Vāridjātāvalīgarbhaniryatnaniryanmadhousvādahṛchyaddvirepāṅganātchāroussaṅgītavanmañdjouchākhāssouḍolāvihārapriyasvapriyāyoukpriyasvānavanyāpriyasvādoukekālassatkekichaṇḍākoule, Tchaṇḍabhānoudvichañtchaṇḍarāmābdjabhoûtchandrakoumbhodbhavachrīmadindrāgnidjamboûmahātīrtharādjāvalītīrabhoûmallikāyoûthikāmālatīpoûrvavīroutsamoudbhoûtapouchpotkasmeragandhābhirāmātibālānilasvairassañtchārassañdjātassammodadivyāṅganālīlassad Gopourālaṅkṛte, Siddhavechaspouradbhoûtinidāyīchvarasvāntassantochakṛtsālavaryāvṛte, Santataṃ Dantikāntāradeche Kṛtāche Dayāchevadhaou Cheradhīcheḍite, Vedhassā Vaidikairāgamairbodhitairartchanāssatpathairadbhoutaiḥ Poûdjite, Tchāroudjamboûtarormoûladechollsadratnagehāntarālaṅkriyākāraṇe, Dantinā Loûtayā Tchāroussaṃsevite, Nīraliṅgākṛtaou Devadeve Hare Lokarakchākṛte, Tatsaparyāṃ Vidhātouṃ Bhavāni Svayaṃvyaktaroûpodjdjvale, Padmayā Hastapaṅkerouhāttāmalaspāramouktāpalālaṅkṛtatchhatrayā Padmabhoûkāntayā Katchhapīnirgaladdivyagāndhāranādānoukoûlībhavadgeyayā Nirdjarādhīchavāmabhrouvā Tchittabhoûpaṅkadjākchyā Tcha Haste Dhṛtasvarṇadaṇḍaspoura- Tchāmarābhyāṃ Sadā Pārchvayorourvachīmoukhyadivyāṅganābhichtchalatkountalorodjabhārālassābhirmoudā Lāsyabhedaiḥ Pourastātcha Saṃsevite
jaya jaya jagadekamaatah shive devi jamboopateeshaanahrinmodakrinmaarasanjeevanoddaamashobhaabhiraamaakhilaangojjvale campakaashokapunnaagasaalaasanashreephalodumbaraashvatthajamboolasaccandanaadyurvaraajaataraajeenirastaarunaabhaapadasveeyavelaasamudbhaasisahyaatmajaapoorayormadhyage vaarijaataavaleegarbhaniryatnaniryanmadhusvaadahrishyaddvirephaanganaacaarusangeetavanmanjushaakhaasudolaavihaarapriyasvapriyaayukpriyasvaanavanyaapriyasvaadukekaalasatkekishandaakule, candabhaanudvishancandaraamaabjabhoocandrakumbhodbhavashreemadindraagnijamboomahaateertharaajaavaleeteerabhoomallikaayoothikaamaalateepoorvaveerutsamudbhootapushpotkasmeragandhaabhiraamaatibaalaanilasvairasancaarasanjaatasammodadivyaanganaaleelasad gopuraalankrite, siddhaveshasphuradbhootinidaayeeshvarasvaantasantoshakritsaalavaryaavrite, santatam dantikaantaaradeshe kritaashe dayaashevadhau sheradheeshedite, vedhasaa vaidikairaagamairbodhitairarcanaasatpathairadbhutaih poojite, caarujambootarormooladeshollsadratnagehaantaraalankriyaakaarane, dantinaa lootayaa caarusamsevite, neeralingaakritau devadeve hare lokarakshaakrite, tatsaparyaam vidhaatum bhavaani svayamvyaktaroopojjvale, padmayaa hastapankeruhaattaamalasphaaramuktaaphalaalankritacchatrayaa padmabhookaantayaa kacchapeenirgaladdivyagaandhaaranaadaanukooleebhavadgeyayaa nirjaraadheeshavaamabhruvaa cittabhoopankajaakshyaa ca haste dhritasvarnadandasphura- ccaamaraabhyaam sadaa paarshvayorurvasheemukhyadivyaanganaabhishcalatkuntalorojabhaaraalasaabhirmudaa laasyabhedaih purastaacca samsevite | 2 |

Verset 2

Nikhilabhouvanarakchaṇe, Sakchaṇotkchiptakaoukcheyassatpakchirādjadhvadjādhyakchite Svardhourīṇādrissarvāmarādhīchakoṭīrakoṭīmaṇīkāntinīrādjitāṅghridvayīpadmakochodarodgīrṇamouktāpalastomabhāsvannakhachreṇikābhāssoure Chambhouhṛddhīratāssanmṛgīyantraṇākṛnmanobhoûnichaṅgaspouradjdjaṅghike, Bālarambhātichāyīchavidjñātassaoubhāgyakoroudvaye, Dehachobhāssaroghoûrṇadambhobhramabhrāntikṛnnābhigambhīratābhāssoure, Nīlaromāvalīvallarīssatpalorodjabhārānamanmadhyadeche, Dayānaddhadehe, Choubhe,koumbhikoumbhadvayīdhikkiyādakchavakchorouhadvandvassaṃvardhitechānahṛnmodabhāre, Natechvekadā Dharmakāmārthamokchapradānaikadakchairlassatkalpavallīssamaiḥ Bāhoubhiḥ Paṅkadje Bhītinodakchamāmichṭadāṃ Moudrikāṃ Tchādadhāne, Harāmodadhānākṛte, Sindhourādhīchvarāraṇyavāssīchvareṇādarāt Baddhamāṅgalyassoûtraspouratkamboudjitkandharārādjite, Pārvikasvatchhatchandrābhirāmānane Noûtnassadvidroumāraktadantatchhadālaṅkṛte Koundavṛndollassaddantapaṅktyā Youte, Dehachobhātamālāvalīssañtcharañtchandrikāmandahāssābhirāme Manohārihīrāṅkarairnistoulairmaouktikaiḥbaddhatāṭaṅkabhārādjitachrotrayougmāntare, Tchāroutchāmpeyagarvaoughassarvaṅkachodāramouktāpalodbhāssināssāyoute, Mandavātāgatipreṅkhadindīvaradvandvadjillotchane, Mārakodaṇḍarougbhaṅgakṛñtchillike, Charvarīnāthakhaṇḍābhirāmālike, Kāmadjitsvāntavātāyoucho Mohakṛtkechapāchaprabhābhāssoure, Mañdjoule, Dehassaoundaryavichrāntikṛdrekhikābouddhidasvatchhachītāṃchourekhāyoute Padmarāgādibhī Ratnavaryaiḥ Kanaddivyakoṭīrahārāvalīkaṅkaṇairmañdjoumāṇikyassannaddhachiñdjanmaṇīkāñtchidāmārouṇasvatchhatchīnāṃchoukenāpi Chiñdjānamañdjīrayougmena Tchālaṅkṛte Chobhamānākṛte
nikhilabhuvanarakshane, sakshanotkshiptakauksheyasatpakshiraajadhvajaadhyakshite svardhureenaadrisarvaamaraadheeshakoteerakoteemaneekaantineeraajitaanghridvayeepadmakoshodarodgeernamuktaaphalastomabhaasvannakhashrenikaabhaasure shambhuhriddheerataasanmrigeeyantranaakrinmanobhoonishangasphurajjanghike, baalarambhaatishaayeeshavijnaatasaubhaagyakorudvaye, dehashobhaasaroghoornadambhobhramabhraantikrinnaabhigambheerataabhaasure, neelaromaavaleevallareesatphalorojabhaaraanamanmadhyadeshe, dayaanaddhadehe, shubhe,kumbhikumbhadvayeedhikkiyaadakshavakshoruhadvandvasamvardhiteshaanahrinmodabhaare, nateshvekadaa dharmakaamaarthamokshapradaanaikadakshairlasatkalpavalleesamaih baahubhih pankaje bheetinodakshamaamishtadaam mudrikaam caadadhaane, haraamodadhaanaakrite, sindhuraadheeshvaraaranyavaaseeshvarenaadaraat baddhamaangalyasootrasphuratkambujitkandharaaraajite, paarvikasvacchacandraabhiraamaanane nootnasadvidrumaaraktadantacchadaalankrite kundavrindollasaddantapanktyaa yute, dehashobhaatamaalaavaleesancarancandrikaamandahaasaabhiraame manohaariheeraankarairnistulairmauktikaihbaddhataatankabhaaraajitashrotrayugmaantare, caarucaampeyagarvaughasarvankashodaaramuktaaphalodbhaasinaasaayute, mandavaataagatiprenkhadindeevaradvandvajillocane, maarakodandarugbhangakrincillike, sharvareenaathakhandaabhiraamaalike, kaamajitsvaantavaataayusho mohakritkeshapaashaprabhaabhaasure, manjule, dehasaundaryavishraantikridrekhikaabuddhidasvacchasheetaamshurekhaayute padmaraagaadibhee ratnavaryaih kanaddivyakoteerahaaraavaleekankanairmanjumaanikyasannaddhashinjanmaneekaancidaamaarunasvacchaceenaamshukenaapi shinjaanamanjeerayugmena caalankrite shobhamaanaakrite | 3 |

Verset 3

Akṛtakavatchanāni Sarvāṇi Yogīndrassanmānassaiḥ Sākamaprāpya Yasmānnivṛttāni Taṃ Te Parānandamamba, Tvadīhābalādye Labhante Na Te Koutratchit Bibhyati Svatchhabouddhīnamoûnna Spṛchatyougrassaṃsāradjaṃ Karmadjātaṃ, Pourā Yo Vidhiṃ Sṛchṭavānadbhoutān Vedarāchīnamouchmai Pounardattavānātmabouddhiprakāchaṃ Moumoukchouḥ Djano Yaṃ Sadā Sevate Yachtcha Soûrye Vibhātyānakhāgrāt Poumān Svarṇavarṇodjdjvalo Yachtcha Pouṃsāṃ Hṛdākāchagaḥ Satchidānandaroûpaḥ Chivastasya Chaktistvamasyouttamā Tanmayī Tattvamasyambike Tvadbhiyā Mārouto Vāti Soûryānalaou Tārakānāyako'pyandhakāraṃ Nirasyānichaṃ Djaṅgamaṃ Sthāvaraṃ Tchābhitaḥ Pālayante Djagatpannagādhīchvaro'pyounnamatkandharaṃ Bhoûtalaṃ Sāvalambaṃ Karotyambare Meghapaṅktirdjalaiḥ Siñtchati Kchmātalaṃ Devi Me Satpathe'tyantassaktiṃ Kourou Tvaṃ Hi Bouddhipradā Sarvahṛtpaṅkadje Sannivichṭā Na Tcheddouchkṛtaṃ Yatkaromyadya Tannichkṛtāvecha Bhārastvayi
akritakavacanaani sarvaani yogeendrasanmaanasaih saakamapraapya yasmaannivrittaani tam te paraanandamamba, tvadeehaabalaadye labhante na te kutracit bibhyati svacchabuddheenamoonna sprishatyugrasamsaarajam karmajaatam, puraa yo vidhim srishtavaanadbhutaan vedaraasheenamushmai punardattavaanaatmabuddhiprakaasham mumukshuh jano yam sadaa sevate yashca soorye vibhaatyaanakhaagraat pumaan svarnavarnojjvalo yashca pumsaam hridaakaashagah saccidaanandaroopah shivastasya shaktistvamasyuttamaa tanmayee tattvamasyambike tvadbhiyaa maaruto vaati sooryaanalau taarakaanaayako'pyandhakaaram nirasyaanisham jangamam sthaavaram caabhitah paalayante jagatpannagaadheeshvaro'pyunnamatkandharam bhootalam saavalambam karotyambare meghapanktirjalaih sincati kshmaatalam devi me satpathe'tyantasaktim kuru tvam hi buddhipradaa sarvahritpankaje sannivishtaa na ceddushkritam yatkaromyadya tannishkritaavesha bhaarastvayi | 4 |

Verset 4

Soulalitapadapaṅkadje Te Sadā Yaḥ Sadā Sevate Taṃ Narādhīchvarāḥ Prārthayantetarāmambouvāhopamairbaddhaghaṇṭākchaṇātkārassammpoûritāchātaṭairhastibhiḥ Vātavegairhayairouttamairhārakeyoûraroukmāṅgadaiḥ Kouṇḍalairmaṇḍayantyasya Gehe Sadā Padmahastā Vassatyetadīyānane Gadyapadyātmikā Bhāratī Nṛtyati Svairameṇīdṛchāṃ Pouchpadhanvāyate So'vanaou Poutrapaoutrādibhirbandhouvargaiḥ Saha Krīḍati Svatchhakīrtyā Djagatchhādayatyambike Tvatkṛpāvatkaṭākchāvalīgotcharasyeha Vāmoutra Vā Dourlabhaṃ Kiṃ Bhavet Sarvalokechvari Tvatpadaṃ Svalpavāgalpatātchoditaḥ Stotoumārabdhavānasmyathāpyādarāt Bālalīlāvatcho Mātouratyantamodaṃ Vidhatte Chive Tanmayā Bālichenānichaṃ Goumbhitaṃ Tchāparādhaṃ Kchamasvākhilāṇḍechvari Tvaṃ Sadā Pāhi Māṃ Dīnamīchapriye Devi Toubhyaṃ Namo Devi Toubhyaṃ Namaḥ
sulalitapadapankaje te sadaa yah sadaa sevate tam naraadheeshvaraah praarthayantetaraamambuvaahopamairbaddhaghantaakshanaatkaarasammpooritaashaatatairhastibhih vaatavegairhayairuttamairhaarakeyoorarukmaangadaih kundalairmandayantyasya gehe sadaa padmahastaa vasatyetadeeyaanane gadyapadyaatmikaa bhaaratee nrityati svairameneedrishaam pushpadhanvaayate so'vanau putrapautraadibhirbandhuvargaih saha kreedati svacchakeertyaa jagacchaadayatyambike tvatkripaavatkataakshaavaleegocarasyeha vaamutra vaa durlabham kim bhavet sarvalokeshvari tvatpadam svalpavaagalpataacoditah stotumaarabdhavaanasmyathaapyaadaraat baalaleelaavaco maaturatyantamodam vidhatte shive tanmayaa baalishenaanisham gumbhitam caaparaadham kshamasvaakhilaandeshvari tvam sadaa paahi maam deenameeshapriye devi tubhyam namo devi tubhyam namah | 5 |

Verset 5

Chivassoûryadīkchitagourorbhāskaranāmnā Tanoûbhouvā Ratchitaḥ Akhilāṇḍanāyikāyāḥ Kouryātchiramecha Daṇḍakaḥ Pramadam
shivasooryadeekshitagurorbhaaskaranaamnaa tanoobhuvaa racitah akhilaandanaayikaayaah kuryaacciramesha dandakah pramadam | 6 |

Verset 6

Iti Chrībhāskarakavikṛtaḥ Akhilāṇḍanāyikādaṇḍakaḥ Samāptaḥ
iti shreebhaaskarakavikritah akhilaandanaayikaadandakah samaaptah | 7 |

Verset 7

Worship Guidelines & Chanting Benefits (Phalashruti)

Auspicious Day

Tous les jours ou lors des jours lunaires sacrés

Best Time (Muhurta)

Brahma Muhurta (4h00 – 6h00) ou au crépuscule

Sacred Offerings

Lampe de ghee, encens, fleurs fraîches et offrande d'eau

Spiritual Benefits (Phalashruti)
  • Paix de l'esprit, élévation spirituelle et harmonie dans le foyer

Contexte

Ce stotra relève de la tradition shakta, qui vénère la Déesse comme réalité ultime. Le texte publié par Sanskrit Documents le répertorie sous Stotrārṇava 08-13. Un daṇḍaka est une forme poétique aux vers très longs, à rythme fixe, qui permet une description riche. Le verset 6 affirme qu’il fut composé par Bhāskara, fils de Śivasūrya Dīkṣita, et le colophon nomme cet auteur Bhāskara Kavi. L’hymne est apprécié pour sa ferveur dévotionnelle et son art littéraire.

Le saviez-vous ?

Forme poétique

Cet hymne est un daṇḍaka, style sanskrit aux vers très longs, aux composés fluides et sans coupure fixe. Le deuxième verset se déroule comme une seule phrase continue, ce qui montre l’habileté du poète dans les composés élaborés.

Auteur et dédicace

Le verset 6 nomme le compositeur : Bhāskara, fils du guru Śivasūrya Dīkṣita. L’hymne est dédié à la Déesse Akhilāṇḍanāyikā, « Maîtresse de tout l’univers », forme de Pārvatī ou de Śakti.

Imagerie vivante

Le verset 1 représente la Déesse ornée de fleurs de kadamba en pendant d’oreille, du son doux de la vīṇā, et d’un mainate (śārikā) posé sur sa main. Elle est saluée comme la bénédiction des trois mondes.

Théologie de la puissance

Le quatrième verset affirme que toutes les fonctions cosmiques, le vent, le soleil, le feu, et jusqu’au serpent qui porte la terre, dépendent de la volonté de la Déesse. Elle est présentée comme la Śakti suprême derrière la création, l’entretien et la libération.

Humilité et abandon

Le verset 5 comporte une humble excuse pour les imperfections de la composition, la comparant aux mots enfantins qui plaisent à une mère. Le verset 6 nomme ensuite l’auteur et prie pour que ce daṇḍaka procure de la joie à la Déesse.

Enseignements Connectés

Le même enseignement, répercuté à travers les traditions